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Ways of Serbian music 1919-1944 / Putevi srpske muzike od 1919. do 1944. godine
(Музикологија / Musicology, 2001)
After the First World War Serbian music was undertaking a new start Everything was new, nothing was as before, but... in the music some old paths were preserved, although new generation, not very young in the post-war ...
Bulgarian wedding music between folk and chalg: Politics, markets and current directions / Bugarska svadbarska muzika između folka i čalge - politika, tržište i današnje usmerenje
(Музикологија / Musicology, 2007)
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the ...
On the (in)completeness of Schoenberg's oratorio die Jakobsleiter / O (ne)završenosti Šenbergovog oratorijuma Die Jakobsleiter
(Музикологија / Musicology, 2009)
The question why Arnold Schoenberg did not complete his oratorio Die Jakobsleiter according to his initial plan, but instead decided to set to music only the text from the first part of the work and to compose the Great ...
Dead public spaces - live private corners: (Re)contextualization of musically public and private / Mrtvi javni prostori - živi privatni uglovi - (re)kontekstualizacija muzički javnog i privatnog
(Музикологија / Musicology, 2009)
The expressions of private and public musical life and experience are mostly discussed separately. This article joins these two concepts into one scope and surveys the identity of both. In ideal (utopian?) traditional ...
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
(Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
Die Anwesenheit des abwesenden schmerzlich zu machen... / Prisustvo odsutnog učiniti bolnim...
(Музикологија / Musicology, 2003)
Adriana Hölzskys Bühnenwerk Tragödie - unsichtbarer Raum (1997), das kennt keine Handlung, keinen Gesang unf keine Bühnenfiguren, kann als ein radikales Experiment, eine eigenartige Metaoper bezeichnet werden. Anstelle der ...
Zora D. by Isidora Žebeljan: Towards the new opera / Zora D. Isidore Žebeljan - put ka novoj operi
(Музикологија / Musicology, 2004)
Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has ...
Innere Emigration und Diktatur die getarnten Botschaften in den Opern der meister aus bojana von Konstantin Iliev und der gefesselte Prometeus von Lazar Nikolov / Unutrašnja emigracija i diktatura - 'Majstor iz Bojane' Konstantina Ilijeva i 'Okovani Prometej' Lazara Nikolova
(Музикологија / Musicology, 2004)
Die Frage der "inneren Emigration" in den ehemaligen kommunistischen Ländern Europas wird an Beispielen zweier Opern der wichtigen bulgarischen Komponisten Konstantin Iliev und Lazar Nikolov untersucht. Ähnlich wie Paul ...
Modern oder Postmodern? Traditionalismus, Avantgarde oder Postavangarde? / Moderno ili postmoderno? Tradicionalizam, avangarda ili postavangarda?
(Музикологија / Musicology, 2006)
Mittelpunkt des Aufsatzes sind einige methodologische Probleme bei der Betrachtung der Kunst, bzw. Musik an der Schwelle der zwei Jahrhunderten. Anhang einiger Besonderheiten im Kompositionsverfahren von vier wichtigen ...
Italian musicians in Greece during the Nineteenth Century / Italijanski muzičari u Grčkoj u 19. veku
(Музикологија / Musicology, 2003)
In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a ...