TY  - JOUR
AU  - Malinović-Milićević, Slavica
AU  - Radovanović, Milan M.
AU  - Radenković, Sonja D.
AU  - Vyklyuk, Yaroslav
AU  - Milovanović, Boško
AU  - Milanović Pešić, Ana
AU  - Milenković, Milan
AU  - Popović, Vladimir
AU  - Petrović, Marko
AU  - Sydor, Petro
AU  - Gajić, Mirjana
PY  - 2023-2
UR  - https://dais.sanu.ac.rs/123456789/14049
AB  - This research is devoted to the determination of hidden dependencies between the flow of particles that come from the Sun and precipitation-induced floods in the United Kingdom (UK). The analysis covers 20 flood events during the period from October 2001 to December 2019. The parameters of solar activity were used as model input data, while precipitations data in the period 10 days before and during each flood event were used as model output. The time lag of 0–9 days was taken into account in the research. Correlation analysis was conducted to determine the degree of randomness for the time series of input and output parameters. For establishing a potential causative link, machine learning classification predictive modeling was applied. Two approaches, the decision tree, and the random forest were used. We analyzed the accuracy of classification models forecast from 0 to 9 days in advance. It was found that the most important factors for flood forecasting are proton density with a time lag of 9, differential proton flux in the range of 310–580 keV, and ion temperature. Research in this paper has shown that the decision tree model is more accurate and adequate in predicting the appearance of precipitation-induced floods up to 9 days ahead with an accuracy of 91%. The results of this study confirmed that by increasing technical capabilities, using improved machine learning techniques and large data sets, it is possible to improve the understanding of the physical link between the solar wind and tropospheric weather and help improve severe weather forecasting.
PB  - MDPI AG
T2  - Mathematics
T1  - Application of Solar Activity Time Series in Machine Learning Predictive Modeling of Precipitation-Induced Floods
SP  - 795
VL  - 11
IS  - 4
DO  - 10.3390/math11040795
UR  - https://hdl.handle.net/21.15107/rcub_dais_14049
ER  - 

@article{
author = "Malinović-Milićević, Slavica and Radovanović, Milan M. and Radenković, Sonja D. and Vyklyuk, Yaroslav and Milovanović, Boško and Milanović Pešić, Ana and Milenković, Milan and Popović, Vladimir and Petrović, Marko and Sydor, Petro and Gajić, Mirjana",
year = "2023-2",
abstract = "This research is devoted to the determination of hidden dependencies between the flow of particles that come from the Sun and precipitation-induced floods in the United Kingdom (UK). The analysis covers 20 flood events during the period from October 2001 to December 2019. The parameters of solar activity were used as model input data, while precipitations data in the period 10 days before and during each flood event were used as model output. The time lag of 0–9 days was taken into account in the research. Correlation analysis was conducted to determine the degree of randomness for the time series of input and output parameters. For establishing a potential causative link, machine learning classification predictive modeling was applied. Two approaches, the decision tree, and the random forest were used. We analyzed the accuracy of classification models forecast from 0 to 9 days in advance. It was found that the most important factors for flood forecasting are proton density with a time lag of 9, differential proton flux in the range of 310–580 keV, and ion temperature. Research in this paper has shown that the decision tree model is more accurate and adequate in predicting the appearance of precipitation-induced floods up to 9 days ahead with an accuracy of 91%. The results of this study confirmed that by increasing technical capabilities, using improved machine learning techniques and large data sets, it is possible to improve the understanding of the physical link between the solar wind and tropospheric weather and help improve severe weather forecasting.",
publisher = "MDPI AG",
journal = "Mathematics",
title = "Application of Solar Activity Time Series in Machine Learning Predictive Modeling of Precipitation-Induced Floods",
pages = "795",
volume = "11",
number = "4",
doi = "10.3390/math11040795",
url = "https://hdl.handle.net/21.15107/rcub_dais_14049"
}

Malinović-Milićević, S., Radovanović, M. M., Radenković, S. D., Vyklyuk, Y., Milovanović, B., Milanović Pešić, A., Milenković, M., Popović, V., Petrović, M., Sydor, P.,& Gajić, M.. (2023-2). Application of Solar Activity Time Series in Machine Learning Predictive Modeling of Precipitation-Induced Floods. in Mathematics
MDPI AG., 11(4), 795.
https://doi.org/10.3390/math11040795
https://hdl.handle.net/21.15107/rcub_dais_14049

Malinović-Milićević S, Radovanović MM, Radenković SD, Vyklyuk Y, Milovanović B, Milanović Pešić A, Milenković M, Popović V, Petrović M, Sydor P, Gajić M. Application of Solar Activity Time Series in Machine Learning Predictive Modeling of Precipitation-Induced Floods. in Mathematics. 2023;11(4):795.
doi:10.3390/math11040795
https://hdl.handle.net/21.15107/rcub_dais_14049 .

Malinović-Milićević, Slavica, Radovanović, Milan M., Radenković, Sonja D., Vyklyuk, Yaroslav, Milovanović, Boško, Milanović Pešić, Ana, Milenković, Milan, Popović, Vladimir, Petrović, Marko, Sydor, Petro, Gajić, Mirjana, "Application of Solar Activity Time Series in Machine Learning Predictive Modeling of Precipitation-Induced Floods" in Mathematics, 11, no. 4 (2023-2):795,
https://doi.org/10.3390/math11040795 .,
https://hdl.handle.net/21.15107/rcub_dais_14049 .

TY  - GEN
AU  - Лајић Михајловић, Данка
AU  - Маринковић, Соња
AU  - Јанковић-Бегуш, Јелена
AU  - Радосављевић, Ненад
AU  - Медић, Ивана
PY  - 2023-05-29
UR  - https://dais.sanu.ac.rs/123456789/14533
AB  - Јавни разговори о музичким фестивалима у организацији Музиколошког института САНУ
део су активности на пројекту Applied Musicology and Ethnomusicology in Serbia: Making a
Difference in Contemporary Society – APPMES, који финансира Фонд за науку Републике
Србије. Наиме, у оквиру једне од пројектних тема, која пажњу усмерава ка
институционализацији и технологизацији музике (Safeguarding of Music as Cultural Heritage:
Aspects of Institutionalisation and Technologisation), иницирано је конструктивније умрежавање
актера од значаја за (ре)организацију музичких фестивала у Србији, а све у складу с
виђењем културе као једног од стубова одрживог развоја човечанства.
PB  - Београд : Музиколошки институт САНУ
T1  - Музички фестивали у Србији између наслеђа и индустрија
UR  - https://hdl.handle.net/21.15107/rcub_dais_14533
ER  - 

@misc{
author = "Лајић Михајловић, Данка and Маринковић, Соња and Јанковић-Бегуш, Јелена and Радосављевић, Ненад and Медић, Ивана",
year = "2023-05-29",
abstract = "Јавни разговори о музичким фестивалима у организацији Музиколошког института САНУ
део су активности на пројекту Applied Musicology and Ethnomusicology in Serbia: Making a
Difference in Contemporary Society – APPMES, који финансира Фонд за науку Републике
Србије. Наиме, у оквиру једне од пројектних тема, која пажњу усмерава ка
институционализацији и технологизацији музике (Safeguarding of Music as Cultural Heritage:
Aspects of Institutionalisation and Technologisation), иницирано је конструктивније умрежавање
актера од значаја за (ре)организацију музичких фестивала у Србији, а све у складу с
виђењем културе као једног од стубова одрживог развоја човечанства.",
publisher = "Београд : Музиколошки институт САНУ",
title = "Музички фестивали у Србији између наслеђа и индустрија",
url = "https://hdl.handle.net/21.15107/rcub_dais_14533"
}

Лајић Михајловић, Д., Маринковић, С., Јанковић-Бегуш, Ј., Радосављевић, Н.,& Медић, И.. (2023-05-29). Музички фестивали у Србији између наслеђа и индустрија. 
Београд : Музиколошки институт САНУ..
https://hdl.handle.net/21.15107/rcub_dais_14533

Лајић Михајловић Д, Маринковић С, Јанковић-Бегуш Ј, Радосављевић Н, Медић И. Музички фестивали у Србији између наслеђа и индустрија. 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14533 .

Лајић Михајловић, Данка, Маринковић, Соња, Јанковић-Бегуш, Јелена, Радосављевић, Ненад, Медић, Ивана, "Музички фестивали у Србији између наслеђа и индустрија" (2023-05-29),
https://hdl.handle.net/21.15107/rcub_dais_14533 .

TY  - CONF
AU  - Maglov, Marija
PY  - 2023-05-17
UR  - https://dais.sanu.ac.rs/123456789/14505
AB  - In 1993, Serbian composer and radio artist Ivana Stefanović created Lacrimosa for the Vienna program Kunstradio – Radiokunst. Stefanović states that she was deeply upset and agitated after hearing the recording of a mother from Sarajevo (Bosnia and Herzegovina) speaking about her three sons and the horrors of the Balkan wars. In this paper, I suggest discussing how the idea of wailing and lamenting was artistically reimagined, reinterpreted and explored in an art form that relies on collage, montage and cultural references through music, poetry and field recordings. The sound recording of a wailing mother is interwoven with classical music, recordings of Muslim and Eastern Orthodox prayers, Sephardi Jewish song and poetry. This variety underlines the idea of universality of grief in different religions and cultures. Excerpts from Lacrimosa compositions from the Western classical music tradition, as well as the reading of the poem Lament over Belgrade by Miloš Crnjanski, also bring forward past artistic interpretations of lament. Finally, public outcry was included in the form of field recordings of antiwar protests in Sarajevo and Belgrade. The author suggests that because of the recording of antiwar protests, combined with other mentioned materials, the composition could be understood as a wail of two cities in shared rage and grief opposing divisive nationalistic politics that lead to exiled and displaced people as the inevitable outcome of war.
C3  - Laments lost or alive and well. International Conference of the Lament Tradition
T1  - A wail of two cities: radiophonic composition Lacrimosa by Ivana Stefanović
UR  - https://hdl.handle.net/21.15107/rcub_dais_14505
ER  - 

@conference{
author = "Maglov, Marija",
year = "2023-05-17",
abstract = "In 1993, Serbian composer and radio artist Ivana Stefanović created Lacrimosa for the Vienna program Kunstradio – Radiokunst. Stefanović states that she was deeply upset and agitated after hearing the recording of a mother from Sarajevo (Bosnia and Herzegovina) speaking about her three sons and the horrors of the Balkan wars. In this paper, I suggest discussing how the idea of wailing and lamenting was artistically reimagined, reinterpreted and explored in an art form that relies on collage, montage and cultural references through music, poetry and field recordings. The sound recording of a wailing mother is interwoven with classical music, recordings of Muslim and Eastern Orthodox prayers, Sephardi Jewish song and poetry. This variety underlines the idea of universality of grief in different religions and cultures. Excerpts from Lacrimosa compositions from the Western classical music tradition, as well as the reading of the poem Lament over Belgrade by Miloš Crnjanski, also bring forward past artistic interpretations of lament. Finally, public outcry was included in the form of field recordings of antiwar protests in Sarajevo and Belgrade. The author suggests that because of the recording of antiwar protests, combined with other mentioned materials, the composition could be understood as a wail of two cities in shared rage and grief opposing divisive nationalistic politics that lead to exiled and displaced people as the inevitable outcome of war.",
journal = "Laments lost or alive and well. International Conference of the Lament Tradition",
title = "A wail of two cities: radiophonic composition Lacrimosa by Ivana Stefanović",
url = "https://hdl.handle.net/21.15107/rcub_dais_14505"
}

Maglov, M.. (2023-05-17). A wail of two cities: radiophonic composition Lacrimosa by Ivana Stefanović. in Laments lost or alive and well. International Conference of the Lament Tradition.
https://hdl.handle.net/21.15107/rcub_dais_14505

Maglov M. A wail of two cities: radiophonic composition Lacrimosa by Ivana Stefanović. in Laments lost or alive and well. International Conference of the Lament Tradition. 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14505 .

Maglov, Marija, "A wail of two cities: radiophonic composition Lacrimosa by Ivana Stefanović" in Laments lost or alive and well. International Conference of the Lament Tradition (2023-05-17),
https://hdl.handle.net/21.15107/rcub_dais_14505 .

TY  - GEN
AU  - Maglov, Marija
PY  - 2023-04-19
UR  - https://dais.sanu.ac.rs/123456789/14506
AB  - Predavanje će biti posvećeno radiofonskom stvaralaštvu na Radio Beogradu od druge polovice 20. stoljeća do danas. Najznačajniji akteri i događaji iz povijesti radiofonije na Radio Beogradu razmatrat će se u kontekstu europske prakse “akustične umjetnosti”, pri čemu će težište biti na pokretanju serijala Radionica zvuka i raspravama o odnosu između glazbe i radiofonske umjetnosti. Predavanje uključuje slušanje izabranih radiofonskih djela Vladana Radovanovića, Arsenija Jovanovića i Ivane Stefanović, a zaključit će ga osvrt na radiofonski opus Svetlane Maraš i njegovo značenje u suvremenoj radiofonskoj praksi s obzirom na bogato nasljeđe ove umjetnosti na Radio Beogradu.
T1  - Radiofonska umetnost u Radio Beogradu
UR  - https://hdl.handle.net/21.15107/rcub_dais_14506
ER  - 

@misc{
author = "Maglov, Marija",
year = "2023-04-19",
abstract = "Predavanje će biti posvećeno radiofonskom stvaralaštvu na Radio Beogradu od druge polovice 20. stoljeća do danas. Najznačajniji akteri i događaji iz povijesti radiofonije na Radio Beogradu razmatrat će se u kontekstu europske prakse “akustične umjetnosti”, pri čemu će težište biti na pokretanju serijala Radionica zvuka i raspravama o odnosu između glazbe i radiofonske umjetnosti. Predavanje uključuje slušanje izabranih radiofonskih djela Vladana Radovanovića, Arsenija Jovanovića i Ivane Stefanović, a zaključit će ga osvrt na radiofonski opus Svetlane Maraš i njegovo značenje u suvremenoj radiofonskoj praksi s obzirom na bogato nasljeđe ove umjetnosti na Radio Beogradu.",
title = "Radiofonska umetnost u Radio Beogradu",
url = "https://hdl.handle.net/21.15107/rcub_dais_14506"
}

Maglov, M.. (2023-04-19). Radiofonska umetnost u Radio Beogradu. .
https://hdl.handle.net/21.15107/rcub_dais_14506

Maglov M. Radiofonska umetnost u Radio Beogradu. 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14506 .

