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From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s

Bralović, Miloš

(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021-11)

TY  - CHAP
AU  - Bralović, Miloš
PY  - 2021-11
UR  - https://dais.sanu.ac.rs/123456789/12004
AB  - The basic idea of this paper is to demonstrate the different ways in which a composer may use the techniques of simulation or stylistic allusion, not to resemble a certain composer or style, but to perfect their own compositional techniques and develop individual style. With this in mind, two orchestral pieces from Serbian music history have been analysed, both written in the 1950s: Suita giocosa (1956) by Milan Ristić (1908–1982) and Passacaglia for orchestra (1957) by Ljubica Marić (1909–2003). Through the analysis of these pieces, I explore the similarities between their compositional techniques with those of the great European masters. In the case of Milan Ristić, the techniques of Paul Hindemith (1895–1963), presented in the textbook Unterweisung im Tonsatz, are the base which Ristić used to perfect his own musical language. In Passacaglia by Ljubica Marić one may notice strong influences of development variation, as explained by Arnold Schoenberg (1874–1951) on Johannes Brahms’ (1833–1897) chamber music titled “Brahms the progressive”. In conclusion, the processes in these orchestral pieces represent simulation or stylistic allusion produced through emulation, bearing in mind that the level of borrowing exists exclusively within the compositional technique and that role models of Ristić and Marić, as techniques of ‘selected’ composers, remain hidden in their works.
AB  - Основна идеја аутора јесте да прикаже различите начине на које композитор
може да користи технике симулације, односно стилске алузије, али не
због тога да би наликовао на одређеног композитора или стил, већ да би
усавршио сопствено композиционо-техничко умеће и развио индивидуални
стил. Имајући то у виду, анализирали смо две оркестарске композиције из
историје српске музике, написане током педесетих година прошлог века:
Suita giocosa (1956) Милана Ристића (1908–1982) и Пасакаљу за оркестар
(1957) Љубице Марић (1909–2003). Кроз анализу ових дела, покушали смо да
уочимо сродности композиционих техника ових композитора са техникама
великих европских композитора. У случају Милана Ристића, технике Паула
Хиндемита (Paul Hindemith, 1895–1963), представљене у уџбенику Техника
тонског слога (Unterweisung im Tonsatz) представљају основу коју је Ристић
користио у усавршавању сопственог музичког језика. У Пасакаљи Љубице
Марић, уочљиви су јаки трагови развојног варирања, на начин на који их
је објаснио Арнолд Шенберг (Arnold Schoenberg, 1874–1951) у свом есеју о
Брамсовој камерној музици (Johannes Brahms, 1833–1897) под називом „Брамс
напредњак“ („Brahms the Progressive“). Коначно, закључујемо да процеси
у поменутим делима представљају симулацију, односно стилску алузију,
произведену кроз емулацију, имајући у виду да се ниво преузимања одвија
на нивоу композиционе технике и да узори Ристића и Марићеве, у виду
‘одабраних’ композитора, остају у великој мери прикривени у њиховим делима.
PB  - Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts
T2  - Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity
T1  - From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s
T1  - Од опонашања до ремек-дела. Двоје српских композитора педесетих година XX века
SP  - 187
EP  - 205
UR  - https://hdl.handle.net/21.15107/rcub_dais_12004
ER  - 
@inbook{
author = "Bralović, Miloš",
year = "2021-11",
abstract = "The basic idea of this paper is to demonstrate the different ways in which a composer may use the techniques of simulation or stylistic allusion, not to resemble a certain composer or style, but to perfect their own compositional techniques and develop individual style. With this in mind, two orchestral pieces from Serbian music history have been analysed, both written in the 1950s: Suita giocosa (1956) by Milan Ristić (1908–1982) and Passacaglia for orchestra (1957) by Ljubica Marić (1909–2003). Through the analysis of these pieces, I explore the similarities between their compositional techniques with those of the great European masters. In the case of Milan Ristić, the techniques of Paul Hindemith (1895–1963), presented in the textbook Unterweisung im Tonsatz, are the base which Ristić used to perfect his own musical language. In Passacaglia by Ljubica Marić one may notice strong influences of development variation, as explained by Arnold Schoenberg (1874–1951) on Johannes Brahms’ (1833–1897) chamber music titled “Brahms the progressive”. In conclusion, the processes in these orchestral pieces represent simulation or stylistic allusion produced through emulation, bearing in mind that the level of borrowing exists exclusively within the compositional technique and that role models of Ristić and Marić, as techniques of ‘selected’ composers, remain hidden in their works., Основна идеја аутора јесте да прикаже различите начине на које композитор
може да користи технике симулације, односно стилске алузије, али не
због тога да би наликовао на одређеног композитора или стил, већ да би
усавршио сопствено композиционо-техничко умеће и развио индивидуални
стил. Имајући то у виду, анализирали смо две оркестарске композиције из
историје српске музике, написане током педесетих година прошлог века:
Suita giocosa (1956) Милана Ристића (1908–1982) и Пасакаљу за оркестар
(1957) Љубице Марић (1909–2003). Кроз анализу ових дела, покушали смо да
уочимо сродности композиционих техника ових композитора са техникама
великих европских композитора. У случају Милана Ристића, технике Паула
Хиндемита (Paul Hindemith, 1895–1963), представљене у уџбенику Техника
тонског слога (Unterweisung im Tonsatz) представљају основу коју је Ристић
користио у усавршавању сопственог музичког језика. У Пасакаљи Љубице
Марић, уочљиви су јаки трагови развојног варирања, на начин на који их
је објаснио Арнолд Шенберг (Arnold Schoenberg, 1874–1951) у свом есеју о
Брамсовој камерној музици (Johannes Brahms, 1833–1897) под називом „Брамс
напредњак“ („Brahms the Progressive“). Коначно, закључујемо да процеси
у поменутим делима представљају симулацију, односно стилску алузију,
произведену кроз емулацију, имајући у виду да се ниво преузимања одвија
на нивоу композиционе технике и да узори Ристића и Марићеве, у виду
‘одабраних’ композитора, остају у великој мери прикривени у њиховим делима.",
publisher = "Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts",
journal = "Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity",
booktitle = "From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s, Од опонашања до ремек-дела. Двоје српских композитора педесетих година XX века",
pages = "187-205",
url = "https://hdl.handle.net/21.15107/rcub_dais_12004"
}
Bralović, M.. (2021-11). From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s. in Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity
Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts., 187-205.
https://hdl.handle.net/21.15107/rcub_dais_12004
Bralović M. From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s. in Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity. 2021;:187-205.
https://hdl.handle.net/21.15107/rcub_dais_12004 .
Bralović, Miloš, "From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s" in Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity (2021-11):187-205,
https://hdl.handle.net/21.15107/rcub_dais_12004 .

Experimental study of an implantable fiber-optic microphone on human cadavers

Đinović, Zoran; Pavelka, Robert; Tomić, Miloš; Sprinzl, Georg; Müller, Julia Gertrud; Traxler, Hannes

(Elsevier BV, 2021-10)

TY  - JOUR
AU  - Đinović, Zoran
AU  - Pavelka, Robert
AU  - Tomić, Miloš
AU  - Sprinzl, Georg
AU  - Müller, Julia Gertrud
AU  - Traxler, Hannes
PY  - 2021-10
UR  - https://dais.sanu.ac.rs/123456789/12143
AB  - In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.
PB  - Elsevier BV
T2  - Hearing Research
T1  - Experimental study of an implantable fiber-optic microphone on human cadavers
SP  - 108351
VL  - 410
DO  - 10.1016/j.heares.2021.108351
UR  - https://hdl.handle.net/21.15107/rcub_dais_12143
ER  - 
@article{
author = "Đinović, Zoran and Pavelka, Robert and Tomić, Miloš and Sprinzl, Georg and Müller, Julia Gertrud and Traxler, Hannes",
year = "2021-10",
abstract = "In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.",
publisher = "Elsevier BV",
journal = "Hearing Research",
title = "Experimental study of an implantable fiber-optic microphone on human cadavers",
pages = "108351",
volume = "410",
doi = "10.1016/j.heares.2021.108351",
url = "https://hdl.handle.net/21.15107/rcub_dais_12143"
}
Đinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G.,& Traxler, H.. (2021-10). Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research
Elsevier BV., 410, 108351.
https://doi.org/10.1016/j.heares.2021.108351
https://hdl.handle.net/21.15107/rcub_dais_12143
Đinović Z, Pavelka R, Tomić M, Sprinzl G, Müller JG, Traxler H. Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research. 2021;410:108351.
doi:10.1016/j.heares.2021.108351
https://hdl.handle.net/21.15107/rcub_dais_12143 .
Đinović, Zoran, Pavelka, Robert, Tomić, Miloš, Sprinzl, Georg, Müller, Julia Gertrud, Traxler, Hannes, "Experimental study of an implantable fiber-optic microphone on human cadavers" in Hearing Research, 410 (2021-10):108351,
https://doi.org/10.1016/j.heares.2021.108351 .,
https://hdl.handle.net/21.15107/rcub_dais_12143 .
1

Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies

Radovanović, Bojana

(Belgrade : Institute of Musicology SASA, 2021-10)

TY  - CHAP
AU  - Radovanović, Bojana
PY  - 2021-10
UR  - https://dais.sanu.ac.rs/handle/123456789/11974
UR  - https://dais.sanu.ac.rs/123456789/12001
AB  - It can be said that the academic scrutinization of metal music began with two substantial studies – Heavy Metal. The Music and its Culture (1991) by sociologist Deena Weinstein and Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) by musicologist Robert Walser. During the following couple of decades, academic and metal communities witnessed some sporadic – but essential – contributions to the field (Purcell’s Death Metal Music: The Passion and Politics of a Subculture (2003) and Kahn-Harris’s Extreme Metal: Music and Culture on the Edge (2007), to name a few).
A series of several events that occurred near the end of the first decade of the 21st century, and especially during the 2010s, are crucial in the institutionalization of metal music studies. The foundation of the International Society for Metal Music Studies (ISMMS) in 2013 is probably the most important one, mainly because it announced the emergence of the new scientific paradigm. Following the first global conference on metal held in Salzburg in 2008, starting from 2013 the ISMMS began organizing regular international and inter/multi-disciplinary conferences biannually. Finally, the foundation of ISMMS’ specialized scientific journal, Metal Music Studies (Intellect Press, 2015), signified the beginning of the so-called autonomy that metal scholars strived for. As Will Straw noticed in his keynote speech at the ISMMS conference in Nantes (2019), this autonomy was particularly important concerning popular music studies. Metal scholars, coming from various disciplines (sociology, musicology, aesthetics, cultural studies, history, psychology, etc.), created their “intellectual hub” and started building a unique resource for the field.
With musicology playing a vital role in the field, this paper aims to examine the musicological input to metal music studies, with special attention given to studies published after the foundation of the ISMMS and its journal. This overview will encompass reoccurring topics, contemporary methodologies, and the interdisciplinary liaisons established in the research process.
AB  - Имајући у виду да је интересовање за проучавање метал музике званично отпочело у англоамеричком контексту деведесетих година прошлог века појавом две студије утемељивачког карактера – Heavy Metal. The Music and its Culture (1991) социолошкиње Дине Вајнстин и Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) музиколога Роберта Волсера – циљ овог текста био је да се испита улога музикологије у области студија метал музике.
Показано је да је, током три деценије све разгранатијег научног дискурса о овом музичком феномену, упис музикологије био важан не само као први корак, већ и као константан и неизоставан део говора и написа о металу. Почевши од Волсерове студије, која је par excellance продукт ’свог доба’ и нове музикологије, музиколошки доприноси овом пољу били су резултат интердисциплинарне базе дисциплине, те су тако резултати тих истраживања обухватала историографску, формалистичку, музичко-теоријску, естетичку,
филозофску, етномузиколошку, етнографску раван. 
На институционализацију студија метал музике утицало је неколико догађаја који су се одвили крајем прве деценије 21. века, а нарочито током 2010-их. Због успостављања нове научне парадигме и платформе, пре свега треба поменути оснивање Међународног друштва за проучавање метал музике
(ISMMS) 2013. године, а потом и установљивање редовних међународних и интер/транс/мултидисциплинарних научних скупова широм света. Својеврсна аутономија ове области, нарочито у односу на студије популарне музике, заокружена је успостављањем научног часописа Metal Music Studies (Intellect Press, 2015). Тако је, у односу на претходни период, где је научно истраживање метал музике остајало у запећку шире слике и спорадично се пробијало у први план, успостављена платформа на којој ће се убрзо развити дисциплинарни односи.
Иако су неки од гласноговорника студија метал музике инсистирали на оснаживању музиколошког ’гласа’ пре свега ради компетентног говора о звуку, музичким структурама и хармонско-мелодијским аспектима метал музике, овај текст је увидом у кратку али садржајну историју музиколошких написа показао да се, услед основних интердисциплинарних поставки музикологије, допринос музиколога не може свести ’само’ на музичко-теоријски рад. Штавише, он предвиђа још богатију продукцију која долази из сфере музикологије, а која ће бити инспирисана и испровцирана новим технологијама, инструментима и извођаштвом, савременим друштвом и публиком, начинима стварања,
постпродукције и рецепције музике.
PB  - Belgrade : Institute of Musicology SASA
T2  - Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity
T1  - Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies
T1  - Раскринкавање „потенцијално монолитног погледа на музикологију“: улога музикологије у студијама метал музике
SP  - 97
EP  - 109
VL  - 109
UR  - https://hdl.handle.net/21.15107/rcub_dais_12001
ER  - 
@inbook{
author = "Radovanović, Bojana",
year = "2021-10",
abstract = "It can be said that the academic scrutinization of metal music began with two substantial studies – Heavy Metal. The Music and its Culture (1991) by sociologist Deena Weinstein and Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) by musicologist Robert Walser. During the following couple of decades, academic and metal communities witnessed some sporadic – but essential – contributions to the field (Purcell’s Death Metal Music: The Passion and Politics of a Subculture (2003) and Kahn-Harris’s Extreme Metal: Music and Culture on the Edge (2007), to name a few).
A series of several events that occurred near the end of the first decade of the 21st century, and especially during the 2010s, are crucial in the institutionalization of metal music studies. The foundation of the International Society for Metal Music Studies (ISMMS) in 2013 is probably the most important one, mainly because it announced the emergence of the new scientific paradigm. Following the first global conference on metal held in Salzburg in 2008, starting from 2013 the ISMMS began organizing regular international and inter/multi-disciplinary conferences biannually. Finally, the foundation of ISMMS’ specialized scientific journal, Metal Music Studies (Intellect Press, 2015), signified the beginning of the so-called autonomy that metal scholars strived for. As Will Straw noticed in his keynote speech at the ISMMS conference in Nantes (2019), this autonomy was particularly important concerning popular music studies. Metal scholars, coming from various disciplines (sociology, musicology, aesthetics, cultural studies, history, psychology, etc.), created their “intellectual hub” and started building a unique resource for the field.
With musicology playing a vital role in the field, this paper aims to examine the musicological input to metal music studies, with special attention given to studies published after the foundation of the ISMMS and its journal. This overview will encompass reoccurring topics, contemporary methodologies, and the interdisciplinary liaisons established in the research process., Имајући у виду да је интересовање за проучавање метал музике званично отпочело у англоамеричком контексту деведесетих година прошлог века појавом две студије утемељивачког карактера – Heavy Metal. The Music and its Culture (1991) социолошкиње Дине Вајнстин и Running with the Devil. Power, Gender, and Madness in Heavy Metal Music (1993) музиколога Роберта Волсера – циљ овог текста био је да се испита улога музикологије у области студија метал музике.
Показано је да је, током три деценије све разгранатијег научног дискурса о овом музичком феномену, упис музикологије био важан не само као први корак, већ и као константан и неизоставан део говора и написа о металу. Почевши од Волсерове студије, која је par excellance продукт ’свог доба’ и нове музикологије, музиколошки доприноси овом пољу били су резултат интердисциплинарне базе дисциплине, те су тако резултати тих истраживања обухватала историографску, формалистичку, музичко-теоријску, естетичку,
филозофску, етномузиколошку, етнографску раван. 
На институционализацију студија метал музике утицало је неколико догађаја који су се одвили крајем прве деценије 21. века, а нарочито током 2010-их. Због успостављања нове научне парадигме и платформе, пре свега треба поменути оснивање Међународног друштва за проучавање метал музике
(ISMMS) 2013. године, а потом и установљивање редовних међународних и интер/транс/мултидисциплинарних научних скупова широм света. Својеврсна аутономија ове области, нарочито у односу на студије популарне музике, заокружена је успостављањем научног часописа Metal Music Studies (Intellect Press, 2015). Тако је, у односу на претходни период, где је научно истраживање метал музике остајало у запећку шире слике и спорадично се пробијало у први план, успостављена платформа на којој ће се убрзо развити дисциплинарни односи.
Иако су неки од гласноговорника студија метал музике инсистирали на оснаживању музиколошког ’гласа’ пре свега ради компетентног говора о звуку, музичким структурама и хармонско-мелодијским аспектима метал музике, овај текст је увидом у кратку али садржајну историју музиколошких написа показао да се, услед основних интердисциплинарних поставки музикологије, допринос музиколога не може свести ’само’ на музичко-теоријски рад. Штавише, он предвиђа још богатију продукцију која долази из сфере музикологије, а која ће бити инспирисана и испровцирана новим технологијама, инструментима и извођаштвом, савременим друштвом и публиком, начинима стварања,
постпродукције и рецепције музике.",
publisher = "Belgrade : Institute of Musicology SASA",
journal = "Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity",
booktitle = "Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies, Раскринкавање „потенцијално монолитног погледа на музикологију“: улога музикологије у студијама метал музике",
pages = "97-109",
volume = "109",
url = "https://hdl.handle.net/21.15107/rcub_dais_12001"
}
Radovanović, B.. (2021-10). Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. in Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity
Belgrade : Institute of Musicology SASA., 109, 97-109.
https://hdl.handle.net/21.15107/rcub_dais_12001
Radovanović B. Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. in Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity. 2021;109:97-109.
https://hdl.handle.net/21.15107/rcub_dais_12001 .
Radovanović, Bojana, "Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies" in Shaping the Present through the Future: Musicology, Ethnomusicology and Contemporaneity, 109 (2021-10):97-109,
https://hdl.handle.net/21.15107/rcub_dais_12001 .

