Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery
Abstract
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.
Keywords:
musicology / periphery / local avant-garde / contemporary musicology / musicological narrativeSource:
The East, the West and the In-Between in Music, 2021, 167-180Publisher:
- Munchen : Allitera Verlag
Funding / projects:
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Radovanović, Bojana PY - 2021 UR - https://dais.sanu.ac.rs/123456789/12002 AB - This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery. PB - Munchen : Allitera Verlag T2 - The East, the West and the In-Between in Music T1 - Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery SP - 167 EP - 180 UR - https://hdl.handle.net/21.15107/rcub_dais_12002 ER -
@inbook{ author = "Radovanović, Bojana", year = "2021", abstract = "This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.", publisher = "Munchen : Allitera Verlag", journal = "The East, the West and the In-Between in Music", booktitle = "Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery", pages = "167-180", url = "https://hdl.handle.net/21.15107/rcub_dais_12002" }
Radovanović, B.. (2021). Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery. in The East, the West and the In-Between in Music Munchen : Allitera Verlag., 167-180. https://hdl.handle.net/21.15107/rcub_dais_12002
Radovanović B. Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery. in The East, the West and the In-Between in Music. 2021;:167-180. https://hdl.handle.net/21.15107/rcub_dais_12002 .
Radovanović, Bojana, "Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery" in The East, the West and the In-Between in Music (2021):167-180, https://hdl.handle.net/21.15107/rcub_dais_12002 .
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