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Politics, Orthodoxy and Arts: Serbian-Russian Cultural Relations in the 18th Century / Политика, православље и уметност: српско-руске културне везе у XVIII веку
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The complicated political and cultural position of the Serbs who migrated to the
Habsburg Monarchy in the early eighteenth century caused the rise of popularity
of Russian rulers, who were recognized as protectors of the ...
Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries. Edited by Polina Tambakaki, Panos Vlagopoulos, Katerina Levidou and Roderick Beaton. London and New York: Routledge 2020. ISBN 978-1-138-28002-1 xiv+318pp.
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
This is a ground-breaking publication. Originating in a conference held in Athens
in 2015, it brings together papers by nineteen specialists in various aspects of Greek
culture, and, in the absence of anything resembling ...
„Tote aber leben länger“. The Second Viennese School and its Place in the Reflections of Selected Composers from the Second Half of the Twentieth Century (Lutosławski, Ligeti, Lachenmann, Harvey) / „Tote aber leben länger“. Друга бечка школа и њено место у промишљањима одабраних композитора друге половине XX века (Лутославски, Лигети, Лахенман, Харви)
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The juxtaposition of classicism and actuality is a good description of the
ambiguous position occupied by the Second Viennese School not only in the
eyes of the scholars who research it, but also of composers who can be ...
On the Connection of Musico-rhetorical Strategies and Marian Topic/Topos in Renaissance Motets / О спрези музичко-реторичких стратегија и маријанске топике/топоса у ренесансним мотетима
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The text summarizes some of the research results from my doctoral dissertation.
In the broadest sense, the following text discusses the influence of rhetorical
concepts and practices on the composition practice of the ...
William Byrd and the Limits of Formal Music Analysis / Вилијам Берд и ограничења формалне анализе музике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Writing in 1962, Joseph Kerman was the first to speculate about potentially
subversive political meanings in the Cantiones sacrae of the English Renaissance
composer William Byrd, his two collections of motets published ...
Vlach Vocal Traditional Music in the Region of Homolje from the Legacy of Olivera Mladenović / Традиционална вокална музика Влаха у Хомољу у заоставштини Оливере Младеновић
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Olivera Mladenović researched Vlach culture in the 1980s. Recordings preserved
in the archive of the Institute of Ethnography SASA also contain examples of vocal
practice of the Vlachs from Homolje region (Northeast ...