Decreasing the implementation costs of smart metering systems with interoperability

Vujasinović, Jovan; Savić, Goran; Batas-Bjelić, Ilija; Rajaković, Nikola

(Institute of Electrical and Electronics Engineers (IEEE), 2021)

TY  - CONF
AU  - Vujasinović, Jovan
AU  - Savić, Goran
AU  - Batas-Bjelić, Ilija
AU  - Rajaković, Nikola
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12247
AB  - This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.
PB  - Institute of Electrical and Electronics Engineers (IEEE)
C3  - 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
T1  - Decreasing the implementation costs of smart metering systems with interoperability
SP  - 370
EP  - 373
DO  - 10.1109/MetroInd4.0IoT51437.2021.9488512
UR  - https://hdl.handle.net/21.15107/rcub_dais_12247
ER  - 
@conference{
author = "Vujasinović, Jovan and Savić, Goran and Batas-Bjelić, Ilija and Rajaković, Nikola",
year = "2021",
abstract = "This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.",
publisher = "Institute of Electrical and Electronics Engineers (IEEE)",
journal = "2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)",
title = "Decreasing the implementation costs of smart metering systems with interoperability",
pages = "370-373",
doi = "10.1109/MetroInd4.0IoT51437.2021.9488512",
url = "https://hdl.handle.net/21.15107/rcub_dais_12247"
}
Vujasinović, J., Savić, G., Batas-Bjelić, I.,& Rajaković, N.. (2021). Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
Institute of Electrical and Electronics Engineers (IEEE)., 370-373.
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12247
Vujasinović J, Savić G, Batas-Bjelić I, Rajaković N. Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT). 2021;:370-373.
doi:10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12247 .
Vujasinović, Jovan, Savić, Goran, Batas-Bjelić, Ilija, Rajaković, Nikola, "Decreasing the implementation costs of smart metering systems with interoperability" in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT) (2021):370-373,
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512 .,
https://hdl.handle.net/21.15107/rcub_dais_12247 .

Decreasing the implementation costs of smart metering systems with interoperability

Vujasinović, Jovan; Savić, Goran; Batas-Bjelić, Ilija; Rajaković, Nikola

(Institute of Electrical and Electronics Engineers (IEEE), 2021)

TY  - CONF
AU  - Vujasinović, Jovan
AU  - Savić, Goran
AU  - Batas-Bjelić, Ilija
AU  - Rajaković, Nikola
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12246
AB  - This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.
PB  - Institute of Electrical and Electronics Engineers (IEEE)
C3  - 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
T1  - Decreasing the implementation costs of smart metering systems with interoperability
SP  - 370
EP  - 373
DO  - 10.1109/MetroInd4.0IoT51437.2021.9488512
UR  - https://hdl.handle.net/21.15107/rcub_dais_12246
ER  - 
@conference{
author = "Vujasinović, Jovan and Savić, Goran and Batas-Bjelić, Ilija and Rajaković, Nikola",
year = "2021",
abstract = "This paper describes the importance of the interoperability in smart metering systems for modern distribution system operators. The lack of interoperability significantly increases the costs of smart metering system implementation for distribution system operators, especially the costs of purchasing new equipment. The replacement, cleanup and maintenance of electricity meters produced by different manufacturers, which are not interoperable, are also much more complex and expensive. Furthermore, without the interoperability, the system cannot be observable, i.e. the observability exists only for some particular segments of the system. This prevents many functionalities of distribution management system. In terms of interoperability, smart metering systems have gone through four different stages. A comparison of the system implementation costs for these four stages is presented for distribution system operator of Serbia.",
publisher = "Institute of Electrical and Electronics Engineers (IEEE)",
journal = "2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)",
title = "Decreasing the implementation costs of smart metering systems with interoperability",
pages = "370-373",
doi = "10.1109/MetroInd4.0IoT51437.2021.9488512",
url = "https://hdl.handle.net/21.15107/rcub_dais_12246"
}
Vujasinović, J., Savić, G., Batas-Bjelić, I.,& Rajaković, N.. (2021). Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT)
Institute of Electrical and Electronics Engineers (IEEE)., 370-373.
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12246
Vujasinović J, Savić G, Batas-Bjelić I, Rajaković N. Decreasing the implementation costs of smart metering systems with interoperability. in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT). 2021;:370-373.
doi:10.1109/MetroInd4.0IoT51437.2021.9488512
https://hdl.handle.net/21.15107/rcub_dais_12246 .
Vujasinović, Jovan, Savić, Goran, Batas-Bjelić, Ilija, Rajaković, Nikola, "Decreasing the implementation costs of smart metering systems with interoperability" in 2021 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT) (2021):370-373,
https://doi.org/10.1109/MetroInd4.0IoT51437.2021.9488512 .,
https://hdl.handle.net/21.15107/rcub_dais_12246 .

Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351

Đinović, Zoran; Pavelka, Robert; Tomić, Miloš; Sprinzl, Georg; Müller, Julia Gertrud; Traxler, Hannes

(Elsevier BV, 2021)

TY  - DATA
AU  - Đinović, Zoran
AU  - Pavelka, Robert
AU  - Tomić, Miloš
AU  - Sprinzl, Georg
AU  - Müller, Julia Gertrud
AU  - Traxler, Hannes
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12260
AB  - In the supplement, a few audio records in a time duration of about 1-3 min, which are acquired during experiments performed on skull head #7587, are given. The signals have been on-line processed by TIFOS system and recorded by an HP notebook audiocard without any frequency equalizing. The sound pressure level was measured by Bruel & Kjaer 2250 sound meter (dBA, slow). The sound of piano and violin in Schubert’s Rondo in Fig. S1a are of high fidelity. High frequency tones in the aria from “La-Traviata” performed by famous Russian-Austrian operatic soprano Anna Netrebko (Fig. S1d) are also very clear and dynamic. The famous speech of Martin Luther King (Fig. S1b) is completely intelligible, as well as the resignation speech of former British prime minister Theresa May (Fig. S1c). The individual characteristics of the well-known voices are easily recognizable.
PB  - Elsevier BV
T2  - Hearing Research
T1  - Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351
VL  - 410
ER  - 
@misc{
author = "Đinović, Zoran and Pavelka, Robert and Tomić, Miloš and Sprinzl, Georg and Müller, Julia Gertrud and Traxler, Hannes",
year = "2021",
abstract = "In the supplement, a few audio records in a time duration of about 1-3 min, which are acquired during experiments performed on skull head #7587, are given. The signals have been on-line processed by TIFOS system and recorded by an HP notebook audiocard without any frequency equalizing. The sound pressure level was measured by Bruel & Kjaer 2250 sound meter (dBA, slow). The sound of piano and violin in Schubert’s Rondo in Fig. S1a are of high fidelity. High frequency tones in the aria from “La-Traviata” performed by famous Russian-Austrian operatic soprano Anna Netrebko (Fig. S1d) are also very clear and dynamic. The famous speech of Martin Luther King (Fig. S1b) is completely intelligible, as well as the resignation speech of former British prime minister Theresa May (Fig. S1c). The individual characteristics of the well-known voices are easily recognizable.",
publisher = "Elsevier BV",
journal = "Hearing Research",
title = "Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351",
volume = "410"
}
Đinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G.,& Traxler, H.. (2021). Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351. in Hearing Research
Elsevier BV., 410.
Đinović Z, Pavelka R, Tomić M, Sprinzl G, Müller JG, Traxler H. Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351. in Hearing Research. 2021;410..
Đinović, Zoran, Pavelka, Robert, Tomić, Miloš, Sprinzl, Georg, Müller, Julia Gertrud, Traxler, Hannes, "Supplementary information for the article: Djinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G., & Traxler, H. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. Hearing Research, 410, 108351. https://doi.org/10.1016/j.heares.2021.108351" in Hearing Research, 410 (2021).

Experimental study of an implantable fiber-optic microphone on human cadavers

Đinović, Zoran; Pavelka, Robert; Tomić, Miloš; Sprinzl, Georg; Müller, Julia Gertrud; Traxler, Hannes

(Elsevier BV, 2021)

TY  - JOUR
AU  - Đinović, Zoran
AU  - Pavelka, Robert
AU  - Tomić, Miloš
AU  - Sprinzl, Georg
AU  - Müller, Julia Gertrud
AU  - Traxler, Hannes
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12259
AB  - In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.
PB  - Elsevier BV
T2  - Hearing Research
T1  - Experimental study of an implantable fiber-optic microphone on human cadavers
SP  - 108351
SP  - 108351
VL  - 410
DO  - 10.1016/j.heares.2021.108351
ER  - 
@article{
author = "Đinović, Zoran and Pavelka, Robert and Tomić, Miloš and Sprinzl, Georg and Müller, Julia Gertrud and Traxler, Hannes",
year = "2021",
abstract = "In this paper, we present the results of an experimental study about a novel fiber optical vibrometer, aimed to be used as a totally implantable fiber-optic microphone for hearing aids. The sensor head, implanted inside the human cadaver middle ear, detects the amplitude of the incus vibrations, which are produced by an external acoustical source. The probe beam of coherent vertical cavity surface emitting laser (VCSEL) radiation is directed to the incus and the phase-modulated reflected beam is captured and demodulated. The problem of interferometric fading was solved using two quasi-quadrature signals, passively produced by the 3 × 3 single-mode fiber-optic coupler, processed by a special embedded algorithm. The implanted optoelectronic module works with very low-power consumption, performs real-time signal processing and outputs an analogue signal proportional to the incus vibration. The amplitude of the incus vibrations at different sound pressure levels (SPL) from 40 to 90 dB and at frequencies from 100 Hz to 10 kHz were measured by the implanted system. The system was evaluated on five cadaver skulls. The measured amplitudes were in the range of 1 pm to 5 nm, depending on the subjected skull and the applied sound pressure.",
publisher = "Elsevier BV",
journal = "Hearing Research",
title = "Experimental study of an implantable fiber-optic microphone on human cadavers",
pages = "108351-108351",
volume = "410",
doi = "10.1016/j.heares.2021.108351"
}
Đinović, Z., Pavelka, R., Tomić, M., Sprinzl, G., Müller, J. G.,& Traxler, H.. (2021). Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research
Elsevier BV., 410, 108351.
https://doi.org/10.1016/j.heares.2021.108351
Đinović Z, Pavelka R, Tomić M, Sprinzl G, Müller JG, Traxler H. Experimental study of an implantable fiber-optic microphone on human cadavers. in Hearing Research. 2021;410:108351.
doi:10.1016/j.heares.2021.108351 .
Đinović, Zoran, Pavelka, Robert, Tomić, Miloš, Sprinzl, Georg, Müller, Julia Gertrud, Traxler, Hannes, "Experimental study of an implantable fiber-optic microphone on human cadavers" in Hearing Research, 410 (2021):108351,
https://doi.org/10.1016/j.heares.2021.108351 . .
1

Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - GEN
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12258
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T1  - Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)
SP  - 513
EP  - 748
VL  - 69
IS  - 3
ER  - 
@misc{
year = "2021",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
title = "Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)",
pages = "513-748",
volume = "69",
number = "3"
}
(2021). Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3). 
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(3), 513-748.
Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3). 2021;69(3):513-748..
"Гласник Етнографског института САНУ 69 (3) / Bulletin of the Institute of Ethnography SASA 69 (3)", 69, no. 3 (2021):513-748.

О концепту гостопримство у српском и француском језику

Димитријевић, Јована Љ.; Васиљевић, Анђела Д.

