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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače
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National Repertoire of the Opera of the National Theater in Belgrade (1970-1990)
[1]
Nationalism studies and the spatial turn: The concept of national territory
[1]
Nauka kao umetnost – interdisciplinarnost u naučnim radovima Dragutina Gostuškog
[1]
Negating the West, Going East. On Socialist Realism in Yugoslavia (1945-50)
[1]
Nekoliko teza o umerenom modernizmu i tradiciji
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Nikola Borota’s Kameni cvijet (Stone flower) and inscriptions on stećak tombstones: Semantic and poetic level
[1]
Nina Sun Eidsheim and Katherine Meizel (Eds.), The Oxford Handbook of Voice Studies, Oxford: Oxford University Press, 2019.
[1]
Nostalgia In The Interpretation Of Tamburitza Orchestras In Timisoara In 2016: Old Urban Music And Tamburitza Playing
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Nove (inter)nacionalne perspektive jugoslovenske umetničke muzičke scene (Muzički bijenale Zagreb i Jugoslavenska muzička tribina)
[1]
O multikulturalnom i interkulturalnom pristupu u tumačenju pojačke tradicije pravoslavnih naroda na Balkanu - slučaj 'Grčke' i 'zapadnoevropske' škole u vizantološkoj muzikologiji
[1]
O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva
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Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre
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On Developing a Methodology for Research of Musical Borrowing. Case Studies: Serbian Composers of the 1950s
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On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”
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On the multicultural and intercultural approach to interpreting singing traditions of orthodox peoples in the Balkans: The case of 'Greek' and 'Western European' school in Byzantine musicology
[1]
On the orthodox church melos: A contribution to the typology of church chant
[1]
On the Third Part Melody of the Christmas Kontakion (Djeva Dnes)
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On the Trace of Unnoted Church Melodies From the Time of Turkocraty
[1]
On the working process in writing of the neumed book and its function in the Byzantine chant tradition (The contribution to the methodology of music literacy phenomenon)
[1]
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