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Three bars by Wittgenstein / Tri takta od Vitgenštajna
(Музикологија / Musicology, 2005)
The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
(Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
New age in Serbia, Zoran Simjanović: New ideas symphony / New age u našem prostoru, Zoran Simjanović - New ideas symphony
(Музикологија / Musicology, 2007)
'New age' was a trend which appeared in the music of the 1980's, bringing a new dimension to art music in general, especially in its reception. At first its development was stimulated by technological inventions, 'the ...
Roland Barthes' 'Text' and aleatoric music: Is the 'birth of the reader' the birth of the listener? / 'Tekst' Rolana Barta i aleatorijska muzika - da li je 'rođenje čitaoca' i rođenje slušaoca?
(Музикологија / Musicology, 2002)
The history of Western classical music and the development of its notational system show that composers have tried to control more and more aspects of their compositions as precisely as possible. Total serialism represents ...
Modernity and the avant-garde in Romanian music 1920-1940 / Modernizam i avangarda u rumunskoj muzici od 1920-1940. godine
(Музикологија / Musicology, 2001)
Thanks to the works of George Enescu, Romanian music achieved its first breakthrough onto the European scene in the years preceding World War I. In the inter-war period the number of Romanian composers who joined modern ...
La musique française dans l'entre-deux guerres / Francuska muzika u međuratnom periodu
(Музикологија / Musicology, 2001)
L'ésprit nouveau des années 20 se traduit non seulement à travers L'oeuvre audacieuse d'Erik Satie, mais aussi dans l'esthétique néoclacissiste du Groupe des Six, formé en 1920. Ces jeunes compositeurs ne mettent pas ...
Zur kompositorischen Arbeit von Vitezslav Novák an Beispielen von Materialien der Kammermusik-werke / O kompozicionom radu Vićeslava Novaka na primerima njegovih kamernih dela
(Музикологија / Musicology, 2005)
Man kann den Entwicklungsprozess im Bereich der Mikrostruktur der Komposition in Nováks Kammermusikwerke, also der eigentlichen motivischthematischen Arbeit, betrachten. In dem Bestreben, auf das romantische, auf umfangreichen ...
Le système de l'harmonie de Rameau dans sa correspondance avec d'Alembert et Rousseau / Ramoov sistem harmonije u njegovoj prepisci sa d'Alamberom i Rusoom
(Музикологија / Musicology, 2002)
L'article examine la correspondance polémique de Rameau avec d'Alembert et Rousseau, entretenue dans la sixième décénie du XVIIIe siècle. Le système de l'harmonie de Rameau y est affronté à deux défis contradictoires: d'un ...
The 'ugliness' of Jewish prayer: Voice quality as the expression of identity / 'Ružnoća' jevrejske molitve - kvalitet glasa kao izraz identiteta
(Музикологија / Musicology, 2007)
This article is based on the musical material and interviews the author collected in Hungary, France, Czechoslovakia, the USA and Israel in the course of thirty years of her fieldwork among the traditional East-Ashkenazi ...
Greek composers of the Ionian islands in Italian musical life during the 19th century / Grčki kompozitori na Jonskim ostrvima u italijanskom muzičkom životu tokom 19. veka
(Музикологија / Musicology, 2003)
During the 19th century most of the Ionian islands played a leading role in the Greek musical life. The vicinity of the islands with Italy combined with the Venetian domination were two facts that helped the creation of ...