(Крагујевац : Филолошко-уметнички факултет, 2021)

TY  - JOUR
AU  - Димитријевић, Јована Љ.
AU  - Васиљевић, Анђела Д.
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12243
AB  - Le présent travail propose une analyse contrastive, linguistique et culturelle du concept d’hospitalité
en serbe et en français. Le but principal consiste à analyser le matériel extrait des dictionnaires descriptifs et
phraséologiques des deux langues, ainsi que des proverbes populaires de Vuk S. Karadžić, afin de déceler les
similitudes et / ou les différences existant dans la représentation linguistique du concept donné dans les deux
cultures. En outre, cette analyse porte sur l’attitude conventionnelle à l’égard du concept d’hospitalité et, en
particulier, sur son marquage positif ou négatif. Ainsi, correspondances et écarts seront pris en considération,
tout en insistant sur des liens de nature historique, formelle, sémantique et culturelle. Le concept d’hospitalité
étant l’un des concepts civilisationnels les plus importants, qui s’exprime au niveau lexical, tout comme
aux niveaux phraséologique et parémiologique, il est très probable que ces deux langues sont dotées des
représentations mentales similaires, voire identiques. La partie principale de notre travail est consacrée à
l’analyse componentielle et contrastive du lexème serbe gost, ainsi qu’à l’analyse de son cognat et équivalent
(partiel) français hôte. Afin de vérifier nos hypothèses de départ, nous consultons plusieurs dictionnaires
monolingues et bilingues, de type général et spécifique, sans oublier les résultats des recherches antérieures à
propos de différents aspects du concept d’hospitalité sur les plans linguistique et culturel.
AB  - Рад се базира на контрастивној лингвокултуролошкој анализи концепта
гостопримство у српском и француском језику. Циљ је да се анализом грађе
ексцерпиране из савремених описних и фразеолошких (једнојезичних и двојезичних)
речника српског и француског језика, као и Вукових Српских народних пословица,
уоче сличности, различитости или заједничке црте језичке представе датог концепта у
двема традицијама. Питање које се разматра тиче се и конвенционалног односа према
појму гостопримство, те његовој позитивној или негативној маркираности у језичкој
слици ових народа. Сходно томе, посматраће се кореспонденције и одступања, као и
историјске, обличке, семантичке и културолошке споне у концептима двају језика и двеју
култура. Концепт гостопримство представља један од важнијих интернационалних
цивилизацијских концепата, који се изражава како на лексичком, тако и на фразеолошко-
паремиолошком нивоу. Кључни појам у концепту гостопримство припада лексеми гост,
односно францускoj лексеми hôte. У обзир су узета и досадашња сагледавања другачијих
аспеката овог феномена у српском језику (нпр. у радовима Д. Мршевић Радовић, Т.
Милосављевић, Р. Вуксановић).
PB  - Крагујевац : Филолошко-уметнички факултет
T2  - Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1
T1  - О концепту гостопримство у српском и француском језику
T1  - À propos du concept d’hospitalité en serbe et en français
SP  - 99
EP  - 113
UR  - https://hdl.handle.net/21.15107/rcub_dais_12243
ER  - 
@article{
author = "Димитријевић, Јована Љ. and Васиљевић, Анђела Д.",
year = "2021",
abstract = "Le présent travail propose une analyse contrastive, linguistique et culturelle du concept d’hospitalité
en serbe et en français. Le but principal consiste à analyser le matériel extrait des dictionnaires descriptifs et
phraséologiques des deux langues, ainsi que des proverbes populaires de Vuk S. Karadžić, afin de déceler les
similitudes et / ou les différences existant dans la représentation linguistique du concept donné dans les deux
cultures. En outre, cette analyse porte sur l’attitude conventionnelle à l’égard du concept d’hospitalité et, en
particulier, sur son marquage positif ou négatif. Ainsi, correspondances et écarts seront pris en considération,
tout en insistant sur des liens de nature historique, formelle, sémantique et culturelle. Le concept d’hospitalité
étant l’un des concepts civilisationnels les plus importants, qui s’exprime au niveau lexical, tout comme
aux niveaux phraséologique et parémiologique, il est très probable que ces deux langues sont dotées des
représentations mentales similaires, voire identiques. La partie principale de notre travail est consacrée à
l’analyse componentielle et contrastive du lexème serbe gost, ainsi qu’à l’analyse de son cognat et équivalent
(partiel) français hôte. Afin de vérifier nos hypothèses de départ, nous consultons plusieurs dictionnaires
monolingues et bilingues, de type général et spécifique, sans oublier les résultats des recherches antérieures à
propos de différents aspects du concept d’hospitalité sur les plans linguistique et culturel., Рад се базира на контрастивној лингвокултуролошкој анализи концепта
гостопримство у српском и француском језику. Циљ је да се анализом грађе
ексцерпиране из савремених описних и фразеолошких (једнојезичних и двојезичних)
речника српског и француског језика, као и Вукових Српских народних пословица,
уоче сличности, различитости или заједничке црте језичке представе датог концепта у
двема традицијама. Питање које се разматра тиче се и конвенционалног односа према
појму гостопримство, те његовој позитивној или негативној маркираности у језичкој
слици ових народа. Сходно томе, посматраће се кореспонденције и одступања, као и
историјске, обличке, семантичке и културолошке споне у концептима двају језика и двеју
култура. Концепт гостопримство представља један од важнијих интернационалних
цивилизацијских концепата, који се изражава како на лексичком, тако и на фразеолошко-
паремиолошком нивоу. Кључни појам у концепту гостопримство припада лексеми гост,
односно францускoj лексеми hôte. У обзир су узета и досадашња сагледавања другачијих
аспеката овог феномена у српском језику (нпр. у радовима Д. Мршевић Радовић, Т.
Милосављевић, Р. Вуксановић).",
publisher = "Крагујевац : Филолошко-уметнички факултет",
journal = "Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1",
title = "О концепту гостопримство у српском и француском језику, À propos du concept d’hospitalité en serbe et en français",
pages = "99-113",
url = "https://hdl.handle.net/21.15107/rcub_dais_12243"
}
Димитријевић, Ј. Љ.,& Васиљевић, А. Д.. (2021). О концепту гостопримство у српском и француском језику. in Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1
Крагујевац : Филолошко-уметнички факултет., 99-113.
https://hdl.handle.net/21.15107/rcub_dais_12243
Димитријевић ЈЉ, Васиљевић АД. О концепту гостопримство у српском и француском језику. in Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1. 2021;:99-113.
https://hdl.handle.net/21.15107/rcub_dais_12243 .
Димитријевић, Јована Љ., Васиљевић, Анђела Д., "О концепту гостопримство у српском и француском језику" in Савремена проучавања језика и књижевности : зборник радова са XII научног скупа младих филолога Србије, одржаног 26. септембра 2020. године године на Филолошко-уметничком факултету у Крагујевцу. Књ. 1 (2021):99-113,
https://hdl.handle.net/21.15107/rcub_dais_12243 .

Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming

Stratimirović, Đorđe; Batas-Bjelić, Ilija; Đurđevic, Vladimir; Blešić, Suzana

(Elsevier BV, 2021)

TY  - JOUR
AU  - Stratimirović, Đorđe
AU  - Batas-Bjelić, Ilija
AU  - Đurđevic, Vladimir
AU  - Blešić, Suzana
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11681
AB  - In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.
PB  - Elsevier BV
T2  - Physica A: Statistical Mechanics and its Applications
T1  - Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming
SP  - 125607
VL  - 566
DO  - 10.1016/j.physa.2020.125607
UR  - https://hdl.handle.net/21.15107/rcub_dais_11681
ER  - 
@article{
author = "Stratimirović, Đorđe and Batas-Bjelić, Ilija and Đurđevic, Vladimir and Blešić, Suzana",
year = "2021",
abstract = "In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.",
publisher = "Elsevier BV",
journal = "Physica A: Statistical Mechanics and its Applications",
title = "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming",
pages = "125607",
volume = "566",
doi = "10.1016/j.physa.2020.125607",
url = "https://hdl.handle.net/21.15107/rcub_dais_11681"
}
Stratimirović, Đ., Batas-Bjelić, I., Đurđevic, V.,& Blešić, S.. (2021). Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications
Elsevier BV., 566, 125607.
https://doi.org/10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_11681
Stratimirović Đ, Batas-Bjelić I, Đurđevic V, Blešić S. Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications. 2021;566:125607.
doi:10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_11681 .
Stratimirović, Đorđe, Batas-Bjelić, Ilija, Đurđevic, Vladimir, Blešić, Suzana, "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming" in Physica A: Statistical Mechanics and its Applications, 566 (2021):125607,
https://doi.org/10.1016/j.physa.2020.125607 .,
https://hdl.handle.net/21.15107/rcub_dais_11681 .
1
1
1

Flexibility index and decreasing the costs in energy systems with high share of renewable energy

Pfeifer, Antun; Herc, Luka; Batas-Bjelić, Ilija; Duić, Neven

(Elsevier BV, 2021)

TY  - JOUR
AU  - Pfeifer, Antun
AU  - Herc, Luka
AU  - Batas-Bjelić, Ilija
AU  - Duić, Neven
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11648
AB  - Recent European Green Deal includes decision to become carbon neutral and even carbon negative region in order to tackle the climate crisis. Main technical challenge and a key factor in techno-economic analysis of the energy system of the future, based on variable renewable energy sources, is their variable production and its integration. In order to deal with this problem in long-term energy planning, different approaches have been tried, focusing on overcapacity, storage capacities and sectors coupling with heating and transport. In this research, different flexibility options, storage and demand response technologies are modelled on a national energy systems level. With the case study area modelled in EnergyPLAN model, the goal of the research is to show how each flexibility option influences the economically feasible generation capacities of renewable energy sources, storage technologies and demand response in order to reach a certain share of renewable energy in final energy consumed. To follow the numerous possible configurations of the system, flexibility index for each option and a flexibility vector for each scenario are introduced. Results show which flexibility options play key role in important steps of energy transition to 70%, 80%, 90% and 100% RES energy system.
PB  - Elsevier BV
T2  - Energy Conversion and Management
T1  - Flexibility index and decreasing the costs in energy systems with high share of renewable energy
SP  - 114258
VL  - 240
DO  - 10.1016/j.enconman.2021.114258
UR  - https://hdl.handle.net/21.15107/rcub_dais_11648
ER  - 
@article{
author = "Pfeifer, Antun and Herc, Luka and Batas-Bjelić, Ilija and Duić, Neven",
year = "2021",
abstract = "Recent European Green Deal includes decision to become carbon neutral and even carbon negative region in order to tackle the climate crisis. Main technical challenge and a key factor in techno-economic analysis of the energy system of the future, based on variable renewable energy sources, is their variable production and its integration. In order to deal with this problem in long-term energy planning, different approaches have been tried, focusing on overcapacity, storage capacities and sectors coupling with heating and transport. In this research, different flexibility options, storage and demand response technologies are modelled on a national energy systems level. With the case study area modelled in EnergyPLAN model, the goal of the research is to show how each flexibility option influences the economically feasible generation capacities of renewable energy sources, storage technologies and demand response in order to reach a certain share of renewable energy in final energy consumed. To follow the numerous possible configurations of the system, flexibility index for each option and a flexibility vector for each scenario are introduced. Results show which flexibility options play key role in important steps of energy transition to 70%, 80%, 90% and 100% RES energy system.",
publisher = "Elsevier BV",
journal = "Energy Conversion and Management",
title = "Flexibility index and decreasing the costs in energy systems with high share of renewable energy",
pages = "114258",
volume = "240",
doi = "10.1016/j.enconman.2021.114258",
url = "https://hdl.handle.net/21.15107/rcub_dais_11648"
}
Pfeifer, A., Herc, L., Batas-Bjelić, I.,& Duić, N.. (2021). Flexibility index and decreasing the costs in energy systems with high share of renewable energy. in Energy Conversion and Management
Elsevier BV., 240, 114258.
https://doi.org/10.1016/j.enconman.2021.114258
https://hdl.handle.net/21.15107/rcub_dais_11648
Pfeifer A, Herc L, Batas-Bjelić I, Duić N. Flexibility index and decreasing the costs in energy systems with high share of renewable energy. in Energy Conversion and Management. 2021;240:114258.
doi:10.1016/j.enconman.2021.114258
https://hdl.handle.net/21.15107/rcub_dais_11648 .
Pfeifer, Antun, Herc, Luka, Batas-Bjelić, Ilija, Duić, Neven, "Flexibility index and decreasing the costs in energy systems with high share of renewable energy" in Energy Conversion and Management, 240 (2021):114258,
https://doi.org/10.1016/j.enconman.2021.114258 .,
https://hdl.handle.net/21.15107/rcub_dais_11648 .
2
5
5
6

Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming

Stratimirović, Đorđe; Batas-Bjelić, Ilija; Đurđevic, Vladimir; Blešić, Suzana

(Elsevier BV, 2021)

TY  - JOUR
AU  - Stratimirović, Đorđe
AU  - Batas-Bjelić, Ilija
AU  - Đurđevic, Vladimir
AU  - Blešić, Suzana
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/10096
AB  - In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.
PB  - Elsevier BV
T2  - Physica A: Statistical Mechanics and its Applications
T1  - Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming
SP  - 125607
VL  - 566
DO  - 10.1016/j.physa.2020.125607
UR  - https://hdl.handle.net/21.15107/rcub_dais_10096
ER  - 
@article{
author = "Stratimirović, Đorđe and Batas-Bjelić, Ilija and Đurđevic, Vladimir and Blešić, Suzana",
year = "2021",
abstract = "In this paper we assessed changes in scaling properties of the river Danube level and flow data, associated with building of Djerdap/Iron Gates hydrological power plants positioned on the border of Romania and Serbia. We used detrended fluctuation analysis (DFA), wavelet transform spectral analysis (WTS) and wavelet modulus maxima method (WTMM) to investigate time series of measurements from hydrological stations in the vicinity of dams and in the area of up to 480 km upstream from dams, and time series of simulated NOAA-CIRES 20th Century Global Reanalysis precipitation data for the Djerdap/Iron Gates region. By comparing river dynamics during the periods before and after construction of dams, we were able to register changes in scaling that are different for recordings from upstream and from downstream (from dams) areas. We found that damming caused appearance of human-made or enhancement of natural cycles in the small time scales region, which largely influenced the change in temporal scaling in downstream recording stations. We additionally found disappearance or decline in the amplitude of large-time-scale cycles as a result of damming, which changed the dynamics of upstream data. The most prominent finding of our paper is a demonstration of a complete or partial loss of annual cycles in the upstream stations’ data that stems from the operation of the artificial water reservoir and extends as far as 220 km from dams. We discussed probable sources of such found changes in scaling, aiming to provide explanations that could be of use in future environmental assessments.",
publisher = "Elsevier BV",
journal = "Physica A: Statistical Mechanics and its Applications",
title = "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming",
pages = "125607",
volume = "566",
doi = "10.1016/j.physa.2020.125607",
url = "https://hdl.handle.net/21.15107/rcub_dais_10096"
}
Stratimirović, Đ., Batas-Bjelić, I., Đurđevic, V.,& Blešić, S.. (2021). Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications
Elsevier BV., 566, 125607.
https://doi.org/10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_10096
Stratimirović Đ, Batas-Bjelić I, Đurđevic V, Blešić S. Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming. in Physica A: Statistical Mechanics and its Applications. 2021;566:125607.
doi:10.1016/j.physa.2020.125607
https://hdl.handle.net/21.15107/rcub_dais_10096 .
Stratimirović, Đorđe, Batas-Bjelić, Ilija, Đurđevic, Vladimir, Blešić, Suzana, "Changes in long-term properties and natural cycles of the Danube river level and flow induced by damming" in Physica A: Statistical Mechanics and its Applications, 566 (2021):125607,
https://doi.org/10.1016/j.physa.2020.125607 .,
https://hdl.handle.net/21.15107/rcub_dais_10096 .
1
1
1

