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Now showing items 245-264 of 648

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      Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače [1]
      National Repertoire of the Opera of the National Theater in Belgrade (1970-1990) [1]
      Nationalism studies and the spatial turn: The concept of national territory [1]
      Nauka kao umetnost – interdisciplinarnost u naučnim radovima Dragutina Gostuškog [1]
      Negating the West, Going East. On Socialist Realism in Yugoslavia (1945-50) [1]
      Nekoliko teza o umerenom modernizmu i tradiciji [1]
      Nikola Borota’s Kameni cvijet (Stone flower) and inscriptions on stećak tombstones: Semantic and poetic level [1]
      Nina Sun Eidsheim and Katherine Meizel (Eds.), The Oxford Handbook of Voice Studies, Oxford: Oxford University Press, 2019. [1]
      Nostalgia In The Interpretation Of Tamburitza Orchestras In Timisoara In 2016: Old Urban Music And Tamburitza Playing [1]
      Nove (inter)nacionalne perspektive jugoslovenske umetničke muzičke scene (Muzički bijenale Zagreb i Jugoslavenska muzička tribina) [1]
      O multikulturalnom i interkulturalnom pristupu u tumačenju pojačke tradicije pravoslavnih naroda na Balkanu - slučaj 'Grčke' i 'zapadnoevropske' škole u vizantološkoj muzikologiji [1]
      O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva [1]
      Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre [1]
      On Developing a Methodology for Research of Musical Borrowing. Case Studies: Serbian Composers of the 1950s [1]
      On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition” [1]
      On the multicultural and intercultural approach to interpreting singing traditions of orthodox peoples in the Balkans: The case of 'Greek' and 'Western European' school in Byzantine musicology [1]
      On the orthodox church melos: A contribution to the typology of church chant [1]
      On the Third Part Melody of the Christmas Kontakion (Djeva Dnes) [1]
      On the Trace of Unnoted Church Melodies From the Time of Turkocraty [1]
      On the working process in writing of the neumed book and its function in the Byzantine chant tradition (The contribution to the methodology of music literacy phenomenon) [1]