Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia

Maglov, Marija

Poglavlje u monografiji (Objavljena verzija)

Miško Šuvaković, Žarko Cvejić, Andrija Filipović and contributors

Metapodaci

Prikaz svih podataka o dokumentu

Apstrakt

This text examines the concept of the political economy of music first discussed by French economist and theorist Jacques Attali in his book Noise: The Political Economy of Music.The concept is observed here in the context of the recording industry in former Yugoslavia. Attali’s thesis and one particular part of his narrative, focused on the problem of repetition and related to the condition of the recording industry in general are presented. Brief examples of classical music and mass songs recordings are offered in the closing section.

Ključne reči:

music industry / recordings / music economy / Yugoslavia / Jacques Attali

Izvor:
European Theories in Former Yugoslavia: Trans-theory Relations between Global and Local Discourses, 2015, 73-78

Izdavač:

Newcastle upon Tyne : Cambridge Scholars Publishing

ISBN: 978-1-4438-7720-6

[ Google Scholar ]

URI

http://dais.sanu.ac.rs/123456789/3405

Kolekcije

МИ САНУ - Радови истраживача / MI SASA - Researchers' publications

Institucija

Музиколошки институт САНУ / Institute of Musicology SASA

TY  - CHAP
AU  - Maglov, Marija
PY  - 2015
UR  - http://dais.sanu.ac.rs/123456789/3405
AB  - This text examines the concept of the political economy of music first
discussed by French economist and theorist Jacques Attali in his book
Noise: The Political Economy of Music.The concept is observed here in
the context of the recording industry in former Yugoslavia.
Attali’s thesis and one particular part of his
narrative, focused on the problem of repetition and related to the condition
of the recording industry in general are presented. Brief examples of classical music and mass songs recordings are offered in the closing section.
PB  - Newcastle upon Tyne : Cambridge Scholars Publishing
T2  - European Theories in Former Yugoslavia: Trans-theory Relations between Global and Local Discourses
T1  - Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia
SP  - 73
EP  - 78
ER  -

@article{
author = "Maglov, Marija",
year = "2015",
url = "http://dais.sanu.ac.rs/123456789/3405",
abstract = "This text examines the concept of the political economy of music first
discussed by French economist and theorist Jacques Attali in his book
Noise: The Political Economy of Music.The concept is observed here in
the context of the recording industry in former Yugoslavia.
Attali’s thesis and one particular part of his
narrative, focused on the problem of repetition and related to the condition
of the recording industry in general are presented. Brief examples of classical music and mass songs recordings are offered in the closing section.",
publisher = "Newcastle upon Tyne : Cambridge Scholars Publishing",
journal = "European Theories in Former Yugoslavia: Trans-theory Relations between Global and Local Discourses",
title = "Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia",
pages = "73-78"
}

Maglov M. Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia. European Theories in Former Yugoslavia: Trans-theory Relations between Global and Local Discourses. 2015;:73-78

Maglov, M. (2015). Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia.
European Theories in Former Yugoslavia: Trans-theory Relations between Global and Local DiscoursesNewcastle upon Tyne : Cambridge Scholars Publishing., 73-78.

Maglov Marija, "Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia" (2015):73-78