Десанка Максимовић (1898 –1993)

Вранеш, Александра

(Београд : Српска академија наука и уметности, 2021)

TY  - CONF
AU  - Вранеш, Александра
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12228
AB  - Десанка Максимовић (Рабровица, 16. мај 1898 – Београд, 11. фебруар 1993)
истакнута је српска књижевница, песникиња, културни посленик. Више
пута је награђивана високим признањима за свој књижевни рад, педаго-
шки допринос, културно и друштвено ангажовање, међу којима су: Октобарска
награда Крагујевца за Крваву бајку (1963); Седмојулска награда
(1964); Награда АВНОЈ -а (1970); Вукова награда (1974); Змајева награда Ма-
тице српске за 1973. годину за књигу Немам више времена (1974); Плакета
САНУ за велике заслуге у стварању и ширењу песничке речи (1974); На-
града за животно дело Удружења књижевника Србије (1984); Његошева
награда (1984); Велика плакета Универзитета у Београду и Филолошког
факултета, за дугогодишње делање у културном и књижевном животу
Србије (1988); Златни венац Струшких вечери поезије (1988). За Нобелову
награду номинована је три пута.
Десанка Максимовић је 17. 12. 1959. изабрана за дописног члана САНУ ,
а за њеног редовног члана 16. 12. 1965. Приступна беседа редовног члана
Десанке Максимовић биле су три песме из збирке Тражим помиловање
(Свечани скуп, 28. април 1966). Као члан САНУ Десанка је била референт
за изборе преко дванаест чланова САНУ међу књижевницима и научни-
цима из земље и иностранства. Године 1982. одређена је у име Академије
за члана Одбора Вуковог сабора. За дописног члана Словеначке академије
наука и уметности изабрана је 1969. године. Војвођанска академија наука
и уметности изабрала ју је 1991. за свог члана ван редовног састава.
AB  - Desanka Maksimović (Rabrovica, 16 May 1898 – Belgrade, 11 February 1993) was a
prominent Serbian writer, poet and cultural worker. She attended primary school in
Brankovina and Valjevo (1906–1910), and high school in Valjevo (1910–1919). She worked
as a temporary teacher at the Private High School in Obrenovac, while still a student
(1922–1923), as a substitute teacher at the Third Girls’ Grammar School in Belgrade
(1923, 1926–1928), substitute teacher at the Teachers College in Dubrovnik (1925–1926),
as a full time teacher at the First Gymnasium for Girls in Belgrade (1928–1941) and the
Girls’ Grammar School in Bitoljska Street in Belgrade (1945). She was also the editor
of the journal Književnost (Literature) and a professional writer at the Department of
Science, Art and Culture at the Ministry of Education (1946).
On 17 December 1959, Desanka Maksimović was elected a corresponding
member of the Serbian Academy of Sciences and Arts and became a full member on
16 December 1965. Her accession speech delivered on the occasion of being admitted as
full member consisted of three poems from her collection Tražim pomilovanje (I Seek
Clemency) (Ceremonial Session, 28 April 1966). As a member of the Academy, Desanka
Maksimović was in charge of the election of more than twelve corresponding and full
Academy members from Serbia and abroad, mainly writers. In 1982 she was appointed
as a member of the Vukov sabor Board by the Academy. She became a corresponding
member of the Slovenian Academy of Sciences and Arts in 1969. The Vojvodina Academy
of Sciences and Arts elected her an honorary member in 1991.
The poetry of Desanka Maksimović is characterized by stylistic clarity, immediacy
and spiritual curiosity. Her works were influenced by folk literature, Serbian Romantics,
French and Russian literature and Eastern Orthodoxy. To the question posed by a
journalist of Politika “What is the strength of Orthodoxy that others fear?”, the poet
responded: “God and non-hatred.” (Desanka 1992:15). Compassion and generosity of
spirit towards human fellow-sufferers, her perennial concern for people, give readers
faith and hope for a better life and inspire them with optimism.
The topicality and vigor of problems, a humanist vision of an anticipated future
(Oslobođenje Cvete Andrić [ The Liberation of Cveta Andrić]), a harrowing account
(Krvava bajka [ A Bloody Fairy Tale]), earnest enthusiasm for achievements and a
victorious spirit (Otadžbina u prvomajskoj povorci [Fatherland in a May Day Parade),
an ode to freedom (Otadžbino, tu sam [Fatherland, I am here]), a strong and exciting
humanity (Govori tiho [Speak Softly]), these are the hallmarks of her social and patriotic
poetry.
The subtlety of emotions, grace of intonation, reflective optimism and meticulousness
of imagery were the features of Desanka Maksimović’s poetry and prose for
children (Vrt detinjstva [Garden of Childhood], Raspevane priče [Singing Tales], Srce the Great Plaque of the University of Belgrade and the Faculty of Philology for many
years of cultural and literary activities in Serbia (1988), the Golden Wreath of the Struga
Poetry Nights (1988). She was nominated for the Nobel Prize three times. “Like all true
poets, Desanka Maksimović always got more joy from creating than from the success
of her poems.” (Đorđević 1973: 11).
In Valjevo, a monument to her poetry was erected during her lifetime. UNESCO
dedicated the year 1988 to the celebration of the centennial birth anniversary of the
Serbian poet, on recommendation from the “Desanka Maksimović” Foundation, which
ever since it was established in 1993 has been awarding the Desanka Maksimović Award
to outstanding poets. The Foundation initiated and published a critical edition of the
Complete Works of Desanka Maksimović in ten volumes, the tenth volume containing
her biography and bibliography (2012).
PB  - Београд : Српска академија наука и уметности
C3  - Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
T1  - Десанка Максимовић (1898 –1993)
SP  - 130
EP  - 187
UR  - https://hdl.handle.net/21.15107/rcub_dais_12228
ER  - 
@conference{
author = "Вранеш, Александра",
year = "2021",
abstract = "Десанка Максимовић (Рабровица, 16. мај 1898 – Београд, 11. фебруар 1993)
истакнута је српска књижевница, песникиња, културни посленик. Више
пута је награђивана високим признањима за свој књижевни рад, педаго-
шки допринос, културно и друштвено ангажовање, међу којима су: Октобарска
награда Крагујевца за Крваву бајку (1963); Седмојулска награда
(1964); Награда АВНОЈ -а (1970); Вукова награда (1974); Змајева награда Ма-
тице српске за 1973. годину за књигу Немам више времена (1974); Плакета
САНУ за велике заслуге у стварању и ширењу песничке речи (1974); На-
града за животно дело Удружења књижевника Србије (1984); Његошева
награда (1984); Велика плакета Универзитета у Београду и Филолошког
факултета, за дугогодишње делање у културном и књижевном животу
Србије (1988); Златни венац Струшких вечери поезије (1988). За Нобелову
награду номинована је три пута.
Десанка Максимовић је 17. 12. 1959. изабрана за дописног члана САНУ ,
а за њеног редовног члана 16. 12. 1965. Приступна беседа редовног члана
Десанке Максимовић биле су три песме из збирке Тражим помиловање
(Свечани скуп, 28. април 1966). Као члан САНУ Десанка је била референт
за изборе преко дванаест чланова САНУ међу књижевницима и научни-
цима из земље и иностранства. Године 1982. одређена је у име Академије
за члана Одбора Вуковог сабора. За дописног члана Словеначке академије
наука и уметности изабрана је 1969. године. Војвођанска академија наука
и уметности изабрала ју је 1991. за свог члана ван редовног састава., Desanka Maksimović (Rabrovica, 16 May 1898 – Belgrade, 11 February 1993) was a
prominent Serbian writer, poet and cultural worker. She attended primary school in
Brankovina and Valjevo (1906–1910), and high school in Valjevo (1910–1919). She worked
as a temporary teacher at the Private High School in Obrenovac, while still a student
(1922–1923), as a substitute teacher at the Third Girls’ Grammar School in Belgrade
(1923, 1926–1928), substitute teacher at the Teachers College in Dubrovnik (1925–1926),
as a full time teacher at the First Gymnasium for Girls in Belgrade (1928–1941) and the
Girls’ Grammar School in Bitoljska Street in Belgrade (1945). She was also the editor
of the journal Književnost (Literature) and a professional writer at the Department of
Science, Art and Culture at the Ministry of Education (1946).
On 17 December 1959, Desanka Maksimović was elected a corresponding
member of the Serbian Academy of Sciences and Arts and became a full member on
16 December 1965. Her accession speech delivered on the occasion of being admitted as
full member consisted of three poems from her collection Tražim pomilovanje (I Seek
Clemency) (Ceremonial Session, 28 April 1966). As a member of the Academy, Desanka
Maksimović was in charge of the election of more than twelve corresponding and full
Academy members from Serbia and abroad, mainly writers. In 1982 she was appointed
as a member of the Vukov sabor Board by the Academy. She became a corresponding
member of the Slovenian Academy of Sciences and Arts in 1969. The Vojvodina Academy
of Sciences and Arts elected her an honorary member in 1991.
The poetry of Desanka Maksimović is characterized by stylistic clarity, immediacy
and spiritual curiosity. Her works were influenced by folk literature, Serbian Romantics,
French and Russian literature and Eastern Orthodoxy. To the question posed by a
journalist of Politika “What is the strength of Orthodoxy that others fear?”, the poet
responded: “God and non-hatred.” (Desanka 1992:15). Compassion and generosity of
spirit towards human fellow-sufferers, her perennial concern for people, give readers
faith and hope for a better life and inspire them with optimism.
The topicality and vigor of problems, a humanist vision of an anticipated future
(Oslobođenje Cvete Andrić [ The Liberation of Cveta Andrić]), a harrowing account
(Krvava bajka [ A Bloody Fairy Tale]), earnest enthusiasm for achievements and a
victorious spirit (Otadžbina u prvomajskoj povorci [Fatherland in a May Day Parade),
an ode to freedom (Otadžbino, tu sam [Fatherland, I am here]), a strong and exciting
humanity (Govori tiho [Speak Softly]), these are the hallmarks of her social and patriotic
poetry.
The subtlety of emotions, grace of intonation, reflective optimism and meticulousness
of imagery were the features of Desanka Maksimović’s poetry and prose for
children (Vrt detinjstva [Garden of Childhood], Raspevane priče [Singing Tales], Srce the Great Plaque of the University of Belgrade and the Faculty of Philology for many
years of cultural and literary activities in Serbia (1988), the Golden Wreath of the Struga
Poetry Nights (1988). She was nominated for the Nobel Prize three times. “Like all true
poets, Desanka Maksimović always got more joy from creating than from the success
of her poems.” (Đorđević 1973: 11).
In Valjevo, a monument to her poetry was erected during her lifetime. UNESCO
dedicated the year 1988 to the celebration of the centennial birth anniversary of the
Serbian poet, on recommendation from the “Desanka Maksimović” Foundation, which
ever since it was established in 1993 has been awarding the Desanka Maksimović Award
to outstanding poets. The Foundation initiated and published a critical edition of the
Complete Works of Desanka Maksimović in ten volumes, the tenth volume containing
her biography and bibliography (2012).",
publisher = "Београд : Српска академија наука и уметности",
journal = "Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1",
title = "Десанка Максимовић (1898 –1993)",
pages = "130-187",
url = "https://hdl.handle.net/21.15107/rcub_dais_12228"
}
Вранеш, А.. (2021). Десанка Максимовић (1898 –1993). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
Београд : Српска академија наука и уметности., 130-187.
https://hdl.handle.net/21.15107/rcub_dais_12228
Вранеш А. Десанка Максимовић (1898 –1993). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1. 2021;:130-187.
https://hdl.handle.net/21.15107/rcub_dais_12228 .
Вранеш, Александра, "Десанка Максимовић (1898 –1993)" in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1 (2021):130-187,
https://hdl.handle.net/21.15107/rcub_dais_12228 .

Исидора Секулић (1877–1958)

Пековић, Слободанка

(Београд : Српска академија наука и уметности, 2021)

