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From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s

Bralović, Miloš

(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021-11)

TY  - CHAP
AU  - Bralović, Miloš
PY  - 2021-11
UR  - https://dais.sanu.ac.rs/123456789/12004
AB  - The basic idea of this paper is to demonstrate the different ways in which a composer may use the techniques of simulation or stylistic allusion, not to resemble a certain composer or style, but to perfect their own compositional techniques and develop individual style. With this in mind, two orchestral pieces from Serbian music history have been analysed, both written in the 1950s: Suita giocosa (1956) by Milan Ristić (1908–1982) and Passacaglia for orchestra (1957) by Ljubica Marić (1909–2003). Through the analysis of these pieces, I explore the similarities between their compositional techniques with those of the great European masters. In the case of Milan Ristić, the techniques of Paul Hindemith (1895–1963), presented in the textbook Unterweisung im Tonsatz, are the base which Ristić used to perfect his own musical language. In Passacaglia by Ljubica Marić one may notice strong influences of development variation, as explained by Arnold Schoenberg (1874–1951) on Johannes Brahms’ (1833–1897) chamber music titled “Brahms the progressive”. In conclusion, the processes in these orchestral pieces represent simulation or stylistic allusion produced through emulation, bearing in mind that the level of borrowing exists exclusively within the compositional technique and that role models of Ristić and Marić, as techniques of ‘selected’ composers, remain hidden in their works.
AB  - Основна идеја аутора јесте да прикаже различите начине на које композитор
може да користи технике симулације, односно стилске алузије, али не
због тога да би наликовао на одређеног композитора или стил, већ да би
усавршио сопствено композиционо-техничко умеће и развио индивидуални
стил. Имајући то у виду, анализирали смо две оркестарске композиције из
историје српске музике, написане током педесетих година прошлог века:
Suita giocosa (1956) Милана Ристића (1908–1982) и Пасакаљу за оркестар
(1957) Љубице Марић (1909–2003). Кроз анализу ових дела, покушали смо да
уочимо сродности композиционих техника ових композитора са техникама
великих европских композитора. У случају Милана Ристића, технике Паула
Хиндемита (Paul Hindemith, 1895–1963), представљене у уџбенику Техника
тонског слога (Unterweisung im Tonsatz) представљају основу коју је Ристић
користио у усавршавању сопственог музичког језика. У Пасакаљи Љубице
Марић, уочљиви су јаки трагови развојног варирања, на начин на који их
је објаснио Арнолд Шенберг (Arnold Schoenberg, 1874–1951) у свом есеју о
Брамсовој камерној музици (Johannes Brahms, 1833–1897) под називом „Брамс
напредњак“ („Brahms the Progressive“). Коначно, закључујемо да процеси
у поменутим делима представљају симулацију, односно стилску алузију,
произведену кроз емулацију, имајући у виду да се ниво преузимања одвија
на нивоу композиционе технике и да узори Ристића и Марићеве, у виду
‘одабраних’ композитора, остају у великој мери прикривени у њиховим делима.
PB  - Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts
T2  - Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity
T1  - From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s
T1  - Од опонашања до ремек-дела. Двоје српских композитора педесетих година XX века
SP  - 187
EP  - 205
UR  - https://hdl.handle.net/21.15107/rcub_dais_12004
ER  - 
@inbook{
author = "Bralović, Miloš",
year = "2021-11",
abstract = "The basic idea of this paper is to demonstrate the different ways in which a composer may use the techniques of simulation or stylistic allusion, not to resemble a certain composer or style, but to perfect their own compositional techniques and develop individual style. With this in mind, two orchestral pieces from Serbian music history have been analysed, both written in the 1950s: Suita giocosa (1956) by Milan Ristić (1908–1982) and Passacaglia for orchestra (1957) by Ljubica Marić (1909–2003). Through the analysis of these pieces, I explore the similarities between their compositional techniques with those of the great European masters. In the case of Milan Ristić, the techniques of Paul Hindemith (1895–1963), presented in the textbook Unterweisung im Tonsatz, are the base which Ristić used to perfect his own musical language. In Passacaglia by Ljubica Marić one may notice strong influences of development variation, as explained by Arnold Schoenberg (1874–1951) on Johannes Brahms’ (1833–1897) chamber music titled “Brahms the progressive”. In conclusion, the processes in these orchestral pieces represent simulation or stylistic allusion produced through emulation, bearing in mind that the level of borrowing exists exclusively within the compositional technique and that role models of Ristić and Marić, as techniques of ‘selected’ composers, remain hidden in their works., Основна идеја аутора јесте да прикаже различите начине на које композитор
може да користи технике симулације, односно стилске алузије, али не
због тога да би наликовао на одређеног композитора или стил, већ да би
усавршио сопствено композиционо-техничко умеће и развио индивидуални
стил. Имајући то у виду, анализирали смо две оркестарске композиције из
историје српске музике, написане током педесетих година прошлог века:
Suita giocosa (1956) Милана Ристића (1908–1982) и Пасакаљу за оркестар
(1957) Љубице Марић (1909–2003). Кроз анализу ових дела, покушали смо да
уочимо сродности композиционих техника ових композитора са техникама
великих европских композитора. У случају Милана Ристића, технике Паула
Хиндемита (Paul Hindemith, 1895–1963), представљене у уџбенику Техника
тонског слога (Unterweisung im Tonsatz) представљају основу коју је Ристић
користио у усавршавању сопственог музичког језика. У Пасакаљи Љубице
Марић, уочљиви су јаки трагови развојног варирања, на начин на који их
је објаснио Арнолд Шенберг (Arnold Schoenberg, 1874–1951) у свом есеју о
Брамсовој камерној музици (Johannes Brahms, 1833–1897) под називом „Брамс
напредњак“ („Brahms the Progressive“). Коначно, закључујемо да процеси
у поменутим делима представљају симулацију, односно стилску алузију,
произведену кроз емулацију, имајући у виду да се ниво преузимања одвија
на нивоу композиционе технике и да узори Ристића и Марићеве, у виду
‘одабраних’ композитора, остају у великој мери прикривени у њиховим делима.",
publisher = "Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts",
journal = "Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity",
booktitle = "From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s, Од опонашања до ремек-дела. Двоје српских композитора педесетих година XX века",
pages = "187-205",
url = "https://hdl.handle.net/21.15107/rcub_dais_12004"
}
Bralović, M.. (2021-11). From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s. in Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity
Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts., 187-205.
https://hdl.handle.net/21.15107/rcub_dais_12004
Bralović M. From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s. in Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity. 2021;:187-205.
https://hdl.handle.net/21.15107/rcub_dais_12004 .
Bralović, Miloš, "From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s" in Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity (2021-11):187-205,
https://hdl.handle.net/21.15107/rcub_dais_12004 .

Experimental study of an implantable fiber-optic microphone on human cadavers

Đinović, Zoran; Pavelka, Robert; Tomić, Miloš; Sprinzl, Georg; Müller, Julia Gertrud; Traxler, Hannes

(Elsevier BV, 2021-10)

TY  - JOUR
AU  - Đinović, Zoran
AU  - Pavelka, Robert
AU  - Tomić, Miloš
AU  - Sprinzl, Georg
AU  - Müller, Julia Gertrud
AU  - Traxler, Hannes
PY  - 2021-10
UR  - https://dais.sanu.ac.rs/123456789/12143
AB  - In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.
PB  - Elsevier BV
T2  - Hearing Research
T1  - Experimental study of an implantable fiber-optic microphone on human cadavers
SP  - 108351
VL  - 410
DO  - 10.1016/j.heares.2021.108351
UR  - https://hdl.handle.net/21.15107/rcub_dais_12143
ER  - 
@article{
author = "Đinović, Zoran and Pavelka, Robert and Tomić, Miloš and Sprinzl, Georg and Müller, Julia Gertrud and Traxler, Hannes",
year = "2021-10",
abstract = "In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.",
publisher = "Elsevier BV",
journal = "Hearing Research",
title = "Experimental study of an implantable fiber-optic microphone on human cadavers",
pages = "108351",
volume = "410",
doi = "10.1016/j.heares.2021.108351",
url = "https://hdl.handle.net/21.15107/rcub_dais_12143"
}
Đinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G.,& Traxler, H.. (2021-10). Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research
Elsevier BV., 410, 108351.
https://doi.org/10.1016/j.heares.2021.108351
https://hdl.handle.net/21.15107/rcub_dais_12143
Đinović Z, Pavelka R, Tomić M, Sprinzl G, Müller JG, Traxler H. Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research. 2021;410:108351.
doi:10.1016/j.heares.2021.108351
https://hdl.handle.net/21.15107/rcub_dais_12143 .
Đinović, Zoran, Pavelka, Robert, Tomić, Miloš, Sprinzl, Georg, Müller, Julia Gertrud, Traxler, Hannes, "Experimental study of an implantable fiber-optic microphone on human cadavers" in Hearing Research, 410 (2021-10):108351,
https://doi.org/10.1016/j.heares.2021.108351 .,
https://hdl.handle.net/21.15107/rcub_dais_12143 .
1

Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies

Radovanović, Bojana

(Belgrade : Institute of Musicology SASA, 2021-10)

TY  - CHAP
AU  - Radovanović, Bojana
PY  - 2021-10
UR  - https://dais.sanu.ac.rs/handle/123456789/11974
UR  - https://dais.sanu.ac.rs/123456789/12001
AB  - It can be said that the academic scrutinization of metal music began with two substantial studies – Heavy Metal. The Music and its Culture (1991) by sociologist Deena Weinstein and Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) by musicologist Robert Walser. During the following couple of decades, academic and metal communities witnessed some sporadic – but essential – contributions to the field (Purcell’s Death Metal Music: The Passion and Politics of a Subculture (2003) and Kahn-Harris’s Extreme Metal: Music and Culture on the Edge (2007), to name a few).
A series of several events that occurred near the end of the first decade of the 21st century, and especially during the 2010s, are crucial in the institutionalization of metal music studies. The foundation of the International Society for Metal Music Studies (ISMMS) in 2013 is probably the most important one, mainly because it announced the emergence of the new scientific paradigm. Following the first global conference on metal held in Salzburg in 2008, starting from 2013 the ISMMS began organizing regular international and inter/multi-disciplinary conferences biannually. Finally, the foundation of ISMMS’ specialized scientific journal, Metal Music Studies (Intellect Press, 2015), signified the beginning of the so-called autonomy that metal scholars strived for. As Will Straw noticed in his keynote speech at the ISMMS conference in Nantes (2019), this autonomy was particularly important concerning popular music studies. Metal scholars, coming from various disciplines (sociology, musicology, aesthetics, cultural studies, history, psychology, etc.), created their “intellectual hub” and started building a unique resource for the field.
With musicology playing a vital role in the field, this paper aims to examine the musicological input to metal music studies, with special attention given to studies published after the foundation of the ISMMS and its journal. This overview will encompass reoccurring topics, contemporary methodologies, and the interdisciplinary liaisons established in the research process.
AB  - Имајући у виду да је интересовање за проучавање метал музике званично отпочело у англоамеричком контексту деведесетих година прошлог века појавом две студије утемељивачког карактера – Heavy Metal. The Music and its Culture (1991) социолошкиње Дине Вајнстин и Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) музиколога Роберта Волсера – циљ овог текста био је да се испита улога музикологије у области студија метал музике.
Показано је да је, током три деценије све разгранатијег научног дискурса о овом музичком феномену, упис музикологије био важан не само као први корак, већ и као константан и неизоставан део говора и написа о металу. Почевши од Волсерове студије, која је par excellance продукт ’свог доба’ и нове музикологије, музиколошки доприноси овом пољу били су резултат интердисциплинарне базе дисциплине, те су тако резултати тих истраживања обухватала историографску, формалистичку, музичко-теоријску, естетичку,
филозофску, етномузиколошку, етнографску раван. 
На институционализацију студија метал музике утицало је неколико догађаја који су се одвили крајем прве деценије 21. века, а нарочито током 2010-их. Због успостављања нове научне парадигме и платформе, пре свега треба поменути оснивање Међународног друштва за проучавање метал музике
(ISMMS) 2013. године, а потом и установљивање редовних међународних и интер/транс/мултидисциплинарних научних скупова широм света. Својеврсна аутономија ове области, нарочито у односу на студије популарне музике, заокружена је успостављањем научног часописа Metal Music Studies (Intellect Press, 2015). Тако је, у односу на претходни период, где је научно истраживање метал музике остајало у запећку шире слике и спорадично се пробијало у први план, успостављена платформа на којој ће се убрзо развити дисциплинарни односи.
Иако су неки од гласноговорника студија метал музике инсистирали на оснаживању музиколошког ’гласа’ пре свега ради компетентног говора о звуку, музичким структурама и хармонско-мелодијским аспектима метал музике, овај текст је увидом у кратку али садржајну историју музиколошких написа показао да се, услед основних интердисциплинарних поставки музикологије, допринос музиколога не може свести ’само’ на музичко-теоријски рад. Штавише, он предвиђа још богатију продукцију која долази из сфере музикологије, а која ће бити инспирисана и испровцирана новим технологијама, инструментима и извођаштвом, савременим друштвом и публиком, начинима стварања,
постпродукције и рецепције музике.
PB  - Belgrade : Institute of Musicology SASA
T2  - Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity
T1  - Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies
T1  - Раскринкавање „потенцијално монолитног погледа на музикологију“: улога музикологије у студијама метал музике
SP  - 97
EP  - 109
VL  - 109
UR  - https://hdl.handle.net/21.15107/rcub_dais_12001
ER  - 
@inbook{
author = "Radovanović, Bojana",
year = "2021-10",
abstract = "It can be said that the academic scrutinization of metal music began with two substantial studies – Heavy Metal. The Music and its Culture (1991) by sociologist Deena Weinstein and Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) by musicologist Robert Walser. During the following couple of decades, academic and metal communities witnessed some sporadic – but essential – contributions to the field (Purcell’s Death Metal Music: The Passion and Politics of a Subculture (2003) and Kahn-Harris’s Extreme Metal: Music and Culture on the Edge (2007), to name a few).
A series of several events that occurred near the end of the first decade of the 21st century, and especially during the 2010s, are crucial in the institutionalization of metal music studies. The foundation of the International Society for Metal Music Studies (ISMMS) in 2013 is probably the most important one, mainly because it announced the emergence of the new scientific paradigm. Following the first global conference on metal held in Salzburg in 2008, starting from 2013 the ISMMS began organizing regular international and inter/multi-disciplinary conferences biannually. Finally, the foundation of ISMMS’ specialized scientific journal, Metal Music Studies (Intellect Press, 2015), signified the beginning of the so-called autonomy that metal scholars strived for. As Will Straw noticed in his keynote speech at the ISMMS conference in Nantes (2019), this autonomy was particularly important concerning popular music studies. Metal scholars, coming from various disciplines (sociology, musicology, aesthetics, cultural studies, history, psychology, etc.), created their “intellectual hub” and started building a unique resource for the field.
With musicology playing a vital role in the field, this paper aims to examine the musicological input to metal music studies, with special attention given to studies published after the foundation of the ISMMS and its journal. This overview will encompass reoccurring topics, contemporary methodologies, and the interdisciplinary liaisons established in the research process., Имајући у виду да је интересовање за проучавање метал музике званично отпочело у англоамеричком контексту деведесетих година прошлог века појавом две студије утемељивачког карактера – Heavy Metal. The Music and its Culture (1991) социолошкиње Дине Вајнстин и Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) музиколога Роберта Волсера – циљ овог текста био је да се испита улога музикологије у области студија метал музике.
Показано је да је, током три деценије све разгранатијег научног дискурса о овом музичком феномену, упис музикологије био важан не само као први корак, већ и као константан и неизоставан део говора и написа о металу. Почевши од Волсерове студије, која је par excellance продукт ’свог доба’ и нове музикологије, музиколошки доприноси овом пољу били су резултат интердисциплинарне базе дисциплине, те су тако резултати тих истраживања обухватала историографску, формалистичку, музичко-теоријску, естетичку,
филозофску, етномузиколошку, етнографску раван. 
На институционализацију студија метал музике утицало је неколико догађаја који су се одвили крајем прве деценије 21. века, а нарочито током 2010-их. Због успостављања нове научне парадигме и платформе, пре свега треба поменути оснивање Међународног друштва за проучавање метал музике
(ISMMS) 2013. године, а потом и установљивање редовних међународних и интер/транс/мултидисциплинарних научних скупова широм света. Својеврсна аутономија ове области, нарочито у односу на студије популарне музике, заокружена је успостављањем научног часописа Metal Music Studies (Intellect Press, 2015). Тако је, у односу на претходни период, где је научно истраживање метал музике остајало у запећку шире слике и спорадично се пробијало у први план, успостављена платформа на којој ће се убрзо развити дисциплинарни односи.
Иако су неки од гласноговорника студија метал музике инсистирали на оснаживању музиколошког ’гласа’ пре свега ради компетентног говора о звуку, музичким структурама и хармонско-мелодијским аспектима метал музике, овај текст је увидом у кратку али садржајну историју музиколошких написа показао да се, услед основних интердисциплинарних поставки музикологије, допринос музиколога не може свести ’само’ на музичко-теоријски рад. Штавише, он предвиђа још богатију продукцију која долази из сфере музикологије, а која ће бити инспирисана и испровцирана новим технологијама, инструментима и извођаштвом, савременим друштвом и публиком, начинима стварања,
постпродукције и рецепције музике.",
publisher = "Belgrade : Institute of Musicology SASA",
journal = "Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity",
booktitle = "Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies, Раскринкавање „потенцијално монолитног погледа на музикологију“: улога музикологије у студијама метал музике",
pages = "97-109",
volume = "109",
url = "https://hdl.handle.net/21.15107/rcub_dais_12001"
}
Radovanović, B.. (2021-10). Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. in Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity
Belgrade : Institute of Musicology SASA., 109, 97-109.
https://hdl.handle.net/21.15107/rcub_dais_12001
Radovanović B. Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. in Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity. 2021;109:97-109.
https://hdl.handle.net/21.15107/rcub_dais_12001 .
Radovanović, Bojana, "Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies" in Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity, 109 (2021-10):97-109,
https://hdl.handle.net/21.15107/rcub_dais_12001 .

