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The 'ugliness' of Jewish prayer: Voice quality as the expression of identity / 'Ružnoća' jevrejske molitve - kvalitet glasa kao izraz identiteta
(Музикологија / Musicology, 2007)
This article is based on the musical material and interviews the author collected in Hungary, France, Czechoslovakia, the USA and Israel in the course of thirty years of her fieldwork among the traditional East-Ashkenazi ...
Greek composers of the Ionian islands in Italian musical life during the 19th century / Grčki kompozitori na Jonskim ostrvima u italijanskom muzičkom životu tokom 19. veka
(Музикологија / Musicology, 2003)
During the 19th century most of the Ionian islands played a leading role in the Greek musical life. The vicinity of the islands with Italy combined with the Venetian domination were two facts that helped the creation of ...
Ways of Serbian music 1919-1944 / Putevi srpske muzike od 1919. do 1944. godine
(Музикологија / Musicology, 2001)
After the First World War Serbian music was undertaking a new start Everything was new, nothing was as before, but... in the music some old paths were preserved, although new generation, not very young in the post-war ...
Bulgarian wedding music between folk and chalg: Politics, markets and current directions / Bugarska svadbarska muzika između folka i čalge - politika, tržište i današnje usmerenje
(Музикологија / Musicology, 2007)
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the ...
On the (in)completeness of Schoenberg's oratorio die Jakobsleiter / O (ne)završenosti Šenbergovog oratorijuma Die Jakobsleiter
(Музикологија / Musicology, 2009)
The question why Arnold Schoenberg did not complete his oratorio Die Jakobsleiter according to his initial plan, but instead decided to set to music only the text from the first part of the work and to compose the Great ...
Lundberg Dan, Malm Krister, Owe Ronström: Music, media, multiculture: Changing musicscapes, Svenskt Visarkiv, Stockholm, 2003
(Музикологија / Musicology, 2008)
Dead public spaces - live private corners: (Re)contextualization of musically public and private / Mrtvi javni prostori - živi privatni uglovi - (re)kontekstualizacija muzički javnog i privatnog
(Музикологија / Musicology, 2009)
The expressions of private and public musical life and experience are mostly discussed separately. This article joins these two concepts into one scope and surveys the identity of both. In ideal (utopian?) traditional ...
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
(Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
Die Anwesenheit des abwesenden schmerzlich zu machen... / Prisustvo odsutnog učiniti bolnim...
(Музикологија / Musicology, 2003)
Adriana Hölzskys Bühnenwerk Tragödie - unsichtbarer Raum (1997), das kennt keine Handlung, keinen Gesang unf keine Bühnenfiguren, kann als ein radikales Experiment, eine eigenartige Metaoper bezeichnet werden. Anstelle der ...