TY  - CONF
AU  - Пековић, Слободанка
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12227
AB  - Најзначајнији постулати стваралаштва Исидоре Секулић, као и оне
одлике
њеног начина писања и живота, створили су од ње „најумнију Српкињу”,
али и „апостола самоће”. И у личном животу и у књижевном стварању
сматрала је да је принцип истинитости, односно поштења како у односу
према људима тако и у односу на књижевни дискурс (било фикционални,
критички, историјски или теоријски) од изузетне важности. На почетно
начело истине надовезивали су се и остали принципи којих се придржа-
вала: принцип сиромаштва, однос према религији, народу, националном
и интернационалном, према језику и култури, за коју је веровала да је по-
кретач напретка и разумевања.
Слављена и оспоравана, Исидора Секулић је обележила своје време,
а њени есеји, путописи и прозни радови и данас изазивају интересовање
читалаца и истраживача. Једна је од ретких српских списатељки која је
стекла запажено место у српском књижевном канону.
Изабрана је за дописног члана Српске краљевске академије 1939, за
дописног члана Српске академије наука 1948, а за редовног члана 1950.
године.
AB  - Isidora Sekulić was born in 1877 in Mošorin. She completed the advanced course in
state pedagogy and passed the French language and literature in 1897 in Budapest. She
occasionally attended lectures on comparative literature from 1904 to 1909 in London,
Paris and Berlin. She earned a PhD degree in Germany. Her teaching career lasted for 35
years, and as of 1931 she entirely devoted herself to literary work.
Isidora Sekulić earned a high place in Serbian culture as a woman-intellectual. She
was a polyglot (at the age of 14 she could speak five languages) and erudite. According to
her contemporaries, she was distinguished by an extraordinary sagacity and a unique
way of thinking, and her multifold approach to problems. She must also be acknowledged
for her courage to “write like a woman”, in spite of the mainstream and established
regula, at the outset of the 20th century, about the topics that usually men wrote about,
ignoring all restrictions that existed at the time in reference to gender, as well as to
“small and big” nations, “small and big” cultures. It could be said that she redefined her
position as an intellectual in patriarchal culture, alongside “Enlightenment in the West”
and “Balkan backwardness”.
Isidora Sekulić’s oeuvre is large and diverse. She wrote nearly six thousand pages of
“experimental works” as she herself dubbed them. Some of them were compiled in books,
some were published in periodicals. Her legacy and correspondence are also extensive.
She wrote stories, narratives, chronicles (some parts of her chronicles look like the basis
for a novel), travelogues, essays, reviews, commissioned texts, novels, and she also did
translation work. She wrote about books, writers, dilemmas, philosophy, religion, music,
art, in a manner that was rare in Serbian literature. Although she was not a professional
art or music critic, her texts about fine arts or music were far from amateurish. She understood
music and painting well and translated them into words. For example, her lyrical
paper Tuga (Sorrow) can be read as a story about love-longing, but it is also a guide
for Grieg’s “Elegy Op. 47”. She was well informed about all arts events, became ecstatic
after seeing the exhibition of Henry Moore or listening to “Symphonie Espagnole” by
Édouard Lalo performed by Yehudi Menuhin. She was a literary master who intriguingly
used erudition and who pondered over art, everyday problems, prejudice… making the
reader pay attention and take part. She tried hard to steer clear of tedious documentarism
and false objectivity in all her writing. Even though she was aware that her words
represented her, she managed to avoid exaggerated subjectivity and narcissism. What
connects all her texts are her distinctive style and language (but also the unrepeatability
of the statement), knowledge and meticulousness. One way or another, her writing is a
speech about herself, although it is far from being a personal diary, not even when she
wrote her Pisma iz Norveške (Letters from Norway). With a writer like Isidora Sekulić,
the reader is seduced with words. She attached great importance to words (spoken or written), and therefore the conclusion that she was a great stylist was logically derived
from her attention to words. The translator or the reader must pay special attention to
words, because they constitute one of the reliable elements of structure, which ensures
the understanding of the author’s text, and of her subjective reception. For example, in
her Uvod u srpski narodni jezik – bolje reći govor (An Introduction to the Serbian Folk
Language – or Speech), language-speech is highlighted as a miraculous expression: “Even
though she talks a lot about translation in this booklet, the author’s real interest and the
true meaning of texts lies in the everlasting and actually inexhaustible observations of
the marvel, of the treasure if you like, which is called a human speech, people’s language,
languages of different nations. The basis or the origin of this marvel lies in the human
power, which means that people, through expressive forms and using meaning, speak
about their lives, their experiences in nature and in the human community. In doing so,
they use a vast number of speech variations, which cannot be counted, nor determined.
Human ability to speak, which have primitive and civilized people alike, is constantly at
work, day and night, like the circulation of blood or the beating of the heart.” [25, Govor i
jezik, Mir i nemir (Speech and Language, Tranquility and Turmoil), p. 119].
Her literary work was influenced by all that was important to her. Everything she
created reflected the author herself, but primarily her feelings of loneliness and vulnerability,
her attitude towards tradition and people, her religious beliefs, an imperative
about her attitudes towards truth and honesty, towards other cultures and peoples.
She was elected a corresponding member of the Serbian Royal Academy in 1939, a
corresponding member of the Serbian Academy of Sciences in 1948, and a full member
in 1950.
PB  - Београд : Српска академија наука и уметности
C3  - Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
T1  - Исидора Секулић (1877–1958)
UR  - https://hdl.handle.net/21.15107/rcub_dais_12227
ER  - 
@conference{
author = "Пековић, Слободанка",
year = "2021",
abstract = "Најзначајнији постулати стваралаштва Исидоре Секулић, као и оне
одлике
њеног начина писања и живота, створили су од ње „најумнију Српкињу”,
али и „апостола самоће”. И у личном животу и у књижевном стварању
сматрала је да је принцип истинитости, односно поштења како у односу
према људима тако и у односу на књижевни дискурс (било фикционални,
критички, историјски или теоријски) од изузетне важности. На почетно
начело истине надовезивали су се и остали принципи којих се придржа-
вала: принцип сиромаштва, однос према религији, народу, националном
и интернационалном, према језику и култури, за коју је веровала да је по-
кретач напретка и разумевања.
Слављена и оспоравана, Исидора Секулић је обележила своје време,
а њени есеји, путописи и прозни радови и данас изазивају интересовање
читалаца и истраживача. Једна је од ретких српских списатељки која је
стекла запажено место у српском књижевном канону.
Изабрана је за дописног члана Српске краљевске академије 1939, за
дописног члана Српске академије наука 1948, а за редовног члана 1950.
године., Isidora Sekulić was born in 1877 in Mošorin. She completed the advanced course in
state pedagogy and passed the French language and literature in 1897 in Budapest. She
occasionally attended lectures on comparative literature from 1904 to 1909 in London,
Paris and Berlin. She earned a PhD degree in Germany. Her teaching career lasted for 35
years, and as of 1931 she entirely devoted herself to literary work.
Isidora Sekulić earned a high place in Serbian culture as a woman-intellectual. She
was a polyglot (at the age of 14 she could speak five languages) and erudite. According to
her contemporaries, she was distinguished by an extraordinary sagacity and a unique
way of thinking, and her multifold approach to problems. She must also be acknowledged
for her courage to “write like a woman”, in spite of the mainstream and established
regula, at the outset of the 20th century, about the topics that usually men wrote about,
ignoring all restrictions that existed at the time in reference to gender, as well as to
“small and big” nations, “small and big” cultures. It could be said that she redefined her
position as an intellectual in patriarchal culture, alongside “Enlightenment in the West”
and “Balkan backwardness”.
Isidora Sekulić’s oeuvre is large and diverse. She wrote nearly six thousand pages of
“experimental works” as she herself dubbed them. Some of them were compiled in books,
some were published in periodicals. Her legacy and correspondence are also extensive.
She wrote stories, narratives, chronicles (some parts of her chronicles look like the basis
for a novel), travelogues, essays, reviews, commissioned texts, novels, and she also did
translation work. She wrote about books, writers, dilemmas, philosophy, religion, music,
art, in a manner that was rare in Serbian literature. Although she was not a professional
art or music critic, her texts about fine arts or music were far from amateurish. She understood
music and painting well and translated them into words. For example, her lyrical
paper Tuga (Sorrow) can be read as a story about love-longing, but it is also a guide
for Grieg’s “Elegy Op. 47”. She was well informed about all arts events, became ecstatic
after seeing the exhibition of Henry Moore or listening to “Symphonie Espagnole” by
Édouard Lalo performed by Yehudi Menuhin. She was a literary master who intriguingly
used erudition and who pondered over art, everyday problems, prejudice… making the
reader pay attention and take part. She tried hard to steer clear of tedious documentarism
and false objectivity in all her writing. Even though she was aware that her words
represented her, she managed to avoid exaggerated subjectivity and narcissism. What
connects all her texts are her distinctive style and language (but also the unrepeatability
of the statement), knowledge and meticulousness. One way or another, her writing is a
speech about herself, although it is far from being a personal diary, not even when she
wrote her Pisma iz Norveške (Letters from Norway). With a writer like Isidora Sekulić,
the reader is seduced with words. She attached great importance to words (spoken or written), and therefore the conclusion that she was a great stylist was logically derived
from her attention to words. The translator or the reader must pay special attention to
words, because they constitute one of the reliable elements of structure, which ensures
the understanding of the author’s text, and of her subjective reception. For example, in
her Uvod u srpski narodni jezik – bolje reći govor (An Introduction to the Serbian Folk
Language – or Speech), language-speech is highlighted as a miraculous expression: “Even
though she talks a lot about translation in this booklet, the author’s real interest and the
true meaning of texts lies in the everlasting and actually inexhaustible observations of
the marvel, of the treasure if you like, which is called a human speech, people’s language,
languages of different nations. The basis or the origin of this marvel lies in the human
power, which means that people, through expressive forms and using meaning, speak
about their lives, their experiences in nature and in the human community. In doing so,
they use a vast number of speech variations, which cannot be counted, nor determined.
Human ability to speak, which have primitive and civilized people alike, is constantly at
work, day and night, like the circulation of blood or the beating of the heart.” [25, Govor i
jezik, Mir i nemir (Speech and Language, Tranquility and Turmoil), p. 119].
Her literary work was influenced by all that was important to her. Everything she
created reflected the author herself, but primarily her feelings of loneliness and vulnerability,
her attitude towards tradition and people, her religious beliefs, an imperative
about her attitudes towards truth and honesty, towards other cultures and peoples.
She was elected a corresponding member of the Serbian Royal Academy in 1939, a
corresponding member of the Serbian Academy of Sciences in 1948, and a full member
in 1950.",
publisher = "Београд : Српска академија наука и уметности",
journal = "Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1",
title = "Исидора Секулић (1877–1958)",
url = "https://hdl.handle.net/21.15107/rcub_dais_12227"
}
Пековић, С.. (2021). Исидора Секулић (1877–1958). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
Београд : Српска академија наука и уметности..
https://hdl.handle.net/21.15107/rcub_dais_12227
Пековић С. Исидора Секулић (1877–1958). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1. 2021;.
https://hdl.handle.net/21.15107/rcub_dais_12227 .
Пековић, Слободанка, "Исидора Секулић (1877–1958)" in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1 (2021),
https://hdl.handle.net/21.15107/rcub_dais_12227 .

Катарина Ивановић (1811-1882)

Макуљевић, Ненад

(Београд : Српска академија наука и уметности, 2021)

TY  - CONF
AU  - Макуљевић, Ненад
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12223
AB  - У историји српске уметности и културе XIX века особену појаву представља
уметница Катарина Ивановић. Она спада међу прве жене које су
се афирмисале у српској културној јавности захваљујући свом професионалном
раду. Катарина Ивановић је прва српска школована сликарка,
која се уметношћу бавила до краја живота и прва жена члан Српског ученог
друштва. Изабрана је 1876.
Катарина Ивановић заузела је истакнуто место у историографији о
српској уметности. Захваљујући Теодору Павловићу познате су ране године
њеног живота, а њен сликарски рад праћен је још од студентских
дана [3: 386].1 О њој је писано у бројним научним студијама и прегледима
југословенске и српске уметности. Сликарски опус Катарине Ивановић
монографски је приказан у више наврата, а посебна пажња је посвећивана
различитим аспектима њеног опуса, од иконографског до родног.2 Упркос
изузетном значају и чињеници да се о њој пише још од средине XIX века,
живот и дело Катарине Ивановић остали су у великој мери непознаница
до данас, па су понајвише изостала контекстуална тумачења њених сликарских
радова.
AB  - Katarina Ivanović was born on 15 April 1811 in Veszprém (today North West Hungary)
to a middle-class family, to father Lazar and mother Marija. The family moved to
Székesfehérvár, where she started receiving her first formal art training, which she later
continued in Pest and Vienna, where she enrolled in the Academy of Fine Arts. She lived
and studied in Munich (1844 and 1855). For years she was up to date on all new developments
in European art, she travelled a lot and studied the latest achievements in painting
at the time by visiting art galleries and churches, and she had close ties with the Serbian
cultural elite gathered around Vuk Karadžić.
In the history of Serbia’s 19th century culture, Katarina Ivanović represents a unique
phenomenon. With her artistic lifestyle and paintings, she embodied the pioneering phenomenon
of the Serbian bourgeois art. Katarina Ivanović was the first Serbian artist who,
thanks to the 1837 display of her self-portrait, gained recognition from Viennese art critics.
At the same time, owing to her self-portrait, she became the first artist to be publicly
celebrated in Serbia and therefore her artworks were reproduced and popularized in
the press – Serbski narodni list. For nearly four decades, Katarina Ivanović participated
in the artistic life of the Habsburg Monarchy, Vienna and Pest, and was the first Serbian
artist whose works were on display at the greatest cultural events of the 19th century. She
exhibited her artworks at world exhibitions held in Paris and Vienna in 1873.
By producing complex artworks which examined patriotic and historical themes,
Katarina Ivanović made a great impact on the thematic repertoire of Serbian art. Srbski
Omir became an iconographic basis for the portrayal of the Serbs gathered around gusle
players, which was one of the most important national themes in 19th-century Serbian
art. Her distinctive selection of historical compositions from Serbian and Hungarian history,
with an emphasis on the role of a woman, constitutes a unique synthesis of different
identity layers – Serbian national identity, gender identity, but also her territorial
identity – Hungarian. Some compositions such as The Liberation of Belgrade belong to
the most complex artworks created at the time. Her painting Self-portrait in the Studio,
which she painted in her later years, was her manifesto, which testified to her artistic
personality and her achievements.
Having gained recognition from her contemporaries at an early age, Katarina
Ivanović was held in very high esteem in the Principality of Serbia. She was admitted to
the Serbian Learned Society in 1876, as the first woman ever to become its fellow. Her
admission to the Society was closely associated with her patriotic decision to donate
some selected pieces of her paintings to the National Museum in Belgrade. In that way,
she enriched Serbian culture forever.
She passed away on 12 September 1882 in Székesfehérvár, to which she remained
devoted all her life. Her last will and testament testifies to her close ties with her family,
friends and Serbian community.
PB  - Београд : Српска академија наука и уметности
C3  - Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
T1  - Катарина Ивановић (1811-1882)
T1  - 
SP  - 26
EP  - 57
UR  - https://hdl.handle.net/21.15107/rcub_dais_12223
ER  - 
@conference{
author = "Макуљевић, Ненад",
year = "2021",
abstract = "У историји српске уметности и културе XIX века особену појаву представља
уметница Катарина Ивановић. Она спада међу прве жене које су
се афирмисале у српској културној јавности захваљујући свом професионалном
раду. Катарина Ивановић је прва српска школована сликарка,
која се уметношћу бавила до краја живота и прва жена члан Српског ученог
друштва. Изабрана је 1876.
Катарина Ивановић заузела је истакнуто место у историографији о
српској уметности. Захваљујући Теодору Павловићу познате су ране године
њеног живота, а њен сликарски рад праћен је још од студентских
дана [3: 386].1 О њој је писано у бројним научним студијама и прегледима
југословенске и српске уметности. Сликарски опус Катарине Ивановић
монографски је приказан у више наврата, а посебна пажња је посвећивана
различитим аспектима њеног опуса, од иконографског до родног.2 Упркос
изузетном значају и чињеници да се о њој пише још од средине XIX века,
живот и дело Катарине Ивановић остали су у великој мери непознаница
до данас, па су понајвише изостала контекстуална тумачења њених сликарских
радова., Katarina Ivanović was born on 15 April 1811 in Veszprém (today North West Hungary)
to a middle-class family, to father Lazar and mother Marija. The family moved to
Székesfehérvár, where she started receiving her first formal art training, which she later
continued in Pest and Vienna, where she enrolled in the Academy of Fine Arts. She lived
and studied in Munich (1844 and 1855). For years she was up to date on all new developments
in European art, she travelled a lot and studied the latest achievements in painting
at the time by visiting art galleries and churches, and she had close ties with the Serbian
cultural elite gathered around Vuk Karadžić.
In the history of Serbia’s 19th century culture, Katarina Ivanović represents a unique
phenomenon. With her artistic lifestyle and paintings, she embodied the pioneering phenomenon
of the Serbian bourgeois art. Katarina Ivanović was the first Serbian artist who,
thanks to the 1837 display of her self-portrait, gained recognition from Viennese art critics.
At the same time, owing to her self-portrait, she became the first artist to be publicly
celebrated in Serbia and therefore her artworks were reproduced and popularized in
the press – Serbski narodni list. For nearly four decades, Katarina Ivanović participated
in the artistic life of the Habsburg Monarchy, Vienna and Pest, and was the first Serbian
artist whose works were on display at the greatest cultural events of the 19th century. She
exhibited her artworks at world exhibitions held in Paris and Vienna in 1873.
By producing complex artworks which examined patriotic and historical themes,
Katarina Ivanović made a great impact on the thematic repertoire of Serbian art. Srbski
Omir became an iconographic basis for the portrayal of the Serbs gathered around gusle
players, which was one of the most important national themes in 19th-century Serbian
art. Her distinctive selection of historical compositions from Serbian and Hungarian history,
with an emphasis on the role of a woman, constitutes a unique synthesis of different
identity layers – Serbian national identity, gender identity, but also her territorial
identity – Hungarian. Some compositions such as The Liberation of Belgrade belong to
the most complex artworks created at the time. Her painting Self-portrait in the Studio,
which she painted in her later years, was her manifesto, which testified to her artistic
personality and her achievements.
Having gained recognition from her contemporaries at an early age, Katarina
Ivanović was held in very high esteem in the Principality of Serbia. She was admitted to
the Serbian Learned Society in 1876, as the first woman ever to become its fellow. Her
admission to the Society was closely associated with her patriotic decision to donate
some selected pieces of her paintings to the National Museum in Belgrade. In that way,
she enriched Serbian culture forever.
She passed away on 12 September 1882 in Székesfehérvár, to which she remained
devoted all her life. Her last will and testament testifies to her close ties with her family,
friends and Serbian community.",
publisher = "Београд : Српска академија наука и уметности",
journal = "Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1",
title = "Катарина Ивановић (1811-1882), ",
pages = "26-57",
url = "https://hdl.handle.net/21.15107/rcub_dais_12223"
}
Макуљевић, Н.. (2021). Катарина Ивановић (1811-1882). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
Београд : Српска академија наука и уметности., 26-57.
https://hdl.handle.net/21.15107/rcub_dais_12223
Макуљевић Н. Катарина Ивановић (1811-1882). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1. 2021;:26-57.
https://hdl.handle.net/21.15107/rcub_dais_12223 .
Макуљевић, Ненад, "Катарина Ивановић (1811-1882)" in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1 (2021):26-57,
https://hdl.handle.net/21.15107/rcub_dais_12223 .