Simply prepared Mg-V-O as potential cathode material for rechargeable aqueous magnesium ion batteries

Vasić, Milica M.; Milović, Miloš; Bajuk Bogdanović, Danica; Vujković, Milica

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
AU  - Vasić, Milica M.
AU  - Milović, Miloš
AU  - Bajuk Bogdanović, Danica
AU  - Vujković, Milica
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12278
AB  - Although today widely used in electronic devices and electric vehicles, lithium ion batteries encounter problem of future application, resulting from limited Li resources, relatively high costs and operational safety problems. Rechargeable magnesium batteries as a potential alternative to the Li-ion ones stand out because of their high theoretical specific capacity, high abundance of Mg resources, atmospheric stability, safety of handling, eco friendliness and low cost. Layered materials including oxides, sulphides and selenides are promising candidates for host materials for Mg2+ storage in rechargeable magnesium batteries. Slow migration of Mg2+ in the layered oxides, ascribed to the strong interaction between Mg and neighbouring O atoms, inspires researchers to look for the ways of improving their electrochemical performance. In this work, Mg-V-O material was synthesized by simple precipitation method, followed by thermal annealing. The obtained material is single-phase material consisted of MgV2O6 phase, according to the results of XRD, FTIR and Raman spectroscopy. Electrochemical test by cyclic voltammetry in aqueous solution revealed redox peaks corresponding to the insertion/deinsertion of Mg2+ ions into/from the material, but with poor current densities. In order to improve the electrochemical performance of the simply prepared Mg-V-O material, carbon was integrated with the Mg-V-O by sucrose-assisted thermal treatment. Although composed of several phases, the obtained Mg-V-O/C material exhibited around 40 times higher maximal specific current values of Mg2+ insertion/deinsertion than the Mg-V-O. Also, the electrochemical performance of the Mg-VO/ C for the insertion/deinsertion of Mg2+ ions was better than those of Al3+ and Li+ ions.
PB  - Belgrade : Institute of Technical Sciences of SASA
C3  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
T1  - Simply prepared Mg-V-O as potential cathode material for rechargeable aqueous magnesium ion batteries
SP  - 52
EP  - 52
ER  - 
@conference{
author = "Vasić, Milica M. and Milović, Miloš and Bajuk Bogdanović, Danica and Vujković, Milica",
year = "2021",
abstract = "Although today widely used in electronic devices and electric vehicles, lithium ion batteries encounter problem of future application, resulting from limited Li resources, relatively high costs and operational safety problems. Rechargeable magnesium batteries as a potential alternative to the Li-ion ones stand out because of their high theoretical specific capacity, high abundance of Mg resources, atmospheric stability, safety of handling, eco friendliness and low cost. Layered materials including oxides, sulphides and selenides are promising candidates for host materials for Mg2+ storage in rechargeable magnesium batteries. Slow migration of Mg2+ in the layered oxides, ascribed to the strong interaction between Mg and neighbouring O atoms, inspires researchers to look for the ways of improving their electrochemical performance. In this work, Mg-V-O material was synthesized by simple precipitation method, followed by thermal annealing. The obtained material is single-phase material consisted of MgV2O6 phase, according to the results of XRD, FTIR and Raman spectroscopy. Electrochemical test by cyclic voltammetry in aqueous solution revealed redox peaks corresponding to the insertion/deinsertion of Mg2+ ions into/from the material, but with poor current densities. In order to improve the electrochemical performance of the simply prepared Mg-V-O material, carbon was integrated with the Mg-V-O by sucrose-assisted thermal treatment. Although composed of several phases, the obtained Mg-V-O/C material exhibited around 40 times higher maximal specific current values of Mg2+ insertion/deinsertion than the Mg-V-O. Also, the electrochemical performance of the Mg-VO/ C for the insertion/deinsertion of Mg2+ ions was better than those of Al3+ and Li+ ions.",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
journal = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia",
title = "Simply prepared Mg-V-O as potential cathode material for rechargeable aqueous magnesium ion batteries",
pages = "52-52"
}
Vasić, M. M., Milović, M., Bajuk Bogdanović, D.,& Vujković, M.. (2021). Simply prepared Mg-V-O as potential cathode material for rechargeable aqueous magnesium ion batteries. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
Belgrade : Institute of Technical Sciences of SASA., 52-52.
Vasić MM, Milović M, Bajuk Bogdanović D, Vujković M. Simply prepared Mg-V-O as potential cathode material for rechargeable aqueous magnesium ion batteries. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;:52-52..
Vasić, Milica M., Milović, Miloš, Bajuk Bogdanović, Danica, Vujković, Milica, "Simply prepared Mg-V-O as potential cathode material for rechargeable aqueous magnesium ion batteries" in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia (2021):52-52.

Characterization of a new Yb3+/Er3+ doped SrGd2O4 up-conversion nanomaterial obtained via glycine-assisted combustion synthesis

Stamenković, Tijana; Radmilović, Nadežda; Prekajski Đorđević, Marija; Dinić, Ivana; Mančić, Lidija; Lojpur, Vesna

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
AU  - Stamenković, Tijana
AU  - Radmilović, Nadežda
AU  - Prekajski Đorđević, Marija
AU  - Dinić, Ivana
AU  - Mančić, Lidija
AU  - Lojpur, Vesna
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12277
AB  - In this work we present new up-conversion materials, consisted of SrGd2O4 matrix co-doped with different Yb3+ (1, 2.5 and 5 at%) and constant Er3+ (0.5 at%) concentrations, prepared by gycine-assisted combustion method. X-ray powder diffraction (XRPD) showed that assynthesized nanoparticles have orthorhombic structure (Pnma), assigned to the JCPDS Card No:01-072-6387. Rietveld refinement indicated a decrease in the size of the unit cell, lattice parameters, and cell volume, due to successful doping of Yb3+ and Er3+ ions into the matrix. Transmission electron microscopy (TEM) revealed that obtained nanostructure is composed of agglomerated nanoparticles, while energy dispersive spectroscopy (EDS) confirmed uniform distribution of all constituting elements in them. Up-conversion (UC) luminescence spectra measured in function of laser pumping power indicated that two-photon UC process is established in nanoparticles as a result of the trivalent erbium f-f electronic transitions: there are two green emission bands at 523 and 551 nm (2H11/2, 4S3/2 → 4I15/2) and a red emission band at 661 nm (4F9/2 → 4I15/2). The rise of Yb3+ concentration from 1 to 5 at% provokes a considerable change of the green to red ratio which indicates the possibility to optimize the color output.
PB  - Belgrade : Institute of Technical Sciences of SASA
C3  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
T1  - Characterization of a new Yb3+/Er3+ doped SrGd2O4 up-conversion nanomaterial obtained via glycine-assisted combustion synthesis
SP  - 33
EP  - 33
ER  - 
@conference{
author = "Stamenković, Tijana and Radmilović, Nadežda and Prekajski Đorđević, Marija and Dinić, Ivana and Mančić, Lidija and Lojpur, Vesna",
year = "2021",
abstract = "In this work we present new up-conversion materials, consisted of SrGd2O4 matrix co-doped with different Yb3+ (1, 2.5 and 5 at%) and constant Er3+ (0.5 at%) concentrations, prepared by gycine-assisted combustion method. X-ray powder diffraction (XRPD) showed that assynthesized nanoparticles have orthorhombic structure (Pnma), assigned to the JCPDS Card No:01-072-6387. Rietveld refinement indicated a decrease in the size of the unit cell, lattice parameters, and cell volume, due to successful doping of Yb3+ and Er3+ ions into the matrix. Transmission electron microscopy (TEM) revealed that obtained nanostructure is composed of agglomerated nanoparticles, while energy dispersive spectroscopy (EDS) confirmed uniform distribution of all constituting elements in them. Up-conversion (UC) luminescence spectra measured in function of laser pumping power indicated that two-photon UC process is established in nanoparticles as a result of the trivalent erbium f-f electronic transitions: there are two green emission bands at 523 and 551 nm (2H11/2, 4S3/2 → 4I15/2) and a red emission band at 661 nm (4F9/2 → 4I15/2). The rise of Yb3+ concentration from 1 to 5 at% provokes a considerable change of the green to red ratio which indicates the possibility to optimize the color output.",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
journal = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia",
title = "Characterization of a new Yb3+/Er3+ doped SrGd2O4 up-conversion nanomaterial obtained via glycine-assisted combustion synthesis",
pages = "33-33"
}
Stamenković, T., Radmilović, N., Prekajski Đorđević, M., Dinić, I., Mančić, L.,& Lojpur, V.. (2021). Characterization of a new Yb3+/Er3+ doped SrGd2O4 up-conversion nanomaterial obtained via glycine-assisted combustion synthesis. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
Belgrade : Institute of Technical Sciences of SASA., 33-33.
Stamenković T, Radmilović N, Prekajski Đorđević M, Dinić I, Mančić L, Lojpur V. Characterization of a new Yb3+/Er3+ doped SrGd2O4 up-conversion nanomaterial obtained via glycine-assisted combustion synthesis. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;:33-33..
Stamenković, Tijana, Radmilović, Nadežda, Prekajski Đorđević, Marija, Dinić, Ivana, Mančić, Lidija, Lojpur, Vesna, "Characterization of a new Yb3+/Er3+ doped SrGd2O4 up-conversion nanomaterial obtained via glycine-assisted combustion synthesis" in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia (2021):33-33.

Effect of processing parameters on NaGdYF4:Yb,Er UCNPs structural, morphological and optical properties

Dinić, Ivana; Vuković, Marina; Nikolić, Marko G.; Mančić, Lidija

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
AU  - Dinić, Ivana
AU  - Vuković, Marina
AU  - Nikolić, Marko G.
AU  - Mančić, Lidija
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12276
AB  - Synthesis of monosized and spherical Up-Converting NanoParticles (UCNPs) with biocompatible surface are of a great interest because of their potential application in biomedicine as biomarkers or drug delivery systems. Among different synthesis routes reported in the literature, a hydro/solvo thermal method is consider to be most potential one for scaling-up due fact that is simple and economically cost-effective. In this work the synthesis of NaY0.65Gd0.15F4:Yb,Er UCNPs were performed through chitosan assistant solvothermal synthesis at 200oC. Variation of precursors concentration, type of solvent and synthesis time were performed in order to explore their influence on the structural, morphological and optical properties of the UCNPs. The XRD analysis showed that with a smaller surplus of fluoride ions the formation of Y0.65Gd0.15F4:Yb,Er orthorhombic phase occurs, while the increase of fluoride content or reaction time leads to NaY0.65Gd0.15F4:Yb,Er cubic phase formation. Along with it, the changes of UCNPs morphology from spindle to spherical shape is detected. All samples emitintense green emission due to the (2H11/2, 4S3/2) → 4I15/2electronic transitions, after been excited with infrared light (λ=978 nm).
PB  - Belgrade : Institute of Technical Sciences of SASA
C3  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
T1  - Effect of processing parameters on NaGdYF4:Yb,Er UCNPs structural, morphological and optical properties
SP  - 29
EP  - 29
ER  - 
@conference{
author = "Dinić, Ivana and Vuković, Marina and Nikolić, Marko G. and Mančić, Lidija",
year = "2021",
abstract = "Synthesis of monosized and spherical Up-Converting NanoParticles (UCNPs) with biocompatible surface are of a great interest because of their potential application in biomedicine as biomarkers or drug delivery systems. Among different synthesis routes reported in the literature, a hydro/solvo thermal method is consider to be most potential one for scaling-up due fact that is simple and economically cost-effective. In this work the synthesis of NaY0.65Gd0.15F4:Yb,Er UCNPs were performed through chitosan assistant solvothermal synthesis at 200oC. Variation of precursors concentration, type of solvent and synthesis time were performed in order to explore their influence on the structural, morphological and optical properties of the UCNPs. The XRD analysis showed that with a smaller surplus of fluoride ions the formation of Y0.65Gd0.15F4:Yb,Er orthorhombic phase occurs, while the increase of fluoride content or reaction time leads to NaY0.65Gd0.15F4:Yb,Er cubic phase formation. Along with it, the changes of UCNPs morphology from spindle to spherical shape is detected. All samples emitintense green emission due to the (2H11/2, 4S3/2) → 4I15/2electronic transitions, after been excited with infrared light (λ=978 nm).",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
journal = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia",
title = "Effect of processing parameters on NaGdYF4:Yb,Er UCNPs structural, morphological and optical properties",
pages = "29-29"
}
Dinić, I., Vuković, M., Nikolić, M. G.,& Mančić, L.. (2021). Effect of processing parameters on NaGdYF4:Yb,Er UCNPs structural, morphological and optical properties. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
Belgrade : Institute of Technical Sciences of SASA., 29-29.
Dinić I, Vuković M, Nikolić MG, Mančić L. Effect of processing parameters on NaGdYF4:Yb,Er UCNPs structural, morphological and optical properties. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;:29-29..
Dinić, Ivana, Vuković, Marina, Nikolić, Marko G., Mančić, Lidija, "Effect of processing parameters on NaGdYF4:Yb,Er UCNPs structural, morphological and optical properties" in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia (2021):29-29.

