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Noi istorii ale muzicilor românești. 2 vols: I. De la vechi manuscrise la prioda modernă a muzicii românești; II. Ideologi, instituții și direcții componistice în muzica românească din secolele XX–XXI. Еds. Valentina Sandu-Dediu and Nicolae Gheorghiță. Bucharest: Editura Muzicală, 2020, 372 + 444 pp. ISBN 978-973-42-1155-5 (Vol. I) and 978-973-42-1156-2 (Vol. II)
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
These are the first two volumes of three constituting a remarkable survey of the history of Romanian music. It is remarkable because of its historical breadth and because it brings together chapters by some of the finest ...
Gender Perspectives of Instrumental Jazz Performers in Southeastern Europe / Родне перспективе џез инструменталисткиња у југоисточној Европи
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
I investigate constructed social platforms for female jazz instrumentalist, with a particular emphasis on the Balkan cultural space of Southeastern Europe (former Yugoslav countries). In this region, female jazz instrumentalists ...
Ways of Living Abroad: The Foreign Composer in Britain after World War II / Како живети у туђини: инострани композитори у Великој Британији после Другог светског рата
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
The situation for émigré composers in Britain during World War II and afterwards was extremely complicated. British attitudes towards foreigners were highly ambivalent, and this was reflected institutionally, as the policies ...
Contribution of the Yugoslav Sokol organizations to the interwar sphere of music / Допринос југословенских соколских организација сфери музике у међуратном периоду
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
In this article part of musical activities of two federal Sokol organizations (JSS and SSKJ) in interwar Yugoslavia will be thoroughly examined. Despite the fact that these organizations were primarily focused on development ...
Vladimir R. Đorđević’s Contribution to Serbian Musical Folkloristics / Допринос Владимира Р. Ђорђевића српској музичкој фолклористици
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Vladimir R. Đorđević (1869–1938), one of the pioneers of Serbian ethnomusicology,
achieved outstanding results in various fields; his work is based on Serbian musical folklore. Several dozen of his publications belong to ...
Creativity and Ownership: Protection of Rights in Musical Works in the European Union From Digitisation to Artificial Intelligence / Креативност и власништво: правна заштита музичких дела у Европској унији од дигитализације до вештачке интелигенције
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Even more than intelligence, creativity is considered as a quintessentially human
capacity. The same conclusion is fully applicable to the artistic creation in music
sector. However, rapid technological development is ...
A Sick Genius? The Critical Reception of Alexei Stanchinsky / Болесни геније? Критичка рецепција Алексеја Станчињског
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article examines the critical reception of the Russian composer Alexei Stanchinsky (1888–1914). It focuses on the critical reviews published in Russian newspapers and musical periodicals during Stanchinsky’s lifetime. ...
William Byrd and the Limits of Formal Music Analysis / Вилијам Берд и ограничења формалне анализе музике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Writing in 1962, Joseph Kerman was the first to speculate about potentially
subversive political meanings in the Cantiones sacrae of the English Renaissance
composer William Byrd, his two collections of motets published ...
Vlach Vocal Traditional Music in the Region of Homolje from the Legacy of Olivera Mladenović / Традиционална вокална музика Влаха у Хомољу у заоставштини Оливере Младеновић
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Olivera Mladenović researched Vlach culture in the 1980s. Recordings preserved
in the archive of the Institute of Ethnography SASA also contain examples of vocal
practice of the Vlachs from Homolje region (Northeast ...
„Tote aber leben länger“. The Second Viennese School and its Place in the Reflections of Selected Composers from the Second Half of the Twentieth Century (Lutosławski, Ligeti, Lachenmann, Harvey) / „Tote aber leben länger“. Друга бечка школа и њено место у промишљањима одабраних композитора друге половине XX века (Лутославски, Лигети, Лахенман, Харви)
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The juxtaposition of classicism and actuality is a good description of the
ambiguous position occupied by the Second Viennese School not only in the
eyes of the scholars who research it, but also of composers who can be ...