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dc.contributorŠuvaković, Miško
dc.contributorCvejić, Žarko
dc.contributorFilipović, Andrija
dc.creatorMaglov, Marija
dc.date.accessioned2018-06-20T12:37:37Z
dc.date.available2018-06-20T12:37:37Z
dc.date.issued2015
dc.identifier.isbn978-1-4438-7720-6
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/3405
dc.description.abstractThis text examines the concept of the political economy of music first discussed by French economist and theorist Jacques Attali in his book Noise: The Political Economy of Music.The concept is observed here in the context of the recording industry in former Yugoslavia. Attali’s thesis and one particular part of his narrative, focused on the problem of repetition and related to the condition of the recording industry in general are presented. Brief examples of classical music and mass songs recordings are offered in the closing section.en
dc.language.isoensr
dc.publisherNewcastle upon Tyne : Cambridge Scholars Publishingsr
dc.rightsopenAccesssr
dc.sourceEuropean Theories in Former Yugoslavia: Trans-theory Relations between Global and Local Discoursessr
dc.subjectmusic industrysr
dc.subjectrecordingssr
dc.subjectmusic economysr
dc.subjectYugoslaviasr
dc.subjectJacques Attalisr
dc.titleJacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslaviaen
dc.typebookPartsr
dc.rights.licenseARRsr
dcterms.abstractМаглов, Марија;
dc.rights.holderMiško Šuvaković, Žarko Cvejić, Andrija Filipović and contributorssr
dc.citation.spage73
dc.citation.epage78
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/10943/bitstream_10943.pdf


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