Layered CaV2O6 as promising electrode material for multivalent storage

Petrović, Tamara; Milović, Miloš; Bajuk Bogdanović, Danica; Vujković, Milica

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
AU  - Petrović, Tamara
AU  - Milović, Miloš
AU  - Bajuk Bogdanović, Danica
AU  - Vujković, Milica
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12275
AB  - While the world is facing a higher demand for lithium, its limited resources associated with the high price, are becoming problematic. Other crucial drawbacks of Li-ion batteries are their toxicity and safety concerns. Therefore, researchers are oriented towards development of non-Li batteries based on eco-friendly and earth-abundant materials to overcome drawbacks of Li-ion technology. Alternative abundant metals and their ions such as Mg and Ca could be a good choice for rechargeable batteries in terms of cost and eco-friendliness. Mg2+ and Ca2+ ions could transfer two electrons per redox process which theoretically has a positive effect on battery performance. The materials upon which multivalent ions will intercalate with fast diffusion rate are hard to find. Metal vanadium oxide (MxVyOz) materials become promising materials for rechargeable batteries, so herein, a standard sol-gel combustion route was used for the preparation of the CaV2O6 layered precursor. Two samples are synthesized from the vanadate precursor, the first when it was heated at 400 °C (CaVO) and the second when CaVO was integrated with 10 wt % of sucrose under thermal treatment at 400 °C, in Ar atmosphere (CaVO/C). Obtained CaVO and CaVO/C powders were thoroughly characterized by XRD, TG-DTA, FTIR, and Raman spectroscopy. The electrochemical performance of the obtained samples was evaluated for multivalent-ion storage in saturated aqueous electrolytic solutions of Mg (NO3)2 and Ca (NO3)2 by cyclic voltammetry and chronopotentiometry. For comparison, measurements were also done in saturated LiNO3. Results indicated that CaVO can store more Li+ ions than Mg2+ and Ca2+ ions, but CaVO in LiNO3 shows a substantial loss of capacity upon cycling, which is not observed in the case of Mg (NO3)2 and Ca (NO3)2. On the other hand, CaVO/C composite showed a significant improvement for Ca an Mg storage capacity, which exceeded capacity storage of Li+ ions. The high and stable discharge capacity of CaVO/C, amounting to 89.3 mA h g−1 at 0.5 A g-1, was obtained in Ca (NO3)2. Obtained results are promising and open novel directions regarding the use of CaV2O6 for multivalent rechargeable batteries, especially for Ca-ion batteries.
PB  - Belgrade : Institute of Technical Sciences of SASA
C3  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
T1  - Layered CaV2O6 as promising electrode material for multivalent storage
SP  - 53
EP  - 53
ER  - 
@conference{
author = "Petrović, Tamara and Milović, Miloš and Bajuk Bogdanović, Danica and Vujković, Milica",
year = "2021",
abstract = "While the world is facing a higher demand for lithium, its limited resources associated with the high price, are becoming problematic. Other crucial drawbacks of Li-ion batteries are their toxicity and safety concerns. Therefore, researchers are oriented towards development of non-Li batteries based on eco-friendly and earth-abundant materials to overcome drawbacks of Li-ion technology. Alternative abundant metals and their ions such as Mg and Ca could be a good choice for rechargeable batteries in terms of cost and eco-friendliness. Mg2+ and Ca2+ ions could transfer two electrons per redox process which theoretically has a positive effect on battery performance. The materials upon which multivalent ions will intercalate with fast diffusion rate are hard to find. Metal vanadium oxide (MxVyOz) materials become promising materials for rechargeable batteries, so herein, a standard sol-gel combustion route was used for the preparation of the CaV2O6 layered precursor. Two samples are synthesized from the vanadate precursor, the first when it was heated at 400 °C (CaVO) and the second when CaVO was integrated with 10 wt % of sucrose under thermal treatment at 400 °C, in Ar atmosphere (CaVO/C). Obtained CaVO and CaVO/C powders were thoroughly characterized by XRD, TG-DTA, FTIR, and Raman spectroscopy. The electrochemical performance of the obtained samples was evaluated for multivalent-ion storage in saturated aqueous electrolytic solutions of Mg (NO3)2 and Ca (NO3)2 by cyclic voltammetry and chronopotentiometry. For comparison, measurements were also done in saturated LiNO3. Results indicated that CaVO can store more Li+ ions than Mg2+ and Ca2+ ions, but CaVO in LiNO3 shows a substantial loss of capacity upon cycling, which is not observed in the case of Mg (NO3)2 and Ca (NO3)2. On the other hand, CaVO/C composite showed a significant improvement for Ca an Mg storage capacity, which exceeded capacity storage of Li+ ions. The high and stable discharge capacity of CaVO/C, amounting to 89.3 mA h g−1 at 0.5 A g-1, was obtained in Ca (NO3)2. Obtained results are promising and open novel directions regarding the use of CaV2O6 for multivalent rechargeable batteries, especially for Ca-ion batteries.",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
journal = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia",
title = "Layered CaV2O6 as promising electrode material for multivalent storage",
pages = "53-53"
}
Petrović, T., Milović, M., Bajuk Bogdanović, D.,& Vujković, M.. (2021). Layered CaV2O6 as promising electrode material for multivalent storage. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
Belgrade : Institute of Technical Sciences of SASA., 53-53.
Petrović T, Milović M, Bajuk Bogdanović D, Vujković M. Layered CaV2O6 as promising electrode material for multivalent storage. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;:53-53..
Petrović, Tamara, Milović, Miloš, Bajuk Bogdanović, Danica, Vujković, Milica, "Layered CaV2O6 as promising electrode material for multivalent storage" in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia (2021):53-53.

Investigation of photo(electro)catalytic efficiency of BaTi1-xSnx, ZnO and ZnO@BaTi1-xSnx (x = 0, 0.05, 0.10) powders

Aleksić, Katarina; Supić, Ivan; Stojković Simatović, Ivana; Stanković, Ana; Marković, Smilja

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
AU  - Aleksić, Katarina
AU  - Supić, Ivan
AU  - Stojković Simatović, Ivana
AU  - Stanković, Ana
AU  - Marković, Smilja
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12274
AB  - The aim of this research was to improve photo(electro)catalytic properties of BaTi1-xSnx (BTS, x = 0, 0.05, 0.10) powders. For that purpose we employed ZnO to prepare ZnO@BTS composite. In situ microwave processing of a ZnO precipitate on previously synthesized BTS particles was used to produce ZnO@BTS composites. The phase composition and crystal structure of BTS, ZnO and ZnO@BTS were examined by X-ray powder diffraction (XRD) and Fourier-transform infrared spectroscopy (FTIR). The powders particles morphology was investigated by field emission scanning electron microscopy (FESEM). The optical properties were studied using UV-Vis diffuse reflectance (DRS) and photoluminescence spectroscopy (PL). Linear voltammetry was used to examine the photoelectrochemical properties of the materials. Photocatalytic properties were tested based on the decolorization of methylene blue (MB) dye in the presence of powder particles, under the influence of simulated sunlight radiation. BTS powders have good electron transfer properties, which has been shown in their function as electrocatalysts, where they have shown better properties than ZnO and ZnO@BTS composites. In contrast, they showed poor photocatalytic efficacy. The precipitation of ZnO particles on BTS, by the method of microwave processing,
significantly improves the photocatalytic efficiency of the formed composites, concerning the starting BTS powders. Among the composites, ZnO@BT composite proved to be the most effective photocatalyst.
PB  - Belgrade : Institute of Technical Sciences of SASA
C3  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
T1  - Investigation of photo(electro)catalytic efficiency of BaTi1-xSnx, ZnO and ZnO@BaTi1-xSnx (x = 0, 0.05, 0.10) powders
SP  - 72
EP  - 72
ER  - 
@conference{
author = "Aleksić, Katarina and Supić, Ivan and Stojković Simatović, Ivana and Stanković, Ana and Marković, Smilja",
year = "2021",
abstract = "The aim of this research was to improve photo(electro)catalytic properties of BaTi1-xSnx (BTS, x = 0, 0.05, 0.10) powders. For that purpose we employed ZnO to prepare ZnO@BTS composite. In situ microwave processing of a ZnO precipitate on previously synthesized BTS particles was used to produce ZnO@BTS composites. The phase composition and crystal structure of BTS, ZnO and ZnO@BTS were examined by X-ray powder diffraction (XRD) and Fourier-transform infrared spectroscopy (FTIR). The powders particles morphology was investigated by field emission scanning electron microscopy (FESEM). The optical properties were studied using UV-Vis diffuse reflectance (DRS) and photoluminescence spectroscopy (PL). Linear voltammetry was used to examine the photoelectrochemical properties of the materials. Photocatalytic properties were tested based on the decolorization of methylene blue (MB) dye in the presence of powder particles, under the influence of simulated sunlight radiation. BTS powders have good electron transfer properties, which has been shown in their function as electrocatalysts, where they have shown better properties than ZnO and ZnO@BTS composites. In contrast, they showed poor photocatalytic efficacy. The precipitation of ZnO particles on BTS, by the method of microwave processing,
significantly improves the photocatalytic efficiency of the formed composites, concerning the starting BTS powders. Among the composites, ZnO@BT composite proved to be the most effective photocatalyst.",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
journal = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia",
title = "Investigation of photo(electro)catalytic efficiency of BaTi1-xSnx, ZnO and ZnO@BaTi1-xSnx (x = 0, 0.05, 0.10) powders",
pages = "72-72"
}
Aleksić, K., Supić, I., Stojković Simatović, I., Stanković, A.,& Marković, S.. (2021). Investigation of photo(electro)catalytic efficiency of BaTi1-xSnx, ZnO and ZnO@BaTi1-xSnx (x = 0, 0.05, 0.10) powders. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
Belgrade : Institute of Technical Sciences of SASA., 72-72.
Aleksić K, Supić I, Stojković Simatović I, Stanković A, Marković S. Investigation of photo(electro)catalytic efficiency of BaTi1-xSnx, ZnO and ZnO@BaTi1-xSnx (x = 0, 0.05, 0.10) powders. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;:72-72..
Aleksić, Katarina, Supić, Ivan, Stojković Simatović, Ivana, Stanković, Ana, Marković, Smilja, "Investigation of photo(electro)catalytic efficiency of BaTi1-xSnx, ZnO and ZnO@BaTi1-xSnx (x = 0, 0.05, 0.10) powders" in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia (2021):72-72.

Application of supercritical carbon dioxide for making perovskite photodiode

Stefanović, Milica; Petrović, Rada; Lukić, Ivana; Vujančević, Jelena; Janaćković, Đorđe

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
AU  - Stefanović, Milica
AU  - Petrović, Rada
AU  - Lukić, Ivana
AU  - Vujančević, Jelena
AU  - Janaćković, Đorđe
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12273
AB  - Perovskite solar cells reached high efficiency in a short period. When perovskite was applied for the first time as photovoltaics, power conversion efficiency (PCE) was less than 3 %. Up to now, PCE is over 29 %. In perovskite solar cells, the perovskite layer is an active layer that absorbs the visible part of the spectrum. To reduce the recombination of charge carriers, the construction of solar cells requires the existence of layers for holes and electrons. TiO2 is usually used as an inorganic electron transport layer because its conduction band (CB) lies under the CB of perovskite, so electrons could diffuse from CB of perovskite to CB of TiO2. For these experiments, TiO2 nanotubular structure was used due to its advantages compared to nanoparticular TiO2. TiO2 nanotubes provide a one-dimensional transmission channel for the charge carriers which will reduce the recombination of the carriers and provide a fast carrier transport. The TiO2 nanotubes were synthesized by anodization of Ti foil after which they were annealed at 450 °C for 1 h. Their inner diameter was ~ 103 ± 17 nm while the length was ~ 350 nm. Methylammonium lead bromide perovskite (MAPbBr3) was deposited on TiO2 nanotubes from the solution in dimethylformamide (DMF) by application of supercritical carbon dioxide at 35 °C and different pressures (100, 200, and 300 bar). It has been observed that supercritical CO2 improves the filling of nanotubes by the perovskite due to its stronger solubilizing power at higher pressures. A perovskite photodiode with an improved contact surface between TiO2 and perovskite was made, which is the basis for future solar cell construction. I-V characteristics show that the highest value of photocurrent under visible light reached 400 μA for the sample which was obtained at 35 ° C and 300 bar for 1 h. The absorption edge of prepared TiO2 nanotubes/MAPbBr3, determined by diffuse reflectance spectroscopy, was extended to the visible range. FESEM and XRD analyses also were done.
PB  - Belgrade : Institute of Technical Sciences of SASA
C3  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
T1  - Application of supercritical carbon dioxide for making perovskite photodiode
SP  - 70
EP  - 70
ER  - 
@conference{
author = "Stefanović, Milica and Petrović, Rada and Lukić, Ivana and Vujančević, Jelena and Janaćković, Đorđe",
year = "2021",
abstract = "Perovskite solar cells reached high efficiency in a short period. When perovskite was applied for the first time as photovoltaics, power conversion efficiency (PCE) was less than 3 %. Up to now, PCE is over 29 %. In perovskite solar cells, the perovskite layer is an active layer that absorbs the visible part of the spectrum. To reduce the recombination of charge carriers, the construction of solar cells requires the existence of layers for holes and electrons. TiO2 is usually used as an inorganic electron transport layer because its conduction band (CB) lies under the CB of perovskite, so electrons could diffuse from CB of perovskite to CB of TiO2. For these experiments, TiO2 nanotubular structure was used due to its advantages compared to nanoparticular TiO2. TiO2 nanotubes provide a one-dimensional transmission channel for the charge carriers which will reduce the recombination of the carriers and provide a fast carrier transport. The TiO2 nanotubes were synthesized by anodization of Ti foil after which they were annealed at 450 °C for 1 h. Their inner diameter was ~ 103 ± 17 nm while the length was ~ 350 nm. Methylammonium lead bromide perovskite (MAPbBr3) was deposited on TiO2 nanotubes from the solution in dimethylformamide (DMF) by application of supercritical carbon dioxide at 35 °C and different pressures (100, 200, and 300 bar). It has been observed that supercritical CO2 improves the filling of nanotubes by the perovskite due to its stronger solubilizing power at higher pressures. A perovskite photodiode with an improved contact surface between TiO2 and perovskite was made, which is the basis for future solar cell construction. I-V characteristics show that the highest value of photocurrent under visible light reached 400 μA for the sample which was obtained at 35 ° C and 300 bar for 1 h. The absorption edge of prepared TiO2 nanotubes/MAPbBr3, determined by diffuse reflectance spectroscopy, was extended to the visible range. FESEM and XRD analyses also were done.",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
journal = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia",
title = "Application of supercritical carbon dioxide for making perovskite photodiode",
pages = "70-70"
}
Stefanović, M., Petrović, R., Lukić, I., Vujančević, J.,& Janaćković, Đ.. (2021). Application of supercritical carbon dioxide for making perovskite photodiode. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
Belgrade : Institute of Technical Sciences of SASA., 70-70.
Stefanović M, Petrović R, Lukić I, Vujančević J, Janaćković Đ. Application of supercritical carbon dioxide for making perovskite photodiode. in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;:70-70..
Stefanović, Milica, Petrović, Rada, Lukić, Ivana, Vujančević, Jelena, Janaćković, Đorđe, "Application of supercritical carbon dioxide for making perovskite photodiode" in Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia (2021):70-70.

