Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies

Maglov, Marija

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Žarko Cvejić, Andrija Filipović, Ana Petrov and contributors

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Abstract

Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts, the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison.

Keywords:

musical avant-garde / transculturality / musicology / Mirjana Veselinović-Hofman / Wolfgang Welsch / Max Paddison

Source:
The Crisis in the Humanities: Transdisciplinary Solutions, 2016, 102-109

Publisher:

Newcastle upon Tyne : Cambridge Scholars Publishing

ISBN: 978-1-4438-9782-2

[ Google Scholar ]

Handle

https://hdl.handle.net/21.15107/rcub_dais_3404

URI

https://dais.sanu.ac.rs/123456789/3404

Collections

МИ САНУ - Радови истраживача / MI SASA - Researchers' publications

Institution/Community

Музиколошки институт САНУ / Institute of Musicology SASA

TY  - CHAP
AU  - Maglov, Marija
PY  - 2016
UR  - https://dais.sanu.ac.rs/123456789/3404
AB  - Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts,  the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison.
PB  - Newcastle upon Tyne : Cambridge Scholars Publishing
T2  - The Crisis in the Humanities: Transdisciplinary Solutions
T1  - Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies
SP  - 102
EP  - 109
UR  - https://hdl.handle.net/21.15107/rcub_dais_3404
ER  -

@inbook{
author = "Maglov, Marija",
year = "2016",
abstract = "Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts,  the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison.",
publisher = "Newcastle upon Tyne : Cambridge Scholars Publishing",
journal = "The Crisis in the Humanities: Transdisciplinary Solutions",
booktitle = "Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies",
pages = "102-109",
url = "https://hdl.handle.net/21.15107/rcub_dais_3404"
}

Maglov, M.. (2016). Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies. in The Crisis in the Humanities: Transdisciplinary Solutions
Newcastle upon Tyne : Cambridge Scholars Publishing., 102-109.
https://hdl.handle.net/21.15107/rcub_dais_3404

Maglov M. Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies. in The Crisis in the Humanities: Transdisciplinary Solutions. 2016;:102-109.
https://hdl.handle.net/21.15107/rcub_dais_3404 .

Maglov, Marija, "Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies" in The Crisis in the Humanities: Transdisciplinary Solutions (2016):102-109,
https://hdl.handle.net/21.15107/rcub_dais_3404 .