Аделајн Полина Ирби (1831–1911)

Марковић, Слободан Г.

(Београд : Српска академија наука и уметности, 2021)

TY  - CONF
AU  - Марковић, Слободан Г.
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12226
AB  - Аделајн Полина Ирби1 (Adeline Paulina Irby, Бојленд Хол код Норича,
18. децембар 1831 – Сарајево, 2/15. септембар 1911) британска је ауторка и
добротворка.
Истакла се посебно у две области: у публицистичком раду
којим је обавештавала британску јавност о положају балканских хришћа-
на и кроз добротворни и образовни рад у Босни, Славонији, Лици и Дал-
мацији. Њена хуманитарна активност огледала се у огромној помоћи
хришћанским избеглицама из Босне и Херцеговине током Велике источне
кризе (1875–1878), као и у оснивању 22 школе у Славонији и пет у Лици за
избеглу српску децу. Њена просветна активност посебно је дошла до изра-
жаја у Сарајеву, где је основала школу за женску хришћанску децу 1866, а то је временом постао завод за образовање српске женске деце, који је
радио до њене смрти 1911. Књигу Путовање по словенским земљама Турске
у Европи заједно су 1866. објавиле Џорџина Макензи и Аделајн Ирби. Она је
извршила велику улогу, посебно током Велике источне кризе, у обавешта-
вању британског јавног мњења о приликама у којима су живели православни
хришћани под османском влашћу. Овај путопис представља најпотпунији
извор о Србима под османском влашћу до тада објављен на енглеском.
AB  - Adeline Paulina Irby (1831-1911) was a British author and humanitarian. She started
her European travels with Georgina Mary Muir Mackenzie (1833-1874) in 1859. Between
1861 and 1864, they made several journeys to the central parts of the Balkans, including
Bulgaria, Serbia, Old Serbia, northern Albania and Montenegro. They learned the Serbian
language, collected extensive material and, in 1866/1867, published the travelogue Travels
in the Slavonic Provinces of Turkey-in-Europe. This travelogue played a significant role
in improving the image of the Balkan Christians in Britain; its second edition, published
in 1877 and prefaced by William Gladstone, proved particularly influential. The second
edition was translated into Russian. Prince Michael Obrenovich (Mihailo Obrenović) III
personally financed its first publication in the Serbian language, translated by Chedomille
Miyatovich (Čedomilj Mijatović).
Her philanthropic work in Bosnia lasted from 1866 till her death. Her activities
focused on the girls’ school she had established in Sarajevo, which was intended for all
Slavs in Bosnia, but in the end, only Orthodox Serbs attended it. With the outbreak of the
Eastern Crisis, in 1875-1879, she devoted herself to extensive humanitarian work to help
Serbian Christian refugees from Bosnia. In 1876, she established 22 schools in Slavonia to
provide accommodation and care for refugee children from Bosnia. At one point, 2,000
children attended these schools. In 1877/78, the focus of her work shifted to Dalmatia
and Lika, where she established five schools, organiѕed temporary accommodation for
refugees, collected huge humanitarian aid and hired refugees to work on public projects.
Between 1872 and 1885, Priscilla Johnston (1841-1912) assisted her in her humanitarian
efforts, and thus the two became symbols of aid and charitableness amongst Bosnian
Serbs. The plight of the refugees from Bosnia was such that the humanitarian work of
Paulina Irby and Priscilla Johnston saved many lives.
During the Eastern Crisis, the Bosnian and Herzegovinian Fugitives and Orphans
Relief Fund, run by Miss Irby, collected huge humanitarian aid in Britain, estimated
between £40,000 (the equivalent of half a million crowns) and four million Austro-
Hungarian florins or crowns. Working to help the refugees, she wrote numerous letters
to the leading London dailies, The Times and The Daily News. Those letters helped raise
significant humanitarian aid for Bosnian Christian refugees, mostly ethnic Serbs.
From 1879 until her death in 1911, she rebuilt a school in Sarajevo, which at first
accepted orphans from the previous war of both sexes, and then became a primarily
female school for educating Serbian women from Bosnia and training them to work
as teachers. The school took pains to preserve the national (Serbian) and religious
(Orthodox) identity of its students and pupils and was therefore viewed with suspicion
by the local Austro-Hungarian authorities. Paulina Irby was held in high regard by Serbian rulers, intellectuals and ordinary
people who, in recognition of her efforts, dubbed her “gracious”, whereas she and
Johnston were dubbed “queens” during the Great Eastern Crisis. She lived in Sarajevo
from 1879 until her death and only occasionally went to Britain and visited Italy and other
countries. She took a keen interest in classical studies and archaeology.
She was an honorary member of various Serbian women’s associations and was
actively involved in the suffragette movement in Britain, which was at the time pushing
for universal suffrage. From 1885, she was the only female corresponding member of the
Serbian Learned Society and the only woman to be accepted as an honorary member
into the Serbian Royal Academy (1892). She received honours from the rulers of both
Serbia and Montenegro.
PB  - Београд : Српска академија наука и уметности
C3  - Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
T1  - Аделајн Полина Ирби (1831–1911)
T1  - 
SP  - 26
EP  - 93
UR  - https://hdl.handle.net/21.15107/rcub_dais_12226
ER  - 
@conference{
author = "Марковић, Слободан Г.",
year = "2021",
abstract = "Аделајн Полина Ирби1 (Adeline Paulina Irby, Бојленд Хол код Норича,
18. децембар 1831 – Сарајево, 2/15. септембар 1911) британска је ауторка и
добротворка.
Истакла се посебно у две области: у публицистичком раду
којим је обавештавала британску јавност о положају балканских хришћа-
на и кроз добротворни и образовни рад у Босни, Славонији, Лици и Дал-
мацији. Њена хуманитарна активност огледала се у огромној помоћи
хришћанским избеглицама из Босне и Херцеговине током Велике источне
кризе (1875–1878), као и у оснивању 22 школе у Славонији и пет у Лици за
избеглу српску децу. Њена просветна активност посебно је дошла до изра-
жаја у Сарајеву, где је основала школу за женску хришћанску децу 1866, а то је временом постао завод за образовање српске женске деце, који је
радио до њене смрти 1911. Књигу Путовање по словенским земљама Турске
у Европи заједно су 1866. објавиле Џорџина Макензи и Аделајн Ирби. Она је
извршила велику улогу, посебно током Велике источне кризе, у обавешта-
вању британског јавног мњења о приликама у којима су живели православни
хришћани под османском влашћу. Овај путопис представља најпотпунији
извор о Србима под османском влашћу до тада објављен на енглеском., Adeline Paulina Irby (1831-1911) was a British author and humanitarian. She started
her European travels with Georgina Mary Muir Mackenzie (1833-1874) in 1859. Between
1861 and 1864, they made several journeys to the central parts of the Balkans, including
Bulgaria, Serbia, Old Serbia, northern Albania and Montenegro. They learned the Serbian
language, collected extensive material and, in 1866/1867, published the travelogue Travels
in the Slavonic Provinces of Turkey-in-Europe. This travelogue played a significant role
in improving the image of the Balkan Christians in Britain; its second edition, published
in 1877 and prefaced by William Gladstone, proved particularly influential. The second
edition was translated into Russian. Prince Michael Obrenovich (Mihailo Obrenović) III
personally financed its first publication in the Serbian language, translated by Chedomille
Miyatovich (Čedomilj Mijatović).
Her philanthropic work in Bosnia lasted from 1866 till her death. Her activities
focused on the girls’ school she had established in Sarajevo, which was intended for all
Slavs in Bosnia, but in the end, only Orthodox Serbs attended it. With the outbreak of the
Eastern Crisis, in 1875-1879, she devoted herself to extensive humanitarian work to help
Serbian Christian refugees from Bosnia. In 1876, she established 22 schools in Slavonia to
provide accommodation and care for refugee children from Bosnia. At one point, 2,000
children attended these schools. In 1877/78, the focus of her work shifted to Dalmatia
and Lika, where she established five schools, organiѕed temporary accommodation for
refugees, collected huge humanitarian aid and hired refugees to work on public projects.
Between 1872 and 1885, Priscilla Johnston (1841-1912) assisted her in her humanitarian
efforts, and thus the two became symbols of aid and charitableness amongst Bosnian
Serbs. The plight of the refugees from Bosnia was such that the humanitarian work of
Paulina Irby and Priscilla Johnston saved many lives.
During the Eastern Crisis, the Bosnian and Herzegovinian Fugitives and Orphans
Relief Fund, run by Miss Irby, collected huge humanitarian aid in Britain, estimated
between £40,000 (the equivalent of half a million crowns) and four million Austro-
Hungarian florins or crowns. Working to help the refugees, she wrote numerous letters
to the leading London dailies, The Times and The Daily News. Those letters helped raise
significant humanitarian aid for Bosnian Christian refugees, mostly ethnic Serbs.
From 1879 until her death in 1911, she rebuilt a school in Sarajevo, which at first
accepted orphans from the previous war of both sexes, and then became a primarily
female school for educating Serbian women from Bosnia and training them to work
as teachers. The school took pains to preserve the national (Serbian) and religious
(Orthodox) identity of its students and pupils and was therefore viewed with suspicion
by the local Austro-Hungarian authorities. Paulina Irby was held in high regard by Serbian rulers, intellectuals and ordinary
people who, in recognition of her efforts, dubbed her “gracious”, whereas she and
Johnston were dubbed “queens” during the Great Eastern Crisis. She lived in Sarajevo
from 1879 until her death and only occasionally went to Britain and visited Italy and other
countries. She took a keen interest in classical studies and archaeology.
She was an honorary member of various Serbian women’s associations and was
actively involved in the suffragette movement in Britain, which was at the time pushing
for universal suffrage. From 1885, she was the only female corresponding member of the
Serbian Learned Society and the only woman to be accepted as an honorary member
into the Serbian Royal Academy (1892). She received honours from the rulers of both
Serbia and Montenegro.",
publisher = "Београд : Српска академија наука и уметности",
journal = "Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1",
title = "Аделајн Полина Ирби (1831–1911), ",
pages = "26-93",
url = "https://hdl.handle.net/21.15107/rcub_dais_12226"
}
Марковић, С. Г.. (2021). Аделајн Полина Ирби (1831–1911). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1
Београд : Српска академија наука и уметности., 26-93.
https://hdl.handle.net/21.15107/rcub_dais_12226
Марковић СГ. Аделајн Полина Ирби (1831–1911). in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1. 2021;:26-93.
https://hdl.handle.net/21.15107/rcub_dais_12226 .
Марковић, Слободан Г., "Аделајн Полина Ирби (1831–1911)" in Живот и стваралаштво жена чланова Српског ученог друштва, Српске краљевске академије и Српске академије наука и уметности. Том 1 (2021):26-93,
https://hdl.handle.net/21.15107/rcub_dais_12226 .

Excluded communities and participatory land-use planning: experience from informal Roma settlements in Serbia

Vuksanović-Macura, Zlata; Miščević, Igor

(SAGE Publishing, 2021)

TY  - JOUR
AU  - Vuksanović-Macura, Zlata
AU  - Miščević, Igor
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/11943
AB  - Citizen participation in the planning and decision-making process in the European post-socialist context is much debated. Still, the involvement of excluded communities in the urban planning process remains understudied. This paper presents and discusses the application of an innovative participatory approach designed to ensure active involvement of an excluded ethnic minority, the Roma community, in the process of formulating and adopting land-use plans for informal settlements in Serbia. By analysing the development of land-use plans in 11 municipalities, we observe that the applied participatory approach enhanced the inhabitants’ active participation and helped build consensus on the planned solution between the key actors. Findings also suggested that further work with citizens, capacity building of planners and administration, and secured financial mechanisms are needed to move citizen participation in urban planning beyond the limited statutory requirements.
PB  - SAGE Publishing
T2  - Environment and Urbanization
T1  - Excluded communities and participatory land-use planning: experience from informal Roma settlements in Serbia
SP  - 456
EP  - 477
VL  - 33
IS  - 2
DO  - https://doi.org/10.1177/09562478211024095
UR  - https://hdl.handle.net/21.15107/rcub_dais_11943
ER  - 
@article{
author = "Vuksanović-Macura, Zlata and Miščević, Igor",
year = "2021",
abstract = "Citizen participation in the planning and decision-making process in the European post-socialist context is much debated. Still, the involvement of excluded communities in the urban planning process remains understudied. This paper presents and discusses the application of an innovative participatory approach designed to ensure active involvement of an excluded ethnic minority, the Roma community, in the process of formulating and adopting land-use plans for informal settlements in Serbia. By analysing the development of land-use plans in 11 municipalities, we observe that the applied participatory approach enhanced the inhabitants’ active participation and helped build consensus on the planned solution between the key actors. Findings also suggested that further work with citizens, capacity building of planners and administration, and secured financial mechanisms are needed to move citizen participation in urban planning beyond the limited statutory requirements.",
publisher = "SAGE Publishing",
journal = "Environment and Urbanization",
title = "Excluded communities and participatory land-use planning: experience from informal Roma settlements in Serbia",
pages = "456-477",
volume = "33",
number = "2",
doi = "https://doi.org/10.1177/09562478211024095",
url = "https://hdl.handle.net/21.15107/rcub_dais_11943"
}
Vuksanović-Macura, Z.,& Miščević, I.. (2021). Excluded communities and participatory land-use planning: experience from informal Roma settlements in Serbia. in Environment and Urbanization
SAGE Publishing., 33(2), 456-477.
https://doi.org/https://doi.org/10.1177/09562478211024095
https://hdl.handle.net/21.15107/rcub_dais_11943
Vuksanović-Macura Z, Miščević I. Excluded communities and participatory land-use planning: experience from informal Roma settlements in Serbia. in Environment and Urbanization. 2021;33(2):456-477.
doi:https://doi.org/10.1177/09562478211024095
https://hdl.handle.net/21.15107/rcub_dais_11943 .
Vuksanović-Macura, Zlata, Miščević, Igor, "Excluded communities and participatory land-use planning: experience from informal Roma settlements in Serbia" in Environment and Urbanization, 33, no. 2 (2021):456-477,
https://doi.org/https://doi.org/10.1177/09562478211024095 .,
https://hdl.handle.net/21.15107/rcub_dais_11943 .

