TY  - JOUR
AU  - Delić, Lidija
PY  - 2015
UR  - https://dais.sanu.ac.rs/123456789/6261
PB  - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2  - Balcanica
T1  - IN MEMORIAM Mirjana Detelić (1950-2014)
SP  - 383
EP  - 387
VL  - XLVI
UR  - https://hdl.handle.net/21.15107/rcub_dais_6261
ER  - 

@article{
author = "Delić, Lidija",
year = "2015",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "IN MEMORIAM Mirjana Detelić (1950-2014)",
pages = "383-387",
volume = "XLVI",
url = "https://hdl.handle.net/21.15107/rcub_dais_6261"
}

Delić, L.. (2015). IN MEMORIAM Mirjana Detelić (1950-2014). in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts., XLVI, 383-387.
https://hdl.handle.net/21.15107/rcub_dais_6261

Delić L. IN MEMORIAM Mirjana Detelić (1950-2014). in Balcanica. 2015;XLVI:383-387.
https://hdl.handle.net/21.15107/rcub_dais_6261 .

Delić, Lidija, "IN MEMORIAM Mirjana Detelić (1950-2014)" in Balcanica, XLVI (2015):383-387,
https://hdl.handle.net/21.15107/rcub_dais_6261 .

TY  - JOUR
AU  - Delić, Lidija
PY  - 2013
UR  - https://dais.sanu.ac.rs/123456789/4356
AB  - The study of oral formulae in the twentieth century had several phases. After the initial - very stimulating and influential - research by M. Parry and A. B. Lord, who focused on the technique of composing the poem and the mnemotechnic function of formulae, the focus at first shifted to the concept of performance (J. M. Foley), and then to the mental text (L. Honko), which introduced into research horizons social, ideological, psychological and mental conditions of improvisation, interaction between the singer and the audience, collective and individual factors of memorising, cultural representation, and the like. Although all the abovementioned aspects undoubtedly determine the structure of a specific variant, it should be kept in mind that formulae transcend concrete improvisations and connect different epic zones, different local traditions and different times. The formula precedes verbal improvisation both chronologically and logically. Therefore - before explaining the repeating of formulae by the needs and nature of improvisation (composition-in-performance) or the generating of formulae in specific variants by textualisation of mental text - we must explain the existence of the formula in the first place. This paper seeks to point out the complex system of factors that determine the genesis of formulae. Formulae are regarded as cultural codes, which combine elements from different spheres (the conceptualization of space, time, colour and so on, elements of rituals, customary norms, historical experience, life realities, ethics, etc.). Therefore, their structure is described in terms of hidden knowledge, hidden complexity, frame semantics, the tip of the iceberg, compressed meanings. Meanings 'compressed' in the formulae are upgraded with new 'income' in every new/concrete realisation (i.e. poem) and this is the area where aesthetics rivals poetics.
PB  - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2  - Balcanica
T1  - Poetic Grounds of Epic Formulae
SP  - 51
EP  - 78
IS  - XLIV
DO  - 10.2298/BALC1344051D
UR  - https://hdl.handle.net/21.15107/rcub_dais_4356
ER  - 

@article{
author = "Delić, Lidija",
year = "2013",
abstract = "The study of oral formulae in the twentieth century had several phases. After the initial - very stimulating and influential - research by M. Parry and A. B. Lord, who focused on the technique of composing the poem and the mnemotechnic function of formulae, the focus at first shifted to the concept of performance (J. M. Foley), and then to the mental text (L. Honko), which introduced into research horizons social, ideological, psychological and mental conditions of improvisation, interaction between the singer and the audience, collective and individual factors of memorising, cultural representation, and the like. Although all the abovementioned aspects undoubtedly determine the structure of a specific variant, it should be kept in mind that formulae transcend concrete improvisations and connect different epic zones, different local traditions and different times. The formula precedes verbal improvisation both chronologically and logically. Therefore - before explaining the repeating of formulae by the needs and nature of improvisation (composition-in-performance) or the generating of formulae in specific variants by textualisation of mental text - we must explain the existence of the formula in the first place. This paper seeks to point out the complex system of factors that determine the genesis of formulae. Formulae are regarded as cultural codes, which combine elements from different spheres (the conceptualization of space, time, colour and so on, elements of rituals, customary norms, historical experience, life realities, ethics, etc.). Therefore, their structure is described in terms of hidden knowledge, hidden complexity, frame semantics, the tip of the iceberg, compressed meanings. Meanings 'compressed' in the formulae are upgraded with new 'income' in every new/concrete realisation (i.e. poem) and this is the area where aesthetics rivals poetics.",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "Poetic Grounds of Epic Formulae",
pages = "51-78",
number = "XLIV",
doi = "10.2298/BALC1344051D",
url = "https://hdl.handle.net/21.15107/rcub_dais_4356"
}

Delić, L.. (2013). Poetic Grounds of Epic Formulae. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(XLIV), 51-78.
https://doi.org/10.2298/BALC1344051D
https://hdl.handle.net/21.15107/rcub_dais_4356

Delić L. Poetic Grounds of Epic Formulae. in Balcanica. 2013;(XLIV):51-78.
doi:10.2298/BALC1344051D
https://hdl.handle.net/21.15107/rcub_dais_4356 .

Delić, Lidija, "Poetic Grounds of Epic Formulae" in Balcanica, no. XLIV (2013):51-78,
https://doi.org/10.2298/BALC1344051D .,
https://hdl.handle.net/21.15107/rcub_dais_4356 .

TY  - JOUR
AU  - Ilić, Marija
AU  - Delić, Lidija
PY  - 2012
UR  - https://dais.sanu.ac.rs/123456789/4352
PB  - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2  - Balcanica
T1  - The Balkans in Seattle A Chronicle of the 18th Biennial Conference on Balkan and South Slavic Linguistics, Literature, and Folklore. University of Washington Seattle, WA, 29–31 March 2012
SP  - 366
EP  - 370
IS  - XLIII
UR  - https://hdl.handle.net/21.15107/rcub_dais_4352
ER  - 

@article{
author = "Ilić, Marija and Delić, Lidija",
year = "2012",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "The Balkans in Seattle A Chronicle of the 18th Biennial Conference on Balkan and South Slavic Linguistics, Literature, and Folklore. University of Washington Seattle, WA, 29–31 March 2012",
pages = "366-370",
number = "XLIII",
url = "https://hdl.handle.net/21.15107/rcub_dais_4352"
}

Ilić, M.,& Delić, L.. (2012). The Balkans in Seattle A Chronicle of the 18th Biennial Conference on Balkan and South Slavic Linguistics, Literature, and Folklore. University of Washington Seattle, WA, 29–31 March 2012. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(XLIII), 366-370.
https://hdl.handle.net/21.15107/rcub_dais_4352

Ilić M, Delić L. The Balkans in Seattle A Chronicle of the 18th Biennial Conference on Balkan and South Slavic Linguistics, Literature, and Folklore. University of Washington Seattle, WA, 29–31 March 2012. in Balcanica. 2012;(XLIII):366-370.
https://hdl.handle.net/21.15107/rcub_dais_4352 .

Ilić, Marija, Delić, Lidija, "The Balkans in Seattle A Chronicle of the 18th Biennial Conference on Balkan and South Slavic Linguistics, Literature, and Folklore. University of Washington Seattle, WA, 29–31 March 2012" in Balcanica, no. XLIII (2012):366-370,
https://hdl.handle.net/21.15107/rcub_dais_4352 .