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'Czech-Slovene' musicians?: On the question of national identity in Slovene music at the turn of the 19th to the 20th century / 'Češko-slovenački' muzičari? - pitanje nacionalnog identiteta u slovenačkoj muzici na prelazu iz 19. u 20. vek
(Музикологија / Musicology, 2007)
In this article, the author observes and discusses the questions of national identity in the context of Czech and Slovenian music at the turn of the 19th to the 20th century. The Italian and German influences dominating ...
'Education is our daily bread': Church polyphony, educational processes and the Serbian national identity between 1830 and 1914 / 'Obrazovanje je nasušni hleb' - crkveno višeglasje, obrazovni procesi i srpski nacionalni identitet između četvrte decenije 19. veka i 1914. godine
(Музикологија / Musicology, 2007)
Choral church music had different functions in Serbian society of the 19th century. It was a part of many processes or even initiated them itself broadly affecting the sphere of culture. One of its purposes had strong ...
Can music progress?: Reflections on the history of popular music / Može li popularna muzika da napreduje? - razmišljanja o istoriji popularne muzike
(Музикологија / Musicology, 2007)
This paper considers schematically the various discourses through which popular music history is understood. My proposal is that five accounts of musical history (the business model, the musicological model, the sociological ...
Voices of earthmen (1995) by Vladan Radovanović: A review / Vladan Radovanović: Glasovi Zemljana (1995) - prikaz
(Музикологија / Musicology, 2007)
This paper discusses the compositional technique and the poetic level of the composition Glasovi Zemljana (Voices of Earthmen) composed by Vladan Radovanović in 1995. The work is based on the composer’s own musical principle, ...
Music and collective identities / Kolektivni identiteti i muzika
(Музикологија / Musicology, 2007)
This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...