Maglov, Marija, "Radiofonska umetnost u Radio Beogradu" (2023-04-19),
https://hdl.handle.net/21.15107/rcub_dais_14506 .

TY  - JOUR
AU  - Emmery, Laura
AU  - Medić, Ivana
PY  - 2023-04-17
UR  - https://dais.sanu.ac.rs/123456789/14328
AB  - There are several reasons why we decided to dedicate this double issue of Contemporary
Music Review to the topic of Serbian musical identity. The concept of identity
implies the existence of some individual or collective characteristic, or a feature, by
which a certain person or social group is recognisable. Both ‘musical identity’ and
‘national identity’ are elusive, flexible, changeable, and context-dependent notions.
The articles published in this issue help us consider whether, when, and under
what conditions these two types of identities intersect and what type of musical
works emerge from such overlaps.
PB  - London : Taylor & Francis
T2  - Contemporary Music Review
T1  - Serbian Musical Identity: An Introduction
VL  - 41
DO  - 10.1080/07494467.2022.2198830
UR  - https://hdl.handle.net/21.15107/rcub_dais_14328
ER  - 

@article{
author = "Emmery, Laura and Medić, Ivana",
year = "2023-04-17",
abstract = "There are several reasons why we decided to dedicate this double issue of Contemporary
Music Review to the topic of Serbian musical identity. The concept of identity
implies the existence of some individual or collective characteristic, or a feature, by
which a certain person or social group is recognisable. Both ‘musical identity’ and
‘national identity’ are elusive, flexible, changeable, and context-dependent notions.
The articles published in this issue help us consider whether, when, and under
what conditions these two types of identities intersect and what type of musical
works emerge from such overlaps.",
publisher = "London : Taylor & Francis",
journal = "Contemporary Music Review",
title = "Serbian Musical Identity: An Introduction",
volume = "41",
doi = "10.1080/07494467.2022.2198830",
url = "https://hdl.handle.net/21.15107/rcub_dais_14328"
}

Emmery, L.,& Medić, I.. (2023-04-17). Serbian Musical Identity: An Introduction. in Contemporary Music Review
London : Taylor & Francis., 41.
https://doi.org/10.1080/07494467.2022.2198830
https://hdl.handle.net/21.15107/rcub_dais_14328

Emmery L, Medić I. Serbian Musical Identity: An Introduction. in Contemporary Music Review. 2023;41.
doi:10.1080/07494467.2022.2198830
https://hdl.handle.net/21.15107/rcub_dais_14328 .

Emmery, Laura, Medić, Ivana, "Serbian Musical Identity: An Introduction" in Contemporary Music Review, 41 (2023-04-17),
https://doi.org/10.1080/07494467.2022.2198830 .,
https://hdl.handle.net/21.15107/rcub_dais_14328 .

TY  - JOUR
AU  - Milošević, Milica V.
AU  - Radoičić, Marija
AU  - Ohara, Satoshi
AU  - Abe, Hiroya
AU  - Spasojević, Jelena
AU  - Mančić, Lidija
AU  - Šaponjić, Zoran
PY  - 2023-04-01
UR  - https://dais.sanu.ac.rs/123456789/14316
AB  - Novel cotton-based TiO2/Ag/TiO2 nanocomposites for wastewater treatment were developed by fine chemical synthesis path with the goal of coping with wastewater issues and environmental remediation. The photocatalytic performances of nanocomposites were tested during photodegradation processes of RB, AO7 and MR under simulated solar light. Double- and single-loaded nanocomposites were synthesized by a simple bottom-up approach implying in situ photoreduction of Ag+ ions on the surface of TiO2 NPs previously deposited on cotton fibers from colloids. The spherical-like colloidal TiO2 NPs (4.5 nm) and TiO2/Ag NPs (8 nm) and the formation of uniform TiO2/Ag and TiO2/Ag/TiO2 nano-coatings on cotton fibers were examined by TEM and FESEM. The reduction of Ag+ ions on TiO2 surface was undoubtedly proven by the appearance of SPR band of Ag NPs in UV/Vis spectra. Raman spectroscopy clearly confirmed the presence of anatase TiO2 in nanocomposites. Quantitative determination of TiO2 and Ag in nanocomposites was accomplished using EDX and ICP–OES. The cotton-based TiO2/Ag/TiO2 nanocomposite showed the highest photocatalytic efficiency (> 90%) and maintained its removal efficiency after three reuse cycles, indicated its exceptional photochemical ability. The initial idea of improved photocatalytic performances of a TiO2 NPs double-layer with immobilized Ag NPs was justified as the TiO2/Ag/TiO2 processed sample contributed additional binding sites for dye molecules. Considering that the photocatalytic activity of the cotton-based TiO2 and TiO2/Ag samples was practically imperceptible, it can be assumed that the synthesized Ag NPs act predominantly as electron traps in the double-loaded synthesized system.
PB  - Springer Science and Business Media LLC
T2  - Cellulose
T1  - Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric
DO  - 10.1007/s10570-023-05165-0
UR  - https://hdl.handle.net/21.15107/rcub_dais_14316
ER  - 

@article{
author = "Milošević, Milica V. and Radoičić, Marija and Ohara, Satoshi and Abe, Hiroya and Spasojević, Jelena and Mančić, Lidija and Šaponjić, Zoran",
year = "2023-04-01",
abstract = "Novel cotton-based TiO2/Ag/TiO2 nanocomposites for wastewater treatment were developed by fine chemical synthesis path with the goal of coping with wastewater issues and environmental remediation. The photocatalytic performances of nanocomposites were tested during photodegradation processes of RB, AO7 and MR under simulated solar light. Double- and single-loaded nanocomposites were synthesized by a simple bottom-up approach implying in situ photoreduction of Ag+ ions on the surface of TiO2 NPs previously deposited on cotton fibers from colloids. The spherical-like colloidal TiO2 NPs (4.5 nm) and TiO2/Ag NPs (8 nm) and the formation of uniform TiO2/Ag and TiO2/Ag/TiO2 nano-coatings on cotton fibers were examined by TEM and FESEM. The reduction of Ag+ ions on TiO2 surface was undoubtedly proven by the appearance of SPR band of Ag NPs in UV/Vis spectra. Raman spectroscopy clearly confirmed the presence of anatase TiO2 in nanocomposites. Quantitative determination of TiO2 and Ag in nanocomposites was accomplished using EDX and ICP–OES. The cotton-based TiO2/Ag/TiO2 nanocomposite showed the highest photocatalytic efficiency (> 90%) and maintained its removal efficiency after three reuse cycles, indicated its exceptional photochemical ability. The initial idea of improved photocatalytic performances of a TiO2 NPs double-layer with immobilized Ag NPs was justified as the TiO2/Ag/TiO2 processed sample contributed additional binding sites for dye molecules. Considering that the photocatalytic activity of the cotton-based TiO2 and TiO2/Ag samples was practically imperceptible, it can be assumed that the synthesized Ag NPs act predominantly as electron traps in the double-loaded synthesized system.",
publisher = "Springer Science and Business Media LLC",
journal = "Cellulose",
title = "Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric",
doi = "10.1007/s10570-023-05165-0",
url = "https://hdl.handle.net/21.15107/rcub_dais_14316"
}

Milošević, M. V., Radoičić, M., Ohara, S., Abe, H., Spasojević, J., Mančić, L.,& Šaponjić, Z.. (2023-04-01). Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric. in Cellulose
Springer Science and Business Media LLC..
https://doi.org/10.1007/s10570-023-05165-0
https://hdl.handle.net/21.15107/rcub_dais_14316

Milošević MV, Radoičić M, Ohara S, Abe H, Spasojević J, Mančić L, Šaponjić Z. Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric. in Cellulose. 2023;.
doi:10.1007/s10570-023-05165-0
https://hdl.handle.net/21.15107/rcub_dais_14316 .

Milošević, Milica V., Radoičić, Marija, Ohara, Satoshi, Abe, Hiroya, Spasojević, Jelena, Mančić, Lidija, Šaponjić, Zoran, "Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric" in Cellulose (2023-04-01),
https://doi.org/10.1007/s10570-023-05165-0 .,
https://hdl.handle.net/21.15107/rcub_dais_14316 .

TY  - CHAP
AU  - Radovanović, Bojana
PY  - 2023-03-03
UR  - https://www.transcript-verlag.de/978-3-8376-6546-8/women-s-leadership-in-music/?number=978-3-8376-6546-8
UR  - https://www.transcript-verlag.de/media/pdf/65/db/39/oa9783839465462.pdf
UR  - https://dais.sanu.ac.rs/123456789/14232
AB  - Metal music is known for being, in the words of sociologist Deena Weinstein (2000: 134), a genre primarily designed “(...) of, by, and for males”. Although its foundational postulates, sound and behavior are traditionally seen as masculine, this genre has been also a place for subversion of the masculine and transgression into androgyny and femininity. Since its inception in the 1970s, metal offered a myriad of possibilities for male performers. It is, thus, not surprising that during the first several decades of the genre’s development, women were mainly part of the audience or male musicians’ muses. This trend is more noticeably being challenged in the last two decades. Women are taking on not only the role of band vocalists (which is traditionally expected), but also the symbolic leadership as guitarplayersand other instrumentalists. This chapter sheds light on the historical circumstances and characteristics of female leadership in Serbian metal, focusing on the development of metal subgenres and their relationship to women in the local and international context. Since female roles in metal bands are still, by and large, the ones of vocalists, this chapter also gives insights into the development of female voice in metal – from mainstream clean and operatic singing in symphonic metal to the technically extended vocals of extreme metal.
PB  - Bielefeld : transcript Verlag
T2  - Women's Leadership in Music: Modes, Legacies, Alliances
T1  - Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice
SP  - 213
EP  - 223
DO  - https://doi.org/10.14361/9783839465462
UR  - https://hdl.handle.net/21.15107/rcub_dais_14232
ER  - 

@inbook{
author = "Radovanović, Bojana",
year = "2023-03-03",
abstract = "Metal music is known for being, in the words of sociologist Deena Weinstein (2000: 134), a genre primarily designed “(...) of, by, and for males”. Although its foundational postulates, sound and behavior are traditionally seen as masculine, this genre has been also a place for subversion of the masculine and transgression into androgyny and femininity. Since its inception in the 1970s, metal offered a myriad of possibilities for male performers. It is, thus, not surprising that during the first several decades of the genre’s development, women were mainly part of the audience or male musicians’ muses. This trend is more noticeably being challenged in the last two decades. Women are taking on not only the role of band vocalists (which is traditionally expected), but also the symbolic leadership as guitarplayersand other instrumentalists. This chapter sheds light on the historical circumstances and characteristics of female leadership in Serbian metal, focusing on the development of metal subgenres and their relationship to women in the local and international context. Since female roles in metal bands are still, by and large, the ones of vocalists, this chapter also gives insights into the development of female voice in metal – from mainstream clean and operatic singing in symphonic metal to the technically extended vocals of extreme metal.",
publisher = "Bielefeld : transcript Verlag",
journal = "Women's Leadership in Music: Modes, Legacies, Alliances",
booktitle = "Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice",
pages = "213-223",
doi = "https://doi.org/10.14361/9783839465462",
url = "https://hdl.handle.net/21.15107/rcub_dais_14232"
}

Radovanović, B.. (2023-03-03). Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice. in Women's Leadership in Music: Modes, Legacies, Alliances
Bielefeld : transcript Verlag., 213-223.
https://doi.org/https://doi.org/10.14361/9783839465462
https://hdl.handle.net/21.15107/rcub_dais_14232

Radovanović B. Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice. in Women's Leadership in Music: Modes, Legacies, Alliances. 2023;:213-223.
doi:https://doi.org/10.14361/9783839465462
https://hdl.handle.net/21.15107/rcub_dais_14232 .

Radovanović, Bojana, "Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice" in Women's Leadership in Music: Modes, Legacies, Alliances (2023-03-03):213-223,
https://doi.org/https://doi.org/10.14361/9783839465462 .,
https://hdl.handle.net/21.15107/rcub_dais_14232 .

TY  - CONF
AU  - Marjanović, Nataša
PY  - 2023-03
UR  - https://dais.sanu.ac.rs/123456789/14322
AB  - In this paper I will present the first project of sound recording of the Traditional Serbian Church Chant and the edition of Edison Bell Penkala from 1933, as the result of that project.
PB  - Zagreb : Institute of Ethnology and Folklore Research
C3  - International symposium 78 rpm at home: Local perspectives on the early recording industry Zagreb, 8–11 March 2023
T1  - The contribution of Edison Bell Penkala to presentation and preservation of church music tradition: The Conservatory of Serbian Orthodox Church Chant
SP  - 33
EP  - 34
UR  - https://hdl.handle.net/21.15107/rcub_dais_14322
ER  - 

@conference{
author = "Marjanović, Nataša",
year = "2023-03",
abstract = "In this paper I will present the first project of sound recording of the Traditional Serbian Church Chant and the edition of Edison Bell Penkala from 1933, as the result of that project.",
publisher = "Zagreb : Institute of Ethnology and Folklore Research",
journal = "International symposium 78 rpm at home: Local perspectives on the early recording industry Zagreb, 8–11 March 2023",
title = "The contribution of Edison Bell Penkala to presentation and preservation of church music tradition: The Conservatory of Serbian Orthodox Church Chant",
pages = "33-34",
url = "https://hdl.handle.net/21.15107/rcub_dais_14322"
}

Marjanović, N.. (2023-03). The contribution of Edison Bell Penkala to presentation and preservation of church music tradition: The Conservatory of Serbian Orthodox Church Chant. in International symposium 78 rpm at home: Local perspectives on the early recording industry Zagreb, 8–11 March 2023
Zagreb : Institute of Ethnology and Folklore Research., 33-34.
https://hdl.handle.net/21.15107/rcub_dais_14322

Marjanović N. The contribution of Edison Bell Penkala to presentation and preservation of church music tradition: The Conservatory of Serbian Orthodox Church Chant. in International symposium 78 rpm at home: Local perspectives on the early recording industry Zagreb, 8–11 March 2023. 2023;:33-34.
https://hdl.handle.net/21.15107/rcub_dais_14322 .

Marjanović, Nataša, "The contribution of Edison Bell Penkala to presentation and preservation of church music tradition: The Conservatory of Serbian Orthodox Church Chant" in International symposium 78 rpm at home: Local perspectives on the early recording industry Zagreb, 8–11 March 2023 (2023-03):33-34,
https://hdl.handle.net/21.15107/rcub_dais_14322 .

