On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
Na sledi sledilcem in sopotnikom modernizma Béle Bartóka: Josip Slavenski in Marko Tajčević
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.
Poglavitni namen tega prispevka je ponovna pre-učitev modalnosti vpliva skladatelja Béle Bartóka v prvi polovici 20. stoletja na najbolj razširjen, »nacio-nalno usmerjen slog« v nekdanji Jugoslaviji, pri čemer sta obravnava dva Bartókova mlajša sopotnika – skladatelja Josip Slavenski (1896–1955) in Marko Tajčević (1900–1984), pomembna predstavnika evropskega medvojnega glasbenega modernizma.
Кључне речи:
Béla Bartók / Josip Slavenski / Marko Tajčević / musical modernism / the Balkans / Béla Bartók / Josip Slavenski / Marko Tajčević / glasbeni modernizem / BalkanИзвор:
Musicological Annual / Muzikološki zbornik, 2016, 52, 1, 27-40Издавач:
- Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
DOI: 10.4312/mz.52.1.27-40
ISSN: 0580-373X (Print) ; 2350-4242 (Online)
WoS: 000381330400003
Scopus: 2-s2.0-84982108424
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Tomašević, Katarina PY - 2016 UR - https://dais.sanu.ac.rs/123456789/13251 AB - The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism. AB - Poglavitni namen tega prispevka je ponovna pre-učitev modalnosti vpliva skladatelja Béle Bartóka v prvi polovici 20. stoletja na najbolj razširjen, »nacio-nalno usmerjen slog« v nekdanji Jugoslaviji, pri čemer sta obravnava dva Bartókova mlajša sopotnika – skladatelja Josip Slavenski (1896–1955) in Marko Tajčević (1900–1984), pomembna predstavnika evropskega medvojnega glasbenega modernizma. PB - Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani T2 - Musicological Annual / Muzikološki zbornik T1 - On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević T1 - Na sledi sledilcem in sopotnikom modernizma Béle Bartóka: Josip Slavenski in Marko Tajčević SP - 27 EP - 40 VL - 52 IS - 1 DO - 10.4312/mz.52.1.27-40 UR - https://hdl.handle.net/21.15107/rcub_dais_13251 ER -
@article{ author = "Tomašević, Katarina", year = "2016", abstract = "The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism., Poglavitni namen tega prispevka je ponovna pre-učitev modalnosti vpliva skladatelja Béle Bartóka v prvi polovici 20. stoletja na najbolj razširjen, »nacio-nalno usmerjen slog« v nekdanji Jugoslaviji, pri čemer sta obravnava dva Bartókova mlajša sopotnika – skladatelja Josip Slavenski (1896–1955) in Marko Tajčević (1900–1984), pomembna predstavnika evropskega medvojnega glasbenega modernizma.", publisher = "Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani", journal = "Musicological Annual / Muzikološki zbornik", title = "On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević, Na sledi sledilcem in sopotnikom modernizma Béle Bartóka: Josip Slavenski in Marko Tajčević", pages = "27-40", volume = "52", number = "1", doi = "10.4312/mz.52.1.27-40", url = "https://hdl.handle.net/21.15107/rcub_dais_13251" }
Tomašević, K.. (2016). On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević. in Musicological Annual / Muzikološki zbornik Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani., 52(1), 27-40. https://doi.org/10.4312/mz.52.1.27-40 https://hdl.handle.net/21.15107/rcub_dais_13251
Tomašević K. On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević. in Musicological Annual / Muzikološki zbornik. 2016;52(1):27-40. doi:10.4312/mz.52.1.27-40 https://hdl.handle.net/21.15107/rcub_dais_13251 .
Tomašević, Katarina, "On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević" in Musicological Annual / Muzikološki zbornik, 52, no. 1 (2016):27-40, https://doi.org/10.4312/mz.52.1.27-40 ., https://hdl.handle.net/21.15107/rcub_dais_13251 .