The East and the West in the polemical context of the Serbian music between the two World Wars
Istok-Zapad u polemičkom kontekstu srpske muzike između dva svetska rata
Апстракт
This article represents a fragment of the author's doctoral dissertation Serbian Music at the Crossroads of the East and the West? On the Dialogue between the Traditional and the Modern in Serbian Music between the Two World Wars (the review of the thesis see on www.newsound.org.yu, issue No 24). The thesis (mentor: prof. Dr Mirjana Veselinović-Hofman) was defended at the Faculty of Music, Belgrade, on January 2004. A revised text of the dissertation is forthcoming, in an edition of the Institute of Musicology of the Serbian Academy of Sciences and Arts. The article describes the creative orientation of composers Miloje Milojević, Petar Konjović and Josip Slavenski as the key figures of the epoch, indicates their choices of an Eastern or Western orientation, and explains the antagonism between the poetics of the "Europeans" and the representatives of avant-garde trends. The topicality of the East-West dichotomy in the critical consciousness of the protagonist of this period is marked a...s one of the main and the most important dilemma of the polemical context of the Serbian art after the World War I. Conducted from standpoints "Pro et Contra Europe", East-West discussion was also the part of the debate of Serbian national art's development strategy in the new, modern epoch of its history.
Polazeći od činjenice da pojmovna dihotomija Istok-Zapad, a takođe i sintagma o raskršću Istoka i Zapada predstavljaju svojevrsnu konstantu rasprava o srpskoj istoriji, kulturi i umetnosti, u radu se ukazuje na aktivnu zastupljenost ovih pojmova u svesti ključnih protagonista epohe srpske muzike između dva svetska rata. Posebna pažnja poklonjena je različitim viđenjima strategije razvoja "nove", moderne srpske muzike nakon Prvog svetskog rata. Razmatraju se stavovi i stvaralačke orijentacije Miloja Milojevića, Petra Konjovića, Josipa Slavenskog, kao i predstavnika najmlađe kompozitorske generacije.
Кључне речи:
Istok / Zapad / srpska muzika između dva svetska rata / Miloje Milojević / Petar Konjović / Josip SlavenskiИзвор:
Музикологија / Musicology, 2005, 5, 119-129Колекције
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Tomašević, Katarina D. PY - 2005 UR - https://dais.sanu.ac.rs/123456789/2556 AB - This article represents a fragment of the author's doctoral dissertation Serbian Music at the Crossroads of the East and the West? On the Dialogue between the Traditional and the Modern in Serbian Music between the Two World Wars (the review of the thesis see on www.newsound.org.yu, issue No 24). The thesis (mentor: prof. Dr Mirjana Veselinović-Hofman) was defended at the Faculty of Music, Belgrade, on January 2004. A revised text of the dissertation is forthcoming, in an edition of the Institute of Musicology of the Serbian Academy of Sciences and Arts. The article describes the creative orientation of composers Miloje Milojević, Petar Konjović and Josip Slavenski as the key figures of the epoch, indicates their choices of an Eastern or Western orientation, and explains the antagonism between the poetics of the "Europeans" and the representatives of avant-garde trends. The topicality of the East-West dichotomy in the critical consciousness of the protagonist of this period is marked as one of the main and the most important dilemma of the polemical context of the Serbian art after the World War I. Conducted from standpoints "Pro et Contra Europe", East-West discussion was also the part of the debate of Serbian national art's development strategy in the new, modern epoch of its history. AB - Polazeći od činjenice da pojmovna dihotomija Istok-Zapad, a takođe i sintagma o raskršću Istoka i Zapada predstavljaju svojevrsnu konstantu rasprava o srpskoj istoriji, kulturi i umetnosti, u radu se ukazuje na aktivnu zastupljenost ovih pojmova u svesti ključnih protagonista epohe srpske muzike između dva svetska rata. Posebna pažnja poklonjena je različitim viđenjima strategije razvoja "nove", moderne srpske muzike nakon Prvog svetskog rata. Razmatraju se stavovi i stvaralačke orijentacije Miloja Milojevića, Petra Konjovića, Josipa Slavenskog, kao i predstavnika najmlađe kompozitorske generacije. T2 - Музикологија / Musicology T1 - The East and the West in the polemical context of the Serbian music between the two World Wars T1 - Istok-Zapad u polemičkom kontekstu srpske muzike između dva svetska rata SP - 119 EP - 129 IS - 5 DO - 10.2298/MUZ0505119T UR - https://hdl.handle.net/21.15107/rcub_dais_2556 ER -
@article{ author = "Tomašević, Katarina D.", year = "2005", abstract = "This article represents a fragment of the author's doctoral dissertation Serbian Music at the Crossroads of the East and the West? On the Dialogue between the Traditional and the Modern in Serbian Music between the Two World Wars (the review of the thesis see on www.newsound.org.yu, issue No 24). The thesis (mentor: prof. Dr Mirjana Veselinović-Hofman) was defended at the Faculty of Music, Belgrade, on January 2004. A revised text of the dissertation is forthcoming, in an edition of the Institute of Musicology of the Serbian Academy of Sciences and Arts. The article describes the creative orientation of composers Miloje Milojević, Petar Konjović and Josip Slavenski as the key figures of the epoch, indicates their choices of an Eastern or Western orientation, and explains the antagonism between the poetics of the "Europeans" and the representatives of avant-garde trends. The topicality of the East-West dichotomy in the critical consciousness of the protagonist of this period is marked as one of the main and the most important dilemma of the polemical context of the Serbian art after the World War I. Conducted from standpoints "Pro et Contra Europe", East-West discussion was also the part of the debate of Serbian national art's development strategy in the new, modern epoch of its history., Polazeći od činjenice da pojmovna dihotomija Istok-Zapad, a takođe i sintagma o raskršću Istoka i Zapada predstavljaju svojevrsnu konstantu rasprava o srpskoj istoriji, kulturi i umetnosti, u radu se ukazuje na aktivnu zastupljenost ovih pojmova u svesti ključnih protagonista epohe srpske muzike između dva svetska rata. Posebna pažnja poklonjena je različitim viđenjima strategije razvoja "nove", moderne srpske muzike nakon Prvog svetskog rata. Razmatraju se stavovi i stvaralačke orijentacije Miloja Milojevića, Petra Konjovića, Josipa Slavenskog, kao i predstavnika najmlađe kompozitorske generacije.", journal = "Музикологија / Musicology", title = "The East and the West in the polemical context of the Serbian music between the two World Wars, Istok-Zapad u polemičkom kontekstu srpske muzike između dva svetska rata", pages = "119-129", number = "5", doi = "10.2298/MUZ0505119T", url = "https://hdl.handle.net/21.15107/rcub_dais_2556" }
Tomašević, K. D.. (2005). The East and the West in the polemical context of the Serbian music between the two World Wars. in Музикологија / Musicology(5), 119-129. https://doi.org/10.2298/MUZ0505119T https://hdl.handle.net/21.15107/rcub_dais_2556
Tomašević KD. The East and the West in the polemical context of the Serbian music between the two World Wars. in Музикологија / Musicology. 2005;(5):119-129. doi:10.2298/MUZ0505119T https://hdl.handle.net/21.15107/rcub_dais_2556 .
Tomašević, Katarina D., "The East and the West in the polemical context of the Serbian music between the two World Wars" in Музикологија / Musicology, no. 5 (2005):119-129, https://doi.org/10.2298/MUZ0505119T ., https://hdl.handle.net/21.15107/rcub_dais_2556 .