TY  - CONF
AU  - Živković, Valentina
AU  - Capriotti, Giuseppe
AU  - Akiyama, Akira
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/13935
AB  - By thinking in the context of two keywords,
motion and transformation, the mystical mind will
be analyzed not only as a receiver of real works of
art, but more properly as an inspired artist, able to
model and build his own work of art by empathizing
with his visual heritage: just as a painter or a
sculptor, to create his work of art, selects literary
sources and stylistic and iconographic models, so
the mystical mind builds the mental image on the
basis of its visual and intellectual heritage. The
mystical mind is infected with real images that live
empathically in the body of the devotee and can
be recalled and reactivated in the vision.
PB  - Bologna : Bononia University Press
C3  - Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1
T1  - The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy
SP  - 17
EP  - 22
UR  - https://hdl.handle.net/21.15107/rcub_dais_13935
ER  - 

@conference{
author = "Živković, Valentina and Capriotti, Giuseppe and Akiyama, Akira",
year = "2021",
abstract = "By thinking in the context of two keywords,
motion and transformation, the mystical mind will
be analyzed not only as a receiver of real works of
art, but more properly as an inspired artist, able to
model and build his own work of art by empathizing
with his visual heritage: just as a painter or a
sculptor, to create his work of art, selects literary
sources and stylistic and iconographic models, so
the mystical mind builds the mental image on the
basis of its visual and intellectual heritage. The
mystical mind is infected with real images that live
empathically in the body of the devotee and can
be recalled and reactivated in the vision.",
publisher = "Bologna : Bononia University Press",
journal = "Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1",
title = "The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy",
pages = "17-22",
url = "https://hdl.handle.net/21.15107/rcub_dais_13935"
}

Živković, V., Capriotti, G.,& Akiyama, A.. (2021). The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy. in Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1
Bologna : Bononia University Press., 17-22.
https://hdl.handle.net/21.15107/rcub_dais_13935

Živković V, Capriotti G, Akiyama A. The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy. in Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1. 2021;:17-22.
https://hdl.handle.net/21.15107/rcub_dais_13935 .

Živković, Valentina, Capriotti, Giuseppe, Akiyama, Akira, "The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy" in Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1 (2021):17-22,
https://hdl.handle.net/21.15107/rcub_dais_13935 .

TY  - JOUR
AU  - Capriotti, Giuseppe
AU  - Živković, Valentina
PY  - 2014
UR  - https://dais.sanu.ac.rs/123456789/14020
AB  - Through the discussion of two practical “case studies”, the authors deal with a classical theme of iconographical studies, that is the complex relationship between text and image. The two examples explain in particular how the “intention” of the artist or patron, and so the deeper meaning of the pictures, are not revealed by the exact correspondences between text and image, but emerge mainly from the recognition of the differences. Often this gap between text and image can be originated from the liturgy or can be explained by the links with ritual practices, in which the pictures are involved. Catholic prelates from Kotor were able to commission such artists who could paint the fresco programs of town churches mostly based on models found in Byzantine art because such solutions offered them possibilities of forming their own program based on the liturgy of the Catholic Church. In the case of the Olivuccio di Ceccarello’s Dormitio, from Sirolo, the semi-liturgical rituality of the assault on the properties of the Jews, accepted by the Church, justifies the scars on the image of Jews and clarifies the reason for the selection of episodes made by the painter on the basis of the Legenda aurea, with the intention to highlight the negative role of the Jews, as opposed to the positive one played by the incredulous Apostle Thomas.
PB  - Rijeka : Sveučilište u Rijeci, Filozofski fakultet
T2  - IKON : Journal of Iconographic Studies
T1  - The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast
SP  - 167
EP  - 180
VL  - 7
DO  - 10.1484/J.IKON.5.102972
UR  - https://hdl.handle.net/21.15107/rcub_dais_14020
ER  - 

@article{
author = "Capriotti, Giuseppe and Živković, Valentina",
year = "2014",
abstract = "Through the discussion of two practical “case studies”, the authors deal with a classical theme of iconographical studies, that is the complex relationship between text and image. The two examples explain in particular how the “intention” of the artist or patron, and so the deeper meaning of the pictures, are not revealed by the exact correspondences between text and image, but emerge mainly from the recognition of the differences. Often this gap between text and image can be originated from the liturgy or can be explained by the links with ritual practices, in which the pictures are involved. Catholic prelates from Kotor were able to commission such artists who could paint the fresco programs of town churches mostly based on models found in Byzantine art because such solutions offered them possibilities of forming their own program based on the liturgy of the Catholic Church. In the case of the Olivuccio di Ceccarello’s Dormitio, from Sirolo, the semi-liturgical rituality of the assault on the properties of the Jews, accepted by the Church, justifies the scars on the image of Jews and clarifies the reason for the selection of episodes made by the painter on the basis of the Legenda aurea, with the intention to highlight the negative role of the Jews, as opposed to the positive one played by the incredulous Apostle Thomas.",
publisher = "Rijeka : Sveučilište u Rijeci, Filozofski fakultet",
journal = "IKON : Journal of Iconographic Studies",
title = "The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast",
pages = "167-180",
volume = "7",
doi = "10.1484/J.IKON.5.102972",
url = "https://hdl.handle.net/21.15107/rcub_dais_14020"
}

Capriotti, G.,& Živković, V.. (2014). The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast. in IKON : Journal of Iconographic Studies
Rijeka : Sveučilište u Rijeci, Filozofski fakultet., 7, 167-180.
https://doi.org/10.1484/J.IKON.5.102972
https://hdl.handle.net/21.15107/rcub_dais_14020

Capriotti G, Živković V. The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast. in IKON : Journal of Iconographic Studies. 2014;7:167-180.
doi:10.1484/J.IKON.5.102972
https://hdl.handle.net/21.15107/rcub_dais_14020 .

Capriotti, Giuseppe, Živković, Valentina, "The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast" in IKON : Journal of Iconographic Studies, 7 (2014):167-180,
https://doi.org/10.1484/J.IKON.5.102972 .,
https://hdl.handle.net/21.15107/rcub_dais_14020 .