dc.contributor | Veselinović-Hofman, Mirjana | |
dc.creator | Medić, Ivana | |
dc.date.accessioned | 2018-08-09T11:20:48Z | |
dc.date.available | 2018-08-09T11:20:48Z | |
dc.date.issued | 2017 | |
dc.identifier.issn | 0354-818X (print) | |
dc.identifier.issn | 1821-3782 (online) | |
dc.identifier.uri | http://ivanamedic.com/wp-content/uploads/2017/10/Parenting-the-Piano.pdf | |
dc.identifier.uri | http://www.newsound.org.rs/pdf/en/ns49/10.I.Medic.pdf | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/3612 | |
dc.description.abstract | This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
a
children’
s
holiday,
the
composer’s
idea
was
to
depict
children
by
toy
pianos,
while
the
grand
pianos
are
'parents’.
The
waltz
exists
in
several
versions:
from
the
first
one,
where
the
children
pianos
are
quite
small
and
their
musical
parts
very
restricted,
to
the
version
for
two
'adult’
pianos,
which
describes
the
moment in life when children have grown up and left their parental home. Aside from
exploring
these
musical
'family
ties’,
Savić
implements
a
simple
yet
ingenious
constructive principle in all versions of this waltz. The structure of the piece is based on the exploitation
of
the
system
of
equal
temperament
and
on
the
Fibonacci
row,
and
this
frame
is
filled
with
several
layers
of
musical
references,
including:
Johann
Sebastian
Bach
and
other
composers
who
wrote
'well-tempered’
piano
music;
repetitive/processual
minimalism,
a
style
that
Savić
and
his
peers
brought
into
Serbian
music,
but
have
since
evolved in different directions; the Serbian tradition of romantic salon piano pieces; finally, the
Orthodox
tradition,
but
referenced
in
a
way
very
different
from
the
'neo-Orthodox’
trend
that has been present in Serbian art music since the late 1980s. | en |
dc.language.iso | en | sr |
dc.publisher | Belgrade : Department of Musicology, Faculty of Music | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS// | sr |
dc.rights | openAccess | sr |
dc.source | New Sound International Journal of Music | sr |
dc.subject | Miroslav Miša Savić | sr |
dc.subject | St. Lazarus Waltz | sr |
dc.subject | parents and children | sr |
dc.subject | toy pianos | sr |
dc.subject | Serbian Ortodox Church | sr |
dc.subject | The Well-Tempered Clavier | sr |
dc.subject | Nada Kolundžija | sr |
dc.subject | LP Duo | sr |
dc.title | Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz | en |
dc.type | article | sr |
dc.rights.license | ARR | sr |
dcterms.abstract | Медић, Ивана; | |
dc.citation.spage | 123 | |
dc.citation.epage | 138 | |
dc.citation.issue | 49 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | https://dais.sanu.ac.rs/bitstream/id/11536/Ivana_Medic_-_Parenting_the_Piano_Miroslav_Misa_Savic.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_3612 | |