Integer Codes Correcting Single Errors within Two Bytes

Radonjić, Aleksandar

(World Scientific, 2021)

TY  - JOUR
AU  - Radonjić, Aleksandar
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12272
AB  - This paper presents a class of integer codes suitable for use in optical networks with low error rates. The presented codes are constructed with the help of a computer and have two important features: first, they can correct single errors affecting one or two b-bit bytes, and second, they use processor-friendly operations to encode/decode data bits. The effectiveness of the presented codes is demonstrated on theoretical models of four-core and six-core processors. The obtained results show that the decoder throughput reaches 14.70Gbps, which is above the operating speed of 10G networks. Finally, the paper compares the proposed codes with BCH codes of similar properties. The comparison is made in terms of redundancy and the number of decoding operations.
PB  - World Scientific
T2  - Journal of Circuits, Systems and Computers
T1  - Integer Codes Correcting Single Errors within Two Bytes
DO  - 10.1142/S0218126621502601
ER  - 
@article{
author = "Radonjić, Aleksandar",
year = "2021",
abstract = "This paper presents a class of integer codes suitable for use in optical networks with low error rates. The presented codes are constructed with the help of a computer and have two important features: first, they can correct single errors affecting one or two b-bit bytes, and second, they use processor-friendly operations to encode/decode data bits. The effectiveness of the presented codes is demonstrated on theoretical models of four-core and six-core processors. The obtained results show that the decoder throughput reaches 14.70Gbps, which is above the operating speed of 10G networks. Finally, the paper compares the proposed codes with BCH codes of similar properties. The comparison is made in terms of redundancy and the number of decoding operations.",
publisher = "World Scientific",
journal = "Journal of Circuits, Systems and Computers",
title = "Integer Codes Correcting Single Errors within Two Bytes",
doi = "10.1142/S0218126621502601"
}
Radonjić, A.. (2021). Integer Codes Correcting Single Errors within Two Bytes. in Journal of Circuits, Systems and Computers
World Scientific..
https://doi.org/10.1142/S0218126621502601
Radonjić A. Integer Codes Correcting Single Errors within Two Bytes. in Journal of Circuits, Systems and Computers. 2021;.
doi:10.1142/S0218126621502601 .
Radonjić, Aleksandar, "Integer Codes Correcting Single Errors within Two Bytes" in Journal of Circuits, Systems and Computers (2021),
https://doi.org/10.1142/S0218126621502601 . .

Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia

(Belgrade : Institute of Technical Sciences of SASA, 2021)

TY  - CONF
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12271
AB  - Young Researchers' meetings are held annually late in December since 2002 and they are organized by the Materials Research Society of Serbia. Originally conceived as seminars, since 2007 these meetings were transformed into conferences. The previous eleven meetings featured presentations based on the research of various young scientists from Serbia, Bosnia and Herzegovina, Montenegro, Slovenia, Brazil, Germany, United States of America, China, Poland, Belgium, Spain, Romania, United Kingdom, Austria, Italy, Hungary, Russia, Canada, etc. At the Conference, young researchers, students of doctoral, master and undergraduate studies, are given the opportunity to make an overview of their research into materials science and engineering through oral and poster presentations. As for the scientific content of the conference, we have given full priority to research topics that are currently considered as being on the frontier of the field. Nanotechnology and Advanced Materials, Synthesis and Engineering of Biomaterials, Application of Biomaterials, Theoretical Modeling of Materials and Advanced Methods for Synthesis and Processing present only some of those exciting topics that will be given the central stage and most attention during this meeting. The 19th Young Researchers' Conference Materials Science and Engineering was held in Belgrade, Serbia on December 1-3, 2021, Belgrade, Serbia. It was organized by the Materials Research Society of Serbia and Institute of Technical Sciences of the Serbian Academy of Sciences and Arts.
PB  - Belgrade : Institute of Technical Sciences of SASA
T1  - Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia
ER  - 
@conference{
year = "2021",
abstract = "Young Researchers' meetings are held annually late in December since 2002 and they are organized by the Materials Research Society of Serbia. Originally conceived as seminars, since 2007 these meetings were transformed into conferences. The previous eleven meetings featured presentations based on the research of various young scientists from Serbia, Bosnia and Herzegovina, Montenegro, Slovenia, Brazil, Germany, United States of America, China, Poland, Belgium, Spain, Romania, United Kingdom, Austria, Italy, Hungary, Russia, Canada, etc. At the Conference, young researchers, students of doctoral, master and undergraduate studies, are given the opportunity to make an overview of their research into materials science and engineering through oral and poster presentations. As for the scientific content of the conference, we have given full priority to research topics that are currently considered as being on the frontier of the field. Nanotechnology and Advanced Materials, Synthesis and Engineering of Biomaterials, Application of Biomaterials, Theoretical Modeling of Materials and Advanced Methods for Synthesis and Processing present only some of those exciting topics that will be given the central stage and most attention during this meeting. The 19th Young Researchers' Conference Materials Science and Engineering was held in Belgrade, Serbia on December 1-3, 2021, Belgrade, Serbia. It was organized by the Materials Research Society of Serbia and Institute of Technical Sciences of the Serbian Academy of Sciences and Arts.",
publisher = "Belgrade : Institute of Technical Sciences of SASA",
title = "Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia"
}
(2021). Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 
Belgrade : Institute of Technical Sciences of SASA..
Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia. 2021;..
"Program and the Book of abstracts / Nineteenth Young Researchers' Conference Materials Science and Engineering, December 1-3, 2021, Belgrade, Serbia" (2021).

National Energy and Climate Planning in Serbia: From Lagging Behind to an Ambitious EU Candidate?

Batas-Bjelić, Ilija; Rajaković, Nikola

(Aalborg : Aalborg University Press, 2021)

TY  - JOUR
AU  - Batas-Bjelić, Ilija
AU  - Rajaković, Nikola
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12267
AB  - Just in the immediate neighbourhood of the European Union (EU), the Republic of Serbia, one of the Western Balkan (WB) EU candidate countries, is lagging behind in the process of energy transition regardless of technological advances and policy instruments available. The EU created a momentum for energy transition acceleration with the European Green Deal, which has been forwarded to the WB through the Energy Community secretariat in the form of the Green Agenda; generally speaking, response in the form of National Energy and Climate Plans (NECPs) is expected in the short term. The Republic of Serbia’s Low Carbon Development Strategy with Action Plan (LCDSA) and the current Energy Strategy will be analysed, commented on, and improvements will be suggested for the acceleration of energy transition, based on the newest findings from the simulation-based optimization techniques using the sector coupling approach to achieve ambitious variable renewable energy shares. The motivation of this research is to provide decision makers in Serbia with the best available insights regarding sustainable energy system planning tools and possible shortcuts for delayed planning of activities. In addition, the purpose is to improve Serbia’s chance of benefitting from adoption of these strategies in the country’s faster transition towards EU membership. The research compares two scenarios to illustrate a possible policy shift from small hydro power plants to photovoltaics (PV). A further increase in PV and wind power plants has been simulated using the EnergyPLAN to achieve expected scenarios of 40% renewable energy share and some more ambitious ones—up to 80%, which is realistic only with the sector coupling approach.
PB  - Aalborg : Aalborg University Press
T1  - National Energy and Climate Planning in Serbia: From Lagging Behind to an Ambitious EU Candidate?
SP  - 47
EP  - 60
VL  - 32
DO  - 10.5278/ijsepm.6300
ER  - 
@article{
author = "Batas-Bjelić, Ilija and Rajaković, Nikola",
year = "2021",
abstract = "Just in the immediate neighbourhood of the European Union (EU), the Republic of Serbia, one of the Western Balkan (WB) EU candidate countries, is lagging behind in the process of energy transition regardless of technological advances and policy instruments available. The EU created a momentum for energy transition acceleration with the European Green Deal, which has been forwarded to the WB through the Energy Community secretariat in the form of the Green Agenda; generally speaking, response in the form of National Energy and Climate Plans (NECPs) is expected in the short term. The Republic of Serbia’s Low Carbon Development Strategy with Action Plan (LCDSA) and the current Energy Strategy will be analysed, commented on, and improvements will be suggested for the acceleration of energy transition, based on the newest findings from the simulation-based optimization techniques using the sector coupling approach to achieve ambitious variable renewable energy shares. The motivation of this research is to provide decision makers in Serbia with the best available insights regarding sustainable energy system planning tools and possible shortcuts for delayed planning of activities. In addition, the purpose is to improve Serbia’s chance of benefitting from adoption of these strategies in the country’s faster transition towards EU membership. The research compares two scenarios to illustrate a possible policy shift from small hydro power plants to photovoltaics (PV). A further increase in PV and wind power plants has been simulated using the EnergyPLAN to achieve expected scenarios of 40% renewable energy share and some more ambitious ones—up to 80%, which is realistic only with the sector coupling approach.",
publisher = "Aalborg : Aalborg University Press",
title = "National Energy and Climate Planning in Serbia: From Lagging Behind to an Ambitious EU Candidate?",
pages = "47-60",
volume = "32",
doi = "10.5278/ijsepm.6300"
}
Batas-Bjelić, I.,& Rajaković, N.. (2021). National Energy and Climate Planning in Serbia: From Lagging Behind to an Ambitious EU Candidate?. 
Aalborg : Aalborg University Press., 32, 47-60.
https://doi.org/10.5278/ijsepm.6300
Batas-Bjelić I, Rajaković N. National Energy and Climate Planning in Serbia: From Lagging Behind to an Ambitious EU Candidate?. 2021;32:47-60.
doi:10.5278/ijsepm.6300 .
Batas-Bjelić, Ilija, Rajaković, Nikola, "National Energy and Climate Planning in Serbia: From Lagging Behind to an Ambitious EU Candidate?", 32 (2021):47-60,
https://doi.org/10.5278/ijsepm.6300 . .
1

Љубица Марић (1909–2003)

Чичовачки, Борислав

(Београд : Српска академија наука и уметности, 2021)

