Vocal Expression in Works of Ernő Király: Voice as a Symptom and a Symbol of Avant-Garde Artistic Encounters
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Composer and ethnomusicologist Ernő Király, a striking avant-garde figure of Yugoslav music, fostered a specific approach and ‘anti-systemic and unconventional’ thought throughout his creative age. It is, thus, not surprising that this poetical foretoken is evident in the sphere of the vocal part of this composer’s works. An important factor that contributed to his artistic positioning was a private and professional collaboration with vocal artist and actress Katalin Ladik, which began during the seventh decade of the 20th century. The encounter of these two artists resulted in altogether relentless concord of two avant-garde and inventor artistic spirits. As Katalin Ladik said, they both learned much from this collaboration. For Ladik, this meant discovering the richness of traditional music Király zealously collected, and for Király, shaping his compositions with Ladik’s distinctive vocal performance and writing practices. The goal of this paper is to present the characteristics of v...ocal expression in Ernő Király’s work, starting from the mid-60s. Thus, I will look into the outcomes from Király’s and Ladik’s partnership in the context of the European (vocal) avant-garde of the second half of the 20th century.
Кључне речи:
Ernő Király / Katalin Ladik / voice / avant-garde vocal music / artistic collaborationИзвор:
Ernő Király – Life in Music, 2021, 87-102Издавач:
- Novi Sad : Academy of Arts
Финансирање / пројекти:
URI
https://akademija.uns.ac.rs/wp-content/uploads/2021/01/Milojkovic-Sovtic-Bastic-eds.-Erno-Kiraly-Life-in-Music-web.pdfhttps://dais.sanu.ac.rs/123456789/11923
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Radovanović, Bojana PY - 2021 UR - https://akademija.uns.ac.rs/wp-content/uploads/2021/01/Milojkovic-Sovtic-Bastic-eds.-Erno-Kiraly-Life-in-Music-web.pdf UR - https://dais.sanu.ac.rs/123456789/11923 AB - Composer and ethnomusicologist Ernő Király, a striking avant-garde figure of Yugoslav music, fostered a specific approach and ‘anti-systemic and unconventional’ thought throughout his creative age. It is, thus, not surprising that this poetical foretoken is evident in the sphere of the vocal part of this composer’s works. An important factor that contributed to his artistic positioning was a private and professional collaboration with vocal artist and actress Katalin Ladik, which began during the seventh decade of the 20th century. The encounter of these two artists resulted in altogether relentless concord of two avant-garde and inventor artistic spirits. As Katalin Ladik said, they both learned much from this collaboration. For Ladik, this meant discovering the richness of traditional music Király zealously collected, and for Király, shaping his compositions with Ladik’s distinctive vocal performance and writing practices. The goal of this paper is to present the characteristics of vocal expression in Ernő Király’s work, starting from the mid-60s. Thus, I will look into the outcomes from Király’s and Ladik’s partnership in the context of the European (vocal) avant-garde of the second half of the 20th century. PB - Novi Sad : Academy of Arts T2 - Ernő Király – Life in Music T1 - Vocal Expression in Works of Ernő Király: Voice as a Symptom and a Symbol of Avant-Garde Artistic Encounters SP - 87 EP - 102 UR - https://hdl.handle.net/21.15107/rcub_dais_11923 ER -
@inbook{ author = "Radovanović, Bojana", year = "2021", abstract = "Composer and ethnomusicologist Ernő Király, a striking avant-garde figure of Yugoslav music, fostered a specific approach and ‘anti-systemic and unconventional’ thought throughout his creative age. It is, thus, not surprising that this poetical foretoken is evident in the sphere of the vocal part of this composer’s works. An important factor that contributed to his artistic positioning was a private and professional collaboration with vocal artist and actress Katalin Ladik, which began during the seventh decade of the 20th century. The encounter of these two artists resulted in altogether relentless concord of two avant-garde and inventor artistic spirits. As Katalin Ladik said, they both learned much from this collaboration. For Ladik, this meant discovering the richness of traditional music Király zealously collected, and for Király, shaping his compositions with Ladik’s distinctive vocal performance and writing practices. The goal of this paper is to present the characteristics of vocal expression in Ernő Király’s work, starting from the mid-60s. Thus, I will look into the outcomes from Király’s and Ladik’s partnership in the context of the European (vocal) avant-garde of the second half of the 20th century.", publisher = "Novi Sad : Academy of Arts", journal = "Ernő Király – Life in Music", booktitle = "Vocal Expression in Works of Ernő Király: Voice as a Symptom and a Symbol of Avant-Garde Artistic Encounters", pages = "87-102", url = "https://hdl.handle.net/21.15107/rcub_dais_11923" }
Radovanović, B.. (2021). Vocal Expression in Works of Ernő Király: Voice as a Symptom and a Symbol of Avant-Garde Artistic Encounters. in Ernő Király – Life in Music Novi Sad : Academy of Arts., 87-102. https://hdl.handle.net/21.15107/rcub_dais_11923
Radovanović B. Vocal Expression in Works of Ernő Király: Voice as a Symptom and a Symbol of Avant-Garde Artistic Encounters. in Ernő Király – Life in Music. 2021;:87-102. https://hdl.handle.net/21.15107/rcub_dais_11923 .
Radovanović, Bojana, "Vocal Expression in Works of Ernő Király: Voice as a Symptom and a Symbol of Avant-Garde Artistic Encounters" in Ernő Király – Life in Music (2021):87-102, https://hdl.handle.net/21.15107/rcub_dais_11923 .