Мишел Ажије, Нове сеобе народа, нови космополитизам

Јовановић, Теодора

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - JOUR
AU  - Јовановић, Теодора
PY  - 2021
UR  - https://dais.sanu.ac.rs/handle/123456789/942/submit/1d4479215d215d54876a0e5f3b4d52025c1c694f.continue
UR  - https://dais.sanu.ac.rs/123456789/12195
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T2  - Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - Мишел Ажије, Нове сеобе народа, нови космополитизам
SP  - 506
EP  - 508
VL  - 69
IS  - 2
UR  - https://hdl.handle.net/21.15107/rcub_dais_12195
ER  - 
@article{
author = "Јовановић, Теодора",
year = "2021",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
journal = "Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "Мишел Ажије, Нове сеобе народа, нови космополитизам",
pages = "506-508",
volume = "69",
number = "2",
url = "https://hdl.handle.net/21.15107/rcub_dais_12195"
}
Јовановић, Т.. (2021). Мишел Ажије, Нове сеобе народа, нови космополитизам. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(2), 506-508.
https://hdl.handle.net/21.15107/rcub_dais_12195
Јовановић Т. Мишел Ажије, Нове сеобе народа, нови космополитизам. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA. 2021;69(2):506-508.
https://hdl.handle.net/21.15107/rcub_dais_12195 .
Јовановић, Теодора, "Мишел Ажије, Нове сеобе народа, нови космополитизам" in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA, 69, no. 2 (2021):506-508,
https://hdl.handle.net/21.15107/rcub_dais_12195 .

Милан Томашевић, Космологика: контекстуализација популарне космологије

Башић, Ивана

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - JOUR
AU  - Башић, Ивана
PY  - 2021
UR  - https://dais.sanu.ac.rs/handle/123456789/942/submit/1043592808597b1b168110210b79677d19360179.continue
UR  - https://dais.sanu.ac.rs/123456789/12194
AB  - Монографија Космологика аутора Милана Томашевића контекстуализује
улогу космологије, па и науке уопште, у оквире савременог погледа на свет, који,
барем номинално, доминира секуларним Западом. Контрастирањем религијског и
научног дискурса, књига у први план истиче важност и вредност телеолошке
димензије космолошких теорија и настоји да им пружи културолошки релевантно
тумачење, указујући на читав низ могућих значења похрањених у популарном
космолошком наративу. Антрополошким проматрањем једног научног
објашњења или сета теорија, аутор на занимљив и веома илустративан начин
доприноси бољем разумевању улоге науке у савременом културном контексту и
помаже расветљавању филозофске и религијске димензије космологије. Стога су
Космологике значајно штиво не само за ужи научни круг читалаца, већ се могу
читати и као узбудљива авантура људске мисли у космосу и о космосу.
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T2  - Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - Милан Томашевић, Космологика: контекстуализација популарне космологије
SP  - 503
EP  - 506
VL  - 69
IS  - 2
UR  - https://hdl.handle.net/21.15107/rcub_dais_12194
ER  - 
@article{
author = "Башић, Ивана",
year = "2021",
abstract = "Монографија Космологика аутора Милана Томашевића контекстуализује
улогу космологије, па и науке уопште, у оквире савременог погледа на свет, који,
барем номинално, доминира секуларним Западом. Контрастирањем религијског и
научног дискурса, књига у први план истиче важност и вредност телеолошке
димензије космолошких теорија и настоји да им пружи културолошки релевантно
тумачење, указујући на читав низ могућих значења похрањених у популарном
космолошком наративу. Антрополошким проматрањем једног научног
објашњења или сета теорија, аутор на занимљив и веома илустративан начин
доприноси бољем разумевању улоге науке у савременом културном контексту и
помаже расветљавању филозофске и религијске димензије космологије. Стога су
Космологике значајно штиво не само за ужи научни круг читалаца, већ се могу
читати и као узбудљива авантура људске мисли у космосу и о космосу.",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
journal = "Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "Милан Томашевић, Космологика: контекстуализација популарне космологије",
pages = "503-506",
volume = "69",
number = "2",
url = "https://hdl.handle.net/21.15107/rcub_dais_12194"
}
Башић, И.. (2021). Милан Томашевић, Космологика: контекстуализација популарне космологије. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(2), 503-506.
https://hdl.handle.net/21.15107/rcub_dais_12194
Башић И. Милан Томашевић, Космологика: контекстуализација популарне космологије. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA. 2021;69(2):503-506.
https://hdl.handle.net/21.15107/rcub_dais_12194 .
Башић, Ивана, "Милан Томашевић, Космологика: контекстуализација популарне космологије" in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA, 69, no. 2 (2021):503-506,
https://hdl.handle.net/21.15107/rcub_dais_12194 .

O којој интеграцији је реч? Поводом књиге Рахеле Јурковић Интеграција азиланата у хрватско друштво: културноантрополошка студија

Ђорђевић Црнобрња, Јадранка

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - JOUR
AU  - Ђорђевић Црнобрња, Јадранка
PY  - 2021
UR  - https://dais.sanu.ac.rs/handle/123456789/942/submit/174c6975685849747e685f192e0c1c5134577719.continue
UR  - https://dais.sanu.ac.rs/123456789/12193
AB  - Културноантрополошка студија Рахеле Јурковић представља важан документ о
мигрантској ситуацији која се одвијала не само на простору Републике Хрватске,
већ и осталих држава Западног Балкана. Сходно томе њен допринос разумевању
интеграције азиланата није од посебног значаја само за етнолошка и
(културно)антрополошка истраживања миграција у Хрватској, већ резултати
изнети у књизи представљају допринос разумевању проблематике тражења азила
како у научном тако и у ширем друштвеном контексту.
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T2  - Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - O којој интеграцији је реч? Поводом књиге Рахеле Јурковић Интеграција азиланата у хрватско друштво: културноантрополошка студија
SP  - 496
EP  - 502
VL  - 69
IS  - 2
UR  - https://hdl.handle.net/21.15107/rcub_dais_12193
ER  - 
@article{
author = "Ђорђевић Црнобрња, Јадранка",
year = "2021",
abstract = "Културноантрополошка студија Рахеле Јурковић представља важан документ о
мигрантској ситуацији која се одвијала не само на простору Републике Хрватске,
већ и осталих држава Западног Балкана. Сходно томе њен допринос разумевању
интеграције азиланата није од посебног значаја само за етнолошка и
(културно)антрополошка истраживања миграција у Хрватској, већ резултати
изнети у књизи представљају допринос разумевању проблематике тражења азила
како у научном тако и у ширем друштвеном контексту.",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
journal = "Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "O којој интеграцији је реч? Поводом књиге Рахеле Јурковић Интеграција азиланата у хрватско друштво: културноантрополошка студија",
pages = "496-502",
volume = "69",
number = "2",
url = "https://hdl.handle.net/21.15107/rcub_dais_12193"
}
Ђорђевић Црнобрња, Ј.. (2021). O којој интеграцији је реч? Поводом књиге Рахеле Јурковић Интеграција азиланата у хрватско друштво: културноантрополошка студија. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(2), 496-502.
https://hdl.handle.net/21.15107/rcub_dais_12193
Ђорђевић Црнобрња Ј. O којој интеграцији је реч? Поводом књиге Рахеле Јурковић Интеграција азиланата у хрватско друштво: културноантрополошка студија. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA. 2021;69(2):496-502.
https://hdl.handle.net/21.15107/rcub_dais_12193 .
Ђорђевић Црнобрња, Јадранка, "O којој интеграцији је реч? Поводом књиге Рахеле Јурковић Интеграција азиланата у хрватско друштво: културноантрополошка студија" in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA, 69, no. 2 (2021):496-502,
https://hdl.handle.net/21.15107/rcub_dais_12193 .

(Над)гледање женског тела на тржишту спектакла: род и музика

Лукић Крстановић, Мирослава

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - JOUR
AU  - Лукић Крстановић, Мирослава
PY  - 2021
UR  - https://dais.sanu.ac.rs/handle/123456789/942/submit/268a544c498e53144636553f1d4e6f322074871e.continue
UR  - https://dais.sanu.ac.rs/123456789/12192
AB  - У раду се проблематизују улоге и позиције жена уметница, артисткиња и
конзументкиња кроз сложене процесе спектакла. Питање женског тела доводи се у
везу са преиспитивањем родних улога на перформативном терену, с циљем да се
нагласе постојеће парадигме (као што су сексуалност, диморфизам, доминације и
субординације, фалогоцентрични простор), али и да се усложне конструктивне опције
на тлу популарне музике и поткултуре (амбивалентност, еквиваленост, варијантна
својства, репрезентативност и интернализација субјекта). Најуочљивији примери
произилазе из рокенрол културе и рок сцена где се конфронтирају феминистички
отпори са мушким хегемонијама, посебно у зонама моћи управљања и фабриковања
женске телесности.
AB  - The paper problematizes roles and positions of women artists and women consumers
through the complex processes of spectacle. The question of women’s body is related to the
questioning of the gender roles on the performative level, with the aim to emphasize existing
paradigms (as sexuality, dimorphism, dominations and subordinations, phalogocentric
spaces), but also to make complex constructive options in the sphere of popular music and
subculture (ambivalence, equivalence, variable qualities, subject representationalism, subject
intentionality). The most noticeable examples stem from rock and roll culture and rock
scenes where feminist resistances to male hegemonies are created, especially in the zones of
power of management and fabrication of women’s body.
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T2  - Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - (Над)гледање женског тела на тржишту спектакла: род и музика
T1  - Controlling Woman’s Body on the Market of the Spectacle: Gender and Music
SP  - 303
EP  - 322
VL  - 69
IS  - 2
DO  - 10.2298/GEI2102303L
UR  - https://hdl.handle.net/21.15107/rcub_dais_12192
ER  - 
@article{
author = "Лукић Крстановић, Мирослава",
year = "2021",
abstract = "У раду се проблематизују улоге и позиције жена уметница, артисткиња и
конзументкиња кроз сложене процесе спектакла. Питање женског тела доводи се у
везу са преиспитивањем родних улога на перформативном терену, с циљем да се
нагласе постојеће парадигме (као што су сексуалност, диморфизам, доминације и
субординације, фалогоцентрични простор), али и да се усложне конструктивне опције
на тлу популарне музике и поткултуре (амбивалентност, еквиваленост, варијантна
својства, репрезентативност и интернализација субјекта). Најуочљивији примери
произилазе из рокенрол културе и рок сцена где се конфронтирају феминистички
отпори са мушким хегемонијама, посебно у зонама моћи управљања и фабриковања
женске телесности., The paper problematizes roles and positions of women artists and women consumers
through the complex processes of spectacle. The question of women’s body is related to the
questioning of the gender roles on the performative level, with the aim to emphasize existing
paradigms (as sexuality, dimorphism, dominations and subordinations, phalogocentric
spaces), but also to make complex constructive options in the sphere of popular music and
subculture (ambivalence, equivalence, variable qualities, subject representationalism, subject
intentionality). The most noticeable examples stem from rock and roll culture and rock
scenes where feminist resistances to male hegemonies are created, especially in the zones of
power of management and fabrication of women’s body.",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
journal = "Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "(Над)гледање женског тела на тржишту спектакла: род и музика, Controlling Woman’s Body on the Market of the Spectacle: Gender and Music",
pages = "303-322",
volume = "69",
number = "2",
doi = "10.2298/GEI2102303L",
url = "https://hdl.handle.net/21.15107/rcub_dais_12192"
}
Лукић Крстановић, М.. (2021). (Над)гледање женског тела на тржишту спектакла: род и музика. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(2), 303-322.
https://doi.org/10.2298/GEI2102303L
https://hdl.handle.net/21.15107/rcub_dais_12192
Лукић Крстановић М. (Над)гледање женског тела на тржишту спектакла: род и музика. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA. 2021;69(2):303-322.
doi:10.2298/GEI2102303L
https://hdl.handle.net/21.15107/rcub_dais_12192 .
Лукић Крстановић, Мирослава, "(Над)гледање женског тела на тржишту спектакла: род и музика" in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA, 69, no. 2 (2021):303-322,
https://doi.org/10.2298/GEI2102303L .,
https://hdl.handle.net/21.15107/rcub_dais_12192 .

Феминистичке процедуре у друштву и култури

Лада, Стевановић; Лукић Крстановић, Мирослава

(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2021)

TY  - JOUR
AU  - Лада, Стевановић
AU  - Лукић Крстановић, Мирослава
PY  - 2021
UR  - https://dais.sanu.ac.rs/handle/123456789/942/submit/685f206522095402513b7e3e22246c15870a110d.continue
UR  - https://dais.sanu.ac.rs/123456789/12191
AB  - Темат под насловом Феминистичке процедуре у друштву и култури
доноси пет радова који се из различитих перспектива баве родним обрасцима
у различитим животним сферама, али и процедурама и праксама којима се ови
обрасци надилазе и превазилазе. Овај трансдисциплинарни темат у коме се
преламају методологије етнологије, антропологије, феминистичке критике,
критичке теорије, књижевне критике и историје – покушај је не само да се
допуне знања о женама, женском стваралаштву и постојећим пепрекама (кроз
историју и данас), већ и да се допринесе креирању феминистичких
епистемологија и укаже на важност да се то чини.
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T2  - Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - Феминистичке процедуре у друштву и култури
T1  - Feminist Procedures in Society and Culture
SP  - 271
EP  - 273
VL  - 69
IS  - 2
DO  - 10.2298/GEI2102271S
UR  - https://hdl.handle.net/21.15107/rcub_dais_12191
ER  - 
@article{
author = "Лада, Стевановић and Лукић Крстановић, Мирослава",
year = "2021",
abstract = "Темат под насловом Феминистичке процедуре у друштву и култури
доноси пет радова који се из различитих перспектива баве родним обрасцима
у различитим животним сферама, али и процедурама и праксама којима се ови
обрасци надилазе и превазилазе. Овај трансдисциплинарни темат у коме се
преламају методологије етнологије, антропологије, феминистичке критике,
критичке теорије, књижевне критике и историје – покушај је не само да се
допуне знања о женама, женском стваралаштву и постојећим пепрекама (кроз
историју и данас), већ и да се допринесе креирању феминистичких
епистемологија и укаже на важност да се то чини.",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
journal = "Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "Феминистичке процедуре у друштву и култури, Feminist Procedures in Society and Culture",
pages = "271-273",
volume = "69",
number = "2",
doi = "10.2298/GEI2102271S",
url = "https://hdl.handle.net/21.15107/rcub_dais_12191"
}
Лада, С.,& Лукић Крстановић, М.. (2021). Феминистичке процедуре у друштву и култури. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 69(2), 271-273.
https://doi.org/10.2298/GEI2102271S
https://hdl.handle.net/21.15107/rcub_dais_12191
Лада С, Лукић Крстановић М. Феминистичке процедуре у друштву и култури. in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA. 2021;69(2):271-273.
doi:10.2298/GEI2102271S
https://hdl.handle.net/21.15107/rcub_dais_12191 .
Лада, Стевановић, Лукић Крстановић, Мирослава, "Феминистичке процедуре у друштву и култури" in Гласник Етнографског Института САНУ / Bulletin of the Institute of Ethnography SASA, 69, no. 2 (2021):271-273,
https://doi.org/10.2298/GEI2102271S .,
https://hdl.handle.net/21.15107/rcub_dais_12191 .