TY  - CONF
AU  - Чичовачки, Борислав
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12262
AB  - Љубица Марић (1909–2003) је најоригиналнији српски композитор XX
века. Свој специфичан музички стил остварила је аутентичном комбинацијом
примене модуса српског Осмогласника (пореклом из византијске
црквене традиције) и експресионистичког музичког идиома. Она је први
композитор у историји музике који је модални систем византијског порекла
користио за формирање целокупне мелодијско-хармонске структуре
сопствених нелитургијских музичких дела.
AB  - Ljubica Marić (1909–2003) was Serbia’s most original composer of the 20th century.
Not only is Ljubica Marić important for Serbian art because she was the first musician
in Serbia to earn a degree in composition, or because she wrote the first Serbian atonal
composition, was the first female conductor from Serbia and the composer whose music
was very well received abroad, but because Ljubica Marić was the first Serbian composer
who, using the unbridled curiosity of her immense talent, produced a powerfully authentic
creative opus which far surpassed the borders of Serbia and the former Yugoslavia
and was a genuine artistic expression on the world music scene. Thus, Ljubica Marić was,
and still is, one of the few Serbian artists whose work left a distinctive, creative mark on
the entire art scene of her time. She established her distinctive musical style through the
authentic synthesis of the Serbian Octoëchos modes (originating in the Byzantine church
tradition) and the expressionist musical idiom. She was the first composer in the history
of music who used the modal system of Byzantine origin to create a complete melodicharmonic
structure of her non-liturgical compositions.
Ljubica Marić was born in Kragujevac, on 18 March 1909. She began studying music
(violin) in Valjevo, where she lived with her mother after the First World War and following
the death of her father in the Second Balkan War. After moving to Belgrade in 1923,
Ljubica continued her violin studies at the then only music school, where she soon met
Josip Slavenski, one of the most authentic Serbian and Yugoslav composers, becoming
acquainted with his music, too. Slavenski discovered in her a talent for composing music
and wholeheartedly encouraged her development, giving her lessons in music composition.
Thus, in 1929, Ljubica Marić earned her diploma in composition and became the
first holder of such a diploma obtained through education in Serbia. That same year, on
the advice of Slavenski, she decided to enroll at the Prague State Conservatory, to study
composition. After passing the entrance exam (when she played her Sonata Fantasia for
solo violin), Ljubica was not admitted to the regular composition studies program, but,
because of the exceptional value of her compositions, continued her studies in Josef Suk’s
class at the so-called Master School Department, which was the level of study that corresponded
to today’s postgraduate or master’s studies. Consequently, in the late summer
of 1929, Ljubica and her mother moved to Prague. There, Ljubica very soon became acquainted
with new compositional techniques of the time and was, at first, most attracted
to atonalism. In those days, Prague was visited by prominent composers who gave lectures
at the conservatory – Schoenberg, Prokofiev and Hindemith – in whose lectures
Ljubica took a keen interest. Her musical curiosity also motivated her to travel and attend
concerts of contemporary music (Vienna, 1932). In addition to composition, Ljubica
Marić also studied conducting in Prague, under Professor Metod Doležil, but she also
attended master classes of one of the most renowned European conductors of the time, April 1996, Ljubica visited Amsterdam for the second time after 63 years, where, in the
De IJsbreker Music Center Hall, a gala concert honoring the release of the compact disc
with her chamber music was held. A few days later, in Cologne Philharmonic Hall, Ljubica
Marić attended the world premiere of her piano trio Torso, which was commissioned by
the KölnMusik Foundation and whose premiere was a great success. It was then when
Ljubica’s music made an appearance on the European music scene shining in all its glory.
Concerts of her chamber music were then held in Germany, Switzerland, Sweden and the
Netherlands. The German music publishing house Furore Verlag from Kassel decided to
publish all of Ljubica’s music, thus becoming her exclusive publisher. Ljubica Marić was
the first Serbian composer whose entire oeuvre was published abroad. She died in Belgrade
on 17 September 2003. In 2009, the centenary of her birth was marked with the
support of UNESCO, which included the date of her birth in the UNESCO Calendar of
anniversaries of eminent personalities important for the world cultural heritage.
Nearly seventy years passed between the creation of her first composition Sorrow
for the Girl (1928) and her last work, the piano trio Torso (1996). Ljubica Marić spent that
time by listening carefully to her own world of sounds, studying folk music and Serbian
Octoëchos, learning, reading and contemplating. Over that time span, she created around
forty musical compositions for solo instruments, solo voice, chamber ensembles, choir,
string and symphony orchestras. In terms of the stylistic traits of her musical compositions,
Ljubica Marić’s entire oeuvre can be divided into five distinct phases:
1. T he early phase (1929–1944);
2. T he phase of extended tonality, tonal fields, modality and Balkan folk music
(1944/5–1955);
3. T he mature phase or the phase of Octoëchos (1956–1967);
4. T he phase of musical improvisation (1968–1975);
5. T he last phase ((1976) 1983–1996).
In her early creative phase, Ljubica Marić drew much of her inspiration from two
sources: that of traditional folk music elements and avant-garde aspirations of interwar
European music (atonality, microtonality and athematism). The second phase of
her creative practice was characterized by the use of tonal fields (modeled on that of
Scriabin), as well as by the exploration of folk music. The completion of this phase resulted
in the first artistic integration, which took place in the oeuvre of Ljubica Marić,
embodied in Sonata for Violin and Piano, which implied the synthesis of melodic and
rhythmic elements based on the features of the Western Balkan folk music, on the one
hand, and the harmonic aspect built on dissonant chords, on the other. During the third
phase, she produced her most significant compositions, which, at the same time, were
among the highlights of Serbian music and art of all time. These are the cantata Songs
of Space (1956), Passacaglia for symphony orchestra (1957), and the cycle Music of Octoëchos
(1958–1963), consisting of four compositions (Octoïcha 1, for symphony orchestra
(1958/9); Byzantine Concerto for piano and orchestra (1959); the chamber cantata The
Threshold of Dream (1961), and the composition for soloists and chamber orchestra Ostinato
Super Thema Octoïcha (1963)). The cantata Song of Space is a continuation of her
established principle to combine divergent musical influences, which is here upgraded and compounded several times: one influence, based on the use of structural features of
folk music (close to the role models of Bártok and Stravinsky), and the other one, based
on the traditions of interwar musical expressionism, atonality in particular. The central
feature of composer’s creative practice applied in the cycle Music of Octoëchos was the
use of melodies from church chants from Octoëchos by Stevan Mokranjac, which served
as the basic and sole source for the creation of the melodic and harmonic components
of her compositions. The modes and tunes in the Octoëchos became Ljubica Marić’s most
important musical source of inspiration. The most important novelty in composing,
which is characteristic for the entire cycle Music of Octoëchos, was the fact that for the
first time ever a composer used the modal structure of melodies, originating in medieval
Byzantine spiritual music, to conceive the entire melodic and harmonic structure of a
non-liturgical and non-programatic piece of music.
During the phase of musical improvisation, she produced the piece Music of Sound,
which was recorded on about twenty magnetophon tapes. In the final, fifth phase of her
creative practice, Ljubica Marić produced some exceptional, primarily chamber pieces,
with which she once again entered the realm of a unique originality based on the authentic
form of her compositions and a distinct system of applying the elements of musical
archaisation, as one of the most striking features of her personal expression. She created
these compositions by alternately arranging diatonic and chromatic fields, whereby
all diatonic fields were entirely based on the formulas of church melodies in Octoëchos.
The most important aspects of musical archaisation in her works was the use of musical
elements and features of folk music (mainly the so-called old Serbian music tradition),
melodic elements from the collection Octoëchos, as well as the use of Western European
polyphony and medieval compositional principles.
Ljubica Marić’s oeuvre, consisting of pieces such as Songs of Space, which, immediately
after the premiere, achieved cult status in Serbian and Yugoslavian art and culture,
had a huge impact on the then Serbian music, and later on as well. Her music influenced
the composers from other republics of the former Yugoslavia. The hallmark of her work
was the system of application of elements of musical archaisation, especially the Octoëchos
mode, as well as the fuse of musical elements and principles from different stylistic
epochs (from medieval organum to the atonality and microtonality of the 20th century
music).
As a young composer, Ljubica Marić used avant-garde music composition techniques,
to which she later added some distinctive elements of the traditional medieval
music of the Balkans (originating in Byzantium). Thus, she created a unique oeuvre within
the 20th century world music scene. Owing to that, not only is Ljubica Marić the most
significant and the most original Serbian composer of the 20th century, but also one of
the most significant Serbian artists in general, and at the same time was one of the most
unique and independent-minded musical authors of the 20th century.
PB  - Београд : Српска академија наука и уметности
C3  - Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
T1  - Љубица Марић (1909–2003)
SP  - 232
EP  - 283
ER  - 
@conference{
author = "Чичовачки, Борислав",
year = "2021",
abstract = "Љубица Марић (1909–2003) је најоригиналнији српски композитор XX
века. Свој специфичан музички стил остварила је аутентичном комбинацијом
примене модуса српског Осмогласника (пореклом из византијске
црквене традиције) и експресионистичког музичког идиома. Она је први
композитор у историји музике који је модални систем византијског порекла
користио за формирање целокупне мелодијско-хармонске структуре
сопствених нелитургијских музичких дела., Ljubica Marić (1909–2003) was Serbia’s most original composer of the 20th century.
Not only is Ljubica Marić important for Serbian art because she was the first musician
in Serbia to earn a degree in composition, or because she wrote the first Serbian atonal
composition, was the first female conductor from Serbia and the composer whose music
was very well received abroad, but because Ljubica Marić was the first Serbian composer
who, using the unbridled curiosity of her immense talent, produced a powerfully authentic
creative opus which far surpassed the borders of Serbia and the former Yugoslavia
and was a genuine artistic expression on the world music scene. Thus, Ljubica Marić was,
and still is, one of the few Serbian artists whose work left a distinctive, creative mark on
the entire art scene of her time. She established her distinctive musical style through the
authentic synthesis of the Serbian Octoëchos modes (originating in the Byzantine church
tradition) and the expressionist musical idiom. She was the first composer in the history
of music who used the modal system of Byzantine origin to create a complete melodicharmonic
structure of her non-liturgical compositions.
Ljubica Marić was born in Kragujevac, on 18 March 1909. She began studying music
(violin) in Valjevo, where she lived with her mother after the First World War and following
the death of her father in the Second Balkan War. After moving to Belgrade in 1923,
Ljubica continued her violin studies at the then only music school, where she soon met
Josip Slavenski, one of the most authentic Serbian and Yugoslav composers, becoming
acquainted with his music, too. Slavenski discovered in her a talent for composing music
and wholeheartedly encouraged her development, giving her lessons in music composition.
Thus, in 1929, Ljubica Marić earned her diploma in composition and became the
first holder of such a diploma obtained through education in Serbia. That same year, on
the advice of Slavenski, she decided to enroll at the Prague State Conservatory, to study
composition. After passing the entrance exam (when she played her Sonata Fantasia for
solo violin), Ljubica was not admitted to the regular composition studies program, but,
because of the exceptional value of her compositions, continued her studies in Josef Suk’s
class at the so-called Master School Department, which was the level of study that corresponded
to today’s postgraduate or master’s studies. Consequently, in the late summer
of 1929, Ljubica and her mother moved to Prague. There, Ljubica very soon became acquainted
with new compositional techniques of the time and was, at first, most attracted
to atonalism. In those days, Prague was visited by prominent composers who gave lectures
at the conservatory – Schoenberg, Prokofiev and Hindemith – in whose lectures
Ljubica took a keen interest. Her musical curiosity also motivated her to travel and attend
concerts of contemporary music (Vienna, 1932). In addition to composition, Ljubica
Marić also studied conducting in Prague, under Professor Metod Doležil, but she also
attended master classes of one of the most renowned European conductors of the time, April 1996, Ljubica visited Amsterdam for the second time after 63 years, where, in the
De IJsbreker Music Center Hall, a gala concert honoring the release of the compact disc
with her chamber music was held. A few days later, in Cologne Philharmonic Hall, Ljubica
Marić attended the world premiere of her piano trio Torso, which was commissioned by
the KölnMusik Foundation and whose premiere was a great success. It was then when
Ljubica’s music made an appearance on the European music scene shining in all its glory.
Concerts of her chamber music were then held in Germany, Switzerland, Sweden and the
Netherlands. The German music publishing house Furore Verlag from Kassel decided to
publish all of Ljubica’s music, thus becoming her exclusive publisher. Ljubica Marić was
the first Serbian composer whose entire oeuvre was published abroad. She died in Belgrade
on 17 September 2003. In 2009, the centenary of her birth was marked with the
support of UNESCO, which included the date of her birth in the UNESCO Calendar of
anniversaries of eminent personalities important for the world cultural heritage.
Nearly seventy years passed between the creation of her first composition Sorrow
for the Girl (1928) and her last work, the piano trio Torso (1996). Ljubica Marić spent that
time by listening carefully to her own world of sounds, studying folk music and Serbian
Octoëchos, learning, reading and contemplating. Over that time span, she created around
forty musical compositions for solo instruments, solo voice, chamber ensembles, choir,
string and symphony orchestras. In terms of the stylistic traits of her musical compositions,
Ljubica Marić’s entire oeuvre can be divided into five distinct phases:
1. T he early phase (1929–1944);
2. T he phase of extended tonality, tonal fields, modality and Balkan folk music
(1944/5–1955);
3. T he mature phase or the phase of Octoëchos (1956–1967);
4. T he phase of musical improvisation (1968–1975);
5. T he last phase ((1976) 1983–1996).
In her early creative phase, Ljubica Marić drew much of her inspiration from two
sources: that of traditional folk music elements and avant-garde aspirations of interwar
European music (atonality, microtonality and athematism). The second phase of
her creative practice was characterized by the use of tonal fields (modeled on that of
Scriabin), as well as by the exploration of folk music. The completion of this phase resulted
in the first artistic integration, which took place in the oeuvre of Ljubica Marić,
embodied in Sonata for Violin and Piano, which implied the synthesis of melodic and
rhythmic elements based on the features of the Western Balkan folk music, on the one
hand, and the harmonic aspect built on dissonant chords, on the other. During the third
phase, she produced her most significant compositions, which, at the same time, were
among the highlights of Serbian music and art of all time. These are the cantata Songs
of Space (1956), Passacaglia for symphony orchestra (1957), and the cycle Music of Octoëchos
(1958–1963), consisting of four compositions (Octoïcha 1, for symphony orchestra
(1958/9); Byzantine Concerto for piano and orchestra (1959); the chamber cantata The
Threshold of Dream (1961), and the composition for soloists and chamber orchestra Ostinato
Super Thema Octoïcha (1963)). The cantata Song of Space is a continuation of her
established principle to combine divergent musical influences, which is here upgraded and compounded several times: one influence, based on the use of structural features of
folk music (close to the role models of Bártok and Stravinsky), and the other one, based
on the traditions of interwar musical expressionism, atonality in particular. The central
feature of composer’s creative practice applied in the cycle Music of Octoëchos was the
use of melodies from church chants from Octoëchos by Stevan Mokranjac, which served
as the basic and sole source for the creation of the melodic and harmonic components
of her compositions. The modes and tunes in the Octoëchos became Ljubica Marić’s most
important musical source of inspiration. The most important novelty in composing,
which is characteristic for the entire cycle Music of Octoëchos, was the fact that for the
first time ever a composer used the modal structure of melodies, originating in medieval
Byzantine spiritual music, to conceive the entire melodic and harmonic structure of a
non-liturgical and non-programatic piece of music.
During the phase of musical improvisation, she produced the piece Music of Sound,
which was recorded on about twenty magnetophon tapes. In the final, fifth phase of her
creative practice, Ljubica Marić produced some exceptional, primarily chamber pieces,
with which she once again entered the realm of a unique originality based on the authentic
form of her compositions and a distinct system of applying the elements of musical
archaisation, as one of the most striking features of her personal expression. She created
these compositions by alternately arranging diatonic and chromatic fields, whereby
all diatonic fields were entirely based on the formulas of church melodies in Octoëchos.
The most important aspects of musical archaisation in her works was the use of musical
elements and features of folk music (mainly the so-called old Serbian music tradition),
melodic elements from the collection Octoëchos, as well as the use of Western European
polyphony and medieval compositional principles.
Ljubica Marić’s oeuvre, consisting of pieces such as Songs of Space, which, immediately
after the premiere, achieved cult status in Serbian and Yugoslavian art and culture,
had a huge impact on the then Serbian music, and later on as well. Her music influenced
the composers from other republics of the former Yugoslavia. The hallmark of her work
was the system of application of elements of musical archaisation, especially the Octoëchos
mode, as well as the fuse of musical elements and principles from different stylistic
epochs (from medieval organum to the atonality and microtonality of the 20th century
music).
As a young composer, Ljubica Marić used avant-garde music composition techniques,
to which she later added some distinctive elements of the traditional medieval
music of the Balkans (originating in Byzantium). Thus, she created a unique oeuvre within
the 20th century world music scene. Owing to that, not only is Ljubica Marić the most
significant and the most original Serbian composer of the 20th century, but also one of
the most significant Serbian artists in general, and at the same time was one of the most
unique and independent-minded musical authors of the 20th century.",
publisher = "Београд : Српска академија наука и уметности",
journal = "Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1",
title = "Љубица Марић (1909–2003)",
pages = "232-283"
}
Чичовачки, Б.. (2021). Љубица Марић (1909–2003). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
Београд : Српска академија наука и уметности., 232-283.
Чичовачки Б. Љубица Марић (1909–2003). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1. 2021;:232-283..
Чичовачки, Борислав, "Љубица Марић (1909–2003)" in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1 (2021):232-283.

Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351

Đinović, Zoran; Pavelka, Robert; Tomić, Miloš; Sprinzl, Georg; Müller, Julia Gertrud; Traxler, Hannes

(Elsevier BV, 2021)

TY  - DATA
AU  - Đinović, Zoran
AU  - Pavelka, Robert
AU  - Tomić, Miloš
AU  - Sprinzl, Georg
AU  - Müller, Julia Gertrud
AU  - Traxler, Hannes
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12260
AB  - In the supplement, a few audio records in a time duration of about 1-3 min, which are acquired during experiments performed on skull head #7587, are given. The signals have been on-line processed by TIFOS system and recorded by an HP notebook audiocard without any frequency equalizing. The sound pressure level was measured by Bruel & Kjaer 2250 sound meter (dBA, slow). The sound of piano and violin in Schubert’s Rondo in Fig. S1a are of high fidelity. High frequency tones in the aria from “La-Traviata” performed by famous Russian-Austrian operatic soprano Anna Netrebko (Fig. S1d) are also very clear and dynamic. The famous speech of Martin Luther King (Fig. S1b) is completely intelligible, as well as the resignation speech of former British prime minister Theresa May (Fig. S1c). The individual characteristics of the well-known voices are easily recognizable.
PB  - Elsevier BV
T2  - Hearing Research
T1  - Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351
VL  - 410
UR  - https://hdl.handle.net/21.15107/rcub_dais_12260
ER  - 
@misc{
author = "Đinović, Zoran and Pavelka, Robert and Tomić, Miloš and Sprinzl, Georg and Müller, Julia Gertrud and Traxler, Hannes",
year = "2021",
abstract = "In the supplement, a few audio records in a time duration of about 1-3 min, which are acquired during experiments performed on skull head #7587, are given. The signals have been on-line processed by TIFOS system and recorded by an HP notebook audiocard without any frequency equalizing. The sound pressure level was measured by Bruel & Kjaer 2250 sound meter (dBA, slow). The sound of piano and violin in Schubert’s Rondo in Fig. S1a are of high fidelity. High frequency tones in the aria from “La-Traviata” performed by famous Russian-Austrian operatic soprano Anna Netrebko (Fig. S1d) are also very clear and dynamic. The famous speech of Martin Luther King (Fig. S1b) is completely intelligible, as well as the resignation speech of former British prime minister Theresa May (Fig. S1c). The individual characteristics of the well-known voices are easily recognizable.",
publisher = "Elsevier BV",
journal = "Hearing Research",
title = "Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351",
volume = "410",
url = "https://hdl.handle.net/21.15107/rcub_dais_12260"
}
Đinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G.,& Traxler, H.. (2021). Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351. in Hearing Research
Elsevier BV., 410.
https://hdl.handle.net/21.15107/rcub_dais_12260
Đinović Z, Pavelka R, Tomić M, Sprinzl G, Müller JG, Traxler H. Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351. in Hearing Research. 2021;410.
https://hdl.handle.net/21.15107/rcub_dais_12260 .
Đinović, Zoran, Pavelka, Robert, Tomić, Miloš, Sprinzl, Georg, Müller, Julia Gertrud, Traxler, Hannes, "Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351" in Hearing Research, 410 (2021),
https://hdl.handle.net/21.15107/rcub_dais_12260 .

