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Централна ротација правилних (и неправилних) музичких полигона / Central Rotation of Regular (and Irregular) Musical Poligons
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The text describes the application of one of the most important isometric
transformations to the projected metro-rhythmic entities of individual harmonics
of the spectrum. It is a direct isometry called central rotation. ...
Прилог истраживању руско-српских веза у црквеном и дворском сликарству и градитељству кроз опусе руских емиграната у Србији између два светска рата: примери преузимања руских модела / A Contribution to Researching Russian-Serbian Connections in Sacral and Court Painting and Architecture through the Opera of Russian Emigrants in Serbia between the World Wars: Examples of Adopting Russian Models
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
Russian-Serbian cultural connections in a broader sense, represented
through direct parallels in Russian and Serbian sacral painting, architectural
decoration, sacral interior design and phenomenа in court art canons of ...
Службы русским и сербским святым в контексте годового круга церковного пения XVI–XVII веков / Services to Russian and Serbian saints in the Context of the Annual Circle of Church Singing of the 16th– 17th Centuries
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
The article examines the services of Russian and Serbian saints in the context
of the General artistic space of Russia during the period when it remained the
only Orthodox state. А significant number of services to the ...
Руски триодни стихирар с краја XII века – рукопис Хиландар 307. / A Russian Triodion Sticherarion From the Late 12th Century – MS Hilandar 307
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
MS Hilandar 307, a triodion sticherarion from the late 12th century, is one of the
oldest Slavonic manuscripts kept at Hilandar. The manuscript has not survived in
its entirety – it is missing the first part which contained ...
Песнопения в честь великомученика князя Лазаря Сербского в древнерусских нотированных рукописях / Chants in Honour of the Great Martyr Prince Lazar of Serbia in the Old Russian Notated Manuscripts
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
The manuscript containing the service of St. Lazar Hrebeljanović was presented
to the Russian Tsar in 1550 by the abbot of the Hilandar monastery Paisius. We
currently know only two manuscripts containing hymns to the ...
Часопис „Славенска музика“ (1939–1941) у историји српске музичке периодике / The Magazine “Slavenska muzika” (1939–1941) in the History of Serbian Music Periodicals
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
From November 1939 to March 1941, the monthly magazine “Slavenska
muzika”, a journal of the Association of Friends of Slavic Music, was published
in Belgrade. The magazine did not differ from other Serbian magazines of ...
„Руски хор који Русија није чула“: Хор донских козака Сергеја Жарова на концертној сцени међуратног Београда / „А Russian Choir that Russia Had Never Heard Before“: The Don Cossack Choir Serge Jaroff on the Concert Stage in the Interwar Belgrade
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
After the October Revolution, the Russian tradition of spiritual and folk choral
singing was introduced to the whole world by the active work of choirs that
appeared in exile. The Don Cossack Choir Sergei Jaroff and the ...
Колико (не) знамо о руско-српским појачким везама / How Much We Do (Not) Know About Russian-Serbian Chanting Connections
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
There are still no argumentative answers about the extent to which and in what
way the share of Russian singing practice in Serbian church singing is present.
The ways in which the Serbian melody reached Russian singers ...