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Funding Festivals: Bringing the World to Sarajevo / Финансирање фестивала: довођење света у Сарајево
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The focus of this article is on the “festivalization” of Sarajevo, the capital city of
Bosnia-Herzegovina, after the signing of the Dayton Agreement (1995), and the
donor environment during that time that largely supported ...
Baroque references in works of Vlastimir Trajković / Barokne reference u delima Vlastimira Trajkovića
(Музикологија / Musicology, 2012)
The article examines Baroque references in three Trajković’s compositions: Arion, Le nuove musiche per Chitarra ed Archi op. 8 (1979), Le retour des zéphyres ou ‘Zefi ro torna’ op. 25 (2001) and solo song Renouveau from ...
Prokofiev’s Seventh Symphony and its Тwo Еndings: А Study of “Imposed” Revisions / Седма симфонија Прокофјева и њена два завршетка: студија o „наметнутиm” ревизијаma
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
Why does a composer resort to changing any one of his compositions? Under
what circumstances does the creative output need to be re-evaluated and
perhaps reconsidered? Prokofiev’s final Seventh Symphony presents two ...
Synthesis and Analysis of Sounds Developed from the Bose-Einstein Condensate: Theory and Experimental Results / Синтеза и анализа звукова развијених из Бозe-Ајнштајновог кондензата: теорија и експериментални резултати
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
Two seemingly incompatible worlds of quantum physics and acoustics have their
meeting point in experiments with the Bose-Einstein Condensate. From the
very beginning, the Quantum Music project was based on the idea of ...
'Exoticism' in the opera Gilgamesh by Rudolf Brucci in Ralph Locke's 'All the music in the full context' paradigm / 'Egzotičnost' opere Gilgameš Rudolfa Bručija u paradigmi 'Muzika u celokupnom kontekstu' Ralfa Loka
(Музикологија / Musicology, 2013)
In this text, Rudolf Brucci's opera Gilgamesh is viewed in the light of Ralph Locke's 'All the Music in the Full Context' Paradigm which promotes the approach that one should search for the exotic elements in musical works ...
The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika
(Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
(Музикологија / Musicology, 2011)
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
Performance of Musical Scale in Traditional Vocal Homophony: Lithuanian Examples / Извођење музичке лествице у традиционалној вокалној хомофонији: примери из Литваније
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
Acoustical measurements of pitches in a dozen songs exemplifying the Lithuanian
traditional vocal homophony were carried out. Several phenomena were revealed.
First, the entire scales experience gradual transposition ...
From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos / Iz službe jutrenja - umetanje poetskih tekstova u napev polijeleja
(Музикологија / Musicology, 2011)
In this paper I will examine the practice of inserting non-psalmic poetic texts in the compositions of the Polyeleoi. It is a process of adding or interpolating a poem the content of which is always related to a particular ...
The reception of Soviet music in the West: A history of sympathy and misunderstandings / Recepcija sovjetske muzike na Zapadu - istorija simpatija i nesporazuma
(Музикологија / Musicology, 2012)
In this concise survey, the evolution of Western attitudes to Soviet music is retraced: from a certain interest in the early Soviet avant-garde, through ‘Cold War’ attempts to keep alive the works banned under Stalin, to ...