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Now showing items 21-30 of 344
The traditional and modern in church music: A study in canon and creativity / Tradicionalno i moderno u crkvenoj muzici - ogled o kanonu i inventivnosti
(Музикологија / Musicology, 2006)
Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony - a specific compositional method that established melismatic ...
Reception of the Istrian musical traditions / Recepcija istarske muzičke tradicije
(Музикологија / Musicology, 2007)
The successive colonization of Istria with culturally differentiated populations, and peripheral position of the peninsula regarding both the Latin and Slav worlds, has conditioned interesting phenomena which defines the ...
Ethnomusicologists researching towns they live in: Theoretical and methodological queries for a renewed discipline / Etnomuzikolozi istražuju gradove u kojima žive - teorijska i metodološka pitanja za obnovljenu disciplinu
(Музикологија / Musicology, 2009)
This article focuses on theoretical and methodological implications of the 20th-century epistemic turn in the humanities towards a more self-critical and politicized approach to the production of knowledge in academia. It ...
The mysterious Misirlou / Tajnovita Misirlu - varijante jedne internacionalne melodije mediteranskog porekla u popularnoj muzici XX veka
(Музикологија / Musicology, 2013)
My article deals with an unusual story on the roots of a song that has left a significant imprint on the twentieth century popular music all over the world. It is the song Misirlou, created somewhere on the territory of ...
Roland Barthes' 'Text' and aleatoric music: Is the 'birth of the reader' the birth of the listener? / 'Tekst' Rolana Barta i aleatorijska muzika - da li je 'rođenje čitaoca' i rođenje slušaoca?
(Музикологија / Musicology, 2002)
The history of Western classical music and the development of its notational system show that composers have tried to control more and more aspects of their compositions as precisely as possible. Total serialism represents ...
The work of the couple Brailowsky in the mirror of Serbian critiques / Delo Brailovskih i srpska međuratna scena u ogledalu kritike
(Музикологија / Musicology, 2003)
Leonid (1867-1937) and Rimma (1877-1959) Brailowsky brought to Belgrade National theatre (together with other Russian emigrated stage and costume designers) the spirit of the World of Art (Mir Iskusstva), making décor and ...
Romanian experimental music between 1960-2000 / Rumunska eksperimentalna muzika između 1960. i 2000. godine
(Музикологија / Musicology, 2006)
This study has two parts: a general theory of experiment, and a descriptive part about Romanian experimental music in the second half of the 20th century. An experiment is an adventure and its nature depends on negation. ...
Athens: New capital of traditional Greek music: Testimonies on musical life at the beginning of the twentieth century / Atina - nova prestonica tradicionalne grčke muzike - svedočanstva o muzičkom životu s početka XX veka
(Музикологија / Musicology, 2009)
During its long Byzantine and Post-Byzantine history Constantinople was the center for church art in general, but especially for music. This old city on the Bosporus maintained its prime position until the beginning of the ...
Black Swans and Many Worlds: Contemporary models in music, the arts and ideas / Crni labudovi i Višestruki svetovi - savremeni modeli u muzici, umetnosti i idejama
(Музикологија / Musicology, 2013)
Black Swans and Many Worlds are new models to help explain musical structures, and by extension, events in the social environment and in internal human experience. Many Worlds takes its departure point from quantum physics, ...
Musikerbriefe als Spiegel überregionaler Kulturbeziehungen in Mittel - und Osteuropa / Pisma muzičara kao ogledalo nadregionalnih kulturnih veza u srednjoj i istočnoj Evropi
(Музикологија / Musicology, 2002)
Traditionell ist die Musikgeschichtsschreibung nicht nur in Deutschland, sondern auch im östlichen Europa sehr stark nationalen Kriterien verpflichtet, und Musik wird vor allem als Nationalkultur verstanden. Dem gegenüber ...