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Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions

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2016
bitstream_10811.pdf (225.9Kb)
Authors
Maglov, Marija
Contributors
Veselinović-Hofman, Mirjana
Mikić, Vesna
Popović Mladjenović, Tijana
Perković, Ivana
Book part (Published version)
Metadata
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Abstract
This paper deals with the production of classical music records in the Yugoslav label PGP-RTB/PGP-RTS since its foundation in 1968 up to the present. The paper focuses on differentiation of editions released before and during the political, economic and cultural transitions in the ’90s. Last decades of the twentieth century also marked the technological transition from analog to digital recordings. Changes and continuities reflected in the editorial policy (as read from the released recordings) served as a marker of different transitions happening at that time.
Keywords:
transition / Yugoslavia / cultural policy / music industry / recordings / PGP-RTB / Produkcija gramofonskih ploča Radio televizije Beograd / PGP-RTS / Produkcija gramofonskih ploča Radio televizije Srbije
Source:
Music: Transitions/Continuities, 2016, 309-316
Publisher:
  • Belgrade : Department of Musicology, Faculty of Music
Projects:
  • Identities of Serbian music in world cultural context (RS-177019)
Note:
  • Musicological Studies: Monographs

ISBN: 978-86-88619-73-8

[ Google Scholar ]
URI
http://dais.sanu.ac.rs/123456789/3374
Collections
  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - CHAP
AU  - Maglov, Marija
PY  - 2016
UR  - http://dais.sanu.ac.rs/123456789/3374
AB  - This paper deals with the production of classical music records in the
Yugoslav label PGP-RTB/PGP-RTS since its foundation in 1968 up to the present. The
paper focuses on differentiation of editions released before and during the political,
economic and cultural transitions in the ’90s. Last decades of the twentieth century also
marked the technological transition from analog to digital recordings. Changes and
continuities reflected in the editorial policy (as read from the released recordings)
served as a marker of different transitions happening at that time.
PB  - Belgrade : Department of Musicology, Faculty of Music
T2  - Music: Transitions/Continuities
T1  - Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions
SP  - 309
EP  - 316
ER  - 
@article{
author = "Maglov, Marija",
year = "2016",
url = "http://dais.sanu.ac.rs/123456789/3374",
abstract = "This paper deals with the production of classical music records in the
Yugoslav label PGP-RTB/PGP-RTS since its foundation in 1968 up to the present. The
paper focuses on differentiation of editions released before and during the political,
economic and cultural transitions in the ’90s. Last decades of the twentieth century also
marked the technological transition from analog to digital recordings. Changes and
continuities reflected in the editorial policy (as read from the released recordings)
served as a marker of different transitions happening at that time.",
publisher = "Belgrade : Department of Musicology, Faculty of Music",
journal = "Music: Transitions/Continuities",
title = "Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions",
pages = "309-316"
}
Maglov M. Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions. Music: Transitions/Continuities. 2016;:309-316
,& Maglov, M. (2016). Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions.
Music: Transitions/ContinuitiesBelgrade : Department of Musicology, Faculty of Music., null, 309-316. 
Maglov Marija, "Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions" null (2016):309-316

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