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Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century / Balkan kao simbol kulture u srpskoj muzici prve polovine XX veka
(Музикологија / Musicology, 2008)
Focus on the internalization of Western images in the Balkans has special significance in researching Serbian art. The functioning of Balkanism as it overlapped and intersected with Orientalism is indicated in the text by ...
Athens: New capital of traditional Greek music: Testimonies on musical life at the beginning of the twentieth century / Atina - nova prestonica tradicionalne grčke muzike - svedočanstva o muzičkom životu s početka XX veka
(Музикологија / Musicology, 2009)
During its long Byzantine and Post-Byzantine history Constantinople was the center for church art in general, but especially for music. This old city on the Bosporus maintained its prime position until the beginning of the ...
'Up there is a foggy mountain': An ethnomusicological-filological contribution on a traditional song from the Kopaonik region / Tamo gore maglita planina - etnomuzikološko-filološki prilog o jednoj pesmi iz kopaoničkog kraja
(Музикологија / Musicology, 2009)
A comparative ethnomusicological and philological analysis was made of the narrative song (ballad) field recording Tamo gore maglita planina, from the village of Mrča, Kopaonik mountain region, South Serbia. The song was ...
Miodrag Vasiljević’s margin notes on Béla Bartók’s study Morphology of Serbo-Croatian vocal folk melodies / Marginalije Miodraga Vasiljevića o studiji Bele Bartoka Morfologija srpsko-hrvatskih narodnih vokalnih melodija
(Музикологија / Musicology, 2006)
The founder of modern Serbian ethnomusicology, collector of folk songs ethnomusicologist, and music pedagogue, Miodrag A. Vasiljević (1903-1963) was a younger contemporary of the famous Hungarian composer and ethnomusicologist ...
Contextualization of early modernism in Serbian music: Case studies of two works from 1912 / Kontekstualizacija ranog modernizma u srpskoj muzici na primeru dva ostvarenja iz 1912. godine
(Музикологија / Musicology, 2006)
This study deals with the first Serbian oratorio, Vaskrsenje (Resurrection) by Stevan Hristić, and the first Serbian musical drama, Divina Tragoedia by Milenko Paunović. These works are based on two different interpretations ...
Contemporary musical historiography and the problems of the methodological approach / Savremena muzička istoriografija i problemi metodološkog pristupa
(Музикологија / Musicology, 2005)
The first foreign review of the general history of music translated to Serbian language was Karl Nef's Einführung in die Musikgeschichte. It was published in Belgrade, in 1937. During the '70s and '80s of the 20th century, ...