Андрићеви прстенови (за поетику композиције Андрићевих романа)
Andrić’s rings (the poetics of the composition of Andrić’s novels)

2018
Authors
Делић, ЈованContributors
Вуксановић, МироКостић, Владимир С.
Гојковић, Маја
Вукосављевић, Владан
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У раду се показује да је прстен омиљена композицијска фигура Андрићевих романа.
The paper examines the poetics of the composition of Ivo Andrić’s novels
and is written to offer a description and an explanation of a dominant poetic
feature, characteristic of Andrić’s composing the novels. It is the circular frame
ring which, as a rule, encompasses a novel. These can be double rings – as in the
novels The Bridge on the Drina and Bosnian Chronicle, where one ring encircles
the hero (Mehmed Pasha Sokolović and Jean Daville) and the other goes around
the novel as a whole – whereas the novel Omer Pasha Latas is encircled with
the hero’s arrival and departure, which resembles the ring made by Daville’s plot
line in Bosnian Chronicle. In The Damned Yard, however, Radovan Vučković
noticed as many as five concentric composition circles, i.e. rings, which prove the
precision and perfection of the composition of the novel. It is only in the novel The
Woman from Sarajevo that Andrić does not follow this model closely, although
we can say that the narrat...ion flowing from the news of the Woman’s death in the
introduction to the description of her dying at the end functions as a ring.
Although Andrić’s rings are undeniably the facts related to the
composition, they are never solely this, but are deeply multifunctional: they
establish a chronicler distance from the heroes, activate the leitmotifs turning
them into suggestive symbols, mythologize the novel and its heroes, and give
a point to the novel. Andrić’s rings, therefore, gain a symbolic value, convey
the meaning and function as the main point of the novel.
Keywords:
поетика композиције / прстенаста композиција / роман / двоструки прстен / лајтмотив / руски формализам / руска семиотика / оквир / почетак и крај романа / the poetics of the composition / rings / novel / double ring / leitmotif / Russian formalism / Russian semiotics / frame / the beginning and end of the novelSource:
Дело Иве Андрића, 2018, 441-452Publisher:
- Београд : Српска академија наука и уметности
Note:
- Научни скупови / Српска академија наука и уметности ; књ. 170. Одељење језика и књижевности ; књ. 30
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Cрпска академија наука и уметности / Serbian Academy of Sciences and ArtsTY - CONF AU - Делић, Јован PY - 2018 UR - https://dais.sanu.ac.rs/123456789/12168 AB - У раду се показује да је прстен омиљена композицијска фигура Андрићевих романа. AB - The paper examines the poetics of the composition of Ivo Andrić’s novels and is written to offer a description and an explanation of a dominant poetic feature, characteristic of Andrić’s composing the novels. It is the circular frame ring which, as a rule, encompasses a novel. These can be double rings – as in the novels The Bridge on the Drina and Bosnian Chronicle, where one ring encircles the hero (Mehmed Pasha Sokolović and Jean Daville) and the other goes around the novel as a whole – whereas the novel Omer Pasha Latas is encircled with the hero’s arrival and departure, which resembles the ring made by Daville’s plot line in Bosnian Chronicle. In The Damned Yard, however, Radovan Vučković noticed as many as five concentric composition circles, i.e. rings, which prove the precision and perfection of the composition of the novel. It is only in the novel The Woman from Sarajevo that Andrić does not follow this model closely, although we can say that the narration flowing from the news of the Woman’s death in the introduction to the description of her dying at the end functions as a ring. Although Andrić’s rings are undeniably the facts related to the composition, they are never solely this, but are deeply multifunctional: they establish a chronicler distance from the heroes, activate the leitmotifs turning them into suggestive symbols, mythologize the novel and its heroes, and give a point to the novel. Andrić’s rings, therefore, gain a symbolic value, convey the meaning and function as the main point of the novel. PB - Београд : Српска академија наука и уметности C3 - Дело Иве Андрића T1 - Андрићеви прстенови (за поетику композиције Андрићевих романа) T1 - Andrić’s rings (the poetics of the composition of Andrić’s novels) SP - 441 EP - 452 UR - https://hdl.handle.net/21.15107/rcub_dais_12168 ER -
@conference{ author = "Делић, Јован", year = "2018", abstract = "У раду се показује да је прстен омиљена композицијска фигура Андрићевих романа., The paper examines the poetics of the composition of Ivo Andrić’s novels and is written to offer a description and an explanation of a dominant poetic feature, characteristic of Andrić’s composing the novels. It is the circular frame ring which, as a rule, encompasses a novel. These can be double rings – as in the novels The Bridge on the Drina and Bosnian Chronicle, where one ring encircles the hero (Mehmed Pasha Sokolović and Jean Daville) and the other goes around the novel as a whole – whereas the novel Omer Pasha Latas is encircled with the hero’s arrival and departure, which resembles the ring made by Daville’s plot line in Bosnian Chronicle. In The Damned Yard, however, Radovan Vučković noticed as many as five concentric composition circles, i.e. rings, which prove the precision and perfection of the composition of the novel. It is only in the novel The Woman from Sarajevo that Andrić does not follow this model closely, although we can say that the narration flowing from the news of the Woman’s death in the introduction to the description of her dying at the end functions as a ring. Although Andrić’s rings are undeniably the facts related to the composition, they are never solely this, but are deeply multifunctional: they establish a chronicler distance from the heroes, activate the leitmotifs turning them into suggestive symbols, mythologize the novel and its heroes, and give a point to the novel. Andrić’s rings, therefore, gain a symbolic value, convey the meaning and function as the main point of the novel.", publisher = "Београд : Српска академија наука и уметности", journal = "Дело Иве Андрића", title = "Андрићеви прстенови (за поетику композиције Андрићевих романа), Andrić’s rings (the poetics of the composition of Andrić’s novels)", pages = "441-452", url = "https://hdl.handle.net/21.15107/rcub_dais_12168" }
Делић, Ј.. (2018). Андрићеви прстенови (за поетику композиције Андрићевих романа). in Дело Иве Андрића Београд : Српска академија наука и уметности., 441-452. https://hdl.handle.net/21.15107/rcub_dais_12168
Делић Ј. Андрићеви прстенови (за поетику композиције Андрићевих романа). in Дело Иве Андрића. 2018;:441-452. https://hdl.handle.net/21.15107/rcub_dais_12168 .
Делић, Јован, "Андрићеви прстенови (за поетику композиције Андрићевих романа)" in Дело Иве Андрића (2018):441-452, https://hdl.handle.net/21.15107/rcub_dais_12168 .