The Ethnography Of Social Media: Mapping Tik Tok Culture In Serbia

Radivojević, Sonja

(Belgrade : Faculty of Dramatic Arts, Institute for Theatre, Film, Radio and Television, 2021)

TY  - CONF
AU  - Radivojević, Sonja
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12190
AB  - In 2020, when the whole world found itself locked under the threat of a pandemic caused by the emergence of a new coronavirus, and when almost everything stagnated, TikTok became one of the growing phenomena. This controversial application by the Chinese company ByteDance, based on creating and sharing short videos that can be both witty and sarcastic, can depict routines, everyday life, or present trend dances, has become the most downloaded application and the global quarantine entertainment, and so far, its popularity has not declined. However, despite the global popularity, one mentions TikTok in the public discourse in a negative context, as an application associated with a non-transparent algorithm, endangered privacy, or with risks and a destructive impact on the behavior and mental health of young people. At the same time, while it is widely spread among the young, for the older generations that have not had the opportunity to encounter TikTok, so they are still unsure about what it represents and what is happening on it, the application is a sort of a black box. Having all of that in mind, and by relying on the theoretical interpretation, this paper aims at providing a close look at the application and its analysis, as well as the potentials and limits that are associated with it. More precisely, based on a month-long observation and ethnographic research, the paper is an attempt at giving answers to the questions about the nature of TikTok, its place in the new media universe, users, topics, movements, and questions that are presented in this social media, and finally, what this content can say to us about the world we are living in and its reach. In addition, the paper shall engage in the deliberation of the methodological challenges of the ethnographic research of social media and the Internet.
AB  - 2020. godine, kada se ceo svet našao pod pretnjom pandemije izazvane pojavom novog korona virusa i kada je gotovo sve stagniralo, TikTok je postao jedan od rastućih fenomena. Ova kontroverzna aplikacija kineske kompanije ByteDance, zasnovana na kreiranju i deljenju kratkih video snimaka koji mogu biti i duhoviti i sarkastični, mogu oslikavati rutinu, svakodnevni život ili predstavljaju trendovske plesove, postala je najčešće preuzimana aplikacija i globalna karantinska zabava, a njegova popularnost ne opada ni danas. Međutim, uprkos planetarnoj popularnosti, TikTok se u javnom diskursu najčešće pominje u negativnom kontekstu, kao aplikacija koja se povezuje sa netransparentnim algoritmom, ugroženom privatnošću, ili sa rizicima i destruktivnim uticajem na ponašanje i mentalno zdravlje mladih. Istovremeno, dok je široko rasprostranjen među mladima, za pripadnike starijih generacija koji nisu imale priliku da se susretnu sa njim, i još uvek nisu sigurni šta on predstavlja, TikTok je svojevrsna crna kutija. Imajući sve to u vidu, i oslanjajući se na teorijsku interpretaciju, ovaj rad ima za cilj da pruži pogled izbliza i analizira samu aplikaciju, kao i njene potencijale i ograničenja. Bliže, na osnovu višemesečnog posmatranja i etnografskog istraživanja, rad će nastojati da odgovori na pitanja o prirodi TikToka, njegovom mestu u novom medijskom univerzumu, korisnicima, temama, pokretima i pitanjima koja se postavljaju na njemu, kao i šta nam ovaj sadržaj može reći o svetu u kome živimo. Pored toga, rad će se baviti razmatranjem metodoloških izazova etnografskog istraživanja društvenih medija i interneta.
PB  - Belgrade : Faculty of Dramatic Arts, Institute for Theatre, Film, Radio and Television
C3  - Creativity and Innovations in Theatre, Media and Cultural Productions: Visions and Values for the Future. Book of abstracts
T1  - The Ethnography Of Social Media: Mapping Tik Tok Culture In Serbia
SP  - 112
EP  - 113
UR  - https://hdl.handle.net/21.15107/rcub_dais_12190
ER  - 
@conference{
author = "Radivojević, Sonja",
year = "2021",
abstract = "In 2020, when the whole world found itself locked under the threat of a pandemic caused by the emergence of a new coronavirus, and when almost everything stagnated, TikTok became one of the growing phenomena. This controversial application by the Chinese company ByteDance, based on creating and sharing short videos that can be both witty and sarcastic, can depict routines, everyday life, or present trend dances, has become the most downloaded application and the global quarantine entertainment, and so far, its popularity has not declined. However, despite the global popularity, one mentions TikTok in the public discourse in a negative context, as an application associated with a non-transparent algorithm, endangered privacy, or with risks and a destructive impact on the behavior and mental health of young people. At the same time, while it is widely spread among the young, for the older generations that have not had the opportunity to encounter TikTok, so they are still unsure about what it represents and what is happening on it, the application is a sort of a black box. Having all of that in mind, and by relying on the theoretical interpretation, this paper aims at providing a close look at the application and its analysis, as well as the potentials and limits that are associated with it. More precisely, based on a month-long observation and ethnographic research, the paper is an attempt at giving answers to the questions about the nature of TikTok, its place in the new media universe, users, topics, movements, and questions that are presented in this social media, and finally, what this content can say to us about the world we are living in and its reach. In addition, the paper shall engage in the deliberation of the methodological challenges of the ethnographic research of social media and the Internet., 2020. godine, kada se ceo svet našao pod pretnjom pandemije izazvane pojavom novog korona virusa i kada je gotovo sve stagniralo, TikTok je postao jedan od rastućih fenomena. Ova kontroverzna aplikacija kineske kompanije ByteDance, zasnovana na kreiranju i deljenju kratkih video snimaka koji mogu biti i duhoviti i sarkastični, mogu oslikavati rutinu, svakodnevni život ili predstavljaju trendovske plesove, postala je najčešće preuzimana aplikacija i globalna karantinska zabava, a njegova popularnost ne opada ni danas. Međutim, uprkos planetarnoj popularnosti, TikTok se u javnom diskursu najčešće pominje u negativnom kontekstu, kao aplikacija koja se povezuje sa netransparentnim algoritmom, ugroženom privatnošću, ili sa rizicima i destruktivnim uticajem na ponašanje i mentalno zdravlje mladih. Istovremeno, dok je široko rasprostranjen među mladima, za pripadnike starijih generacija koji nisu imale priliku da se susretnu sa njim, i još uvek nisu sigurni šta on predstavlja, TikTok je svojevrsna crna kutija. Imajući sve to u vidu, i oslanjajući se na teorijsku interpretaciju, ovaj rad ima za cilj da pruži pogled izbliza i analizira samu aplikaciju, kao i njene potencijale i ograničenja. Bliže, na osnovu višemesečnog posmatranja i etnografskog istraživanja, rad će nastojati da odgovori na pitanja o prirodi TikToka, njegovom mestu u novom medijskom univerzumu, korisnicima, temama, pokretima i pitanjima koja se postavljaju na njemu, kao i šta nam ovaj sadržaj može reći o svetu u kome živimo. Pored toga, rad će se baviti razmatranjem metodoloških izazova etnografskog istraživanja društvenih medija i interneta.",
publisher = "Belgrade : Faculty of Dramatic Arts, Institute for Theatre, Film, Radio and Television",
journal = "Creativity and Innovations in Theatre, Media and Cultural Productions: Visions and Values for the Future. Book of abstracts",
title = "The Ethnography Of Social Media: Mapping Tik Tok Culture In Serbia",
pages = "112-113",
url = "https://hdl.handle.net/21.15107/rcub_dais_12190"
}
Radivojević, S.. (2021). The Ethnography Of Social Media: Mapping Tik Tok Culture In Serbia. in Creativity and Innovations in Theatre, Media and Cultural Productions: Visions and Values for the Future. Book of abstracts
Belgrade : Faculty of Dramatic Arts, Institute for Theatre, Film, Radio and Television., 112-113.
https://hdl.handle.net/21.15107/rcub_dais_12190
Radivojević S. The Ethnography Of Social Media: Mapping Tik Tok Culture In Serbia. in Creativity and Innovations in Theatre, Media and Cultural Productions: Visions and Values for the Future. Book of abstracts. 2021;:112-113.
https://hdl.handle.net/21.15107/rcub_dais_12190 .
Radivojević, Sonja, "The Ethnography Of Social Media: Mapping Tik Tok Culture In Serbia" in Creativity and Innovations in Theatre, Media and Cultural Productions: Visions and Values for the Future. Book of abstracts (2021):112-113,
https://hdl.handle.net/21.15107/rcub_dais_12190 .

Prophezeiungen und Träume im Geschichtswerk von Nikephoros Gregoras – Vorbemerkungen

Pavlović, Bojana

(Budapest : ELTE Eötvös-József-Collegium, 2021)

TY  - CHAP
AU  - Pavlović, Bojana
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12204
PB  - Budapest : ELTE Eötvös-József-Collegium
T2  - Byzanz und das Abendland VII. Studia Byzantino-Occidentalia
T1  - Prophezeiungen und Träume im Geschichtswerk von Nikephoros  Gregoras – Vorbemerkungen
SP  - 238
EP  - 259
VL  - 42
DO  - 10.37584/BuA_7.237.259
UR  - https://hdl.handle.net/21.15107/rcub_dais_12204
ER  - 
@inbook{
author = "Pavlović, Bojana",
year = "2021",
publisher = "Budapest : ELTE Eötvös-József-Collegium",
journal = "Byzanz und das Abendland VII. Studia Byzantino-Occidentalia",
booktitle = "Prophezeiungen und Träume im Geschichtswerk von Nikephoros  Gregoras – Vorbemerkungen",
pages = "238-259",
volume = "42",
doi = "10.37584/BuA_7.237.259",
url = "https://hdl.handle.net/21.15107/rcub_dais_12204"
}
Pavlović, B.. (2021). Prophezeiungen und Träume im Geschichtswerk von Nikephoros  Gregoras – Vorbemerkungen. in Byzanz und das Abendland VII. Studia Byzantino-Occidentalia
Budapest : ELTE Eötvös-József-Collegium., 42, 238-259.
https://doi.org/10.37584/BuA_7.237.259
https://hdl.handle.net/21.15107/rcub_dais_12204
Pavlović B. Prophezeiungen und Träume im Geschichtswerk von Nikephoros  Gregoras – Vorbemerkungen. in Byzanz und das Abendland VII. Studia Byzantino-Occidentalia. 2021;42:238-259.
doi:10.37584/BuA_7.237.259
https://hdl.handle.net/21.15107/rcub_dais_12204 .
Pavlović, Bojana, "Prophezeiungen und Träume im Geschichtswerk von Nikephoros  Gregoras – Vorbemerkungen" in Byzanz und das Abendland VII. Studia Byzantino-Occidentalia, 42 (2021):238-259,
https://doi.org/10.37584/BuA_7.237.259 .,
https://hdl.handle.net/21.15107/rcub_dais_12204 .

The Kangar of De administrando imperio and the Hungarian-Bashkir Controversy

Komatina, Predrag

(Budapest : ELTE Eötvös-József-Collegium, 2021)

TY  - CHAP
AU  - Komatina, Predrag
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/12203
AB  - There are in the work De administrando imperio of the Byzantine emperor 
Constantine VII Porphyrogenitus (913–959), composed between 948 and 952, 
two interesting pieces of information about the people called Kangar (Κάγγαρ). 
It should be known that the Pechenegs are also called Kangar, though 
not all of them, but only the folk of the three provinces of Iabdierti and 
Kouartzitzour and Chabouxingyla, for they are more valiant and noble 
than the rest; for that is what the appellation Kangar means.
PB  - Budapest : ELTE Eötvös-József-Collegium
T2  - Byzanz und das Abendland VII. Studia Byzantino-Occidentali
T1  - The Kangar of De administrando imperio and the Hungarian-Bashkir  Controversy
SP  - 205
EP  - 223
VL  - 42
DO  - 10.37584/BuA_7.205.223
UR  - https://hdl.handle.net/21.15107/rcub_dais_12203
ER  - 
@inbook{
author = "Komatina, Predrag",
year = "2021",
abstract = "There are in the work De administrando imperio of the Byzantine emperor 
Constantine VII Porphyrogenitus (913–959), composed between 948 and 952, 
two interesting pieces of information about the people called Kangar (Κάγγαρ). 
It should be known that the Pechenegs are also called Kangar, though 
not all of them, but only the folk of the three provinces of Iabdierti and 
Kouartzitzour and Chabouxingyla, for they are more valiant and noble 
than the rest; for that is what the appellation Kangar means.",
publisher = "Budapest : ELTE Eötvös-József-Collegium",
journal = "Byzanz und das Abendland VII. Studia Byzantino-Occidentali",
booktitle = "The Kangar of De administrando imperio and the Hungarian-Bashkir  Controversy",
pages = "205-223",
volume = "42",
doi = "10.37584/BuA_7.205.223",
url = "https://hdl.handle.net/21.15107/rcub_dais_12203"
}
Komatina, P.. (2021). The Kangar of De administrando imperio and the Hungarian-Bashkir  Controversy. in Byzanz und das Abendland VII. Studia Byzantino-Occidentali
Budapest : ELTE Eötvös-József-Collegium., 42, 205-223.
https://doi.org/10.37584/BuA_7.205.223
https://hdl.handle.net/21.15107/rcub_dais_12203
Komatina P. The Kangar of De administrando imperio and the Hungarian-Bashkir  Controversy. in Byzanz und das Abendland VII. Studia Byzantino-Occidentali. 2021;42:205-223.
doi:10.37584/BuA_7.205.223
https://hdl.handle.net/21.15107/rcub_dais_12203 .
Komatina, Predrag, "The Kangar of De administrando imperio and the Hungarian-Bashkir  Controversy" in Byzanz und das Abendland VII. Studia Byzantino-Occidentali, 42 (2021):205-223,
https://doi.org/10.37584/BuA_7.205.223 .,
https://hdl.handle.net/21.15107/rcub_dais_12203 .