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The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
(Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
New age in Serbia, Zoran Simjanović: New ideas symphony / New age u našem prostoru, Zoran Simjanović - New ideas symphony
(Музикологија / Musicology, 2007)
'New age' was a trend which appeared in the music of the 1980's, bringing a new dimension to art music in general, especially in its reception. At first its development was stimulated by technological inventions, 'the ...
Korean opera-film Chunhyang and the trans-cultural politics of the voice / Korejska opera-film Čunhjang i transkulturna politika glasa
(Музикологија / Musicology, 2005)
This essay examines a Korean opera-film Chunhyang (2000) to show how it departs from the standard practice of Western opera-film and how its uniqueness is generated by the characteristics of indigenous Korean opera P'ansori. ...
The “Serbian Connection” in the Age of the Beat Revolution in Hungary / „Српска веза” у време „бит” револуције у Мађарској
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
The music market of Hungary was manipulated by state authorities and the
communist party from the 1960s until the 1980s. That distorted environment is
the reason why the careers of two of the greatest Hungarian beat stars ...
Zur kompositorischen Arbeit von Vitezslav Novák an Beispielen von Materialien der Kammermusik-werke / O kompozicionom radu Vićeslava Novaka na primerima njegovih kamernih dela
(Музикологија / Musicology, 2005)
Man kann den Entwicklungsprozess im Bereich der Mikrostruktur der Komposition in Nováks Kammermusikwerke, also der eigentlichen motivischthematischen Arbeit, betrachten. In dem Bestreben, auf das romantische, auf umfangreichen ...
Ancient Greek rhythms in Messiaen’s Le sacre: Nietzsche’s legacy? / Антички грчки ритмови у Месијановој анализи Посвећења пролећа: Ничеово наслеђе
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
It is little known that Nietzsche – appointed professor of classical philology at
Basel University in his twenties – had postulated on the basis of rigorous textual
studies that the leading classical philologists active ...
Музикологија 22 (I /2017) / Musicology 22 (I /2017)
(Београд : Музиколошки Институт Српске академије наука и уметности, 2017)
Тема броја 22 Урбана звучна екологија инспирисана је међународним пројектом City Sonic Ecology – Urban Soundscapes of Bern, Ljubljana and Belgrade [Звучна екологија града – Урбани звучни пејзажи Берна, Љубљане и Београда], ...
Modernity and the avant-garde in Romanian music 1920-1940 / Modernizam i avangarda u rumunskoj muzici od 1920-1940. godine
(Музикологија / Musicology, 2001)
Thanks to the works of George Enescu, Romanian music achieved its first breakthrough onto the European scene in the years preceding World War I. In the inter-war period the number of Romanian composers who joined modern ...
La musique française dans l'entre-deux guerres / Francuska muzika u međuratnom periodu
(Музикологија / Musicology, 2001)
L'ésprit nouveau des années 20 se traduit non seulement à travers L'oeuvre audacieuse d'Erik Satie, mais aussi dans l'esthétique néoclacissiste du Groupe des Six, formé en 1920. Ces jeunes compositeurs ne mettent pas ...
Sonic Memory Interventions against Politics of Urban Silencing / Звук и сећање као интервенција против политика урбаног утишавања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
We discuss the political implications of the noise/silence dialectic in order to
reflect on the urban and social materialities of sonic memory activism in the postYugoslav
space. We see the privatization of public space ...