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Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split With the USSR and the Countries of the “People’s Democracy” (1949–1952)

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2020
bitstream_42450.pdf (482.1Kb)
Authors
Milanović, Biljana
Contributors
Vesić, Ivana
Peno, Vesna
Udovič, Boštjan
Book part (Published version)
Metadata
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Abstract
My grasp of the research area of music and diplomacy is grounded on the experience that I gained through the realization of a project investigating the Belgrade Choral Society’s concert tours abroad at the turn of the 20th century. There, I explored how music was incorporated into the diplomatic strategies that the Kingdom of Serbia practiced in its cross-border relationships with empires, states, cities and ethnic communities of the Central, Eastern, South-Eastern and Ottoman Europe of the time. Focusing on a new topic in this article, my approach to music in diplomatic interactions remains the same line. It is placed in the context of cultural diplomacy and poses questions about the involvement of music in policies and practices of cross-border networking, exchange, representation, negotiation and mediation, while encompassing different state officials and non-officials, groups, institutions and organizations, as well as both formal and informal, elitist and non-elitist events and ac...tivities. Such an approach shares its interests with a spectrum of contemporary studies that open the space for investigating diplomacy as a social and cultural practice.

Keywords:
Belgrade Choral Society / Music and diplomacy of Yugoslavia / 1949–1952 / social and cultural practice
Source:
The Tunes of Diplomatic Notes : Music and Diplomacy in Southeast Europe (18th–20th century), 2020, 185-202
Publisher:
  • Belgrade : Institute of Musicology SASA
  • Ljubljana : University of Ljubljana - Faculty of Social Sciences
Funding / projects:
  • Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)

DOI: 10.18485/music_diplomacy.2020.ch12

Cobiss ID: 28299017

ISBN: 978-86-80639-54-3

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_dais_10396
URI
https://dais.sanu.ac.rs/handle/123456789/10374
https://dais.sanu.ac.rs/123456789/10396
Collections
  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - CHAP
AU  - Milanović, Biljana
PY  - 2020
UR  - https://dais.sanu.ac.rs/handle/123456789/10374
UR  - https://dais.sanu.ac.rs/123456789/10396
AB  - My grasp of the research area of music and diplomacy is grounded on the experience that I gained through the realization of a project investigating the Belgrade Choral Society’s concert tours abroad at the turn of the 20th century. There, I explored how music was incorporated into the diplomatic strategies that the Kingdom of Serbia practiced in its cross-border relationships with empires, states, cities and ethnic communities of the Central, Eastern, South-Eastern and Ottoman Europe of the time. Focusing on a new topic in this article, my approach to music in diplomatic interactions remains the same line. It is placed in the context of cultural diplomacy and poses questions about the involvement of music in policies and practices of cross-border networking, exchange, representation, negotiation and mediation, while encompassing different state officials and non-officials, groups, institutions and organizations, as well as both formal and informal, elitist and non-elitist events and activities. Such an approach shares its interests with a spectrum of contemporary studies that open the space for investigating diplomacy as a social and cultural practice.
PB  - Belgrade : Institute of Musicology SASA
PB  - Ljubljana : University of Ljubljana - Faculty of Social Sciences
T2  - The Tunes of Diplomatic Notes : Music and Diplomacy in Southeast Europe (18th–20th century)
T1  - Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split With the USSR and the Countries of the “People’s Democracy” (1949–1952)
SP  - 185
EP  - 202
DO  - 10.18485/music_diplomacy.2020.ch12
UR  - https://hdl.handle.net/21.15107/rcub_dais_10396
ER  - 
@inbook{
author = "Milanović, Biljana",
year = "2020",
abstract = "My grasp of the research area of music and diplomacy is grounded on the experience that I gained through the realization of a project investigating the Belgrade Choral Society’s concert tours abroad at the turn of the 20th century. There, I explored how music was incorporated into the diplomatic strategies that the Kingdom of Serbia practiced in its cross-border relationships with empires, states, cities and ethnic communities of the Central, Eastern, South-Eastern and Ottoman Europe of the time. Focusing on a new topic in this article, my approach to music in diplomatic interactions remains the same line. It is placed in the context of cultural diplomacy and poses questions about the involvement of music in policies and practices of cross-border networking, exchange, representation, negotiation and mediation, while encompassing different state officials and non-officials, groups, institutions and organizations, as well as both formal and informal, elitist and non-elitist events and activities. Such an approach shares its interests with a spectrum of contemporary studies that open the space for investigating diplomacy as a social and cultural practice.",
publisher = "Belgrade : Institute of Musicology SASA, Ljubljana : University of Ljubljana - Faculty of Social Sciences",
journal = "The Tunes of Diplomatic Notes : Music and Diplomacy in Southeast Europe (18th–20th century)",
booktitle = "Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split With the USSR and the Countries of the “People’s Democracy” (1949–1952)",
pages = "185-202",
doi = "10.18485/music_diplomacy.2020.ch12",
url = "https://hdl.handle.net/21.15107/rcub_dais_10396"
}
Milanović, B.. (2020). Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split With the USSR and the Countries of the “People’s Democracy” (1949–1952). in The Tunes of Diplomatic Notes : Music and Diplomacy in Southeast Europe (18th–20th century)
Belgrade : Institute of Musicology SASA., 185-202.
https://doi.org/10.18485/music_diplomacy.2020.ch12
https://hdl.handle.net/21.15107/rcub_dais_10396
Milanović B. Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split With the USSR and the Countries of the “People’s Democracy” (1949–1952). in The Tunes of Diplomatic Notes : Music and Diplomacy in Southeast Europe (18th–20th century). 2020;:185-202.
doi:10.18485/music_diplomacy.2020.ch12
https://hdl.handle.net/21.15107/rcub_dais_10396 .
Milanović, Biljana, "Sounding the Turn to the West: Music and Diplomacy of Yugoslavia After the Split With the USSR and the Countries of the “People’s Democracy” (1949–1952)" in The Tunes of Diplomatic Notes : Music and Diplomacy in Southeast Europe (18th–20th century) (2020):185-202,
https://doi.org/10.18485/music_diplomacy.2020.ch12 .,
https://hdl.handle.net/21.15107/rcub_dais_10396 .

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