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Making a Case for Balkan Music Studies

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2020
bitstream_41735.pdf (206.9Kb)
Authors
Medić, Ivana
Contributors
Facos, Michelle
Article (Published version)
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Abstract
In his seminal comprehensive history of music(s) in the Balkan region, Jim Samson avoided the term “Balkan music” in favor of the less-binding title Music in the Balkans (Leiden: Brill, 2013). This, however, should not hinder us from probing the term “Balkan music” and its many connotations. In this editorial article for the Special Issue Balkan Music: Past, Present, Future, I aim to dissect the umbrella term “Balkan music” and its actual and presumed meanings and implications, while overviewing many different music traditions and styles that this term encompasses. I will also make a case for the establishment of Balkan Music Studies as a discipline and attempt to outline its scope and outreach.
Keywords:
the Balkans / music / oriental elements / Jim Samson / Music in the Balkans
Source:
Arts, 2020, 99, 9 (4)
Publisher:
  • Basel : MDPI

DOI: doi.org/10.3390/arts9040099

ISSN: 2076-0752

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URI
https://www.mdpi.com/2076-0752/9/4/99
https://dais.sanu.ac.rs/123456789/10164
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  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution
Музиколошки институт САНУ / Institute of Musicology SASA

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