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Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas / Istočna prirodnost prema zapadnoj artificijelnosti - uticaj Rimskog-Korsakova na rane opere Manolisa Kalomirisa
(Музикологија / Musicology, 2005)
In this article the writer investigates the relations between perceptions of the East and the West in nineteenth century Greece, their connection to national identity, to the language question and to political tendencies. ...
Al niente: The last opus of Vasilije Mokranjac: After a quarter of a century / Al niente - nad poslednjim opusom Vasilija Mokranjca - posle četvrt veka
(Музикологија / Musicology, 2009)
This year we mark the 25th anniversary of the death of one of the most distinguished Serbian composers, Vasilije Mokranjac, whose diversified opus of predominantly symphonic and piano music, greatly influenced on composers ...
Prince of zeta by Petar Konjović: Opera in five/four acts on the 125th anniversary of the composer's birth / Knez od zete Petra Konjovića - povodom 125. godišnjice kompozitorovog rođenja
(Музикологија / Musicology, 2008)
Petar Konjović (Čurug, May 5, 1883 - Belgrade, October 1, 1970) stands out among Serbian composers as an author of instrumental and vocal compositions. Studies at the Prague Conservatory (1904-1906) acquainted Konjović ...
Sounds of lament, melancholy and wilderness: The Zenithist revolt and music / Tonovi naricanja, melanholije i divljine - zenitistička pobuna i muzika
(Музикологија / Musicology, 2005)
The aim of writing this article is to analyze how the articles published by Zenith magazine (1921-1926) reflected the role of modern music within the framework of Zenithism - a movement relating to Dadaism and Futurism. ...
Transcendence of avant-garde negativity as a determinant of the social position of European music in the 20th century / Transcendentnost avangardnog negativiteta kao determinanta društvene pozicije evropske muzike u XX veku
(Музикологија / Musicology, 2006)
Starting with Adorno’s negative dialectic and his consideration of musical material as the crucial theoretical notion that implies the negative dialectic core, we examine in this study the deconstructive potential of ...
Modernism and tradition and the traditions of modernism / Modernizam i tradicija i tradicije modernizma
(Музикологија / Musicology, 2006)
Conventionally, the story of musical modernism has been told in terms of a catastrophic break with the (tonal) past and the search for entirely new techniques and modes of expression suitable to a new age. The resulting ...
Voices of earthmen (1995) by Vladan Radovanović: A review / Vladan Radovanović: Glasovi Zemljana (1995) - prikaz
(Музикологија / Musicology, 2007)
This paper discusses the compositional technique and the poetic level of the composition Glasovi Zemljana (Voices of Earthmen) composed by Vladan Radovanović in 1995. The work is based on the composer’s own musical principle, ...
Music and collective identities / Kolektivni identiteti i muzika
(Музикологија / Musicology, 2007)
This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the ...
Searching for the right form: A self-taught village player recalling performance live / U potrazi za željenim oblikom - živo prisećanje samoukog seoskog svirača
(Музикологија / Musicology, 2008)
Repertoire of the excellent self-taught traditional dvojnice-player, Miladin Arsenijević, from the vicinity of Topola (central Serbia) consists of lyrical songs of a newer rural repertoire. During a 'cognitive interview', ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...