Experimental study of an implantable fiber-optic microphone on human cadavers

Đinović, Zoran; Pavelka, Robert; Tomić, Miloš; Sprinzl, Georg; Müller, Julia Gertrud; Traxler, Hannes

(Elsevier BV, 2021)

TY  - JOUR
AU  - Đinović, Zoran
AU  - Pavelka, Robert
AU  - Tomić, Miloš
AU  - Sprinzl, Georg
AU  - Müller, Julia Gertrud
AU  - Traxler, Hannes
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12259
AB  - In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.
PB  - Elsevier BV
T2  - Hearing Research
T1  - Experimental study of an implantable fiber-optic microphone on human cadavers
SP  - 108351
SP  - 108351
VL  - 410
DO  - 10.1016/j.heares.2021.108351
UR  - https://hdl.handle.net/21.15107/rcub_dais_12259
ER  - 
@article{
author = "Đinović, Zoran and Pavelka, Robert and Tomić, Miloš and Sprinzl, Georg and Müller, Julia Gertrud and Traxler, Hannes",
year = "2021",
abstract = "In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.",
publisher = "Elsevier BV",
journal = "Hearing Research",
title = "Experimental study of an implantable fiber-optic microphone on human cadavers",
pages = "108351-108351",
volume = "410",
doi = "10.1016/j.heares.2021.108351",
url = "https://hdl.handle.net/21.15107/rcub_dais_12259"
}
Đinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G.,& Traxler, H.. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research
Elsevier BV., 410, 108351.
https://doi.org/10.1016/j.heares.2021.108351
https://hdl.handle.net/21.15107/rcub_dais_12259
Đinović Z, Pavelka R, Tomić M, Sprinzl G, Müller JG, Traxler H. Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research. 2021;410:108351.
doi:10.1016/j.heares.2021.108351
https://hdl.handle.net/21.15107/rcub_dais_12259 .
Đinović, Zoran, Pavelka, Robert, Tomić, Miloš, Sprinzl, Georg, Müller, Julia Gertrud, Traxler, Hannes, "Experimental study of an implantable fiber-optic microphone on human cadavers" in Hearing Research, 410 (2021):108351,
https://doi.org/10.1016/j.heares.2021.108351 .,
https://hdl.handle.net/21.15107/rcub_dais_12259 .
1

Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - GEN
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12258
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T1  - Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)
SP  - 513
EP  - 748
VL  - 69
IS  - 3
UR  - https://hdl.handle.net/21.15107/rcub_dais_12258
ER  - 
@misc{
year = "2021",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
title = "Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)",
pages = "513-748",
volume = "69",
number = "3",
url = "https://hdl.handle.net/21.15107/rcub_dais_12258"
}
(2021). Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3). 
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(3), 513-748.
https://hdl.handle.net/21.15107/rcub_dais_12258
Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3). 2021;69(3):513-748.
https://hdl.handle.net/21.15107/rcub_dais_12258 .
"Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)", 69, no. 3 (2021):513-748,
https://hdl.handle.net/21.15107/rcub_dais_12258 .

Зора Петровић (1894–1962)

Чубрило, Јасмина

(Београд : Српска академија наука и уметности, 2021)

TY  - CONF
AU  - Чубрило, Јасмина
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12261
AB  - Зора Петровић (1894–1962) је сликарка која је својим јединственим
уметничким језиком, препознатљивим по снажном, енергичном гесту,
широким и страсним потезима, са доста густе пасте, изражајног колорита
обележила време у којем је стварала. Круг мотива и тема у сликарству
Зоре Петровић производ је мешања утицаја ригидних правила на којима
се темељио програм традиционалне едукације будућег сликара, с једне,
и модерне уметности схваћене као оне која и у тематском и у техничком
смислу на адекватан начин рефлектује променљиву и контрадикторну
природу модерног живота, с друге стране. Њен приступ уметности сва-
како није био усмерен ка радикалном мењању света путем иновације
уметничког језика, али јесте у оквирима традиционалнe уметничке дис-
циплине и језика те дисциплине разоткривао механизме патријархалне
хетеро-културе и развијао се кроз активно преиспитивање успостављених
и нормативизованих граница родних идентитета, њихових учинака и
коначно кроз њихову деконструкцију.
AB  - Zora Petrović (1894–1962) was a painter who, with her unique artistic language,
known for her strong, energetic gesture, wide and passionate brush strokes, and plenty
of thick paste and expressive colors, marked the time in which she created. She acquired
her education in Belgrade and Pest in the years before, during and immediately
after the First World War, whereas in the mid-1920s, like many of her colleagues, she
went to Paris for a one-year professional training. Her dual career path of an art pedagogue,
from a “teacher of skills” to the post of full professor, and an artist began in late
1920 and early 1921, and ended with her death on 26 May 1962. Zora Petrović painted
tirelessly: her solo exhibitions were an opportunity to present to the general public
what she did and how her painting was evolving, whereas group exhibitions were an
opportunity to compare and contextualize her own painting within the current trends
in Serbian and Yugoslav art, i.e. the opportunity to be present and her work to be visible,
recognized, mapped and meaningful. During her long art career, Zora earned a
Diplome de Médaille d’Argent for her exhibition held in the Pavilion of the Kingdom of
Yugoslavia at Exposition Internationale des Arts et des Techniques in Paris, in 1937; was
the recipient of the 1956 October Award for her artworks exhibited at her seventh solo
exhibition in the “Cvijeta Zuzorić” Art Pavilion in Belgrade in 1955. In 1958, by decree of
the president of the FPRY, Josip Broz Tito, she was awarded the Order of Labour with
Red Banner. In 1961, she was elected a corresponding member of the Serbian Academy
of Sciences and Arts, thus becoming the fourth woman after Katarina Ivanović, Isidora
Sekulić and Desanka Maksimović, to whom this male-only club opened its doors.
The range of motifs and themes in Zora Petrović’s paintings is a result of the synthesis
of influences of rigid rules imposed by traditional art training curricula and
modern art, thematically and technically understood as the art adequately reflecting
the changing and contradictory nature of modern life. Zora Petrović herself reflected
upon art and her painting within the framework of traditional principles based on selectivity,
partiality and the policy of exclusion and those that linked art with ‘aesthetic
experience’, considered as something universal, natural, unchangeable and, ultimately,
detached from social context and ideology. Her painting practice evolved through her
gradual moving away from academic art and her adoption of ideas that would lead her
to a modernist conceptualization of a painting as a medium based on its own distinctive,
unchangeable qualities. Zora Petrović first accepted the general assumptions suggested
by the early modern painting that color was not an addition to form, the process
of emancipation of color from its traditional purely descriptive function, as well as
fluctuations around the local color tone. In addition, she changed the technique of applying
paint on canvas and as of the late 1920s her move became wider, more dynamic,
more energetic, more unrestrained; it was the move that emphasized the materiality of paint or transformed paint into a vital and independent plastic structure. In the late
1930s, after having used dark color palettes for many years, even though she started
using bright color palettes and pure colors, she did not completely abandon hue color
modulation. She applied the warm tones first and ended with the cold ones, that is,
she mainly applied a cold tone over a warm background, increasing the intensity of the
color with complementary relations (usually red and green). In literature, this reversal
is interpreted as a consequence of two influences that Zora Petrović herself identified.
They both belong to the visual heritage of the Balkans, whereas there is no consensus
on whether they are both relevant or just one of them. Given that, in the late 1930s, Zora
Petrović turned to the motif of ordinary women wearing (everyday, or work clothes)
folk costumes (due to the shortage or reluctance of male models); the color effects
of their attire were consensually and unanimously recognized as the first influence.
Although the second influence came from Serbian medieval frescoes and whilst the
underpaintings (especially of the incarnate, together with the shift from warm, redorange-
ochre tones to green shadows, including the brown and hazy olive-green circles
under the eyes, and the fullness of pure colors, the modeling with coloring methods,
large areas covered in color of the same value and intensity, contours separating
the motifs from the background and the harmony of complementary and simultaneous
contrasts) could be linked to the medieval Eastern Christian painting tradition, it is not
the connection that one can easily notice when looking at her painting but is, in fact,
consciously searched for and inscribed. The characteristics observed in the paintings
of Zora Petrović represent, first and foremost, an amalgam of early modernist painting
expressions, whereas the question on more specific circumstances and reasons, which
made the artist legitimize the distinctiveness of her artistic work by connecting it to
the medieval painting tradition, remains open for some future research. The harsh,
raw and at the same time skillful painting technique of Zora Petrović, along with the
references to folk artistic expression and with perhaps her own view on the medieval
Eastern Christian painting tradition, also brings her painting closer to the logic of
primitivism. The color, as a trace of wide, layered, spontaneous, curvy, unsystematic,
energetically performed brush strokes, becomes a matter that possesses the quality
of a ‘wild’ expression, i.e. the value of untamed fluidity that breaks the psychological
boundaries between the inner and outer being, but also the boundaries between oneself
and the others. That is why her female nudes caused a discomfort which could have
been overcome only through a highly developed formal language of art criticism, which
as a masculine discourse, disciplined, consolidated, established boundaries, preserving
the integrity of culture from the potential risk of the work of matter. Even though
the implications of her painting can be considered as feminist, in the sense that it
possesses the potential to destabilize the meanings and values of patriarchal culture
that are based on men’s control over women’s labor, their sensuality, as well as over the
ways and possibilities of their access to symbolic representation, Zora Petrović’s art
could not be described as feminist art. Even though her approach to art certainly was
not aiming at radically changing the world through the innovation of artistic language,
it did unveil the mechanisms of patriarchal heterosexual culture, within the frameworks
of traditional artistic discipline and the language of that discipline, and evolved
through an active re-examination of the established and normativised boundaries of
gender identities, their effects and finally through their deconstruction.
PB  - Београд : Српска академија наука и уметности
C3  - Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
T1  - Зора Петровић (1894–1962)
SP  - 188
EP  - 231
UR  - https://hdl.handle.net/21.15107/rcub_dais_12261
ER  - 
@conference{
author = "Чубрило, Јасмина",
year = "2021",
abstract = "Зора Петровић (1894–1962) је сликарка која је својим јединственим
уметничким језиком, препознатљивим по снажном, енергичном гесту,
широким и страсним потезима, са доста густе пасте, изражајног колорита
обележила време у којем је стварала. Круг мотива и тема у сликарству
Зоре Петровић производ је мешања утицаја ригидних правила на којима
се темељио програм традиционалне едукације будућег сликара, с једне,
и модерне уметности схваћене као оне која и у тематском и у техничком
смислу на адекватан начин рефлектује променљиву и контрадикторну
природу модерног живота, с друге стране. Њен приступ уметности сва-
како није био усмерен ка радикалном мењању света путем иновације
уметничког језика, али јесте у оквирима традиционалнe уметничке дис-
циплине и језика те дисциплине разоткривао механизме патријархалне
хетеро-културе и развијао се кроз активно преиспитивање успостављених
и нормативизованих граница родних идентитета, њихових учинака и
коначно кроз њихову деконструкцију., Zora Petrović (1894–1962) was a painter who, with her unique artistic language,
known for her strong, energetic gesture, wide and passionate brush strokes, and plenty
of thick paste and expressive colors, marked the time in which she created. She acquired
her education in Belgrade and Pest in the years before, during and immediately
after the First World War, whereas in the mid-1920s, like many of her colleagues, she
went to Paris for a one-year professional training. Her dual career path of an art pedagogue,
from a “teacher of skills” to the post of full professor, and an artist began in late
1920 and early 1921, and ended with her death on 26 May 1962. Zora Petrović painted
tirelessly: her solo exhibitions were an opportunity to present to the general public
what she did and how her painting was evolving, whereas group exhibitions were an
opportunity to compare and contextualize her own painting within the current trends
in Serbian and Yugoslav art, i.e. the opportunity to be present and her work to be visible,
recognized, mapped and meaningful. During her long art career, Zora earned a
Diplome de Médaille d’Argent for her exhibition held in the Pavilion of the Kingdom of
Yugoslavia at Exposition Internationale des Arts et des Techniques in Paris, in 1937; was
the recipient of the 1956 October Award for her artworks exhibited at her seventh solo
exhibition in the “Cvijeta Zuzorić” Art Pavilion in Belgrade in 1955. In 1958, by decree of
the president of the FPRY, Josip Broz Tito, she was awarded the Order of Labour with
Red Banner. In 1961, she was elected a corresponding member of the Serbian Academy
of Sciences and Arts, thus becoming the fourth woman after Katarina Ivanović, Isidora
Sekulić and Desanka Maksimović, to whom this male-only club opened its doors.
The range of motifs and themes in Zora Petrović’s paintings is a result of the synthesis
of influences of rigid rules imposed by traditional art training curricula and
modern art, thematically and technically understood as the art adequately reflecting
the changing and contradictory nature of modern life. Zora Petrović herself reflected
upon art and her painting within the framework of traditional principles based on selectivity,
partiality and the policy of exclusion and those that linked art with ‘aesthetic
experience’, considered as something universal, natural, unchangeable and, ultimately,
detached from social context and ideology. Her painting practice evolved through her
gradual moving away from academic art and her adoption of ideas that would lead her
to a modernist conceptualization of a painting as a medium based on its own distinctive,
unchangeable qualities. Zora Petrović first accepted the general assumptions suggested
by the early modern painting that color was not an addition to form, the process
of emancipation of color from its traditional purely descriptive function, as well as
fluctuations around the local color tone. In addition, she changed the technique of applying
paint on canvas and as of the late 1920s her move became wider, more dynamic,
more energetic, more unrestrained; it was the move that emphasized the materiality of paint or transformed paint into a vital and independent plastic structure. In the late
1930s, after having used dark color palettes for many years, even though she started
using bright color palettes and pure colors, she did not completely abandon hue color
modulation. She applied the warm tones first and ended with the cold ones, that is,
she mainly applied a cold tone over a warm background, increasing the intensity of the
color with complementary relations (usually red and green). In literature, this reversal
is interpreted as a consequence of two influences that Zora Petrović herself identified.
They both belong to the visual heritage of the Balkans, whereas there is no consensus
on whether they are both relevant or just one of them. Given that, in the late 1930s, Zora
Petrović turned to the motif of ordinary women wearing (everyday, or work clothes)
folk costumes (due to the shortage or reluctance of male models); the color effects
of their attire were consensually and unanimously recognized as the first influence.
Although the second influence came from Serbian medieval frescoes and whilst the
underpaintings (especially of the incarnate, together with the shift from warm, redorange-
ochre tones to green shadows, including the brown and hazy olive-green circles
under the eyes, and the fullness of pure colors, the modeling with coloring methods,
large areas covered in color of the same value and intensity, contours separating
the motifs from the background and the harmony of complementary and simultaneous
contrasts) could be linked to the medieval Eastern Christian painting tradition, it is not
the connection that one can easily notice when looking at her painting but is, in fact,
consciously searched for and inscribed. The characteristics observed in the paintings
of Zora Petrović represent, first and foremost, an amalgam of early modernist painting
expressions, whereas the question on more specific circumstances and reasons, which
made the artist legitimize the distinctiveness of her artistic work by connecting it to
the medieval painting tradition, remains open for some future research. The harsh,
raw and at the same time skillful painting technique of Zora Petrović, along with the
references to folk artistic expression and with perhaps her own view on the medieval
Eastern Christian painting tradition, also brings her painting closer to the logic of
primitivism. The color, as a trace of wide, layered, spontaneous, curvy, unsystematic,
energetically performed brush strokes, becomes a matter that possesses the quality
of a ‘wild’ expression, i.e. the value of untamed fluidity that breaks the psychological
boundaries between the inner and outer being, but also the boundaries between oneself
and the others. That is why her female nudes caused a discomfort which could have
been overcome only through a highly developed formal language of art criticism, which
as a masculine discourse, disciplined, consolidated, established boundaries, preserving
the integrity of culture from the potential risk of the work of matter. Even though
the implications of her painting can be considered as feminist, in the sense that it
possesses the potential to destabilize the meanings and values of patriarchal culture
that are based on men’s control over women’s labor, their sensuality, as well as over the
ways and possibilities of their access to symbolic representation, Zora Petrović’s art
could not be described as feminist art. Even though her approach to art certainly was
not aiming at radically changing the world through the innovation of artistic language,
it did unveil the mechanisms of patriarchal heterosexual culture, within the frameworks
of traditional artistic discipline and the language of that discipline, and evolved
through an active re-examination of the established and normativised boundaries of
gender identities, their effects and finally through their deconstruction.",
publisher = "Београд : Српска академија наука и уметности",
journal = "Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1",
title = "Зора Петровић (1894–1962)",
pages = "188-231",
url = "https://hdl.handle.net/21.15107/rcub_dais_12261"
}
Чубрило, Ј.. (2021). Зора Петровић (1894–1962). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
Београд : Српска академија наука и уметности., 188-231.
https://hdl.handle.net/21.15107/rcub_dais_12261
Чубрило Ј. Зора Петровић (1894–1962). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1. 2021;:188-231.
https://hdl.handle.net/21.15107/rcub_dais_12261 .
Чубрило, Јасмина, "Зора Петровић (1894–1962)" in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1 (2021):188-231,
https://hdl.handle.net/21.15107/rcub_dais_12261 .

