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  • Музиколошки институт САНУ / Institute of Musicology SASA
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Now showing items 21-30 of 445

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Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar 

Lajić-Mihajlović, Danka (Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
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Džerald Abraham: Oksfordska istorija muzike, I, preveo sa engleskog Miloš Zatkalik. Clio (Biblioteka 'Ars musica', urednik: Hristina Medić), Beograd, 2001 

Vasić, Aleksandar N. (Музикологија / Musicology, 2002)
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The sketches for Alfred Schnittke’s Symphony no. 3, and what they (don’t) tell us? / Скице за Симфонију бр. 3 Алфреда Шниткеа, и шта нам оне (не) откривају 

Medić, Ivana (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2013)
The analysis of Alfred Schnittke’s Symphony No. 3 that I present in this paper is based on my study of Schnittke’s sketches from the Juilliard Manuscripts Collection. The importance of these manuscripts, ...
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Bulgarian wedding music between folk and chalg: Politics, markets and current directions / Bugarska svadbarska muzika između folka i čalge - politika, tržište i današnje usmerenje 

Silverman, Kerol (Музикологија / Musicology, 2007)
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the ...
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Vienna and the Balkans: Papers from the 39th World Conference of the ICTM, Vienna, 2007, Edited by Lozanka Peycheva & Angela Rodel, Bulgarian Academy of Sciences, Sofia, 2008 

Christensen, Dieter (Музикологија / Musicology, 2009)
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Reflections on music and identity in Ethnomusicology / Razmatranja o muzici i identitetu u časopisu Etnomuzikologija 

Rajs, Timoti (Музикологија / Musicology, 2007)
The relationship between music and identity became a commonplace theme in ethnomusicology beginning in the early 1980s. This article surveys all 17 articles published in the journal Ethnomusicology in the last 25 years ...
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Dr. Nele Karajlić in the Framework of the “New Primitives” / Др Неле Карајлић у оквиру „новог примитивизма” 

Vučković, Borislava (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The “New Primitives” is an alternative, and later, a cultural movement that emerged in Sarajevo in the late 1970s and early 1980s; the movement officially ceased to exist in 1987. The most substantial cultural capital ...
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On the (in)completeness of Schoenberg's oratorio die Jakobsleiter / O (ne)završenosti Šenbergovog oratorijuma Die Jakobsleiter 

Jeremić-Molnar, Dragana; Molnar, Aleksandar (Музикологија / Musicology, 2009)
The question why Arnold Schoenberg did not complete his oratorio Die Jakobsleiter according to his initial plan, but instead decided to set to music only the text from the first part of the work and to compose the Great ...
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Lundberg Dan, Malm Krister, Owe Ronström: Music, media, multiculture: Changing musicscapes, Svenskt Visarkiv, Stockholm, 2003 

Nenić, Iva (Музикологија / Musicology, 2008)
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The traditional and modern in church music: A study in canon and creativity / Tradicionalno i moderno u crkvenoj muzici - ogled o kanonu i inventivnosti 

Peno, Vesna (Музикологија / Musicology, 2006)
Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony - a specific compositional method that established melismatic ...
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