TY  - GEN
AU  - Радивојевић, Maja
PY  - 2023-02-28
UR  - https://dais.sanu.ac.rs/123456789/14326
AB  - Оно што срећемо код Милије Радивојевића Баје јесте пример прилагођавања старих вредности новом времену. На одређен начин, он трансформише оно што му је остављено у „аманет“, дајући му свој лични печат, јер чак и њему као недвосмислено утицајном иноватору, љубав према свом народу и песми не дозвољава да потпуно искорачи из традиционалних оквира, те у том смислу он функционише и као чувар традиције. Упркос свим специфичностима које красе овог надасве посебног музичара, као и чињеници да је на простору у којем живи (а и шире) јединствен по свом третману музике, њега ипак не треба посматрати као „страно тело“ у садашњости, већ пре као мост ка новим схватањима наше традиције. Зато Милијино стваралаштво са пуним правом можемо посматрати као један нови пут нашег традиционалног израза и допринос овог народног уметника оправдано означити као „традицију у настајању“.
PB  - Пожаревац : Удружење грађана "Импулс" Србија
T1  - Милија Радивојевић Баја - традиција у настајању
UR  - https://hdl.handle.net/21.15107/rcub_dais_14326
ER  - 

@misc{
author = "Радивојевић, Maja",
year = "2023-02-28",
abstract = "Оно што срећемо код Милије Радивојевића Баје јесте пример прилагођавања старих вредности новом времену. На одређен начин, он трансформише оно што му је остављено у „аманет“, дајући му свој лични печат, јер чак и њему као недвосмислено утицајном иноватору, љубав према свом народу и песми не дозвољава да потпуно искорачи из традиционалних оквира, те у том смислу он функционише и као чувар традиције. Упркос свим специфичностима које красе овог надасве посебног музичара, као и чињеници да је на простору у којем живи (а и шире) јединствен по свом третману музике, њега ипак не треба посматрати као „страно тело“ у садашњости, већ пре као мост ка новим схватањима наше традиције. Зато Милијино стваралаштво са пуним правом можемо посматрати као један нови пут нашег традиционалног израза и допринос овог народног уметника оправдано означити као „традицију у настајању“.",
publisher = "Пожаревац : Удружење грађана "Импулс" Србија",
title = "Милија Радивојевић Баја - традиција у настајању",
url = "https://hdl.handle.net/21.15107/rcub_dais_14326"
}

Радивојевић, M.. (2023-02-28). Милија Радивојевић Баја - традиција у настајању. 
Пожаревац : Удружење грађана "Импулс" Србија..
https://hdl.handle.net/21.15107/rcub_dais_14326

Радивојевић M. Милија Радивојевић Баја - традиција у настајању. 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14326 .

Радивојевић, Maja, "Милија Радивојевић Баја - традиција у настајању" (2023-02-28),
https://hdl.handle.net/21.15107/rcub_dais_14326 .

TY  - GEN
AU  - Винтер, Карстен
PY  - 2023-02-27
UR  - https://dais.sanu.ac.rs/123456789/14323
AB  - У овом предавању представићу преглед развоја концептуалног оквира „музичког
екосистема“ у оквиру развоја медија и фестивала, како бих омогућио боље разумевање
процеса који трансформишу музику, културу, економију и друштво.
PB  - Београд : Музиколошки институт САНУ
T2  - Форум Музиколошког института САНУ
T1  - Agency фестивали у доба музичких екосистема
UR  - https://hdl.handle.net/21.15107/rcub_dais_14323
ER  - 

@misc{
author = "Винтер, Карстен",
year = "2023-02-27",
abstract = "У овом предавању представићу преглед развоја концептуалног оквира „музичког
екосистема“ у оквиру развоја медија и фестивала, како бих омогућио боље разумевање
процеса који трансформишу музику, културу, економију и друштво.",
publisher = "Београд : Музиколошки институт САНУ",
journal = "Форум Музиколошког института САНУ",
title = "Agency фестивали у доба музичких екосистема",
url = "https://hdl.handle.net/21.15107/rcub_dais_14323"
}

Винтер, К.. (2023-02-27). Agency фестивали у доба музичких екосистема. in Форум Музиколошког института САНУ
Београд : Музиколошки институт САНУ..
https://hdl.handle.net/21.15107/rcub_dais_14323

Винтер К. Agency фестивали у доба музичких екосистема. in Форум Музиколошког института САНУ. 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14323 .

Винтер, Карстен, "Agency фестивали у доба музичких екосистема" in Форум Музиколошког института САНУ (2023-02-27),
https://hdl.handle.net/21.15107/rcub_dais_14323 .

TY  - CHAP
AU  - Radovanović, Bojana
PY  - 2023-02-13
UR  - https://dais.sanu.ac.rs/123456789/14231
AB  - Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the “meta-genre” of extreme metal, have built up a very specific sound and imagery during the last several decades. As Keith Kahn-Harris noticed, this cluster of sub-genres gathers musical acts of different historical backgrounds and ideologies, which show the highest level of diversity, artistic vibrancy and dynamics, while at the same time being the most problematic area of metal culture in general. The supposed aggression, radicalism, and exclusivity in sound stem not only from the fast, virtuoso, and technically demanding playing of the instruments, but also from the very peculiar vocal emissions. This monstrous voice, which is the result of extended vocal techniques (primarily screams, growls, squeals), is the point of intersection for several issues concerning voice, body, and technology.
In this paper, I will give insight into the key points regarding these questions, while also delving into the issue of gender. For, although metal culture has historically been considered to be male-oriented—and especially so in extreme metal—the noticeable trend of the growing number of female musicians and vocalists in this scene encourages us to further explore who can stand behind the monstrous voice.
PB  - Bielefeld : transcript Verlag
T2  - Körper(-lichkeit) in der Musik des 20. und 21. Jahrhunderts
T1  - Voice and Body in Extreme Metal Music
SP  - 153
EP  - 162
DO  - https://doi.org/10.14361/9783839458914-010
UR  - https://hdl.handle.net/21.15107/rcub_dais_14231
ER  - 

@inbook{
author = "Radovanović, Bojana",
year = "2023-02-13",
abstract = "Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the “meta-genre” of extreme metal, have built up a very specific sound and imagery during the last several decades. As Keith Kahn-Harris noticed, this cluster of sub-genres gathers musical acts of different historical backgrounds and ideologies, which show the highest level of diversity, artistic vibrancy and dynamics, while at the same time being the most problematic area of metal culture in general. The supposed aggression, radicalism, and exclusivity in sound stem not only from the fast, virtuoso, and technically demanding playing of the instruments, but also from the very peculiar vocal emissions. This monstrous voice, which is the result of extended vocal techniques (primarily screams, growls, squeals), is the point of intersection for several issues concerning voice, body, and technology.
In this paper, I will give insight into the key points regarding these questions, while also delving into the issue of gender. For, although metal culture has historically been considered to be male-oriented—and especially so in extreme metal—the noticeable trend of the growing number of female musicians and vocalists in this scene encourages us to further explore who can stand behind the monstrous voice.",
publisher = "Bielefeld : transcript Verlag",
journal = "Körper(-lichkeit) in der Musik des 20. und 21. Jahrhunderts",
booktitle = "Voice and Body in Extreme Metal Music",
pages = "153-162",
doi = "https://doi.org/10.14361/9783839458914-010",
url = "https://hdl.handle.net/21.15107/rcub_dais_14231"
}

Radovanović, B.. (2023-02-13). Voice and Body in Extreme Metal Music. in Körper(-lichkeit) in der Musik des 20. und 21. Jahrhunderts
Bielefeld : transcript Verlag., 153-162.
https://doi.org/https://doi.org/10.14361/9783839458914-010
https://hdl.handle.net/21.15107/rcub_dais_14231

Radovanović B. Voice and Body in Extreme Metal Music. in Körper(-lichkeit) in der Musik des 20. und 21. Jahrhunderts. 2023;:153-162.
doi:https://doi.org/10.14361/9783839458914-010
https://hdl.handle.net/21.15107/rcub_dais_14231 .

Radovanović, Bojana, "Voice and Body in Extreme Metal Music" in Körper(-lichkeit) in der Musik des 20. und 21. Jahrhunderts (2023-02-13):153-162,
https://doi.org/https://doi.org/10.14361/9783839458914-010 .,
https://hdl.handle.net/21.15107/rcub_dais_14231 .

TY  - GEN
AU  - Беблер, Неда
AU  - Медић, Ивана
AU  - Јанковић-Бегуш, Јелена
PY  - 2023-02-02
UR  - https://dais.sanu.ac.rs/123456789/14324
AB  - Властимир Трајковић (Београд, 17. јун 1947 – Београд, 4. јануар 2017), био је један од најистакнутијих српских композитора своје генерације, чији је опус оставио дубоког трага у нашој музици у последњих педесет година.
PB  - Београд : Српска академија наука и уметности
PB  - Београд : Одбор за заштиту српске музичке баштине САНУ
T1  - Концерт солистичке и камерне музике академика Властимира Трајковића и промоција монографије "Музика"
UR  - https://hdl.handle.net/21.15107/rcub_dais_14324
ER  - 

@misc{
author = "Беблер, Неда and Медић, Ивана and Јанковић-Бегуш, Јелена",
year = "2023-02-02",
abstract = "Властимир Трајковић (Београд, 17. јун 1947 – Београд, 4. јануар 2017), био је један од најистакнутијих српских композитора своје генерације, чији је опус оставио дубоког трага у нашој музици у последњих педесет година.",
publisher = "Београд : Српска академија наука и уметности, Београд : Одбор за заштиту српске музичке баштине САНУ",
title = "Концерт солистичке и камерне музике академика Властимира Трајковића и промоција монографије "Музика"",
url = "https://hdl.handle.net/21.15107/rcub_dais_14324"
}

Беблер, Н., Медић, И.,& Јанковић-Бегуш, Ј.. (2023-02-02). Концерт солистичке и камерне музике академика Властимира Трајковића и промоција монографије "Музика". 
Београд : Српска академија наука и уметности..
https://hdl.handle.net/21.15107/rcub_dais_14324

Беблер Н, Медић И, Јанковић-Бегуш Ј. Концерт солистичке и камерне музике академика Властимира Трајковића и промоција монографије "Музика". 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14324 .

Беблер, Неда, Медић, Ивана, Јанковић-Бегуш, Јелена, "Концерт солистичке и камерне музике академика Властимира Трајковића и промоција монографије "Музика"" (2023-02-02),
https://hdl.handle.net/21.15107/rcub_dais_14324 .

TY  - JOUR
AU  - Vukadinović, Igor
PY  - 2023-02-01
UR  - https://dais.sanu.ac.rs/123456789/13873
AB  - U radu su analizirani strogo poverljivi izveštaji u vezi sa dešavanjima u Jugoslaviji koje je ministar spoljnih poslova Albanije Nesti Nase dostavljao sekretaru Partije rada Albanije Enveru Hodži od 1966. do 1968. godine. Istraživanje je kao zasebne celine izdvojilo nekoliko tema koje su obrađivane u ovim izveštajima, a koje su važne za razumevanje situacije na Kosovu i Metohiji, u Srbiji i u Jugoslaviji krajem šezdesetih godina – odnosi u jugoslovenskom partijskom vrhu i pitanje kreatora državne politike prema Kosovu i Metohiji, otvaranje pitanja statusa pokrajine, iseljavanje Srba i delatnost albanske emigracije i zapadnih obaveštajnih službi prema pitanju Kosova i Metohije.
AB  - Strictly confidential reports from the Albanian Ministry of Foreign Affairs add a new dimension to events in Serbia and Yugoslavia in the second half of the 1960s. According to their content, the strengthening of the autonomy of Kosovo and Metohija was the result of a change in the balance of power at the top of the League of Communists of Yugoslavia after the Brioni Plenum in 1966. Leading Croatian and Slovenian officials held the majority of the party’s control. According to the reports, party leaders Vladimir Bakarić and Edvard Kardelj intended to disintegrate Yugoslavia and allow Croatia and Slovenia to gain independence, and the League of Communists of Yugoslavia’s Kosovo policy was a key component of that strategy. Leader of Kosovo Albanians Fadilj Hoxha gained complete control of the province’s party, judicial, and se curity apparatuses thanks to the political support he received from Broz, Kardelj, and Bakarić. Reports also confirm the emergence of mass emigration of Serbs from Kosovo and Metohija, owing to threatened security and ethnically motivated persecution from the province’s companies and institutions. The Al banian population in Kosovo and Metohija developed national euphoria as a result of the new circumstances, which was reflected in public demands for the province's separation from Serbia, the use of the Albanian flag in state institu tions, and the establishment of a special official status for the Albanian lan guage in the province. According to the report, the German intelligence service aimed at the secession of Kosovo and Metohija from Serbia and Yugoslavia and the establishment of another Albanian state in the Balkans.
PB  - Beograd : Institut za savremenu istoriju
T2  - Istorija 20. veka : časopis Instituta za savremenu istoriju = History of 20. century : the journal of the Institute of Contemporary History
T1  - Strogo poverljivi izveštaji ministra spoljnih poslova Albanije o političkoj situaciji u Jugoslaviji i na Kosovu i Metohiji (1966–1968)
T1  - Situation in Kosovo and Metohija in strictly confidential reports of the Minister of Foreign Affairs of Albania 1966-1968
SP  - 159
EP  - 176
VL  - 41
IS  - 1
DO  - 10.29362/ist20veka.2023.1.vuk.159-176
UR  - https://hdl.handle.net/21.15107/rcub_dais_13873
ER  - 