Ispitivanje i otklanјanјe pojave korozije i termičkih oksida na metalnim delovima elektroenergetskog postojenja

Mihailović, Marija; Jegdić, Bore; Jugović, Branimir; Kovačina, Jovanka; Radojković, Bojana; Patarić, Aleksandra; Jokić, Bojan

(Belgrade : University of Belgrade - Institute of Chemistry, Technology and Metallurgy, 2021)

TY  - GEN
AU  - Mihailović, Marija
AU  - Jegdić, Bore
AU  - Jugović, Branimir
AU  - Kovačina, Jovanka
AU  - Radojković, Bojana
AU  - Patarić, Aleksandra
AU  - Jokić, Bojan
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11630
AB  - Praćenje pojave i brzine korozije, nastanak termičkih oksida na površini metalnih delova eletroenergetskog postrojenјa, kao i način njihovog otklanjanja na način koji je tehnološki pogodan, ekonomski pristupačan i ekološki opravdan prikazan je u ovom tehničkom rešenju Ispitivanjem je ustanovljeno da su metalni delovi na kojima se javlja korozija izrađeni od na nerđajućeg čelika AISI 304, pa je pojava korozije i termičkih oksida praćena je u odnosu na to, kao i sastav prašine sa kojom su metalni delovi u kontaktu. Pojava termičkih oksida na površini nerđajućih čelika posledica je povišene temperature na mestu zavarivanja metalnih delova.
Merena je vrednost pH oba rastvora: etalonskog i zasićenog rastvoru prašine iz pogona.
Sastav uzoraka prašine određen je FTIR metodom, pa su na osnovu prisutnih jona u rastvoru definisana ostala ispitivanja.
Određivan je korozioni potencijal Ekor, vrednost otpora polarizacije Rp, kao i gustina struje korozije jkor. Sva ispitivanja nerđajućeg čelika u etalonskom rastvoru i u zasićenom rastvoru prašine iz pogona firme naručioca, rađena su za 1 sat i u toku 25 dana.
Kao rezultat svih istražoivanja, date su tehnološke preporuke i način otklanjanja korozije i termičkih oksida.
Rešenje je prodato naručuicu u toku 2020.godine, a od januara 2021.godine primenjeno u postrojenju naručioca, ELNOS BL d.o.o., koji su izjavom potvrdili primenu ovog tehničkog rešenja u svom poslovanju.
AB  - Monitoring the occurrence and rate of corrosion, the formation of thermal oxides on the surface of metal parts of the power plant, as well as the method of their elimination in a way that is technologically suitable, economically affordable and environmentally justified is shown in this technical solution. It has been established that the metal elements affected by corrosion were made from stainless steel AISI 304. Accordingly, the occurrence of corrosion and thermal oxides was monitored based on the material and the composition of the dust with which the metal parts are in contact. The emergence of thermal oxides on the surface of stainless steels is a consequence of the elevated temperature at the welding site.
The pH value of both solutions was measured: standard and saturated solution of dust from the plant. The composition of the dust samples was determined by FTIR. The other tests were defined based on the ions present in the solution.
The corrosion potential, the value of the polarization resistance, as well as the corrosion current density were determined. All tests of stainless steel in the standard solution and in the saturated solution of dust were performed for one hour within a span of 25 days.
Technological recommendations on how to eliminate corrosion and thermal oxides are provided.
The solution has been applied since January 2021 by ELNOS BL d.o.o.
PB  - Belgrade : University of Belgrade - Institute of Chemistry, Technology and Metallurgy
T1  - Ispitivanje i otklanјanјe pojave korozije i termičkih oksida na metalnim delovima elektroenergetskog postojenja
T1  - Possibility of removal of corrosion and thermal oxides on metal parts of electric power plant
UR  - https://hdl.handle.net/21.15107/rcub_dais_11630
ER  - 
@misc{
author = "Mihailović, Marija and Jegdić, Bore and Jugović, Branimir and Kovačina, Jovanka and Radojković, Bojana and Patarić, Aleksandra and Jokić, Bojan",
year = "2021",
abstract = "Praćenje pojave i brzine korozije, nastanak termičkih oksida na površini metalnih delova eletroenergetskog postrojenјa, kao i način njihovog otklanjanja na način koji je tehnološki pogodan, ekonomski pristupačan i ekološki opravdan prikazan je u ovom tehničkom rešenju Ispitivanjem je ustanovljeno da su metalni delovi na kojima se javlja korozija izrađeni od na nerđajućeg čelika AISI 304, pa je pojava korozije i termičkih oksida praćena je u odnosu na to, kao i sastav prašine sa kojom su metalni delovi u kontaktu. Pojava termičkih oksida na površini nerđajućih čelika posledica je povišene temperature na mestu zavarivanja metalnih delova.
Merena je vrednost pH oba rastvora: etalonskog i zasićenog rastvoru prašine iz pogona.
Sastav uzoraka prašine određen je FTIR metodom, pa su na osnovu prisutnih jona u rastvoru definisana ostala ispitivanja.
Određivan je korozioni potencijal Ekor, vrednost otpora polarizacije Rp, kao i gustina struje korozije jkor. Sva ispitivanja nerđajućeg čelika u etalonskom rastvoru i u zasićenom rastvoru prašine iz pogona firme naručioca, rađena su za 1 sat i u toku 25 dana.
Kao rezultat svih istražoivanja, date su tehnološke preporuke i način otklanjanja korozije i termičkih oksida.
Rešenje je prodato naručuicu u toku 2020.godine, a od januara 2021.godine primenjeno u postrojenju naručioca, ELNOS BL d.o.o., koji su izjavom potvrdili primenu ovog tehničkog rešenja u svom poslovanju., Monitoring the occurrence and rate of corrosion, the formation of thermal oxides on the surface of metal parts of the power plant, as well as the method of their elimination in a way that is technologically suitable, economically affordable and environmentally justified is shown in this technical solution. It has been established that the metal elements affected by corrosion were made from stainless steel AISI 304. Accordingly, the occurrence of corrosion and thermal oxides was monitored based on the material and the composition of the dust with which the metal parts are in contact. The emergence of thermal oxides on the surface of stainless steels is a consequence of the elevated temperature at the welding site.
The pH value of both solutions was measured: standard and saturated solution of dust from the plant. The composition of the dust samples was determined by FTIR. The other tests were defined based on the ions present in the solution.
The corrosion potential, the value of the polarization resistance, as well as the corrosion current density were determined. All tests of stainless steel in the standard solution and in the saturated solution of dust were performed for one hour within a span of 25 days.
Technological recommendations on how to eliminate corrosion and thermal oxides are provided.
The solution has been applied since January 2021 by ELNOS BL d.o.o.",
publisher = "Belgrade : University of Belgrade - Institute of Chemistry, Technology and Metallurgy",
title = "Ispitivanje i otklanјanјe pojave korozije i termičkih oksida na metalnim delovima elektroenergetskog postojenja, Possibility of removal of corrosion and thermal oxides on metal parts of electric power plant",
url = "https://hdl.handle.net/21.15107/rcub_dais_11630"
}
Mihailović, M., Jegdić, B., Jugović, B., Kovačina, J., Radojković, B., Patarić, A.,& Jokić, B.. (2021). Ispitivanje i otklanјanјe pojave korozije i termičkih oksida na metalnim delovima elektroenergetskog postojenja. 
Belgrade : University of Belgrade - Institute of Chemistry, Technology and Metallurgy..
https://hdl.handle.net/21.15107/rcub_dais_11630
Mihailović M, Jegdić B, Jugović B, Kovačina J, Radojković B, Patarić A, Jokić B. Ispitivanje i otklanјanјe pojave korozije i termičkih oksida na metalnim delovima elektroenergetskog postojenja. 2021;.
https://hdl.handle.net/21.15107/rcub_dais_11630 .
Mihailović, Marija, Jegdić, Bore, Jugović, Branimir, Kovačina, Jovanka, Radojković, Bojana, Patarić, Aleksandra, Jokić, Bojan, "Ispitivanje i otklanјanјe pojave korozije i termičkih oksida na metalnim delovima elektroenergetskog postojenja" (2021),
https://hdl.handle.net/21.15107/rcub_dais_11630 .

Cytotoxicity of amorphous calcium phosphate multifunctional composite coatings on titanium obtained by in situ anodization/anaphoretic deposition

Pantović-Pavlović, Marijana; Pavlović, Miroslav; Kovačina, Jovanka; Stanojević, Boris; Stevanović, Jasmina; Panić, Vladimir; Ignjatović, Nenad

(Belgrade : Serbian Chemical Society, 2021)

TY  - JOUR
AU  - Pantović-Pavlović, Marijana
AU  - Pavlović, Miroslav
AU  - Kovačina, Jovanka
AU  - Stanojević, Boris
AU  - Stevanović, Jasmina
AU  - Panić, Vladimir
AU  - Ignjatović, Nenad
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11738
AB  - The cytotoxicity of amorphous calcium phosphate (ACP) and chitosan lactate (ChOL) multifunctional and hybrid composite coatings on MRC-5 human lung fibroblast cell line was elucidated. ACP/TiO2 and ACP/TiO2/ /ChOL were deposited onto Ti by a novel in situ anodization/anaphoretic process at constant voltage. Cytotoxicity tests showed that there was no significant decrease in the survival of healthy MRC-5 cells exposed to composite samples without chitosan lactate, while there was an increase in the number of viable cells in the sample containing ChOL. These findings show that there was improved cell proliferation, differentiation and cell viability in the ChOL-containing sample, which makes ACP/TiO2/ChOL coating a good candidate for applications in medicine and stomatology.
PB  - Belgrade : Serbian Chemical Society
T2  - Journal of the Serbian Chemical Society
T1  - Cytotoxicity of amorphous calcium phosphate multifunctional composite coatings on titanium obtained by in situ anodization/anaphoretic deposition
SP  - 555
EP  - 559
VL  - 86
IS  - 6
DO  - 10.2298/JSC210211024P
UR  - https://hdl.handle.net/21.15107/rcub_dais_11738
ER  - 
@article{
author = "Pantović-Pavlović, Marijana and Pavlović, Miroslav and Kovačina, Jovanka and Stanojević, Boris and Stevanović, Jasmina and Panić, Vladimir and Ignjatović, Nenad",
year = "2021",
abstract = "The cytotoxicity of amorphous calcium phosphate (ACP) and chitosan lactate (ChOL) multifunctional and hybrid composite coatings on MRC-5 human lung fibroblast cell line was elucidated. ACP/TiO2 and ACP/TiO2/ /ChOL were deposited onto Ti by a novel in situ anodization/anaphoretic process at constant voltage. Cytotoxicity tests showed that there was no significant decrease in the survival of healthy MRC-5 cells exposed to composite samples without chitosan lactate, while there was an increase in the number of viable cells in the sample containing ChOL. These findings show that there was improved cell proliferation, differentiation and cell viability in the ChOL-containing sample, which makes ACP/TiO2/ChOL coating a good candidate for applications in medicine and stomatology.",
publisher = "Belgrade : Serbian Chemical Society",
journal = "Journal of the Serbian Chemical Society",
title = "Cytotoxicity of amorphous calcium phosphate multifunctional composite coatings on titanium obtained by in situ anodization/anaphoretic deposition",
pages = "555-559",
volume = "86",
number = "6",
doi = "10.2298/JSC210211024P",
url = "https://hdl.handle.net/21.15107/rcub_dais_11738"
}
Pantović-Pavlović, M., Pavlović, M., Kovačina, J., Stanojević, B., Stevanović, J., Panić, V.,& Ignjatović, N.. (2021). Cytotoxicity of amorphous calcium phosphate multifunctional composite coatings on titanium obtained by in situ anodization/anaphoretic deposition. in Journal of the Serbian Chemical Society
Belgrade : Serbian Chemical Society., 86(6), 555-559.
https://doi.org/10.2298/JSC210211024P
https://hdl.handle.net/21.15107/rcub_dais_11738
Pantović-Pavlović M, Pavlović M, Kovačina J, Stanojević B, Stevanović J, Panić V, Ignjatović N. Cytotoxicity of amorphous calcium phosphate multifunctional composite coatings on titanium obtained by in situ anodization/anaphoretic deposition. in Journal of the Serbian Chemical Society. 2021;86(6):555-559.
doi:10.2298/JSC210211024P
https://hdl.handle.net/21.15107/rcub_dais_11738 .
Pantović-Pavlović, Marijana, Pavlović, Miroslav, Kovačina, Jovanka, Stanojević, Boris, Stevanović, Jasmina, Panić, Vladimir, Ignjatović, Nenad, "Cytotoxicity of amorphous calcium phosphate multifunctional composite coatings on titanium obtained by in situ anodization/anaphoretic deposition" in Journal of the Serbian Chemical Society, 86, no. 6 (2021):555-559,
https://doi.org/10.2298/JSC210211024P .,
https://hdl.handle.net/21.15107/rcub_dais_11738 .
1
1
1

Decreasing the implementation costs of smart metering systems with interoperability

Vujasinović, Jovan; Savić, Goran; Batas-Bjelić, Ilija; Rajaković, Nikola

(Institute of Electrical and Electronics Engineers (IEEE), 2021)

TY  - CONF
AU  - Vujasinović, Jovan
AU  - Savić, Goran
AU  - Batas-Bjelić, Ilija
AU  - Rajaković, Nikola
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12247
AB  - This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.
PB  - Institute of Electrical and Electronics Engineers (IEEE)
C3  - 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
T1  - Decreasing the implementation costs of smart metering systems with interoperability
SP  - 370
EP  - 373
DO  - 10.1109/MetroInd4.0IoT51437.2021.9488512
UR  - https://hdl.handle.net/21.15107/rcub_dais_12247
ER  - 
@conference{
author = "Vujasinović, Jovan and Savić, Goran and Batas-Bjelić, Ilija and Rajaković, Nikola",
year = "2021",
abstract = "This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.",
publisher = "Institute of Electrical and Electronics Engineers (IEEE)",
journal = "2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)",
title = "Decreasing the implementation costs of smart metering systems with interoperability",
pages = "370-373",
doi = "10.1109/MetroInd4.0IoT51437.2021.9488512",
url = "https://hdl.handle.net/21.15107/rcub_dais_12247"
}
Vujasinović, J., Savić, G., Batas-Bjelić, I.,& Rajaković, N.. (2021). Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
Institute of Electrical and Electronics Engineers (IEEE)., 370-373.
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12247
Vujasinović J, Savić G, Batas-Bjelić I, Rajaković N. Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT). 2021;:370-373.
doi:10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12247 .
Vujasinović, Jovan, Savić, Goran, Batas-Bjelić, Ilija, Rajaković, Nikola, "Decreasing the implementation costs of smart metering systems with interoperability" in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT) (2021):370-373,
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512 .,
https://hdl.handle.net/21.15107/rcub_dais_12247 .

