TY  - BOOK
AU  - Kolundžija, Jovana
PY  - 2018
UR  - https://dais.sanu.ac.rs/123456789/5496
AB  - Resume

The Church of St. Nicholas in Old Slankamen occupies a significant place in the cultural history
of the Serbian people. In the cultural heritage of the Old Slankamen it occupies the most
important place and is best preserved.
This church, after the church in Kupinovo, is considered the oldest in Srem, and has preserved
its original form to date. As early as 1501, it appeared for the first time in the records, and
according to the folk tradition, it was built in 1468 according to the wishes of Vuk Grgurovic.
Although it has been added and refined, it still represents a great cultural and historical value.
The church was built in the style of the Moravian architectural school, as a triangular structure
with a cube over the central part, which was later removed. Its cultural and historical value is
that it represents the pattern by which the churches were built in Srem, among which the most
famous is the monastery church of Krusedol. Thanks to the good position of the church in a dry
and elevated place, this architectural work is well preserved. The iconostasis in the church was
well preserved as well.
Iconostasis in the church of St. Nicholas stylistically belongs to the baroque art which in this
region was in the zenith of almost the entire 18th century. This iconostasis was largely done
under the influence of Ukrainian Baroque art, although it is evident that some pictures are copys
of West Europen's graphics.Until the seventies of the last century, researchers began to work
more intensively on iconography in this church. By analyzing and studying, it was determined
that the painter was Stefan Tenecki. Tenecki was one of the most prolific Serbian painter of the
second half of the 18th century. The iconostasis has 55 icons.The icons on this iconostasis
have no major iconographic and stylistic changes in relation to similar iconostases from the
transition period.
In the church there is also the icon of the Virgin with Christ, the first icon of the famous artist
Teodor Kracun.
PB  - Crkvena opština Inđija
T1  - Crkva sv.Nikole u Starom Slankamenu
UR  - https://hdl.handle.net/21.15107/rcub_dais_5496
ER  - 

@book{
author = "Kolundžija, Jovana",
year = "2018",
abstract = "Resume

The Church of St. Nicholas in Old Slankamen occupies a significant place in the cultural history
of the Serbian people. In the cultural heritage of the Old Slankamen it occupies the most
important place and is best preserved.
This church, after the church in Kupinovo, is considered the oldest in Srem, and has preserved
its original form to date. As early as 1501, it appeared for the first time in the records, and
according to the folk tradition, it was built in 1468 according to the wishes of Vuk Grgurovic.
Although it has been added and refined, it still represents a great cultural and historical value.
The church was built in the style of the Moravian architectural school, as a triangular structure
with a cube over the central part, which was later removed. Its cultural and historical value is
that it represents the pattern by which the churches were built in Srem, among which the most
famous is the monastery church of Krusedol. Thanks to the good position of the church in a dry
and elevated place, this architectural work is well preserved. The iconostasis in the church was
well preserved as well.
Iconostasis in the church of St. Nicholas stylistically belongs to the baroque art which in this
region was in the zenith of almost the entire 18th century. This iconostasis was largely done
under the influence of Ukrainian Baroque art, although it is evident that some pictures are copys
of West Europen's graphics.Until the seventies of the last century, researchers began to work
more intensively on iconography in this church. By analyzing and studying, it was determined
that the painter was Stefan Tenecki. Tenecki was one of the most prolific Serbian painter of the
second half of the 18th century. The iconostasis has 55 icons.The icons on this iconostasis
have no major iconographic and stylistic changes in relation to similar iconostases from the
transition period.
In the church there is also the icon of the Virgin with Christ, the first icon of the famous artist
Teodor Kracun.",
publisher = "Crkvena opština Inđija",
title = "Crkva sv.Nikole u Starom Slankamenu",
url = "https://hdl.handle.net/21.15107/rcub_dais_5496"
}

Kolundžija, J.. (2018). Crkva sv.Nikole u Starom Slankamenu. 
Crkvena opština Inđija..
https://hdl.handle.net/21.15107/rcub_dais_5496

Kolundžija J. Crkva sv.Nikole u Starom Slankamenu. 2018;.
https://hdl.handle.net/21.15107/rcub_dais_5496 .

Kolundžija, Jovana, "Crkva sv.Nikole u Starom Slankamenu" (2018),
https://hdl.handle.net/21.15107/rcub_dais_5496 .

TY  - JOUR
AU  - Kolundžija, Jovana
PY  - 2017
UR  - https://www.ceeol.com/search/article-detail?id=667581
UR  - https://dais.sanu.ac.rs/123456789/5649
PB  - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2  - Balcanica
T1  - Elena Dana Prioteasa, Medieval Wall Paintings in Transylvanian Orthodox Churches: Iconographic Subjects in Historical Context. Bucharest: Editura Academiei; Cluj-Napoca: Mega, 2016, 376 p., 139 ills.
SP  - 372
EP  - 374
IS  - XLVIII
UR  - https://hdl.handle.net/21.15107/rcub_dais_5649
ER  - 

@article{
author = "Kolundžija, Jovana",
year = "2017",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "Elena Dana Prioteasa, Medieval Wall Paintings in Transylvanian Orthodox Churches: Iconographic Subjects in Historical Context. Bucharest: Editura Academiei; Cluj-Napoca: Mega, 2016, 376 p., 139 ills.",
pages = "372-374",
number = "XLVIII",
url = "https://hdl.handle.net/21.15107/rcub_dais_5649"
}

Kolundžija, J.. (2017). Elena Dana Prioteasa, Medieval Wall Paintings in Transylvanian Orthodox Churches: Iconographic Subjects in Historical Context. Bucharest: Editura Academiei; Cluj-Napoca: Mega, 2016, 376 p., 139 ills.. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(XLVIII), 372-374.
https://hdl.handle.net/21.15107/rcub_dais_5649

Kolundžija J. Elena Dana Prioteasa, Medieval Wall Paintings in Transylvanian Orthodox Churches: Iconographic Subjects in Historical Context. Bucharest: Editura Academiei; Cluj-Napoca: Mega, 2016, 376 p., 139 ills.. in Balcanica. 2017;(XLVIII):372-374.
https://hdl.handle.net/21.15107/rcub_dais_5649 .

Kolundžija, Jovana, "Elena Dana Prioteasa, Medieval Wall Paintings in Transylvanian Orthodox Churches: Iconographic Subjects in Historical Context. Bucharest: Editura Academiei; Cluj-Napoca: Mega, 2016, 376 p., 139 ills." in Balcanica, no. XLVIII (2017):372-374,
https://hdl.handle.net/21.15107/rcub_dais_5649 .