@article{
author = "Vukadinović, Igor",
year = "2023-02-01",
abstract = "U radu su analizirani strogo poverljivi izveštaji u vezi sa dešavanjima u Jugoslaviji koje je ministar spoljnih poslova Albanije Nesti Nase dostavljao sekretaru Partije rada Albanije Enveru Hodži od 1966. do 1968. godine. Istraživanje je kao zasebne celine izdvojilo nekoliko tema koje su obrađivane u ovim izveštajima, a koje su važne za razumevanje situacije na Kosovu i Metohiji, u Srbiji i u Jugoslaviji krajem šezdesetih godina – odnosi u jugoslovenskom partijskom vrhu i pitanje kreatora državne politike prema Kosovu i Metohiji, otvaranje pitanja statusa pokrajine, iseljavanje Srba i delatnost albanske emigracije i zapadnih obaveštajnih službi prema pitanju Kosova i Metohije., Strictly confidential reports from the Albanian Ministry of Foreign Affairs add a new dimension to events in Serbia and Yugoslavia in the second half of the 1960s. According to their content, the strengthening of the autonomy of Kosovo and Metohija was the result of a change in the balance of power at the top of the League of Communists of Yugoslavia after the Brioni Plenum in 1966. Leading Croatian and Slovenian officials held the majority of the party’s control. According to the reports, party leaders Vladimir Bakarić and Edvard Kardelj intended to disintegrate Yugoslavia and allow Croatia and Slovenia to gain independence, and the League of Communists of Yugoslavia’s Kosovo policy was a key component of that strategy. Leader of Kosovo Albanians Fadilj Hoxha gained complete control of the province’s party, judicial, and se curity apparatuses thanks to the political support he received from Broz, Kardelj, and Bakarić. Reports also confirm the emergence of mass emigration of Serbs from Kosovo and Metohija, owing to threatened security and ethnically motivated persecution from the province’s companies and institutions. The Al banian population in Kosovo and Metohija developed national euphoria as a result of the new circumstances, which was reflected in public demands for the province's separation from Serbia, the use of the Albanian flag in state institu tions, and the establishment of a special official status for the Albanian lan guage in the province. According to the report, the German intelligence service aimed at the secession of Kosovo and Metohija from Serbia and Yugoslavia and the establishment of another Albanian state in the Balkans.",
publisher = "Beograd : Institut za savremenu istoriju",
journal = "Istorija 20. veka : časopis Instituta za savremenu istoriju = History of 20. century : the journal of the Institute of Contemporary History",
title = "Strogo poverljivi izveštaji ministra spoljnih poslova Albanije o političkoj situaciji u Jugoslaviji i na Kosovu i Metohiji (1966–1968), Situation in Kosovo and Metohija in strictly confidential reports of the Minister of Foreign Affairs of Albania 1966-1968",
pages = "159-176",
volume = "41",
number = "1",
doi = "10.29362/ist20veka.2023.1.vuk.159-176",
url = "https://hdl.handle.net/21.15107/rcub_dais_13873"
}

Vukadinović, I.. (2023-02-01). Strogo poverljivi izveštaji ministra spoljnih poslova Albanije o političkoj situaciji u Jugoslaviji i na Kosovu i Metohiji (1966–1968). in Istorija 20. veka : časopis Instituta za savremenu istoriju = History of 20. century : the journal of the Institute of Contemporary History
Beograd : Institut za savremenu istoriju., 41(1), 159-176.
https://doi.org/10.29362/ist20veka.2023.1.vuk.159-176
https://hdl.handle.net/21.15107/rcub_dais_13873

Vukadinović I. Strogo poverljivi izveštaji ministra spoljnih poslova Albanije o političkoj situaciji u Jugoslaviji i na Kosovu i Metohiji (1966–1968). in Istorija 20. veka : časopis Instituta za savremenu istoriju = History of 20. century : the journal of the Institute of Contemporary History. 2023;41(1):159-176.
doi:10.29362/ist20veka.2023.1.vuk.159-176
https://hdl.handle.net/21.15107/rcub_dais_13873 .

Vukadinović, Igor, "Strogo poverljivi izveštaji ministra spoljnih poslova Albanije o političkoj situaciji u Jugoslaviji i na Kosovu i Metohiji (1966–1968)" in Istorija 20. veka : časopis Instituta za savremenu istoriju = History of 20. century : the journal of the Institute of Contemporary History, 41, no. 1 (2023-02-01):159-176,
https://doi.org/10.29362/ist20veka.2023.1.vuk.159-176 .,
https://hdl.handle.net/21.15107/rcub_dais_13873 .

TY  - JOUR
AU  - Medić, Ivana
PY  - 2023-01-12
UR  - https://dais.sanu.ac.rs/123456789/13721
AB  - This article is an extract from my ongoing investigation of the destinies of Serbian
composers who have emigrated since the early 1990s, a period that was marked by the
dissolution of the Socialist Federal Republic of Yugoslavia and the ensuing wars when
hundreds of thousands of professionals left the country and settled all over the world.
Such a massive ‘brain drain’ has had a devastating impact on many professional
realms in the entire former-Yugoslav region. Thus far, I have located more than
seventy Serbian composers who currently live and work abroad, a significant number
for such a small country. In this article, I focus on the professional and personal
trajectories of several composers who have managed to establish successful careers in
various Western European countries. A recent monograph by Elena Dubinets, Russian
Composers Abroad: How They Left, Stayed, Returned (Bloomington: Indiana
University Press, 2021), serves as my discoursive ‘counterpoint’.
PB  - London : Taylor & Francis
T2  - Contemporary Music Review
T1  - Legal Aliens: Serbian Composers in Western Europe Today
VL  - 42
IS  - 1-2
DO  - 10.1080/07494467.2022.2152217
UR  - https://hdl.handle.net/21.15107/rcub_dais_13721
ER  - 

@article{
author = "Medić, Ivana",
year = "2023-01-12",
abstract = "This article is an extract from my ongoing investigation of the destinies of Serbian
composers who have emigrated since the early 1990s, a period that was marked by the
dissolution of the Socialist Federal Republic of Yugoslavia and the ensuing wars when
hundreds of thousands of professionals left the country and settled all over the world.
Such a massive ‘brain drain’ has had a devastating impact on many professional
realms in the entire former-Yugoslav region. Thus far, I have located more than
seventy Serbian composers who currently live and work abroad, a significant number
for such a small country. In this article, I focus on the professional and personal
trajectories of several composers who have managed to establish successful careers in
various Western European countries. A recent monograph by Elena Dubinets, Russian
Composers Abroad: How They Left, Stayed, Returned (Bloomington: Indiana
University Press, 2021), serves as my discoursive ‘counterpoint’.",
publisher = "London : Taylor & Francis",
journal = "Contemporary Music Review",
title = "Legal Aliens: Serbian Composers in Western Europe Today",
volume = "42",
number = "1-2",
doi = "10.1080/07494467.2022.2152217",
url = "https://hdl.handle.net/21.15107/rcub_dais_13721"
}

Medić, I.. (2023-01-12). Legal Aliens: Serbian Composers in Western Europe Today. in Contemporary Music Review
London : Taylor & Francis., 42(1-2).
https://doi.org/10.1080/07494467.2022.2152217
https://hdl.handle.net/21.15107/rcub_dais_13721

Medić I. Legal Aliens: Serbian Composers in Western Europe Today. in Contemporary Music Review. 2023;42(1-2).
doi:10.1080/07494467.2022.2152217
https://hdl.handle.net/21.15107/rcub_dais_13721 .

Medić, Ivana, "Legal Aliens: Serbian Composers in Western Europe Today" in Contemporary Music Review, 42, no. 1-2 (2023-01-12),
https://doi.org/10.1080/07494467.2022.2152217 .,
https://hdl.handle.net/21.15107/rcub_dais_13721 .

TY  - JOUR
AU  - Stevanović, Lada
PY  - 2023
UR  - https://journal.instifdt.bg.ac.rs/index.php/fid/issue/view/98
UR  - https://dais.sanu.ac.rs/123456789/14530
AB  - The paper deals with women’s education in Ancient Greece. In ancient 
times, women were dominated by men throughout the Greek world, 
while their roles and competence were strictly defined (albeit differently 
across various city-states). Although not all women were deprived of 
education, their education was almost never organized by the city-state. 
Women’s knowledge and voice were never welcome in the public domain. 
However, the picture of women’s education, knowledge and competences 
is not one-dimensional and it would be wrong to claim that those did 
not exist. Foreign women sometimes had more freedom of education 
and free communication with men than Greek citizens’ wives (especially 
in Athens); education was also available for girls from rich families; some 
city-states other than Athens were less restrictive towards their women. 
The other aspect of the issue was the fact that there was some 
knowledge available to women, and in some professions, women did not 
appear as an exception, but rather as a rule. Such was the case of midwives, 
women physicians and herbal specialists/pharmacists. Their prominent 
role in the private domain did not only involve care of home and closest 
kin, but also rituals, and this should be considered an important aspect 
of women’s competence. However, researching women’s education and 
knowledge in antiquity is a difficult task, because veils of silence were 
cast over women’s voices in ancient times, including those that attempted 
to break through the barriers of their age.
AB  - Rad istražuje obrazovanje žena u antičkoj Grčkoj. U doba antike, žene su bile podređene 
muškarcima širom grčkog sveta, a njihova uloga i kompetencije strogo su bili definisani (doduše na različit način u različitim polisima). Iako je bilo žena kojima je obrazovanje bilo dostupno, ono gotovo nikada nije bilo organizovano od strane polisa. Žensko znanje i ženski glas 
nisu bili dobrodošli u javnom prostoru. Pa ipak, slika ženskog obrazovanja, znanja i kompetencija nije jednodimenzionalna i bilo bi pogrešno tvrditi da su ih žene bile u potpunosti lišene. Strankinje su katkada uživale veću slobodu u pogledu obrazovanja i slobodne komunikacije sa muškarcima nego supruge grčkih građana (pogotovo Atinjana); obrazovanje je bilo 
dostupno devojkama iz bogatih porodica. 
Sa druge strane, činjenica je da su postojala znanja i profesije koji su bili dostupni ženama i u kojima su se one često pojavljivale. To je bio slučaj sa babicama, lekarkama i biljarkama/farmaceutkinjama. Dominantna uloga žena u privatnom domenu nije samo podrazumevala brigu o kući i najbližim srodnicima, već i nadležnost u ritualnom domenu koja je spadala 
u žensku kompetenciju. Pa ipak, istraživanje ženskog znanja i obrazovanja u atnici nije jednostavno, pre svega zbog velova tišine kojima su obavijeni ženski glasovi u antici, uključujući 
i one koji su pokušali da se probiju kroz barijere sopstvenog doba.
PB  - Beograd : Institut za filozofiju i društvenu teoriju / Belgrade : Institute for Philosophy and Social Theory
T2  - Filozofija i društvo / Philosophy and Society
T1  - Women's Education, Knowledge and Competence in Ancient Greece
T1  - Žensko obrazovanje, znanje i kompetencije u antičkoj Grčkoj
SP  - 43
EP  - 58
VL  - 34
IS  - 1
DO  - 10.2298/FID2301043S
UR  - https://hdl.handle.net/21.15107/rcub_dais_14530
ER  - 

@article{
author = "Stevanović, Lada",
year = "2023",
abstract = "The paper deals with women’s education in Ancient Greece. In ancient 
times, women were dominated by men throughout the Greek world, 
while their roles and competence were strictly defined (albeit differently 
across various city-states). Although not all women were deprived of 
education, their education was almost never organized by the city-state. 
Women’s knowledge and voice were never welcome in the public domain. 
However, the picture of women’s education, knowledge and competences 
is not one-dimensional and it would be wrong to claim that those did 
not exist. Foreign women sometimes had more freedom of education 
and free communication with men than Greek citizens’ wives (especially 
in Athens); education was also available for girls from rich families; some 
city-states other than Athens were less restrictive towards their women. 
The other aspect of the issue was the fact that there was some 
knowledge available to women, and in some professions, women did not 
appear as an exception, but rather as a rule. Such was the case of midwives, 
women physicians and herbal specialists/pharmacists. Their prominent 
role in the private domain did not only involve care of home and closest 
kin, but also rituals, and this should be considered an important aspect 
of women’s competence. However, researching women’s education and 
knowledge in antiquity is a difficult task, because veils of silence were 
cast over women’s voices in ancient times, including those that attempted 
to break through the barriers of their age., Rad istražuje obrazovanje žena u antičkoj Grčkoj. U doba antike, žene su bile podređene 
muškarcima širom grčkog sveta, a njihova uloga i kompetencije strogo su bili definisani (doduše na različit način u različitim polisima). Iako je bilo žena kojima je obrazovanje bilo dostupno, ono gotovo nikada nije bilo organizovano od strane polisa. Žensko znanje i ženski glas 
nisu bili dobrodošli u javnom prostoru. Pa ipak, slika ženskog obrazovanja, znanja i kompetencija nije jednodimenzionalna i bilo bi pogrešno tvrditi da su ih žene bile u potpunosti lišene. Strankinje su katkada uživale veću slobodu u pogledu obrazovanja i slobodne komunikacije sa muškarcima nego supruge grčkih građana (pogotovo Atinjana); obrazovanje je bilo 
dostupno devojkama iz bogatih porodica. 
Sa druge strane, činjenica je da su postojala znanja i profesije koji su bili dostupni ženama i u kojima su se one često pojavljivale. To je bio slučaj sa babicama, lekarkama i biljarkama/farmaceutkinjama. Dominantna uloga žena u privatnom domenu nije samo podrazumevala brigu o kući i najbližim srodnicima, već i nadležnost u ritualnom domenu koja je spadala 
u žensku kompetenciju. Pa ipak, istraživanje ženskog znanja i obrazovanja u atnici nije jednostavno, pre svega zbog velova tišine kojima su obavijeni ženski glasovi u antici, uključujući 
i one koji su pokušali da se probiju kroz barijere sopstvenog doba.",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju / Belgrade : Institute for Philosophy and Social Theory",
journal = "Filozofija i društvo / Philosophy and Society",
title = "Women's Education, Knowledge and Competence in Ancient Greece, Žensko obrazovanje, znanje i kompetencije u antičkoj Grčkoj",
pages = "43-58",
volume = "34",
number = "1",
doi = "10.2298/FID2301043S",
url = "https://hdl.handle.net/21.15107/rcub_dais_14530"
}

Stevanović, L.. (2023). Women's Education, Knowledge and Competence in Ancient Greece. in Filozofija i društvo / Philosophy and Society
Beograd : Institut za filozofiju i društvenu teoriju / Belgrade : Institute for Philosophy and Social Theory., 34(1), 43-58.
https://doi.org/10.2298/FID2301043S
https://hdl.handle.net/21.15107/rcub_dais_14530

Stevanović L. Women's Education, Knowledge and Competence in Ancient Greece. in Filozofija i društvo / Philosophy and Society. 2023;34(1):43-58.
doi:10.2298/FID2301043S
https://hdl.handle.net/21.15107/rcub_dais_14530 .

Stevanović, Lada, "Women's Education, Knowledge and Competence in Ancient Greece" in Filozofija i društvo / Philosophy and Society, 34, no. 1 (2023):43-58,
https://doi.org/10.2298/FID2301043S .,
https://hdl.handle.net/21.15107/rcub_dais_14530 .

