This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the apprehension of performance and performativity among musicologists and performance scholars indicate a different intellectual project altogether, I will strive to look into possible means of mutual understanding and seek to identify places for probable interdisciplinary collaboration of these two fields of study.
Keywords:
performance / musicology / performance studies / interdisciplinarity / production of meaning
Source:
Contextuality of Musicology: What, How, Why and Because, 2020, 382-390
Publisher:
Belgrade : Department of Musicology, Faculty of Music
TY - CHAP
AU - Radovanović, Bojana
PY - 2020
UR - https://dais.sanu.ac.rs/123456789/10045
AB - This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the apprehension of performance and performativity among musicologists and performance scholars indicate a different intellectual project altogether, I will strive to look into possible means of mutual understanding and seek to identify places for probable interdisciplinary collaboration of these two fields of study.
PB - Belgrade : Department of Musicology, Faculty of Music
T2 - Contextuality of Musicology: What, How, Why and Because
T1 - Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies
SP - 382
EP - 390
UR - https://hdl.handle.net/21.15107/rcub_dais_10045
ER -
@inbook{
author = "Radovanović, Bojana",
year = "2020",
abstract = "This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the apprehension of performance and performativity among musicologists and performance scholars indicate a different intellectual project altogether, I will strive to look into possible means of mutual understanding and seek to identify places for probable interdisciplinary collaboration of these two fields of study.",
publisher = "Belgrade : Department of Musicology, Faculty of Music",
journal = "Contextuality of Musicology: What, How, Why and Because",
booktitle = "Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies",
pages = "382-390",
url = "https://hdl.handle.net/21.15107/rcub_dais_10045"
}
Radovanović, B.. (2020). Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies. in Contextuality of Musicology: What, How, Why and Because
Belgrade : Department of Musicology, Faculty of Music., 382-390.
https://hdl.handle.net/21.15107/rcub_dais_10045
Radovanović B. Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies. in Contextuality of Musicology: What, How, Why and Because. 2020;:382-390.
https://hdl.handle.net/21.15107/rcub_dais_10045 .
Radovanović, Bojana, "Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies" in Contextuality of Musicology: What, How, Why and Because (2020):382-390,
https://hdl.handle.net/21.15107/rcub_dais_10045 .
