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The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia

Odnos sfere države prema pevačkim udruženjima u Srbiji i Kraljevini Jugoslaviji

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2011
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Authors
Milanović, Biljana
Article (Published version)
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Abstract
Financial dependence of singing societies in the state of Serbia and Kingdom of Yugoslavia is particularly analyzed in the paper, with a view to pointing to problems which hindered the advancement of music culture in the civil society. As other similar institutions of civic type, choirs did not have at their disposal sufficient financial, social and symbolic capital independent of the state, so they did not possess the power to influence on the government authorities. Although the period between World Wars brought evident improvement in the state treatment of music institutions, it could not be interpreted as a fundamental shift. The treatment of the Yugoslav singing union (Južnoslovenski pevački savez), which fought for promotion of music culture in the Yugoslav society, is particularly indicative. This largest music organization in the country, fostering ideology of integral Yugoslavism, strived to contribute to ethnic and social cohesion of different regions through singing. In its ...plans for improving singing practice this organization exhibited a clear vision for activism in favor of the nation and state, but the state authorities did not know how or did not desire to make use of it. Certain information suggests indolent and at times negative, discouraging attitude of authorities towards different ways of improvement of music practice, both art and society wise, which opens a new horizon for future studies and for better comprehension of contemporary problems as well.

U radu su analizirani pojedini aspekti odnosa sfere države prema pevačkim udruženjima kao najmasovnijim muzičkim institucijama civilnog tipa u Srbiji do 1918. i Kraljevini SHS/Jugoslaviji. Cilj je da se ukaže na socijalni kontekst problema koji su ometali unapređenje muzičke kulture srpskog i jugoslovenskog društva.
Keywords:
pevačka društva / Južnoslovenski pevački savez / sfere države / civilnih institucija i društva
Source:
Музикологија / Musicology, 2011, 11, 219-234
Funding / projects:
  • Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)

DOI: 10.2298/MUZ1111219M

ISSN: 1450-9814 (print)

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_dais_2695
URI
https://dais.sanu.ac.rs/123456789/2695
Collections
  • Музикологија (часопис) / Musicology (journal)
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - JOUR
AU  - Milanović, Biljana
PY  - 2011
UR  - https://dais.sanu.ac.rs/123456789/2695
AB  - Financial dependence of singing societies in the state of Serbia and Kingdom of Yugoslavia is particularly analyzed in the paper, with a view to pointing to problems which hindered the advancement of music culture in the civil society. As other similar institutions of civic type, choirs did not have at their disposal sufficient financial, social and symbolic capital independent of the state, so they did not possess the power to influence on the government authorities. Although the period between World Wars brought evident improvement in the state treatment of music institutions, it could not be interpreted as a fundamental shift. The treatment of the Yugoslav singing union (Južnoslovenski pevački savez), which fought for promotion of music culture in the Yugoslav society, is particularly indicative. This largest music organization in the country, fostering ideology of integral Yugoslavism, strived to contribute to ethnic and social cohesion of different regions through singing. In its plans for improving singing practice this organization exhibited a clear vision for activism in favor of the nation and state, but the state authorities did not know how or did not desire to make use of it. Certain information suggests indolent and at times negative, discouraging attitude of authorities towards different ways of improvement of music practice, both art and society wise, which opens a new horizon for future studies and for better comprehension of contemporary problems as well.
AB  - U radu su analizirani pojedini aspekti odnosa sfere države prema pevačkim udruženjima kao najmasovnijim muzičkim institucijama civilnog tipa u Srbiji do 1918. i Kraljevini SHS/Jugoslaviji. Cilj je da se ukaže na socijalni kontekst problema koji su ometali unapređenje muzičke kulture srpskog i jugoslovenskog društva.
T2  - Музикологија / Musicology
T1  - The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia
T1  - Odnos sfere države prema pevačkim udruženjima u Srbiji i Kraljevini Jugoslaviji
SP  - 219
EP  - 234
IS  - 11
DO  - 10.2298/MUZ1111219M
UR  - https://hdl.handle.net/21.15107/rcub_dais_2695
ER  - 
@article{
author = "Milanović, Biljana",
year = "2011",
abstract = "Financial dependence of singing societies in the state of Serbia and Kingdom of Yugoslavia is particularly analyzed in the paper, with a view to pointing to problems which hindered the advancement of music culture in the civil society. As other similar institutions of civic type, choirs did not have at their disposal sufficient financial, social and symbolic capital independent of the state, so they did not possess the power to influence on the government authorities. Although the period between World Wars brought evident improvement in the state treatment of music institutions, it could not be interpreted as a fundamental shift. The treatment of the Yugoslav singing union (Južnoslovenski pevački savez), which fought for promotion of music culture in the Yugoslav society, is particularly indicative. This largest music organization in the country, fostering ideology of integral Yugoslavism, strived to contribute to ethnic and social cohesion of different regions through singing. In its plans for improving singing practice this organization exhibited a clear vision for activism in favor of the nation and state, but the state authorities did not know how or did not desire to make use of it. Certain information suggests indolent and at times negative, discouraging attitude of authorities towards different ways of improvement of music practice, both art and society wise, which opens a new horizon for future studies and for better comprehension of contemporary problems as well., U radu su analizirani pojedini aspekti odnosa sfere države prema pevačkim udruženjima kao najmasovnijim muzičkim institucijama civilnog tipa u Srbiji do 1918. i Kraljevini SHS/Jugoslaviji. Cilj je da se ukaže na socijalni kontekst problema koji su ometali unapređenje muzičke kulture srpskog i jugoslovenskog društva.",
journal = "Музикологија / Musicology",
title = "The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia, Odnos sfere države prema pevačkim udruženjima u Srbiji i Kraljevini Jugoslaviji",
pages = "219-234",
number = "11",
doi = "10.2298/MUZ1111219M",
url = "https://hdl.handle.net/21.15107/rcub_dais_2695"
}
Milanović, B.. (2011). The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia. in Музикологија / Musicology(11), 219-234.
https://doi.org/10.2298/MUZ1111219M
https://hdl.handle.net/21.15107/rcub_dais_2695
Milanović B. The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia. in Музикологија / Musicology. 2011;(11):219-234.
doi:10.2298/MUZ1111219M
https://hdl.handle.net/21.15107/rcub_dais_2695 .
Milanović, Biljana, "The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia" in Музикологија / Musicology, no. 11 (2011):219-234,
https://doi.org/10.2298/MUZ1111219M .,
https://hdl.handle.net/21.15107/rcub_dais_2695 .

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