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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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Наслови
Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice
[1]
Female Vocal Group “Moba”: Traditional Rural Songs and Their Sounding Today
[1]
Festival srpskog podzemlja: muzička scena „u malom“
[2]
Festivals with conferences and experience-driven culture as "consequences" of digital environment
[1]
Filip Višnjić: A Guslar from the Shadow of a Poet
[1]
Floating Images of Yugoslavism on the Pages of Family Music Albums
[1]
Folk Music of Vranje
[1]
Folklore Motives in the Early Compositions of Nikola Borota – Radovan
[1]
Fond kompozitorskih zaostavština u Muzikološkom institutu SANU
[1]
Fono zbirka Muzikološkog instituta SANU
[1]
Fonoarhiv dr Dragoslava Devića - Srpska vokalna tradicija I, Balkansko kulturno nasleđe, 2015
[1]
For the ‘Pure’ National and High-Art Values: Music Production and Performance in the Kingdom of Serbia (1882-1914)
[1]
For the ‛Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882–1914)
[1]
Foreign Music in Belgrade Between the World Wars: Reception in the Herald of the Stanković Music Society / Music Herald
[1]
Foreword of the editors
[1]
Forming Science of Music in Writings of Aristoxenus of Tarentum
[1]
From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s
[1]
From gramophone records to mass audience: Film schlagers and popular songs and dances in Radio Belgrade programming (1929–1941)
[1]
From great expectations to great disappointments: Petar Krstić’s contribution to the process of reforms of music education in interwar Yugoslavia (1918–1921)
[1]
From Myth to Reality: Stevan Stojanović Mokranjac and Serbian Church Music
[1]
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