TY  - JOUR
AU  - Новокмет, Слободан
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14525
AB  - Предмет нашег рада су језичке јединице које су биране за реч године у традиционалним изборима овог типа (на енглеском, немачком, словеначком, руском и др. језицима) које излазе из оквира самосталних речи (у питању су, на пример, изрази, скраћенице, емоџији, хештегови, мимови и др.). Циљ рада је да испитамо ко-е су то јединице и да утврдимо разлоге и мотиве њихових избора или номинација за реч године.
AB  - The subject of this paper is language units that were chosen as the word of the year in traditional elections of this type (in English, German, Slovenian, Russian, etc. languages) that go beyond the framework of independent words (for example, expressions, abbreviations, emojis, hashtags, mimes, etc.). Many of these “words of the year” (such as suffix -ism or different memes) carry certain socio-political, pop-cultural, or even economic backgrounds which is connected to some event or actual social climate.The aim of the work is to examine which units are these and to determine the reasons and motives of their elections or nominations for the word of the year.
PB  - Београд : Алма
T2  - Новоречје
T1  - Да ли реч године мора да буде реч?
T1  - DOES THE WORD OF THE YEAR HAVE TO BE A WORD?
SP  - 44
EP  - 53
VL  - 4
IS  - 7
UR  - https://hdl.handle.net/21.15107/rcub_dais_14525
ER  - 

@article{
author = "Новокмет, Слободан",
year = "2023",
abstract = "Предмет нашег рада су језичке јединице које су биране за реч године у традиционалним изборима овог типа (на енглеском, немачком, словеначком, руском и др. језицима) које излазе из оквира самосталних речи (у питању су, на пример, изрази, скраћенице, емоџији, хештегови, мимови и др.). Циљ рада је да испитамо ко-е су то јединице и да утврдимо разлоге и мотиве њихових избора или номинација за реч године., The subject of this paper is language units that were chosen as the word of the year in traditional elections of this type (in English, German, Slovenian, Russian, etc. languages) that go beyond the framework of independent words (for example, expressions, abbreviations, emojis, hashtags, mimes, etc.). Many of these “words of the year” (such as suffix -ism or different memes) carry certain socio-political, pop-cultural, or even economic backgrounds which is connected to some event or actual social climate.The aim of the work is to examine which units are these and to determine the reasons and motives of their elections or nominations for the word of the year.",
publisher = "Београд : Алма",
journal = "Новоречје",
title = "Да ли реч године мора да буде реч?, DOES THE WORD OF THE YEAR HAVE TO BE A WORD?",
pages = "44-53",
volume = "4",
number = "7",
url = "https://hdl.handle.net/21.15107/rcub_dais_14525"
}

Новокмет, С.. (2023). Да ли реч године мора да буде реч?. in Новоречје
Београд : Алма., 4(7), 44-53.
https://hdl.handle.net/21.15107/rcub_dais_14525

Новокмет С. Да ли реч године мора да буде реч?. in Новоречје. 2023;4(7):44-53.
https://hdl.handle.net/21.15107/rcub_dais_14525 .

Новокмет, Слободан, "Да ли реч године мора да буде реч?" in Новоречје, 4, no. 7 (2023):44-53,
https://hdl.handle.net/21.15107/rcub_dais_14525 .

TY  - GEN
PY  - 2023
UR  - https://www.ei.sanu.ac.rs/index.php/gei
UR  - https://dais.sanu.ac.rs/123456789/14529
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T1  - Гласник Етнографског института САНУ 71 (1) / Bulletin of the Institute of Ethnography SASA 71 (1)
SP  - 1
EP  - 320
VL  - 71
IS  - 1
UR  - https://hdl.handle.net/21.15107/rcub_dais_14529
ER  - 

@misc{
year = "2023",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
title = "Гласник Етнографског института САНУ 71 (1) / Bulletin of the Institute of Ethnography SASA 71 (1)",
pages = "1-320",
volume = "71",
number = "1",
url = "https://hdl.handle.net/21.15107/rcub_dais_14529"
}

(2023). Гласник Етнографског института САНУ 71 (1) / Bulletin of the Institute of Ethnography SASA 71 (1). 
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 71(1), 1-320.
https://hdl.handle.net/21.15107/rcub_dais_14529

Гласник Етнографског института САНУ 71 (1) / Bulletin of the Institute of Ethnography SASA 71 (1). 2023;71(1):1-320.
https://hdl.handle.net/21.15107/rcub_dais_14529 .

"Гласник Етнографског института САНУ 71 (1) / Bulletin of the Institute of Ethnography SASA 71 (1)", 71, no. 1 (2023):1-320,
https://hdl.handle.net/21.15107/rcub_dais_14529 .

TY  - CONF
AU  - Lajić Mihajlović, Danka
AU  - Radovanović, Bojana
PY  - 2023
UR  - https://www.ief.hr/en/research/projects/ project-diskograf/symposium-78rpm-at-home/
UR  - https://dais.sanu.ac.rs/123456789/14233
AB  - Although research on the early Serbian music discography has yet to move past its initial stages, some of the figures of significant influence on Serbian music in the early 20th century can be recognized. Still, the network of traditional music practices, academic art circles and new industries – including the discographic one – has not been illuminated. Among said figures we find singer Mijat Mijatović (1887–1937), whose significance is, formally speaking, reflected in the number of 78 rpm records he produced and, consequently and substantially, in the impact his repertoire and performing style had on the musical culture of his time. In that regard, a collection of seven songs titled “Mijatovke” by Stanislav Binički (1872–1942) are of paradigmatic value. The title suggests the influence Mijatović’s performance of these traditional songs had, while the notes on the records argue for the composer’s authorship. Binički’s position as a conductor of the esteemed King’s Guard Orchestra probably affected the eventual publication of this ensemble’s records of “Mijatovke”. The record’s impact is related to the growing influence of radio, whose programme noticeably included music from the newest records. Simultaneously, “Mijatovke” songs were distributed as a sheet music publication (for voice and piano) by the prominent publisher Geca Kon. Furthermore, songs from this collection were also performed and recorded by other singers. The collaborative effort of ethnomusicology and musicology will here be aimed towards investigating the role record production had in the (trans) formation of popular folk music of that time, as well as its influence on oral tradition and art music, through the analysis of technological and cultural circumstances and recorded performances of “Mijatovke”.
PB  - Zagreb : Institute of Ethnology and Folklore Research
C3  - International symposium "78 rpm at home: Local perspectives on the early recording industry", Zagreb, 8–11 March 2023
T1  - “Mijatovke” collection on 78 rpm records: Early recordings as contributors in the formation of national culture
SP  - 32
EP  - 33
UR  - https://hdl.handle.net/21.15107/rcub_dais_14233
ER  - 

@conference{
author = "Lajić Mihajlović, Danka and Radovanović, Bojana",
year = "2023",
abstract = "Although research on the early Serbian music discography has yet to move past its initial stages, some of the figures of significant influence on Serbian music in the early 20th century can be recognized. Still, the network of traditional music practices, academic art circles and new industries – including the discographic one – has not been illuminated. Among said figures we find singer Mijat Mijatović (1887–1937), whose significance is, formally speaking, reflected in the number of 78 rpm records he produced and, consequently and substantially, in the impact his repertoire and performing style had on the musical culture of his time. In that regard, a collection of seven songs titled “Mijatovke” by Stanislav Binički (1872–1942) are of paradigmatic value. The title suggests the influence Mijatović’s performance of these traditional songs had, while the notes on the records argue for the composer’s authorship. Binički’s position as a conductor of the esteemed King’s Guard Orchestra probably affected the eventual publication of this ensemble’s records of “Mijatovke”. The record’s impact is related to the growing influence of radio, whose programme noticeably included music from the newest records. Simultaneously, “Mijatovke” songs were distributed as a sheet music publication (for voice and piano) by the prominent publisher Geca Kon. Furthermore, songs from this collection were also performed and recorded by other singers. The collaborative effort of ethnomusicology and musicology will here be aimed towards investigating the role record production had in the (trans) formation of popular folk music of that time, as well as its influence on oral tradition and art music, through the analysis of technological and cultural circumstances and recorded performances of “Mijatovke”.",
publisher = "Zagreb : Institute of Ethnology and Folklore Research",
journal = "International symposium "78 rpm at home: Local perspectives on the early recording industry", Zagreb, 8–11 March 2023",
title = "“Mijatovke” collection on 78 rpm records: Early recordings as contributors in the formation of national culture",
pages = "32-33",
url = "https://hdl.handle.net/21.15107/rcub_dais_14233"
}

Lajić Mihajlović, D.,& Radovanović, B.. (2023). “Mijatovke” collection on 78 rpm records: Early recordings as contributors in the formation of national culture. in International symposium "78 rpm at home: Local perspectives on the early recording industry", Zagreb, 8–11 March 2023
Zagreb : Institute of Ethnology and Folklore Research., 32-33.
https://hdl.handle.net/21.15107/rcub_dais_14233

Lajić Mihajlović D, Radovanović B. “Mijatovke” collection on 78 rpm records: Early recordings as contributors in the formation of national culture. in International symposium "78 rpm at home: Local perspectives on the early recording industry", Zagreb, 8–11 March 2023. 2023;:32-33.
https://hdl.handle.net/21.15107/rcub_dais_14233 .

Lajić Mihajlović, Danka, Radovanović, Bojana, "“Mijatovke” collection on 78 rpm records: Early recordings as contributors in the formation of national culture" in International symposium "78 rpm at home: Local perspectives on the early recording industry", Zagreb, 8–11 March 2023 (2023):32-33,
https://hdl.handle.net/21.15107/rcub_dais_14233 .

TY  - BOOK
AU  - Васић, Александар
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14510
PB  - Београд : Музиколошки институт САНУ
T1  - Литература о музици у „Српском књижевном гласнику” 1901–1941.
UR  - https://hdl.handle.net/21.15107/rcub_dais_14510
ER  - 

@book{
author = "Васић, Александар",
year = "2023",
publisher = "Београд : Музиколошки институт САНУ",
title = "Литература о музици у „Српском књижевном гласнику” 1901–1941.",
url = "https://hdl.handle.net/21.15107/rcub_dais_14510"
}

Васић, А.. (2023). Литература о музици у „Српском књижевном гласнику” 1901–1941.. 
Београд : Музиколошки институт САНУ..
https://hdl.handle.net/21.15107/rcub_dais_14510

Васић А. Литература о музици у „Српском књижевном гласнику” 1901–1941.. 2023;.
https://hdl.handle.net/21.15107/rcub_dais_14510 .

Васић, Александар, "Литература о музици у „Српском књижевном гласнику” 1901–1941." (2023),
https://hdl.handle.net/21.15107/rcub_dais_14510 .

TY  - JOUR
AU  - Pantović-Pavlović, Marijana R.
AU  - Ignjatović, Nenad
AU  - Panić, Vladimir V.
AU  - Mirkov, Ivana I.
AU  - Kulaš, Jelena B.
AU  - Malešević, Anastasija Lj.
AU  - Pavlović, Miroslav M.
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14406
AB  - The aim of this work is in situ anodization/anaphoretic deposition of a nano amorphous calcium phosphate (ACP)/chitosan oligosaccharide lactate (ChOL) multifunctional hybrid coating decorated with selenium (Se) on a titanium substrate and in vivo investigation of its immunomodulatory and anti-inflammatory effect. Investigating phenomena at the implant–tissue interface of interest for controlled inflammation and immunomodulation was also the aim of the research. In our earlier research, we designed coatings based on ACP and ChOL on titanium with anticorrosive, antibacterial and biocompatible properties, while in the presented results we show that selenium addition makes this coating an immunomodulator. The immunomodulatory effect of the novel hybrid coating is characterized by the examination of the functional aspects in the tissue around the implant (in vivo): proinflammatory cytokines’ gene expression, M1 (iNOS) and M2 (Arg1) macrophages, fibrous capsule formation (TGF-β) and vascularization (VEGF). The EDS, FTIR and XRD analyses prove the formation of a ACP/ChOL/Se multifunctional hybrid coating on Ti and the presence of Se. A higher M2/M1 macrophage ratio in the ACP/ChOL/Se-coated implants compared to pure titanium implants (a higher level of Arg1 expression) is noted at all time points examined (after 7, 14 and 28 days). Lower inflammation measured by gene expression of proinflammatory cytokines IL-1β and TNF, lower expression of TGF-β in the surrounding tissue and higher IL-6 expression (solely at day 7 post-implantation) is noted in presence of the ACP/ChOL/Se-coated implants.
PB  - Basel : MDPI AG
T2  - Journal of Functional Biomaterials
T1  - Immunomodulatory Effects Mediated by Nano Amorphous Calcium Phosphate/Chitosan Oligosaccharide Lactate Coatings Decorated with Selenium on Titanium Implants
SP  - 227
VL  - 14
IS  - 4
DO  - 10.3390/jfb14040227
UR  - https://hdl.handle.net/21.15107/rcub_dais_14406
ER  - 

@article{
author = "Pantović-Pavlović, Marijana R. and Ignjatović, Nenad and Panić, Vladimir V. and Mirkov, Ivana I. and Kulaš, Jelena B. and Malešević, Anastasija Lj. and Pavlović, Miroslav M.",
year = "2023",
abstract = "The aim of this work is in situ anodization/anaphoretic deposition of a nano amorphous calcium phosphate (ACP)/chitosan oligosaccharide lactate (ChOL) multifunctional hybrid coating decorated with selenium (Se) on a titanium substrate and in vivo investigation of its immunomodulatory and anti-inflammatory effect. Investigating phenomena at the implant–tissue interface of interest for controlled inflammation and immunomodulation was also the aim of the research. In our earlier research, we designed coatings based on ACP and ChOL on titanium with anticorrosive, antibacterial and biocompatible properties, while in the presented results we show that selenium addition makes this coating an immunomodulator. The immunomodulatory effect of the novel hybrid coating is characterized by the examination of the functional aspects in the tissue around the implant (in vivo): proinflammatory cytokines’ gene expression, M1 (iNOS) and M2 (Arg1) macrophages, fibrous capsule formation (TGF-β) and vascularization (VEGF). The EDS, FTIR and XRD analyses prove the formation of a ACP/ChOL/Se multifunctional hybrid coating on Ti and the presence of Se. A higher M2/M1 macrophage ratio in the ACP/ChOL/Se-coated implants compared to pure titanium implants (a higher level of Arg1 expression) is noted at all time points examined (after 7, 14 and 28 days). Lower inflammation measured by gene expression of proinflammatory cytokines IL-1β and TNF, lower expression of TGF-β in the surrounding tissue and higher IL-6 expression (solely at day 7 post-implantation) is noted in presence of the ACP/ChOL/Se-coated implants.",
publisher = "Basel : MDPI AG",
journal = "Journal of Functional Biomaterials",
title = "Immunomodulatory Effects Mediated by Nano Amorphous Calcium Phosphate/Chitosan Oligosaccharide Lactate Coatings Decorated with Selenium on Titanium Implants",
pages = "227",
volume = "14",
number = "4",
doi = "10.3390/jfb14040227",
url = "https://hdl.handle.net/21.15107/rcub_dais_14406"
}

Pantović-Pavlović, M. R., Ignjatović, N., Panić, V. V., Mirkov, I. I., Kulaš, J. B., Malešević, A. Lj.,& Pavlović, M. M.. (2023). Immunomodulatory Effects Mediated by Nano Amorphous Calcium Phosphate/Chitosan Oligosaccharide Lactate Coatings Decorated with Selenium on Titanium Implants. in Journal of Functional Biomaterials
Basel : MDPI AG., 14(4), 227.
https://doi.org/10.3390/jfb14040227
https://hdl.handle.net/21.15107/rcub_dais_14406

Pantović-Pavlović MR, Ignjatović N, Panić VV, Mirkov II, Kulaš JB, Malešević AL, Pavlović MM. Immunomodulatory Effects Mediated by Nano Amorphous Calcium Phosphate/Chitosan Oligosaccharide Lactate Coatings Decorated with Selenium on Titanium Implants. in Journal of Functional Biomaterials. 2023;14(4):227.
doi:10.3390/jfb14040227
https://hdl.handle.net/21.15107/rcub_dais_14406 .

