Being an immensely important and complex part of Serbian culture, the epic tradition has attracted researchers from various disciplines. Almost all collectors and scholars, from Vuk Karadžić to Matija Murko, Milman Parry and Albert Lord, acknowledged that music was an essential part of the epic expression. Nevertheless, the study of this dimension of the epic tradition has remained neglected. The first musicological fieldwork was done in the period between the two world wars by Gustav Becking and Walther Wünsch, but a deeper understanding of the Serbian epic tradition from an (ethno)musicological perspective has remained elusive. In such circumstances, I have decided to investigate the singing of epic poems composed in unrhymed decasyllables accompanied by the gusle, being the key form within Serbian epic poetry as a specific genre system.
Keywords:
gusle / communication / guslar / epic tradition
Source:
2014
Publisher:
Београд : Музиколошки институт Српске академије наука и уметности
TY - BOOK
AU - Лајић Михајловић, Данка
PY - 2014
UR - https://dais.sanu.ac.rs/123456789/3504
AB - Being an immensely important and complex part of Serbian culture, the epic tradition has attracted researchers from various disciplines. Almost all collectors and scholars, from Vuk Karadžić to Matija Murko, Milman Parry and Albert Lord, acknowledged that music was an essential part of the epic expression. Nevertheless, the study of this dimension of the epic tradition has remained neglected. The first musicological fieldwork was done in the period between the two world wars by Gustav Becking and Walther Wünsch, but a deeper understanding of the Serbian epic tradition from an (ethno)musicological perspective has remained elusive. In such circumstances, I have decided to investigate the singing of epic poems composed in unrhymed decasyllables accompanied by the gusle, being the key form within Serbian epic poetry as a specific genre system.
PB - Београд : Музиколошки институт Српске академије наука и уметности
T1 - Српско традиционално певање уз гусле: гусларска пракса као комуникациони процес
T1 - Serbian Traditional Singing Accompanied by the Gusle: the Guslars’ Practice as a Communication Process
UR - https://hdl.handle.net/21.15107/rcub_dais_3504
ER -
@book{
author = "Лајић Михајловић, Данка",
year = "2014",
abstract = "Being an immensely important and complex part of Serbian culture, the epic tradition has attracted researchers from various disciplines. Almost all collectors and scholars, from Vuk Karadžić to Matija Murko, Milman Parry and Albert Lord, acknowledged that music was an essential part of the epic expression. Nevertheless, the study of this dimension of the epic tradition has remained neglected. The first musicological fieldwork was done in the period between the two world wars by Gustav Becking and Walther Wünsch, but a deeper understanding of the Serbian epic tradition from an (ethno)musicological perspective has remained elusive. In such circumstances, I have decided to investigate the singing of epic poems composed in unrhymed decasyllables accompanied by the gusle, being the key form within Serbian epic poetry as a specific genre system.",
publisher = "Београд : Музиколошки институт Српске академије наука и уметности",
title = "Српско традиционално певање уз гусле: гусларска пракса као комуникациони процес, Serbian Traditional Singing Accompanied by the Gusle: the Guslars’ Practice as a Communication Process",
url = "https://hdl.handle.net/21.15107/rcub_dais_3504"
}
Лајић Михајловић, Д.. (2014). Српско традиционално певање уз гусле: гусларска пракса као комуникациони процес.
Београд : Музиколошки институт Српске академије наука и уметности..
https://hdl.handle.net/21.15107/rcub_dais_3504
Лајић Михајловић Д. Српско традиционално певање уз гусле: гусларска пракса као комуникациони процес. 2014;.
https://hdl.handle.net/21.15107/rcub_dais_3504 .
Лајић Михајловић, Данка, "Српско традиционално певање уз гусле: гусларска пракса као комуникациони процес" (2014),
https://hdl.handle.net/21.15107/rcub_dais_3504 .
