Поетички ставови српских средњовековних писаца
Poetic standpoints of old Serbian writers
Abstract
Contrary to Western medieval body of thought on literature, in reference
to which a number of normative poetics emerged as of the 11th century, in the
Eastern, Byzantine tradition there were no handbooks or normative theoretical
deliberations on poetic creation whatsoever. Nevertheless, there were implicit
genre patterns and rules to which eastern authors stuck to. Byzantine tradition
found its place in Slavic and then in Serbian literature, which was a reflection of a
uniform understanding of art throughout the entire Slavia Orthodoxa.
The paper looks into the poetic standpoints that can be found in the works
authored by Saint Sava, Teodosije Hilandarac, Danilo II (or Danilo of Peć) and
Constantine the Philosopher (or Constantine of Kostenets). The rare, primarily
implicit poetic views expressed by these Serbian writers, primarily reflected the
necessity to articulate poetic language. In Saint Sava’s case, it is about his quest for as more concise artistic express...ion as possible, whereas when it comes to
other authors mentioned in the paper, it is about the necessity to define the genre
speech and genre structure (Danilo II, Constantine of Kostenets). More explicitly
expressed viewpoints, such as those found in the works authored by Teodosije
Hilandarac, sought to grasp the essence and function of literary creation.
Nevertheless, all of them – both the implicit and the explicit – spoke unequivocally
about the authors’ self-awareness, as well as about their attachment to a broader
poetic heritage of the European Middle Ages, i.e. the tradition of almost entire
pre-modern European body of thought around the function and role of literature.
Поетика старе српске књижевности у суштини је имплицитна
поетика која се ишчитава из самих уметничких дела. У изворном нашем
стваралаштву могу се, ипак, наћи и поетички искази у којима поједини писци
излажу своја размишљања о функцији уметничког дела и законитостима
песничког стварања. У раду ће бити речи о поетичким ставовима Светог Саве,
Теодосија Хиландарца, Данила II, Константина Филозофа (Костенечког).
Keywords:
српска средњовековна поетика / Свети Сава / Теодосије Хиландарац / Данило II (Пећки) / Константин Филозоф (Костенечки) / Saint Sava / Teodosije Hilandarac / Danilo II (Danilo of Peć) / Constantine the Philosopher (Constantine of Kostenets) / medieval Serbian literatureSource:
Развој поетике српске књижевности: теорија књижевности код Срба, 2020, 23-32Publisher:
- Београд : Српска академија наука и уметности
Funding / projects:
Note:
- Научни скупови / Српска академија наука и уметности ; књ. 193. Одељење језика и књижевности ; књ. 32
Collections
Institution/Community
Cрпска академија наука и уметности / Serbian Academy of Sciences and ArtsTY - CONF AU - Шпадијер, Ирена PY - 2020 UR - https://dais.sanu.ac.rs/123456789/11987 AB - Contrary to Western medieval body of thought on literature, in reference to which a number of normative poetics emerged as of the 11th century, in the Eastern, Byzantine tradition there were no handbooks or normative theoretical deliberations on poetic creation whatsoever. Nevertheless, there were implicit genre patterns and rules to which eastern authors stuck to. Byzantine tradition found its place in Slavic and then in Serbian literature, which was a reflection of a uniform understanding of art throughout the entire Slavia Orthodoxa. The paper looks into the poetic standpoints that can be found in the works authored by Saint Sava, Teodosije Hilandarac, Danilo II (or Danilo of Peć) and Constantine the Philosopher (or Constantine of Kostenets). The rare, primarily implicit poetic views expressed by these Serbian writers, primarily reflected the necessity to articulate poetic language. In Saint Sava’s case, it is about his quest for as more concise artistic expression as possible, whereas when it comes to other authors mentioned in the paper, it is about the necessity to define the genre speech and genre structure (Danilo II, Constantine of Kostenets). More explicitly expressed viewpoints, such as those found in the works authored by Teodosije