The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing
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During the 19th century, monophonic church chanting in the Serbian Church received a complex name made up of the terms Serbian, Orthodox, ecclesiastical and folk. These epithets were never the subject of a thorough (ethno)musicological study, either in detail or as a whole. Certain articles, although sporadically and without an analysis based on arguments, pointed out the uniqueness of the Serbian vocal tradition and the interconnection ofecclesiastical and folk music. Theological discourse concerning the validity or invalidity of a certain pleonasm (Orthodox-ecclesiastical) and a signifier of nationality (folk-Serbian) in this compound was completely omitted. A thorough analysis of Serbian folk church singing should include various aspects, and each of these could be the subject of a separate study. However, I will dedicate my attention to the term folk and analyse it from the perspective of the "temptation of religious nationalism” which is more than relevant for the Orthodox nations... in the Balkans during recent history. This, for musicology an apparently marginal phenomenon, becomes very important in certain historical, ecclesial, and socio-cultural circumstances
Кључне речи:
Serbian Folk Church SInging / Demystification / sung word / folk / church chanting / Serbian Church / vocal traditionИзвор:
Aspects of Christian Culture in Byzantium and Eastern Christianity: Word, Sound and Image in the Context of Liturgical and Christian Symbolism, 2017, 43-54Издавач:
- Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts
- Joensuu : International Society for Orthodox Church Music
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Peno, Vesna Sara PY - 2017 UR - https://dais.sanu.ac.rs/123456789/3614 AB - During the 19th century, monophonic church chanting in the Serbian Church received a complex name made up of the terms Serbian, Orthodox, ecclesiastical and folk. These epithets were never the subject of a thorough (ethno)musicological study, either in detail or as a whole. Certain articles, although sporadically and without an analysis based on arguments, pointed out the uniqueness of the Serbian vocal tradition and the interconnection ofecclesiastical and folk music. Theological discourse concerning the validity or invalidity of a certain pleonasm (Orthodox-ecclesiastical) and a signifier of nationality (folk-Serbian) in this compound was completely omitted. A thorough analysis of Serbian folk church singing should include various aspects, and each of these could be the subject of a separate study. However, I will dedicate my attention to the term folk and analyse it from the perspective of the "temptation of religious nationalism” which is more than relevant for the Orthodox nations in the Balkans during recent history. This, for musicology an apparently marginal phenomenon, becomes very important in certain historical, ecclesial, and socio-cultural circumstances PB - Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts PB - Joensuu : International Society for Orthodox Church Music T2 - Aspects of Christian Culture in Byzantium and Eastern Christianity: Word, Sound and Image in the Context of Liturgical and Christian Symbolism T1 - The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing SP - 43 EP - 54 UR - https://hdl.handle.net/21.15107/rcub_dais_3614 ER -
@inbook{ author = "Peno, Vesna Sara", year = "2017", abstract = "During the 19th century, monophonic church chanting in the Serbian Church received a complex name made up of the terms Serbian, Orthodox, ecclesiastical and folk. These epithets were never the subject of a thorough (ethno)musicological study, either in detail or as a whole. Certain articles, although sporadically and without an analysis based on arguments, pointed out the uniqueness of the Serbian vocal tradition and the interconnection ofecclesiastical and folk music. Theological discourse concerning the validity or invalidity of a certain pleonasm (Orthodox-ecclesiastical) and a signifier of nationality (folk-Serbian) in this compound was completely omitted. A thorough analysis of Serbian folk church singing should include various aspects, and each of these could be the subject of a separate study. However, I will dedicate my attention to the term folk and analyse it from the perspective of the "temptation of religious nationalism” which is more than relevant for the Orthodox nations in the Balkans during recent history. This, for musicology an apparently marginal phenomenon, becomes very important in certain historical, ecclesial, and socio-cultural circumstances", publisher = "Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, Joensuu : International Society for Orthodox Church Music", journal = "Aspects of Christian Culture in Byzantium and Eastern Christianity: Word, Sound and Image in the Context of Liturgical and Christian Symbolism", booktitle = "The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing", pages = "43-54", url = "https://hdl.handle.net/21.15107/rcub_dais_3614" }
Peno, V. S.. (2017). The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing. in Aspects of Christian Culture in Byzantium and Eastern Christianity: Word, Sound and Image in the Context of Liturgical and Christian Symbolism Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts., 43-54. https://hdl.handle.net/21.15107/rcub_dais_3614
Peno VS. The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing. in Aspects of Christian Culture in Byzantium and Eastern Christianity: Word, Sound and Image in the Context of Liturgical and Christian Symbolism. 2017;:43-54. https://hdl.handle.net/21.15107/rcub_dais_3614 .
Peno, Vesna Sara, "The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing" in Aspects of Christian Culture in Byzantium and Eastern Christianity: Word, Sound and Image in the Context of Liturgical and Christian Symbolism (2017):43-54, https://hdl.handle.net/21.15107/rcub_dais_3614 .