Трагом Андрићеве стваралачке еволуције у раној лирици и збиркама песама у прози Ex Ponto и Немири

Abstract

In this essay an attempt has been made to reconstruct the dynamic course of one poetical evolution which took place in Andrić’s early lyric, and which ultimately determined the position of the lyrical subject (and later also the narrator’s position) in his later works. Initially expressed through the motif of the lake, in which “nobody is reflected“, it gradualy shifted towards the meaning of the motif of the bridge, which connects all people because all people are equaly „unfortunate“. The final result of this poetical shift came in a shape of а synthesis; the position of the lyrical subject remained essentialy a secluded, observational one, while at the same time it became enhanced with а stoic calmness and anthropological optimism.

У овом огледу настоји се реконструисати једна значајна етапа у развоју Андрићеве поетике. С тим циљем, успоставља се веза између рано објављених лирских песама и каснијих збирки песама у прози, а као интегративни елемент за анализу узима се мотив даљина који у лирици авангардних писаца.