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  • Музиколошки институт САНУ / Institute of Musicology SASA
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The transmission of motets within the Paston manuscripts, c.1610 / Преношење мотета у оквиру Пастонових рукописа, око 1610. године 

Knights, Francis (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
The creation and expansion of commercial music printing from around 1500 has normally led to modern editors assigning textual primacy to published copies of music from the period in preference to any equivalent manuscript ...
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Universal Organising Principles of Music and Fairy Tales / Универзални принципи организовања музике и бајки 

Ivanović O'Brien, Nada (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
This article’s focus is the universal organising principles underlying the energy transformation process in music and fairy tales. Taking into account relevant research in Jungian analytical psychology and music analysis, ...
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Years of sound living: Mikser festival in Savamala (2012-2016) / Године доброг звука: Миксер Фестивал у Савамали (2012–2016) 

Medić, Ivana (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
This article deals with the soundscape of Mikser, an independent festival of contemporary creativity, established in 2009 in Belgrade, the capital city of Serbia. I focus on the years 2012–2016, during which Mikser was ...
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Microfilms and photographs of neumatic manuscripts in the SASA Institute of Musicology Archives / Mikrofilmovi i fotografije neumskih rukopisa u Arhivu Muzikološkog instituta SANU 

Peno, Vesna (Музикологија / Musicology, 2010)
Microfilms of neumatic MSS, and photographs of some folia taken from neumed codices kept at the SASA Institute of Musicology Archives, are represented in this paper. In the microfilms, there are mainly heirmologia from ...
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Chromaticism: A theoretical construction or a practical transformation? / Hromatika - teorijska konstrukcija ili praktično preinačenje? 

Katsanevaki, Athena (Музикологија / Musicology, 2011)
Chromaticism is a phenomenon which is shared by different musical cultures. In the Balkans it is evident both in ecclesiastical and traditional music. In antiquity it was attested by ancient Greek writers and was described ...
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Popular music as an anticipation, 'framing' and construction of generational memory of the 1968 students' protest in Yugoslavia / Popularna muzika kao anticipacija, 'uokviravanje' i konstrukcija generacijskog sećanja na studentski bunt 1968. godine u Jugoslaviji 

Vasiljević, Maja (Музикологија / Musicology, 2013)
By focusing on the role of music within a certain political event - in this case, the students' protests in Yugoslavia in June 1968 - I connect the sociology of music with the sociology of social movements as defined by ...
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New Data, New Methods? Sources on Ladies’ Salon Orchestras in Europe, 1870–1918 / Нови подаци, нове методе? Грађа о европским женским оркестрима, 1870–1918 

Koivisto, Nuppu (Београд : Музиколошки институт САНУ, 2019)
This article addresses the problems that pertain to macro-historical data in music research. By presenting examples from recent research on European ladies’ orchestras of the late nineteenth century, I aim to establish how ...
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Mokranjac on Repeat: Reaffirming Musical Canon Through Sound Recordings (PGP-RTB/RTS Discography) / Мокрањац on repeat: реафирмисање музичког канона путем звучних издања (дискографија ПГП-РТБ/РТС) 

Milanović, Biljana; Maglov, Marija (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
Starting with the hypothesis that sound recordings published by the Serbian/ Yugoslav record label PGP-RTB/RTS dominated programmes of the Radio Television Belgrade/Radio Television Serbia during most of the twentieth century ...
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The Compass Revisited: Rewriting Histories of Music in the South / Повратак компасу: писање нових историја музике на југу 

Moody, Ivan (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
The history of music in the countries of Southern Europe has, in general, been examined either from the West or from the East.This has had to do with traditional and univestigated assumptions of divisions on religious ...
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Russian Music since 1917: Reappraisal and Rediscovery. Edited by Patrick Zuk and Marina Frolova-Walker. Pp. xiii + 434. Proceedings of the British Academy. New York and Oxford, Oxford University Press, 2017. ISBN 978-0-19-726615-1 

Medić, Ivana (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
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