Pantović-Pavlović, Marijana R., Ignjatović, Nenad, Panić, Vladimir V., Mirkov, Ivana I., Kulaš, Jelena B., Malešević, Anastasija Lj., Pavlović, Miroslav M., "Immunomodulatory Effects Mediated by Nano Amorphous Calcium Phosphate/Chitosan Oligosaccharide Lactate Coatings Decorated with Selenium on Titanium Implants" in Journal of Functional Biomaterials, 14, no. 4 (2023):227,
https://doi.org/10.3390/jfb14040227 .,
https://hdl.handle.net/21.15107/rcub_dais_14406 .

TY  - JOUR
AU  - Milošević, Milica V.
AU  - Radoičić, Marija
AU  - Ohara, Satoshi
AU  - Abe, Hiroya
AU  - Spasojević, Jelena
AU  - Mančić, Lidija
AU  - Šaponjić, Zoran
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14403
AB  - Novel cotton-based TiO2/Ag/TiO2 nanocomposites for wastewater treatment were developed by fine chemical synthesis path with the goal of coping with wastewater issues and environmental remediation. The photocatalytic performances of nanocomposites were tested during photodegradation processes of RB, AO7 and MR under simulated solar light. Double- and single-loaded nanocomposites were synthesized by a simple bottom-up approach implying in situ photoreduction of Ag+ ions on the surface of TiO2 NPs previously deposited on cotton fibers from colloids. The spherical-like colloidal TiO2 NPs (4.5 nm) and TiO2/Ag NPs (8 nm) and the formation of uniform TiO2/Ag and TiO2/Ag/TiO2 nano-coatings on cotton fibers were examined by TEM and FESEM. The reduction of Ag+ ions on TiO2 surface was undoubtedly proven by the appearance of SPR band of Ag NPs in UV/Vis spectra. Raman spectroscopy clearly confirmed the presence of anatase TiO2 in nanocomposites. Quantitative determination of TiO2 and Ag in nanocomposites was accomplished using EDX and ICP–OES. The cotton-based TiO2/Ag/TiO2 nanocomposite showed the highest photocatalytic efficiency (> 90%) and maintained its removal efficiency after three reuse cycles, indicated its exceptional photochemical ability. The initial idea of improved photocatalytic performances of a TiO2 NPs double-layer with immobilized Ag NPs was justified as the TiO2/Ag/TiO2 processed sample contributed additional binding sites for dye molecules. Considering that the photocatalytic activity of the cotton-based TiO2 and TiO2/Ag samples was practically imperceptible, it can be assumed that the synthesized Ag NPs act predominantly as electron traps in the double-loaded synthesized system.
PB  - Springer Science and Business Media LLC
T2  - Cellulose
T1  - Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric
DO  - 10.1007/s10570-023-05165-0
UR  - https://hdl.handle.net/21.15107/rcub_dais_14403
ER  - 

@article{
author = "Milošević, Milica V. and Radoičić, Marija and Ohara, Satoshi and Abe, Hiroya and Spasojević, Jelena and Mančić, Lidija and Šaponjić, Zoran",
year = "2023",
abstract = "Novel cotton-based TiO2/Ag/TiO2 nanocomposites for wastewater treatment were developed by fine chemical synthesis path with the goal of coping with wastewater issues and environmental remediation. The photocatalytic performances of nanocomposites were tested during photodegradation processes of RB, AO7 and MR under simulated solar light. Double- and single-loaded nanocomposites were synthesized by a simple bottom-up approach implying in situ photoreduction of Ag+ ions on the surface of TiO2 NPs previously deposited on cotton fibers from colloids. The spherical-like colloidal TiO2 NPs (4.5 nm) and TiO2/Ag NPs (8 nm) and the formation of uniform TiO2/Ag and TiO2/Ag/TiO2 nano-coatings on cotton fibers were examined by TEM and FESEM. The reduction of Ag+ ions on TiO2 surface was undoubtedly proven by the appearance of SPR band of Ag NPs in UV/Vis spectra. Raman spectroscopy clearly confirmed the presence of anatase TiO2 in nanocomposites. Quantitative determination of TiO2 and Ag in nanocomposites was accomplished using EDX and ICP–OES. The cotton-based TiO2/Ag/TiO2 nanocomposite showed the highest photocatalytic efficiency (> 90%) and maintained its removal efficiency after three reuse cycles, indicated its exceptional photochemical ability. The initial idea of improved photocatalytic performances of a TiO2 NPs double-layer with immobilized Ag NPs was justified as the TiO2/Ag/TiO2 processed sample contributed additional binding sites for dye molecules. Considering that the photocatalytic activity of the cotton-based TiO2 and TiO2/Ag samples was practically imperceptible, it can be assumed that the synthesized Ag NPs act predominantly as electron traps in the double-loaded synthesized system.",
publisher = "Springer Science and Business Media LLC",
journal = "Cellulose",
title = "Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric",
doi = "10.1007/s10570-023-05165-0",
url = "https://hdl.handle.net/21.15107/rcub_dais_14403"
}

Milošević, M. V., Radoičić, M., Ohara, S., Abe, H., Spasojević, J., Mančić, L.,& Šaponjić, Z.. (2023). Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric. in Cellulose
Springer Science and Business Media LLC..
https://doi.org/10.1007/s10570-023-05165-0
https://hdl.handle.net/21.15107/rcub_dais_14403

Milošević MV, Radoičić M, Ohara S, Abe H, Spasojević J, Mančić L, Šaponjić Z. Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric. in Cellulose. 2023;.
doi:10.1007/s10570-023-05165-0
https://hdl.handle.net/21.15107/rcub_dais_14403 .

Milošević, Milica V., Radoičić, Marija, Ohara, Satoshi, Abe, Hiroya, Spasojević, Jelena, Mančić, Lidija, Šaponjić, Zoran, "Advanced photocatalysis mediated by TiO2/Ag/TiO2 nanoparticles modified cotton fabric" in Cellulose (2023),
https://doi.org/10.1007/s10570-023-05165-0 .,
https://hdl.handle.net/21.15107/rcub_dais_14403 .

TY  - THES
AU  - Маринковић, Милош
PY  - 2023
UR  - https://dais.sanu.ac.rs/handle/123456789/13718
UR  - https://dais.sanu.ac.rs/123456789/14305
AB  - Историја фестивала уметничке музике у социјалистичкој Југославији може се пратити
од почетка педесетих година двадесетог века, када су, у складу са политиком подизања
нивоа културе у земљи, музичке манифестације имале за циљ приближавање класика
уметничке музике широј публици. С друге стране, фестивали који су били фокусирани
искључиво на савремену музику, у Југославији почињу да се појављују деценију касније, и то као одраз сличне модернистичке праксе у Европи, успостављене непосредно по окончању Другог светског рата. У овој докторској дисертацији разматрају се генезе, програмски концепти и иницијална функционисања првих југословенских фестивала савремене музике – Музичког бијенала Загреб (1961), Југословенске музичке трибине (Опатија, 1962/1964) и Фестивала савремене камерне музике Слатина Раденци (1963).
С позиције уметничких аспеката, ови фестивали сагледавају се као генератори у процесу послератне афирмације ‘западних’ модернистичких музичких тенденција на домаћем тлу. На то упућују програми већ првог Музичког бијенала Загреб, у оквиру којег су, на пример, презентована остварења Џона Кејџа и Карлхајнца Штокхаузена, док о сродном контексту Југословенске музичке трибине сведочи чињеница да је ова манифестација произашла из опатијског симпозијума Нова музика и музичка интерпретација, уприличеног 1962. године, на којем је централни догађај био концерт електроакустичке музике. С друге стране, специфичном концепцијом Фестивала савремене камерне музике Слатина Раденци наглашен је значај реафирмације међуратног модернизма у Југославији, па је, у складу са тим, стваралаштво композитора Славка Остерца и Јосипа Славенског било уткано у профил раденачког Фестивала. Осим фестивалских тенденција чијa je заједничкa карактеристика манифестовање музичког модернизма у различитим видовима, код сваког од три фестивала уочава се програмска особеност, те специфичност селекције и представљања савремене музике. Критеријуми селекције у односу на разнородно значење појма савремена музика били су најстрожи на Музичком бијеналу Загреб, Југословенска
музичка трибина била је отворена за све стилске и композиционо-техничке тенденције
актуелног тренутка, док је концепција Фестивала савремене камерне музике Слатина
Раденци подразумевала јасну дистинкцију између савремене музике прве и друге
половине двадесетог века. Како се у периоду послератног модернизма интензивно трагало за критеријумима вредновања савремене, односно Нове музике, настанак ових фестивала
тумачи се као покушај успостављања организованих механизама за решавање таквих
процеса. Они су подразумевали и идеје о потенцијалном формирању препознатљивог
израза савремене југословенске музике, што је у таквом контексту био прави изазов, с
обзиром на изразиту хетерогеност стилских и композиционо-техничких усмерења
југословенских музичких стваралаца педесетих и шездесетих година двадесетог века.
У докторској дисертацији је сагледана и рецепција остварења домаћих композитора са почетних фестивалских репертоара, укључујући и општи дискурс о фестивалима савремене музике из пера тадашњих домаћих и страних критичара, који су ове манифестације већ првих година позиционирали високо, не само у музичком, iv већ и у ширем друштвено-културном животу Југославије (али и Европе, када је реч о Музичком бијеналу Загреб).
Интерпретирани кроз призму тада актуелних друштвено-политичких констелација у Југославији и свету, ови фестивали управо се осветљавају и као догађаји ширег друштвеног значаја, у чије су основе уграђене неке од темељних идеја како југословенске унутрашње политике (децентрализација, идеја ‘братства и јединства’) тако и спољне политике (стратегија несврстаности у доба Хладног рата). Анализом таквог сложеног сплета околности, у раду се доказује транспарентно или индиректно конфронтирање музичких и изванмузичких аспеката у функционисању ових манифестација. Посебан фокус у докторској дисертацији дâт је генезама, односно, сложеним процесима који су водили оснивању фестивала савремене музике у Југославији. У том смислу, анализирана је спрега уметничко-поетичких начела и различитих активности, те конкретних корака појединих личности у циљу утемељења фестивала савремене музике. Тако се деловање оснивача Музичког бијенала Загреб, Милка Келемена, проучава у односу на авангардни светоназор овог композитора, те из перспективе Келеменових активности у светлу културне дипломатије тадашње Југославије. Утемељење и функционисање Југословенске музичке трибине у Опатији доводи се у везу са естетским уверењима о потенцијалној изградњи аутентичног израза југословенске савремене музике, али и са политичко-идеолошким назорима оснивача ове манифестације, Бранимира Сакача (при чему је наглашена и улога његових сарадника, посебно београдског естетичара Павла Стефановића). Случај помурског композитора Ладислава Вереша, оснивача Фестивала савремене камерне музике Слатина Раденци, тумачен је, између осталог, у контексту односа локалних културних радника према тада владајућој југословенској политици децентрализације, али није занемарена ни ангажованост појединих актера музичког живота у Љубљани, који су
(посредно) дали допринос оснивању овог Фестивала (Иво Петрић, Павел Шивиц). Степен реализације настојања поменутих музичко-фестивалских посленика тумачен је као резултат, спрам послератног модернизма, релативно повољне друштвено- политичке и уметничке климе у Југославији, почев од 1948, а закључно са 1965. годином.
С обзиром на чињеницу да се прва три југословенска фестивала савремене музике формирају у раздобљу од непуне четири године, али и да су уочена њихова међусобна, директна или индиректна прожимања, Музички бијенале Загреб, Југословенска музичка трибина (Опатија) и Фестивал савремене камерне музике Слатина Раденци представљени су као отелотворење хетерогених, модернистичких, културно-уметничких и друштвено-политичких тенденција у контексту развоја југословенске послератне музичке културе.
AB  - The history of the festivals of art music in socialist Yugoslavia can be traced back to the early
1950s. At that time, in accordance with the policy of raising the level of culture in the country, the role of music festivals was aimed at bringing the classics of art music closer to a wider audience. On the other hand, Yugoslav festivals focused exclusively on contemporary music began to appear a decade later, as a reflection of similar modernist practices in Europe, established immediately after the end of World War II. This doctoral dissertation discusses the genesis, program concepts and initial functioning of the first festivals of contemporary music in Yugoslavia – Music Biennale Zagreb (1961), Annual Review of Yugoslav Music (Opatija, 1962/1964) and Festival of Contemporary Chamber Music Slatina Radenci (1963). From an artistic perspective, these festivals are generators in the process of post-war affirmation of ‘Western’ modernist musical tendencies in Yugoslav space. This is also indicated by the programs of the first Music Biennale Zagreb, in which, for example, the works of John Cage and Karlheinz Stockhausen were presented. The modernist concept of the Annual Review of Yugoslav Music is confirmed by the fact that this festival originated from the Opatija Symposium New Music and Music Interpretation, which was held in 1962, where the central event was a concert of electroacoustic music. On the other hand, the specific concept of the Festival of Contemporary Chamber Music Slatina Radenci
emphasized the importance of a reaffirmation of interwar modernism in Yugoslavia. In
accordance with that, the works of composers Slavko Osterc and Josip Slavenski were incorporated into the profile of the Festival in Slatina Radenci. Aside from festivals' tendencies, whose common feature is the manifestation of musical modernism in various forms, each of the three festivals is distinguished by distinct program features and specifics of selection and presentation of contemporary music. The selection criteria, concerning the diverse meanings of the term contemporary music, were the strictest at the Music Biennale Zagreb. Unlike the Festival in Zagreb, the Annual Review of Yugoslav Music in Opatija was open to all the stylistic and compositional-technical tendencies of Yugoslav composers, while the concept of the Festival of Contemporary Chamber Music Slatina Radenci implied a strict distinction between contemporary music of the first and the second half of the twentieth century. Considering that in the period of post-war modernism the criteria for the evaluation of contemporary music, i.e. New Music, were intensely sought, the emergence of these festivals is interpreted as an attempt to establish organized mechanisms for solving such processes. Besides, these festivals included ideas about the potential creation of a recognizable style of contemporary Yugoslav music, which was a huge challenge, given the heterogeneity of stylistic and compositional-technical orientations of Yugoslav composers during the 1950s and 1960s. The doctoral dissertation also examines the reception of works by Yugoslav composers from the initial repertoires of the festivals, taking into account the general discourse on festivals of contemporary music by then domestic and foreign critics, who positioned these events highly, not only in music life, but also in the wider socio-cultural life of Yugoslavia (and, more broadly, of Europe, in the case of Music Biennale Zagreb).
In the context of the socio-political constellations in Yugoslavia and the world as a whole of the time, these festivals were interpreted as events of wider social significance, based on some of the main ideas of Yugoslav domestic policy (decentralization, the idea of ‘brotherhood and unity’) and foreign policy (strategy of non-alignment during the Cold War). By analyzing such a complex set of circumstances, this dissertation proves the transparent or indirect confrontation of musical and non-musical aspects in the functioning of the first Yugoslav festivals of contemporary music. A particular focus in the doctoral dissertation is given to the genesis of the festivals, that is, the complex processes that led to the founding of the festivals of contemporary music in Yugoslavia. In this regard, the research brings analysis of the interconnection of artistic and poetic principles and various activities, as well as concrete and official steps of certain persons in order to establish Yugoslav festivals of contemporary music. Thus, the engagement of the founder of the Music Biennale Zagreb, Milko Kelemen, is interpreted in alignment with his avant-garde worldview, with emphasis on Kelemen's activities in the light of cultural diplomacy of the former Yugoslavia. The establishment and functioning of the Annual Review of Yugoslav Music in Opatija are associated with aesthetic beliefs about the potential construction of an authentic style of Yugoslav contemporary music, and the political/ideological views of the founder of this Festival, Branimir Sakač (emphasizing the role of his associates, especially Belgrade esthetician Pavle Stefanović). The efforts of a composer from the Pomurje Region, Ladislav Vörös, founder of the Festival of Contemporary Chamber Music Slatina Radenci, were interpreted as a reflection of then ruling Yugoslav policy of decentralization. Furthermore, this research does not overlook the
involvement of certain persons from Ljubljana, who (indirectly) contributed to the establishment of the Festival in Radenci (Ivo Petrić, Pavel Šivic). The degree of realization of their efforts was interpreted as a result of the relatively favorable socio-political and artistic situation in Yugoslavia from 1948 to 1965. Given that the first three Yugoslav festivals of contemporary music were formed in less than four years, and that there is a direct or indirect intertwining of these festivals, Music Biennale Zagreb, Annual Review of Yugoslav Music (Opatija), and Festival of Contemporary Chamber Music Slatina Radenci were presented as the embodiment of heterogeneous, modernist, cultural-artistic, and socio-political tendencies in the context of Yugoslav postwar music culture development.
PB  - Београд : Факултет музичке уметности
T1  - Југословенски фестивали савремене музике утемељени током шездесетих година двадесетог века: уодношавања уметничких, друштвених и политичких платформи
T1  - v Yugoslav Festivals of Contemporary Music Established During the Sixties of the Twentieth Century: Interconnections of Artistic, Social and Political Platforms
EP  - 441
UR  - https://hdl.handle.net/21.15107/rcub_dais_14305
ER  - 