Decreasing the implementation costs of smart metering systems with interoperability

Vujasinović, Jovan; Savić, Goran; Batas-Bjelić, Ilija; Rajaković, Nikola

(Institute of Electrical and Electronics Engineers (IEEE), 2021)

TY  - CONF
AU  - Vujasinović, Jovan
AU  - Savić, Goran
AU  - Batas-Bjelić, Ilija
AU  - Rajaković, Nikola
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12246
AB  - This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.
PB  - Institute of Electrical and Electronics Engineers (IEEE)
C3  - 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
T1  - Decreasing the implementation costs of smart metering systems with interoperability
SP  - 370
EP  - 373
DO  - 10.1109/MetroInd4.0IoT51437.2021.9488512
UR  - https://hdl.handle.net/21.15107/rcub_dais_12246
ER  - 
@conference{
author = "Vujasinović, Jovan and Savić, Goran and Batas-Bjelić, Ilija and Rajaković, Nikola",
year = "2021",
abstract = "This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.",
publisher = "Institute of Electrical and Electronics Engineers (IEEE)",
journal = "2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)",
title = "Decreasing the implementation costs of smart metering systems with interoperability",
pages = "370-373",
doi = "10.1109/MetroInd4.0IoT51437.2021.9488512",
url = "https://hdl.handle.net/21.15107/rcub_dais_12246"
}
Vujasinović, J., Savić, G., Batas-Bjelić, I.,& Rajaković, N.. (2021). Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
Institute of Electrical and Electronics Engineers (IEEE)., 370-373.
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12246
Vujasinović J, Savić G, Batas-Bjelić I, Rajaković N. Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT). 2021;:370-373.
doi:10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12246 .
Vujasinović, Jovan, Savić, Goran, Batas-Bjelić, Ilija, Rajaković, Nikola, "Decreasing the implementation costs of smart metering systems with interoperability" in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT) (2021):370-373,
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512 .,
https://hdl.handle.net/21.15107/rcub_dais_12246 .

О концепту гостопримство у српском и француском језику

Димитријевић, Јована Љ.; Васиљевић, Анђела Д.

(Крагујевац : Филолошко-уметнички факултет, 2021)

TY  - JOUR
AU  - Димитријевић, Јована Љ.
AU  - Васиљевић, Анђела Д.
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12243
AB  - Le présent travail propose une analyse contrastive, linguistique et culturelle du concept d’hospitalité
en serbe et en français. Le but principal consiste à analyser le matériel extrait des dictionnaires descriptifs et
phraséologiques des deux langues, ainsi que des proverbes populaires de Vuk S. Karadžić, afin de déceler les
similitudes et / ou les différences existant dans la représentation linguistique du concept donné dans les deux
cultures. En outre, cette analyse porte sur l’attitude conventionnelle à l’égard du concept d’hospitalité et, en
particulier, sur son marquage positif ou négatif. Ainsi, correspondances et écarts seront pris en considération,
tout en insistant sur des liens de nature historique, formelle, sémantique et culturelle. Le concept d’hospitalité
étant l’un des concepts civilisationnels les plus importants, qui s’exprime au niveau lexical, tout comme
aux niveaux phraséologique et parémiologique, il est très probable que ces deux langues sont dotées des
représentations mentales similaires, voire identiques. La partie principale de notre travail est consacrée à
l’analyse componentielle et contrastive du lexème serbe gost, ainsi qu’à l’analyse de son cognat et équivalent
(partiel) français hôte. Afin de vérifier nos hypothèses de départ, nous consultons plusieurs dictionnaires
monolingues et bilingues, de type général et spécifique, sans oublier les résultats des recherches antérieures à
propos de différents aspects du concept d’hospitalité sur les plans linguistique et culturel.
AB  - Рад се базира на контрастивној лингвокултуролошкој анализи концепта
гостопримство у српском и француском језику. Циљ је да се анализом грађе
ексцерпиране из савремених описних и фразеолошких (једнојезичних и двојезичних)
речника српског и француског језика, као и Вукових Српских народних пословица,
уоче сличности, различитости или заједничке црте језичке представе датог концепта у
двема традицијама. Питање које се разматра тиче се и конвенционалног односа према
појму гостопримство, те његовој позитивној или негативној маркираности у језичкој
слици ових народа. Сходно томе, посматраће се кореспонденције и одступања, као и
историјске, обличке, семантичке и културолошке споне у концептима двају језика и двеју
култура. Концепт гостопримство представља један од важнијих интернационалних
цивилизацијских концепата, који се изражава како на лексичком, тако и на фразеолошко-
паремиолошком нивоу. Кључни појам у концепту гостопримство припада лексеми гост,
односно францускoj лексеми hôte. У обзир су узета и досадашња сагледавања другачијих
аспеката овог феномена у српском језику (нпр. у радовима Д. Мршевић Радовић, Т.
Милосављевић, Р. Вуксановић).
PB  - Крагујевац : Филолошко-уметнички факултет
T2  - Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1
T1  - О концепту гостопримство у српском и француском језику
T1  - À propos du concept d’hospitalité en serbe et en français
SP  - 99
EP  - 113
UR  - https://hdl.handle.net/21.15107/rcub_dais_12243
ER  - 
@article{
author = "Димитријевић, Јована Љ. and Васиљевић, Анђела Д.",
year = "2021",
abstract = "Le présent travail propose une analyse contrastive, linguistique et culturelle du concept d’hospitalité
en serbe et en français. Le but principal consiste à analyser le matériel extrait des dictionnaires descriptifs et
phraséologiques des deux langues, ainsi que des proverbes populaires de Vuk S. Karadžić, afin de déceler les
similitudes et / ou les différences existant dans la représentation linguistique du concept donné dans les deux
cultures. En outre, cette analyse porte sur l’attitude conventionnelle à l’égard du concept d’hospitalité et, en
particulier, sur son marquage positif ou négatif. Ainsi, correspondances et écarts seront pris en considération,
tout en insistant sur des liens de nature historique, formelle, sémantique et culturelle. Le concept d’hospitalité
étant l’un des concepts civilisationnels les plus importants, qui s’exprime au niveau lexical, tout comme
aux niveaux phraséologique et parémiologique, il est très probable que ces deux langues sont dotées des
représentations mentales similaires, voire identiques. La partie principale de notre travail est consacrée à
l’analyse componentielle et contrastive du lexème serbe gost, ainsi qu’à l’analyse de son cognat et équivalent
(partiel) français hôte. Afin de vérifier nos hypothèses de départ, nous consultons plusieurs dictionnaires
monolingues et bilingues, de type général et spécifique, sans oublier les résultats des recherches antérieures à
propos de différents aspects du concept d’hospitalité sur les plans linguistique et culturel., Рад се базира на контрастивној лингвокултуролошкој анализи концепта
гостопримство у српском и француском језику. Циљ је да се анализом грађе
ексцерпиране из савремених описних и фразеолошких (једнојезичних и двојезичних)
речника српског и француског језика, као и Вукових Српских народних пословица,
уоче сличности, различитости или заједничке црте језичке представе датог концепта у
двема традицијама. Питање које се разматра тиче се и конвенционалног односа према
појму гостопримство, те његовој позитивној или негативној маркираности у језичкој
слици ових народа. Сходно томе, посматраће се кореспонденције и одступања, као и
историјске, обличке, семантичке и културолошке споне у концептима двају језика и двеју
култура. Концепт гостопримство представља један од важнијих интернационалних
цивилизацијских концепата, који се изражава како на лексичком, тако и на фразеолошко-
паремиолошком нивоу. Кључни појам у концепту гостопримство припада лексеми гост,
односно францускoj лексеми hôte. У обзир су узета и досадашња сагледавања другачијих
аспеката овог феномена у српском језику (нпр. у радовима Д. Мршевић Радовић, Т.
Милосављевић, Р. Вуксановић).",
publisher = "Крагујевац : Филолошко-уметнички факултет",
journal = "Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1",
title = "О концепту гостопримство у српском и француском језику, À propos du concept d’hospitalité en serbe et en français",
pages = "99-113",
url = "https://hdl.handle.net/21.15107/rcub_dais_12243"
}
Димитријевић, Ј. Љ.,& Васиљевић, А. Д.. (2021). О концепту гостопримство у српском и француском језику. in Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1
Крагујевац : Филолошко-уметнички факултет., 99-113.
https://hdl.handle.net/21.15107/rcub_dais_12243
Димитријевић ЈЉ, Васиљевић АД. О концепту гостопримство у српском и француском језику. in Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1. 2021;:99-113.
https://hdl.handle.net/21.15107/rcub_dais_12243 .
Димитријевић, Јована Љ., Васиљевић, Анђела Д., "О концепту гостопримство у српском и француском језику" in Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1 (2021):99-113,
https://hdl.handle.net/21.15107/rcub_dais_12243 .

Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming

Stratimirović, Đorđe; Batas-Bjelić, Ilija; Đurđevic, Vladimir; Blešić, Suzana

(Elsevier BV, 2021)

TY  - JOUR
AU  - Stratimirović, Đorđe
AU  - Batas-Bjelić, Ilija
AU  - Đurđevic, Vladimir
AU  - Blešić, Suzana
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11681
AB  - In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.
PB  - Elsevier BV
T2  - Physica A: Statistical Mechanics and its Applications
T1  - Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming
SP  - 125607
VL  - 566
DO  - 10.1016/j.physa.2020.125607
UR  - https://hdl.handle.net/21.15107/rcub_dais_11681
ER  - 
@article{
author = "Stratimirović, Đorđe and Batas-Bjelić, Ilija and Đurđevic, Vladimir and Blešić, Suzana",
year = "2021",
abstract = "In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.",
publisher = "Elsevier BV",
journal = "Physica A: Statistical Mechanics and its Applications",
title = "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming",
pages = "125607",
volume = "566",
doi = "10.1016/j.physa.2020.125607",
url = "https://hdl.handle.net/21.15107/rcub_dais_11681"
}
Stratimirović, Đ., Batas-Bjelić, I., Đurđevic, V.,& Blešić, S.. (2021). Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications
Elsevier BV., 566, 125607.
https://doi.org/10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_11681
Stratimirović Đ, Batas-Bjelić I, Đurđevic V, Blešić S. Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications. 2021;566:125607.
doi:10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_11681 .
Stratimirović, Đorđe, Batas-Bjelić, Ilija, Đurđevic, Vladimir, Blešić, Suzana, "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming" in Physica A: Statistical Mechanics and its Applications, 566 (2021):125607,
https://doi.org/10.1016/j.physa.2020.125607 .,
https://hdl.handle.net/21.15107/rcub_dais_11681 .
1
1
1

Flexibility index and decreasing the costs in energy systems with high share of renewable energy

Pfeifer, Antun; Herc, Luka; Batas-Bjelić, Ilija; Duić, Neven

(Elsevier BV, 2021)

TY  - JOUR
AU  - Pfeifer, Antun
AU  - Herc, Luka
AU  - Batas-Bjelić, Ilija
AU  - Duić, Neven
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11648
AB  - Recent European Green Deal includes decision to become carbon neutral and even carbon negative region in order to tackle the climate crisis. Main technical challenge and a key factor in techno-economic analysis of the energy system of the future, based on variable renewable energy sources, is their variable production and its integration. In order to deal with this problem in long-term energy planning, different approaches have been tried, focusing on overcapacity, storage capacities and sectors coupling with heating and transport. In this research, different flexibility options, storage and demand response technologies are modelled on a national energy systems level. With the case study area modelled in EnergyPLAN model, the goal of the research is to show how each flexibility option influences the economically feasible generation capacities of renewable energy sources, storage technologies and demand response in order to reach a certain share of renewable energy in final energy consumed. To follow the numerous possible configurations of the system, flexibility index for each option and a flexibility vector for each scenario are introduced. Results show which flexibility options play key role in important steps of energy transition to 70%, 80%, 90% and 100% RES energy system.
PB  - Elsevier BV
T2  - Energy Conversion and Management
T1  - Flexibility index and decreasing the costs in energy systems with high share of renewable energy
SP  - 114258
VL  - 240
DO  - 10.1016/j.enconman.2021.114258
UR  - https://hdl.handle.net/21.15107/rcub_dais_11648
ER  - 
@article{
author = "Pfeifer, Antun and Herc, Luka and Batas-Bjelić, Ilija and Duić, Neven",
year = "2021",
abstract = "Recent European Green Deal includes decision to become carbon neutral and even carbon negative region in order to tackle the climate crisis. Main technical challenge and a key factor in techno-economic analysis of the energy system of the future, based on variable renewable energy sources, is their variable production and its integration. In order to deal with this problem in long-term energy planning, different approaches have been tried, focusing on overcapacity, storage capacities and sectors coupling with heating and transport. In this research, different flexibility options, storage and demand response technologies are modelled on a national energy systems level. With the case study area modelled in EnergyPLAN model, the goal of the research is to show how each flexibility option influences the economically feasible generation capacities of renewable energy sources, storage technologies and demand response in order to reach a certain share of renewable energy in final energy consumed. To follow the numerous possible configurations of the system, flexibility index for each option and a flexibility vector for each scenario are introduced. Results show which flexibility options play key role in important steps of energy transition to 70%, 80%, 90% and 100% RES energy system.",
publisher = "Elsevier BV",
journal = "Energy Conversion and Management",
title = "Flexibility index and decreasing the costs in energy systems with high share of renewable energy",
pages = "114258",
volume = "240",
doi = "10.1016/j.enconman.2021.114258",
url = "https://hdl.handle.net/21.15107/rcub_dais_11648"
}
Pfeifer, A., Herc, L., Batas-Bjelić, I.,& Duić, N.. (2021). Flexibility index and decreasing the costs in energy systems with high share of renewable energy. in Energy Conversion and Management
Elsevier BV., 240, 114258.
https://doi.org/10.1016/j.enconman.2021.114258
https://hdl.handle.net/21.15107/rcub_dais_11648
Pfeifer A, Herc L, Batas-Bjelić I, Duić N. Flexibility index and decreasing the costs in energy systems with high share of renewable energy. in Energy Conversion and Management. 2021;240:114258.
doi:10.1016/j.enconman.2021.114258
https://hdl.handle.net/21.15107/rcub_dais_11648 .
Pfeifer, Antun, Herc, Luka, Batas-Bjelić, Ilija, Duić, Neven, "Flexibility index and decreasing the costs in energy systems with high share of renewable energy" in Energy Conversion and Management, 240 (2021):114258,
https://doi.org/10.1016/j.enconman.2021.114258 .,
https://hdl.handle.net/21.15107/rcub_dais_11648 .
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Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming

Stratimirović, Đorđe; Batas-Bjelić, Ilija; Đurđevic, Vladimir; Blešić, Suzana

(Elsevier BV, 2021)

TY  - JOUR
AU  - Stratimirović, Đorđe
AU  - Batas-Bjelić, Ilija
AU  - Đurđevic, Vladimir
AU  - Blešić, Suzana
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/10096
AB  - In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.
PB  - Elsevier BV
T2  - Physica A: Statistical Mechanics and its Applications
T1  - Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming
SP  - 125607
VL  - 566
DO  - 10.1016/j.physa.2020.125607
UR  - https://hdl.handle.net/21.15107/rcub_dais_10096
ER  - 
@article{
author = "Stratimirović, Đorđe and Batas-Bjelić, Ilija and Đurđevic, Vladimir and Blešić, Suzana",
year = "2021",
abstract = "In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.",
publisher = "Elsevier BV",
journal = "Physica A: Statistical Mechanics and its Applications",
title = "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming",
pages = "125607",
volume = "566",
doi = "10.1016/j.physa.2020.125607",
url = "https://hdl.handle.net/21.15107/rcub_dais_10096"
}
Stratimirović, Đ., Batas-Bjelić, I., Đurđevic, V.,& Blešić, S.. (2021). Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications
Elsevier BV., 566, 125607.
https://doi.org/10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_10096
Stratimirović Đ, Batas-Bjelić I, Đurđevic V, Blešić S. Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications. 2021;566:125607.
doi:10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_10096 .
Stratimirović, Đorđe, Batas-Bjelić, Ilija, Đurđevic, Vladimir, Blešić, Suzana, "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming" in Physica A: Statistical Mechanics and its Applications, 566 (2021):125607,
https://doi.org/10.1016/j.physa.2020.125607 .,
https://hdl.handle.net/21.15107/rcub_dais_10096 .
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