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Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014 / Комунистичка идеологија и академско образовање. Студија случаја: Општа историја музике као предмет на румунским универзитетима, 1948-2014
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
This paper presents music history as a university discipline during Communism
and after. Shaping the specific historical context, marked by censorship, the study
focuses on the main course books on the subject, from ...
Globalisation and Western Мusic Нistoriography / Глобализација и западна музичка историографија
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
Globalisation of musicology and music history aims to fuse the divisions created
during Western music’s acme, and is referred to as “post-European historical thinking”.
Therefore, “post” and “pre” European historical ...
On the Future of Music History in Professional and Central-Peripheral European Musical Circumstances / О будућности историје музике у професионалном и централнопериферном европском музичком окружењу
(Београд : Музиколошки институт САНУ, 2019)
In considering the chosen topic, I proceed from the complex relationship between music history, music historiography and musicology, focusing on musicology as an interdisciplinary branch of music history. I consider the ...
Post-factual Music Historiography: Legends of Art–Religion / Постчињенична историографија музике: легенде о уметности–религији
(Београд : Музиколошки институт САНУ, 2019)
In many of its areas, the writing of music history in Germany is characterised by the Romantic music outlook and its “Two-World-Model”: the real world is seen as opposing the ideal world of music as a higher existence of ...
The Many Faces of Everyday Musical Life. Approaching Music History from “Below” / Многостраност свакодневног музичког живота. Приступ историји музике „одоздо”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
Is it useful to write history on everyday musical life? And how can we do it? This
article introduces a historiographical concept initiated by historians such as Carlo
Ginzburg, Alf Lüdtke and Richard van Dülmen already ...