@phdthesis{
author = "Маринковић, Милош",
year = "2023",
abstract = "Историја фестивала уметничке музике у социјалистичкој Југославији може се пратити
од почетка педесетих година двадесетог века, када су, у складу са политиком подизања
нивоа културе у земљи, музичке манифестације имале за циљ приближавање класика
уметничке музике широј публици. С друге стране, фестивали који су били фокусирани
искључиво на савремену музику, у Југославији почињу да се појављују деценију касније, и то као одраз сличне модернистичке праксе у Европи, успостављене непосредно по окончању Другог светског рата. У овој докторској дисертацији разматрају се генезе, програмски концепти и иницијална функционисања првих југословенских фестивала савремене музике – Музичког бијенала Загреб (1961), Југословенске музичке трибине (Опатија, 1962/1964) и Фестивала савремене камерне музике Слатина Раденци (1963).
С позиције уметничких аспеката, ови фестивали сагледавају се као генератори у процесу послератне афирмације ‘западних’ модернистичких музичких тенденција на домаћем тлу. На то упућују програми већ првог Музичког бијенала Загреб, у оквиру којег су, на пример, презентована остварења Џона Кејџа и Карлхајнца Штокхаузена, док о сродном контексту Југословенске музичке трибине сведочи чињеница да је ова манифестација произашла из опатијског симпозијума Нова музика и музичка интерпретација, уприличеног 1962. године, на којем је централни догађај био концерт електроакустичке музике. С друге стране, специфичном концепцијом Фестивала савремене камерне музике Слатина Раденци наглашен је значај реафирмације међуратног модернизма у Југославији, па је, у складу са тим, стваралаштво композитора Славка Остерца и Јосипа Славенског било уткано у профил раденачког Фестивала. Осим фестивалских тенденција чијa je заједничкa карактеристика манифестовање музичког модернизма у различитим видовима, код сваког од три фестивала уочава се програмска особеност, те специфичност селекције и представљања савремене музике. Критеријуми селекције у односу на разнородно значење појма савремена музика били су најстрожи на Музичком бијеналу Загреб, Југословенска
музичка трибина била је отворена за све стилске и композиционо-техничке тенденције
актуелног тренутка, док је концепција Фестивала савремене камерне музике Слатина
Раденци подразумевала јасну дистинкцију између савремене музике прве и друге
половине двадесетог века. Како се у периоду послератног модернизма интензивно трагало за критеријумима вредновања савремене, односно Нове музике, настанак ових фестивала
тумачи се као покушај успостављања организованих механизама за решавање таквих
процеса. Они су подразумевали и идеје о потенцијалном формирању препознатљивог
израза савремене југословенске музике, што је у таквом контексту био прави изазов, с
обзиром на изразиту хетерогеност стилских и композиционо-техничких усмерења
југословенских музичких стваралаца педесетих и шездесетих година двадесетог века.
У докторској дисертацији је сагледана и рецепција остварења домаћих композитора са почетних фестивалских репертоара, укључујући и општи дискурс о фестивалима савремене музике из пера тадашњих домаћих и страних критичара, који су ове манифестације већ првих година позиционирали високо, не само у музичком, iv већ и у ширем друштвено-културном животу Југославије (али и Европе, када је реч о Музичком бијеналу Загреб).
Интерпретирани кроз призму тада актуелних друштвено-политичких констелација у Југославији и свету, ови фестивали управо се осветљавају и као догађаји ширег друштвеног значаја, у чије су основе уграђене неке од темељних идеја како југословенске унутрашње политике (децентрализација, идеја ‘братства и јединства’) тако и спољне политике (стратегија несврстаности у доба Хладног рата). Анализом таквог сложеног сплета околности, у раду се доказује транспарентно или индиректно конфронтирање музичких и изванмузичких аспеката у функционисању ових манифестација. Посебан фокус у докторској дисертацији дâт је генезама, односно, сложеним процесима који су водили оснивању фестивала савремене музике у Југославији. У том смислу, анализирана је спрега уметничко-поетичких начела и различитих активности, те конкретних корака појединих личности у циљу утемељења фестивала савремене музике. Тако се деловање оснивача Музичког бијенала Загреб, Милка Келемена, проучава у односу на авангардни светоназор овог композитора, те из перспективе Келеменових активности у светлу културне дипломатије тадашње Југославије. Утемељење и функционисање Југословенске музичке трибине у Опатији доводи се у везу са естетским уверењима о потенцијалној изградњи аутентичног израза југословенске савремене музике, али и са политичко-идеолошким назорима оснивача ове манифестације, Бранимира Сакача (при чему је наглашена и улога његових сарадника, посебно београдског естетичара Павла Стефановића). Случај помурског композитора Ладислава Вереша, оснивача Фестивала савремене камерне музике Слатина Раденци, тумачен је, између осталог, у контексту односа локалних културних радника према тада владајућој југословенској политици децентрализације, али није занемарена ни ангажованост појединих актера музичког живота у Љубљани, који су
(посредно) дали допринос оснивању овог Фестивала (Иво Петрић, Павел Шивиц). Степен реализације настојања поменутих музичко-фестивалских посленика тумачен је као резултат, спрам послератног модернизма, релативно повољне друштвено- политичке и уметничке климе у Југославији, почев од 1948, а закључно са 1965. годином.
С обзиром на чињеницу да се прва три југословенска фестивала савремене музике формирају у раздобљу од непуне четири године, али и да су уочена њихова међусобна, директна или индиректна прожимања, Музички бијенале Загреб, Југословенска музичка трибина (Опатија) и Фестивал савремене камерне музике Слатина Раденци представљени су као отелотворење хетерогених, модернистичких, културно-уметничких и друштвено-политичких тенденција у контексту развоја југословенске послератне музичке културе., The history of the festivals of art music in socialist Yugoslavia can be traced back to the early
1950s. At that time, in accordance with the policy of raising the level of culture in the country, the role of music festivals was aimed at bringing the classics of art music closer to a wider audience. On the other hand, Yugoslav festivals focused exclusively on contemporary music began to appear a decade later, as a reflection of similar modernist practices in Europe, established immediately after the end of World War II. This doctoral dissertation discusses the genesis, program concepts and initial functioning of the first festivals of contemporary music in Yugoslavia – Music Biennale Zagreb (1961), Annual Review of Yugoslav Music (Opatija, 1962/1964) and Festival of Contemporary Chamber Music Slatina Radenci (1963). From an artistic perspective, these festivals are generators in the process of post-war affirmation of ‘Western’ modernist musical tendencies in Yugoslav space. This is also indicated by the programs of the first Music Biennale Zagreb, in which, for example, the works of John Cage and Karlheinz Stockhausen were presented. The modernist concept of the Annual Review of Yugoslav Music is confirmed by the fact that this festival originated from the Opatija Symposium New Music and Music Interpretation, which was held in 1962, where the central event was a concert of electroacoustic music. On the other hand, the specific concept of the Festival of Contemporary Chamber Music Slatina Radenci
emphasized the importance of a reaffirmation of interwar modernism in Yugoslavia. In
accordance with that, the works of composers Slavko Osterc and Josip Slavenski were incorporated into the profile of the Festival in Slatina Radenci. Aside from festivals' tendencies, whose common feature is the manifestation of musical modernism in various forms, each of the three festivals is distinguished by distinct program features and specifics of selection and presentation of contemporary music. The selection criteria, concerning the diverse meanings of the term contemporary music, were the strictest at the Music Biennale Zagreb. Unlike the Festival in Zagreb, the Annual Review of Yugoslav Music in Opatija was open to all the stylistic and compositional-technical tendencies of Yugoslav composers, while the concept of the Festival of Contemporary Chamber Music Slatina Radenci implied a strict distinction between contemporary music of the first and the second half of the twentieth century. Considering that in the period of post-war modernism the criteria for the evaluation of contemporary music, i.e. New Music, were intensely sought, the emergence of these festivals is interpreted as an attempt to establish organized mechanisms for solving such processes. Besides, these festivals included ideas about the potential creation of a recognizable style of contemporary Yugoslav music, which was a huge challenge, given the heterogeneity of stylistic and compositional-technical orientations of Yugoslav composers during the 1950s and 1960s. The doctoral dissertation also examines the reception of works by Yugoslav composers from the initial repertoires of the festivals, taking into account the general discourse on festivals of contemporary music by then domestic and foreign critics, who positioned these events highly, not only in music life, but also in the wider socio-cultural life of Yugoslavia (and, more broadly, of Europe, in the case of Music Biennale Zagreb).
In the context of the socio-political constellations in Yugoslavia and the world as a whole of the time, these festivals were interpreted as events of wider social significance, based on some of the main ideas of Yugoslav domestic policy (decentralization, the idea of ‘brotherhood and unity’) and foreign policy (strategy of non-alignment during the Cold War). By analyzing such a complex set of circumstances, this dissertation proves the transparent or indirect confrontation of musical and non-musical aspects in the functioning of the first Yugoslav festivals of contemporary music. A particular focus in the doctoral dissertation is given to the genesis of the festivals, that is, the complex processes that led to the founding of the festivals of contemporary music in Yugoslavia. In this regard, the research brings analysis of the interconnection of artistic and poetic principles and various activities, as well as concrete and official steps of certain persons in order to establish Yugoslav festivals of contemporary music. Thus, the engagement of the founder of the Music Biennale Zagreb, Milko Kelemen, is interpreted in alignment with his avant-garde worldview, with emphasis on Kelemen's activities in the light of cultural diplomacy of the former Yugoslavia. The establishment and functioning of the Annual Review of Yugoslav Music in Opatija are associated with aesthetic beliefs about the potential construction of an authentic style of Yugoslav contemporary music, and the political/ideological views of the founder of this Festival, Branimir Sakač (emphasizing the role of his associates, especially Belgrade esthetician Pavle Stefanović). The efforts of a composer from the Pomurje Region, Ladislav Vörös, founder of the Festival of Contemporary Chamber Music Slatina Radenci, were interpreted as a reflection of then ruling Yugoslav policy of decentralization. Furthermore, this research does not overlook the
involvement of certain persons from Ljubljana, who (indirectly) contributed to the establishment of the Festival in Radenci (Ivo Petrić, Pavel Šivic). The degree of realization of their efforts was interpreted as a result of the relatively favorable socio-political and artistic situation in Yugoslavia from 1948 to 1965. Given that the first three Yugoslav festivals of contemporary music were formed in less than four years, and that there is a direct or indirect intertwining of these festivals, Music Biennale Zagreb, Annual Review of Yugoslav Music (Opatija), and Festival of Contemporary Chamber Music Slatina Radenci were presented as the embodiment of heterogeneous, modernist, cultural-artistic, and socio-political tendencies in the context of Yugoslav postwar music culture development.",
publisher = "Београд : Факултет музичке уметности",
title = "Југословенски фестивали савремене музике утемељени током шездесетих година двадесетог века: уодношавања уметничких, друштвених и политичких платформи, v Yugoslav Festivals of Contemporary Music Established During the Sixties of the Twentieth Century: Interconnections of Artistic, Social and Political Platforms",
pages = "441",
url = "https://hdl.handle.net/21.15107/rcub_dais_14305"
}

Маринковић, М.. (2023). Југословенски фестивали савремене музике утемељени током шездесетих година двадесетог века: уодношавања уметничких, друштвених и политичких платформи. 
Београд : Факултет музичке уметности..
https://hdl.handle.net/21.15107/rcub_dais_14305

Маринковић М. Југословенски фестивали савремене музике утемељени током шездесетих година двадесетог века: уодношавања уметничких, друштвених и политичких платформи. 2023;:null-441.
https://hdl.handle.net/21.15107/rcub_dais_14305 .