Hilandarac, sought to grasp the essence and function of literary creation. Nevertheless, all of them – both the implicit and the explicit – spoke unequivocally about the authors’ self-awareness, as well as about their attachment to a broader poetic heritage of the European Middle Ages, i.e. the tradition of almost entire pre-modern European body of thought around the function and role of literature. AB - Поетика старе српске књижевности у суштини је имплицитна поетика која се ишчитава из самих уметничких дела. У изворном нашем стваралаштву могу се, ипак, наћи и поетички искази у којима поједини писци излажу своја размишљања о функцији уметничког дела и законитостима песничког стварања. У раду ће бити речи о поетичким ставовима Светог Саве, Теодосија Хиландарца, Данила II, Константина Филозофа (Костенечког). PB - Београд : Српска академија наука и уметности C3 - Развој поетике српске књижевности: теорија књижевности код Срба T1 - Поетички ставови српских средњовековних писаца T1 - Poetic standpoints of old Serbian writers SP - 23 EP - 32 UR - https://hdl.handle.net/21.15107/rcub_dais_11987 ER -
@conference{ author = "Шпадијер, Ирена", year = "2020", abstract = "Contrary to Western medieval body of thought on literature, in reference to which a number of normative poetics emerged as of the 11th century, in the Eastern, Byzantine tradition there were no handbooks or normative theoretical deliberations on poetic creation whatsoever. Nevertheless, there were implicit genre patterns and rules to which eastern authors stuck to. Byzantine tradition found its place in Slavic and then in Serbian literature, which was a reflection of a uniform understanding of art throughout the entire Slavia Orthodoxa. The paper looks into the poetic standpoints that can be found in the works authored by Saint Sava, Teodosije Hilandarac, Danilo II (or Danilo of Peć) and Constantine the Philosopher (or Constantine of Kostenets). The rare, primarily implicit poetic views expressed by these Serbian writers, primarily reflected the necessity to articulate poetic language. In Saint Sava’s case, it is about his quest for as more concise artistic expression as possible, whereas when it comes to other authors mentioned in the paper, it is about the necessity to define the genre speech and genre structure (Danilo II, Constantine of Kostenets). More explicitly expressed viewpoints, such as those found in the works authored by Teodosije Hilandarac, sought to grasp the essence and function of literary creation. Nevertheless, all of them – both the implicit and the explicit – spoke unequivocally about the authors’ self-awareness, as well as about their attachment to a broader poetic heritage of the European Middle Ages, i.e. the tradition of almost entire pre-modern European body of thought around the function and role of literature., Поетика старе српске књижевности у суштини је имплицитна поетика која се ишчитава из самих уметничких дела. У изворном нашем стваралаштву могу се, ипак, наћи и поетички искази у којима поједини писци излажу своја размишљања о функцији уметничког дела и законитостима песничког стварања. У раду ће бити речи о поетичким ставовима Светог Саве, Теодосија Хиландарца, Данила II, Константина Филозофа (Костенечког).", publisher = "Београд : Српска академија наука и уметности", journal = "Развој поетике српске књижевности: теорија књижевности код Срба", title = "Поетички ставови српских средњовековних писаца, Poetic standpoints of old Serbian writers", pages = "23-32", url = "https://hdl.handle.net/21.15107/rcub_dais_11987" }
Шпадијер, И.. (2020). Поетички ставови српских средњовековних писаца. in Развој поетике српске књижевности: теорија књижевности код Срба Београд : Српска академија наука и уметности., 23-32. https://hdl.handle.net/21.15107/rcub_dais_11987
Шпадијер И. Поетички ставови српских средњовековних писаца. in Развој поетике српске књижевности: теорија књижевности код Срба. 2020;:23-32. https://hdl.handle.net/21.15107/rcub_dais_11987 .
Шпадијер, Ирена, "Поетички ставови српских средњовековних писаца" in Развој поетике српске књижевности: теорија књижевности код Срба (2020):23-32, https://hdl.handle.net/21.15107/rcub_dais_11987 .