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  • Музиколошки институт САНУ / Institute of Musicology SASA
  • Музикологија (часопис) / Musicology (journal)
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  • Музиколошки институт САНУ / Institute of Musicology SASA
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Vlach Vocal Traditional Music in the Region of Homolje from the Legacy of Olivera Mladenović / Традиционална вокална музика Влаха у Хомољу у заоставштини Оливере Младеновић 

Radivojević, Maja (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Olivera Mladenović researched Vlach culture in the 1980s. Recordings preserved in the archive of the Institute of Ethnography SASA also contain examples of vocal practice of the Vlachs from Homolje region (Northeast ...
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„Tote aber leben länger“. The Second Viennese School and its Place in the Reflections of Selected Composers from the Second Half of the Twentieth Century (Lutosławski, Ligeti, Lachenmann, Harvey) / „Tote aber leben länger“. Друга бечка школа и њено место у промишљањима одабраних композитора друге половине XX века (Лутославски, Лигети, Лахенман, Харви) 

Schreiber, Ewa (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The juxtaposition of classicism and actuality is a good description of the ambiguous position occupied by the Second Viennese School not only in the eyes of the scholars who research it, but also of composers who can be ...
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On the Connection of Musico-rhetorical Strategies and Marian Topic/Topos in Renaissance Motets / О спрези музичко-реторичких стратегија и маријанске топике/топоса у ренесансним мотетима 

Belić, Senka (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The text summarizes some of the research results from my doctoral dissertation. In the broadest sense, the following text discusses the influence of rhetorical concepts and practices on the composition practice of the ...
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William Byrd and the Limits of Formal Music Analysis / Вилијам Берд и ограничења формалне анализе музике 

Cvejić, Žarko (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Writing in 1962, Joseph Kerman was the first to speculate about potentially subversive political meanings in the Cantiones sacrae of the English Renaissance composer William Byrd, his two collections of motets published ...
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Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries. Edited by Polina Tambakaki, Panos Vlagopoulos, Katerina Levidou and Roderick Beaton. London and New York: Routledge 2020. ISBN 978-1-138-28002-1 xiv+318pp. 

Moody, Ivan (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
This is a ground-breaking publication. Originating in a conference held in Athens in 2015, it brings together papers by nineteen specialists in various aspects of Greek culture, and, in the absence of anything resembling ...
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Creativity and Ownership: Protection of Rights in Musical Works in the European Union From Digitisation to Artificial Intelligence / Креативност и власништво: правна заштита музичких дела у Европској унији од дигитализације до вештачке интелигенције 

Ćemalović, Uroš (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Even more than intelligence, creativity is considered as a quintessentially human capacity. The same conclusion is fully applicable to the artistic creation in music sector. However, rapid technological development is ...
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Politics, Orthodoxy and Arts: Serbian-Russian Cultural Relations in the 18th Century / Политика, православље и уметност: српско-руске културне везе у XVIII веку 

Simić, Vladimir (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The complicated political and cultural position of the Serbs who migrated to the Habsburg Monarchy in the early eighteenth century caused the rise of popularity of Russian rulers, who were recognized as protectors of the ...
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Vladimir R. Đorđević’s Contribution to the Transcription of Vocal Practices / Допринос Владимира Р. Ђорђевића транскрипцији вокалне праксе 

Ranković, Sanja (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Serbian musicians who were collecting different forms of traditional music at the end of the 19th and the beginning of the 20th century were unable to make audio recordings of the collected material. This conditioned the ...
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“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania / „Извитоперење укуса људи“: Lăutari и балканско питање у Румунији 

Lawford, Roderick Charles (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
“’Perverting the Taste of the People’: Lăutari and the Balkan Question in Romania” considers the term “Balkan” in the context of Romanian Romani music- making. The expression can be used pejoratively to describe something ...
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Vladimir R. Đorđević’s Contribution to Serbian Musical Folkloristics / Допринос Владимира Р. Ђорђевића српској музичкој фолклористици 

Radinović, Sanja; Golemović, Dimitrije O. (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Vladimir R. Đorđević (1869–1938), one of the pioneers of Serbian ethnomusicology, achieved outstanding results in various fields; his work is based on Serbian musical folklore. Several dozen of his publications belong to ...
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Year published 2020 (12)Document TypeArticle (11)Review (1)VersionPublished version (12)AccessOpen Access (12)Journal/Monograph
Musicology (12)
SubjectВладимир Р. Ђорђевић (3)motet (2)transcription (2)Vladimir R. Đorđević (2)Vladimir Đorđević (2)... View More

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