@conference{
author = "Делић, Јован",
year = "2018",
abstract = "У раду се показује да је прстен омиљена композицијска фигура Андрићевих романа., The paper examines the poetics of the composition of Ivo Andrić’s novels
and is written to offer a description and an explanation of a dominant poetic
feature, characteristic of Andrić’s composing the novels. It is the circular frame
ring which, as a rule, encompasses a novel. These can be double rings – as in the
novels The Bridge on the Drina and Bosnian Chronicle, where one ring encircles
the hero (Mehmed Pasha Sokolović and Jean Daville) and the other goes around
the novel as a whole – whereas the novel Omer Pasha Latas is encircled with
the hero’s arrival and departure, which resembles the ring made by Daville’s plot
line in Bosnian Chronicle. In The Damned Yard, however, Radovan Vučković
noticed as many as five concentric composition circles, i.e. rings, which prove the
precision and perfection of the composition of the novel. It is only in the novel The
Woman from Sarajevo that Andrić does not follow this model closely, although
we can say that the narration flowing from the news of the Woman’s death in the
introduction to the description of her dying at the end functions as a ring.
Although Andrić’s rings are undeniably the facts related to the
composition, they are never solely this, but are deeply multifunctional: they
establish a chronicler distance from the heroes, activate the leitmotifs turning
them into suggestive symbols, mythologize the novel and its heroes, and give
a point to the novel. Andrić’s rings, therefore, gain a symbolic value, convey
the meaning and function as the main point of the novel.",
publisher = "Београд : Српска академија наука и уметности",
journal = "Дело Иве Андрића",
title = "Андрићеви прстенови (за поетику композиције Андрићевих романа), Andrić’s rings (the poetics of the composition of Andrić’s novels)",
pages = "441-452",
url = "https://hdl.handle.net/21.15107/rcub_dais_12168"
}