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Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies

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bitstream_41381.pdf (13.93Mb)
Authors
Radovanović, Bojana
Contributors
Popović Mladjenović, TIjana
Stefanović, Ana
Mitrović, Radoš
Mikić, Vesna
Book part (Published version)
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Abstract
This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the apprehension of performance and performativity among musicologists and performance scholars indicate a different intellectual project altogether, I will strive to look into possible means of mutual understanding and seek to identify places for probable interdisciplinary collaboration of these two fields of study.
Keywords:
performance / musicology / performance studies / interdisciplinarity / production of meaning
Source:
Contextuality of Musicology: What, How, Why and Because, 2020, 382-390
Publisher:
  • Belgrade : Department of Musicology, Faculty of Music
Projects:
  • Ministry of Education, Science and Technological Development, Republic of Serbia, Grant no. 451-03-68/2020-14/200176 (Institute of Musicology SASA, Belgrade) (RS-200176)

Cobiss ID: 19848713

ISBN: 978-86-81340-25-7

[ Google Scholar ]
URI
https://dais.sanu.ac.rs/123456789/10045
Collections
  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution
Музиколошки институт САНУ / Institute of Musicology SASA

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