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Трагом незабележених црквених мелодија из времена туркократије

On the Trace of Unnoted Church Melodies From the Time of Turkocraty

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Пено, Весна
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Abstract
Преглед садржаја и структуре богослужбених ненотираних зборника из времена туркократије, за које се с правом може претпоставити да су у недостатку нотираних појачких књига коришћени у певничкој пракси, један је од начина да се, макар и делимично, реконструише српска црквенопојачка традиција. У раду су обрађени псалтири с последовањем, тропарници, богородичници, акатисници и каноникони, из свих доступних библиотечких фондова.
Although Greek manuscript funds from the time of Turkocraty have a significant number of musical manuscripts preserved, some of which are master pieces of calligraphy, there are no whole noted chanting books in the Slavic language nor the ones that can be connected with Serbian chanters. During the Osman rule, most of all during the first century of the rule, books were the first to be destroyed. However, in mid 16th century there were almost no Serbian monasteries which did not have a scriptory where, at least to some extent, books were copied. The traces on the chanting practice, more precisely songs that chanters wrote and chanted at services, are found in versologies and irmologies (which I dealt with in a separate study), psaltiri s posledovanjem, bogorodičnici, troparnici i, u manjoj meri, akatisnici i kanonikoni. The review of the said collections from most of the available library funds has established that their content and structure were changeable during the 16th c...entury and in the 17th and 18th centuries, in accordance with the rising needs of the church, a certain model became established according to which these unnoted yet certainly chanting manuscripts were copied.

Keywords:
црквено појање / богослужбене књиге / рукопис / псалтир / тропарник / богородичник / акатисник / каноникон / church chanting / service books / manuscript / psaltir / troparnik / bogorodičnik / akatisnik / kanonikon
Source:
Зборник Матице српске за сценске уметности и музику, 2014, 50, 215-222
Publisher:
  • Нови Сад : Матица српска
Projects:
  • Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)

ISSN: 0352-9738

[ Google Scholar ]
URI
http://www.maticasrpska.org.rs/stariSajt/casopisi/ZMSSUM_50.pdf
http://dais.sanu.ac.rs/123456789/3594
Collections
  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - CHAP
AU  - Пено, Весна
PY  - 2014
UR  - http://www.maticasrpska.org.rs/stariSajt/casopisi/ZMSSUM_50.pdf
UR  - http://dais.sanu.ac.rs/123456789/3594
AB  - Преглед садржаја и структуре богослужбених ненотираних зборника
из времена туркократије, за које се с правом може претпоставити да су у недостатку
нотираних појачких књига коришћени у певничкој пракси, један је од начина да се,
макар и делимично, реконструише српска црквенопојачка традиција. У раду су обрађени
псалтири с последовањем, тропарници, богородичници, акатисници и каноникони, из
свих доступних библиотечких фондова.
AB  - Although Greek manuscript funds from the time of Turkocraty have a significant number
of musical manuscripts preserved, some of which are master pieces of calligraphy, there are
no whole noted chanting books in the Slavic language nor the ones that can be connected with
Serbian chanters. During the Osman rule, most of all during the first century of the rule, books
were the first to be destroyed. However, in mid 16th century there were almost no Serbian
monasteries which did not have a scriptory where, at least to some extent, books were copied.
The traces on the chanting practice, more precisely songs that chanters wrote and chanted
at services, are found in versologies and irmologies (which I dealt with in a separate study),
psaltiri s posledovanjem, bogorodičnici, troparnici i, u manjoj meri, akatisnici i kanonikoni. The
review of the said collections from most of the available library funds has established that their
content and structure were changeable during the 16th century and in the 17th and 18th centuries,
in accordance with the rising needs of the church, a certain model became established according
to which these unnoted yet certainly chanting manuscripts were copied.
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за сценске уметности и музику
T1  - Трагом незабележених црквених мелодија из времена туркократије
T1  - On the Trace of Unnoted Church Melodies From the Time of Turkocraty
SP  - 215
EP  - 222
IS  - 50
ER  - 
@article{
author = "Пено, Весна",
year = "2014",
url = "http://www.maticasrpska.org.rs/stariSajt/casopisi/ZMSSUM_50.pdf, http://dais.sanu.ac.rs/123456789/3594",
abstract = "Преглед садржаја и структуре богослужбених ненотираних зборника
из времена туркократије, за које се с правом може претпоставити да су у недостатку
нотираних појачких књига коришћени у певничкој пракси, један је од начина да се,
макар и делимично, реконструише српска црквенопојачка традиција. У раду су обрађени
псалтири с последовањем, тропарници, богородичници, акатисници и каноникони, из
свих доступних библиотечких фондова., Although Greek manuscript funds from the time of Turkocraty have a significant number
of musical manuscripts preserved, some of which are master pieces of calligraphy, there are
no whole noted chanting books in the Slavic language nor the ones that can be connected with
Serbian chanters. During the Osman rule, most of all during the first century of the rule, books
were the first to be destroyed. However, in mid 16th century there were almost no Serbian
monasteries which did not have a scriptory where, at least to some extent, books were copied.
The traces on the chanting practice, more precisely songs that chanters wrote and chanted
at services, are found in versologies and irmologies (which I dealt with in a separate study),
psaltiri s posledovanjem, bogorodičnici, troparnici i, u manjoj meri, akatisnici i kanonikoni. The
review of the said collections from most of the available library funds has established that their
content and structure were changeable during the 16th century and in the 17th and 18th centuries,
in accordance with the rising needs of the church, a certain model became established according
to which these unnoted yet certainly chanting manuscripts were copied.",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за сценске уметности и музику",
title = "Трагом незабележених црквених мелодија из времена туркократије, On the Trace of Unnoted Church Melodies From the Time of Turkocraty",
pages = "215-222",
number = "50"
}
Пено В. Трагом незабележених црквених мелодија из времена туркократије. Зборник Матице српске за сценске уметности и музику. 2014;(50):215-222
,& Пено, В. (2014). Трагом незабележених црквених мелодија из времена туркократије.
Зборник Матице српске за сценске уметности и музикуНови Сад : Матица српска., null(50), 215-222. 
Пено Весна, "Трагом незабележених црквених мелодија из времена туркократије" null, no. 50 (2014):215-222

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