Маринковић, Милош, "Југословенски фестивали савремене музике утемељени током шездесетих година двадесетог века: уодношавања уметничких, друштвених и политичких платформи" (2023),
https://hdl.handle.net/21.15107/rcub_dais_14305 .

TY  - CHAP
AU  - Бјелетић, Марта
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14374
AB  - Предмет овога рада је семантичка анализа континуаната псл. глагола
*kapati у говорима југоисточне Србије, која би могла допринети семантичкој
реконструкцији овог прасловенског глагола.
PB  - Москва : Индрик
T2  - СЛОВО и ЧЕЛОВЕК : к 100-летию со дня рождения академика Никиты Ильича Толстого
T1  - Семантичка анализа срп. дијал. глагола капе(м) као пут ка семантичкој реконструкцији псл. *kapati
SP  - 49
EP  - 62
DO  - 10.31168/91674-692-1.1.4
UR  - https://hdl.handle.net/21.15107/rcub_dais_14374
ER  - 

@inbook{
author = "Бјелетић, Марта",
year = "2023",
abstract = "Предмет овога рада је семантичка анализа континуаната псл. глагола
*kapati у говорима југоисточне Србије, која би могла допринети семантичкој
реконструкцији овог прасловенског глагола.",
publisher = "Москва : Индрик",
journal = "СЛОВО и ЧЕЛОВЕК : к 100-летию со дня рождения академика Никиты Ильича Толстого",
booktitle = "Семантичка анализа срп. дијал. глагола капе(м) као пут ка семантичкој реконструкцији псл. *kapati",
pages = "49-62",
doi = "10.31168/91674-692-1.1.4",
url = "https://hdl.handle.net/21.15107/rcub_dais_14374"
}

Бјелетић, М.. (2023). Семантичка анализа срп. дијал. глагола капе(м) као пут ка семантичкој реконструкцији псл. *kapati. in СЛОВО и ЧЕЛОВЕК : к 100-летию со дня рождения академика Никиты Ильича Толстого
Москва : Индрик., 49-62.
https://doi.org/10.31168/91674-692-1.1.4
https://hdl.handle.net/21.15107/rcub_dais_14374

Бјелетић М. Семантичка анализа срп. дијал. глагола капе(м) као пут ка семантичкој реконструкцији псл. *kapati. in СЛОВО и ЧЕЛОВЕК : к 100-летию со дня рождения академика Никиты Ильича Толстого. 2023;:49-62.
doi:10.31168/91674-692-1.1.4
https://hdl.handle.net/21.15107/rcub_dais_14374 .

Бјелетић, Марта, "Семантичка анализа срп. дијал. глагола капе(м) као пут ка семантичкој реконструкцији псл. *kapati" in СЛОВО и ЧЕЛОВЕК : к 100-летию со дня рождения академика Никиты Ильича Толстого (2023):49-62,
https://doi.org/10.31168/91674-692-1.1.4 .,
https://hdl.handle.net/21.15107/rcub_dais_14374 .

TY  - JOUR
AU  - Новокмет, Слободан
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14375
AB  - Предмет нашег рада је лексиколошка и лингвокултуролошка анализа
животињских назива који у секундарним семантичким реализацијама пројектују
идеју моћи, било да је у питању политичка, економска, војна или нека друга моћ
(на пример, представљање Србије као „економског тигра” у медијима и сл.). Циљ
нам је да се кроз анализиране примере утврде релевантни лексички механизми
који доводе до преноса номинације са животиње на одређени појам који обли-
кује функцију моћи као одређене снаге, утицаја, силине и сл. У истраживање
укључујемо и лингвокултуролошке аспекте који треба да рефлектују аксиолошке
ставове српске лингвокултуролошке заједнице према представницима одређених
животиња који носе симболику моћи и да утврде културолошке околности које у
српском јавном дискурсу и лексичком систему творе мрежу симболичких односа
између човека (или каквог другог појма) и животиње на релацији моћ–слабост/
подаништво.
AB  - The subject of our paper is the lexicological and linguacultural analysis of animal
names, which in secondary semantic realizations project the meaning of power,
whether political, economic, military, etc. (for example, the presentation of Serbia
as an “economic tiger” in the media, etc.). Our goal is to determine, based on the
examples, the relevant lexical mechanisms that lead to the transfer of the nomination
from animal to a specific concept that shapes the function of power as a certain
strength, influence, force, etc. In the research, we also include linguistic and cultural
aspects that should reflect the axiological attitudes of the Serbian linguistic and cultural
community towards the representatives of certain animals that bear the symbolism of
power and determine the cultural circumstances that shape Serbian public discourse to
use specific animals as symbols of power.
PB  - Филозофски факултет
PB  - Ниш
PB  - Niš : Filozofski fakultet
T2  - Jezik, književnost, moć = Language, literature, power : tematski zbornik
T1  - Метафорична значења животињских назива у функцији изражавања моћи у српском лексичком систему и јавном дискурсу
T1  - Metaphorical Meanings of Animal Names Expressing Power in the Serbian Lexical System and Public Discourse
SP  - 57
EP  - 70
DO  - 10.46630/jkm.2023
UR  - https://hdl.handle.net/21.15107/rcub_dais_14375
ER  - 

@article{
author = "Новокмет, Слободан",
year = "2023",
abstract = "Предмет нашег рада је лексиколошка и лингвокултуролошка анализа
животињских назива који у секундарним семантичким реализацијама пројектују
идеју моћи, било да је у питању политичка, економска, војна или нека друга моћ
(на пример, представљање Србије као „економског тигра” у медијима и сл.). Циљ
нам је да се кроз анализиране примере утврде релевантни лексички механизми
који доводе до преноса номинације са животиње на одређени појам који обли-
кује функцију моћи као одређене снаге, утицаја, силине и сл. У истраживање
укључујемо и лингвокултуролошке аспекте који треба да рефлектују аксиолошке
ставове српске лингвокултуролошке заједнице према представницима одређених
животиња који носе симболику моћи и да утврде културолошке околности које у
српском јавном дискурсу и лексичком систему творе мрежу симболичких односа
између човека (или каквог другог појма) и животиње на релацији моћ–слабост/
подаништво., The subject of our paper is the lexicological and linguacultural analysis of animal
names, which in secondary semantic realizations project the meaning of power,
whether political, economic, military, etc. (for example, the presentation of Serbia
as an “economic tiger” in the media, etc.). Our goal is to determine, based on the
examples, the relevant lexical mechanisms that lead to the transfer of the nomination
from animal to a specific concept that shapes the function of power as a certain
strength, influence, force, etc. In the research, we also include linguistic and cultural
aspects that should reflect the axiological attitudes of the Serbian linguistic and cultural
community towards the representatives of certain animals that bear the symbolism of
power and determine the cultural circumstances that shape Serbian public discourse to
use specific animals as symbols of power.",
publisher = "Филозофски факултет, Ниш, Niš : Filozofski fakultet",
journal = "Jezik, književnost, moć = Language, literature, power : tematski zbornik",
title = "Метафорична значења животињских назива у функцији изражавања моћи у српском лексичком систему и јавном дискурсу, Metaphorical Meanings of Animal Names Expressing Power in the Serbian Lexical System and Public Discourse",
pages = "57-70",
doi = "10.46630/jkm.2023",
url = "https://hdl.handle.net/21.15107/rcub_dais_14375"
}

Новокмет, С.. (2023). Метафорична значења животињских назива у функцији изражавања моћи у српском лексичком систему и јавном дискурсу. in Jezik, književnost, moć = Language, literature, power : tematski zbornik
Филозофски факултет., 57-70.
https://doi.org/10.46630/jkm.2023
https://hdl.handle.net/21.15107/rcub_dais_14375

Новокмет С. Метафорична значења животињских назива у функцији изражавања моћи у српском лексичком систему и јавном дискурсу. in Jezik, književnost, moć = Language, literature, power : tematski zbornik. 2023;:57-70.
doi:10.46630/jkm.2023
https://hdl.handle.net/21.15107/rcub_dais_14375 .

Новокмет, Слободан, "Метафорична значења животињских назива у функцији изражавања моћи у српском лексичком систему и јавном дискурсу" in Jezik, književnost, moć = Language, literature, power : tematski zbornik (2023):57-70,
https://doi.org/10.46630/jkm.2023 .,
https://hdl.handle.net/21.15107/rcub_dais_14375 .

TY  - JOUR
AU  - Popović, M.
AU  - Novaković, M.
AU  - Vaňa, D.
AU  - Ronning, C.
AU  - Jugović, Dragana
AU  - Rajić, V.
AU  - Noga, P.
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14289
AB  - Titanium nitride (TiN) is an attractive alternative for modern and future photonic applications, as its optical properties can be engineered over a wide spectral range. In this study, we have used sequential implantation of gold and silver ions with varying ion fluence, as well as subsequent annealing, in order to modify the optical and plasmonic properties of TiN thin films and correlated this to their structural properties. Our investigations show that the columnar structure of the TiN films is partially destroyed upon implantation, but metallic Au and Ag nanoparticles are formed. The irradiation further induces a reduction of the lattice constant as well as changes the TiN stoichiometry and grain size. From the optical point of view, the implanted films possess less metallicity with increasing Ag fluence and losses several times lower than the as-deposited film, which can be correlated with the deficiency of nitrogen and additional defects. Subsequent annealing partially recovered the destroyed columnar structure, and the films become more metallic where the optical losses are much smaller in comparison to the as-implanted situation, being comparable to those of pure Au and Ag. In this way, by varying the implantation fluence of silver ions properly while keeping the gold fluence constant, we were able to optimize experimental parameters in such a way to ensure the formation of TiN with desirable optical performances.
PB  - Elsevier BV
T2  - Optical Materials
T1  - Structure-dependent optical properties of Au/Ag irradiated TiN thin films
SP  - 113684
VL  - 138
DO  - 10.1016/j.optmat.2023.113684
UR  - https://hdl.handle.net/21.15107/rcub_dais_14289
ER  - 

@article{
author = "Popović, M. and Novaković, M. and Vaňa, D. and Ronning, C. and Jugović, Dragana and Rajić, V. and Noga, P.",
year = "2023",
abstract = "Titanium nitride (TiN) is an attractive alternative for modern and future photonic applications, as its optical properties can be engineered over a wide spectral range. In this study, we have used sequential implantation of gold and silver ions with varying ion fluence, as well as subsequent annealing, in order to modify the optical and plasmonic properties of TiN thin films and correlated this to their structural properties. Our investigations show that the columnar structure of the TiN films is partially destroyed upon implantation, but metallic Au and Ag nanoparticles are formed. The irradiation further induces a reduction of the lattice constant as well as changes the TiN stoichiometry and grain size. From the optical point of view, the implanted films possess less metallicity with increasing Ag fluence and losses several times lower than the as-deposited film, which can be correlated with the deficiency of nitrogen and additional defects. Subsequent annealing partially recovered the destroyed columnar structure, and the films become more metallic where the optical losses are much smaller in comparison to the as-implanted situation, being comparable to those of pure Au and Ag. In this way, by varying the implantation fluence of silver ions properly while keeping the gold fluence constant, we were able to optimize experimental parameters in such a way to ensure the formation of TiN with desirable optical performances.",
publisher = "Elsevier BV",
journal = "Optical Materials",
title = "Structure-dependent optical properties of Au/Ag irradiated TiN thin films",
pages = "113684",
volume = "138",
doi = "10.1016/j.optmat.2023.113684",
url = "https://hdl.handle.net/21.15107/rcub_dais_14289"
}

Popović, M., Novaković, M., Vaňa, D., Ronning, C., Jugović, D., Rajić, V.,& Noga, P.. (2023). Structure-dependent optical properties of Au/Ag irradiated TiN thin films. in Optical Materials
Elsevier BV., 138, 113684.
https://doi.org/10.1016/j.optmat.2023.113684
https://hdl.handle.net/21.15107/rcub_dais_14289

Popović M, Novaković M, Vaňa D, Ronning C, Jugović D, Rajić V, Noga P. Structure-dependent optical properties of Au/Ag irradiated TiN thin films. in Optical Materials. 2023;138:113684.
doi:10.1016/j.optmat.2023.113684
https://hdl.handle.net/21.15107/rcub_dais_14289 .

Popović, M., Novaković, M., Vaňa, D., Ronning, C., Jugović, Dragana, Rajić, V., Noga, P., "Structure-dependent optical properties of Au/Ag irradiated TiN thin films" in Optical Materials, 138 (2023):113684,
https://doi.org/10.1016/j.optmat.2023.113684 .,
https://hdl.handle.net/21.15107/rcub_dais_14289 .