TY  - CONF
AU  - Maglov, Marija
AU  - Vukobratović, Jelka
PY  - 2023
UR  - https://www.fdv.uni-lj.si/en/news-and-information/events-and-photo-gallery/event-calendar/how-does-your-music-sound-belonging-communities-and-identities-in-popular-music-across-central-eastern-and-south-eastern-europe
UR  - https://dais.sanu.ac.rs/123456789/15414
AB  - In this paper we focus on the 1950s popular music in Yugoslavia, which was, same as the country and its cultural politics at the time, finding its own ground. On the one hand, we hear a significant presence of the orchestral dance music (whether instrumental or with lead vocals), such as tango, foxtrot, rumba, waltz etc., similar to the interwar period. On the other hand, we hear the emergence of authors and stylistic preferences typical for zabavna muzika, Yugoslav popular music style whose formation has been dated to the late 1950s and early 1960s in the contemporary literature. Focusing our attention on the only two existing record companies at the time, Jugoton from Zagreb and Jugodisk from Belgrade, we analyse the music’s transitional character. Our main argument is that the insight into the record production of the 1950s is crucial for exploration of key ingredients and context for the formation of domestic Yugoslav popular music. The remaining recordings are witnesses of repertoire, but also performers, arrangement and performance styles. Furthermore, we argue that the exploration of this segment of Yugoslav popular music is almost impossible without taking into account discographic production coming from both Croatia and Serbia. We also recognize potential for the developement of regional popular music studies in complementary approaches to the topic from the two former Yugoslav republics. This research was in one part supported by the Science Fund of the Republic of Serbia, Grant. nr. 7750287 Applied Musicology and Ethnomusicology in Serbia: Making a Difference in Contemporary Society – APPMES (Institute of Musicology SASA, Belgrade) and in part by the Croatian Science Foundation through the project The Recording Industry in Croatia between 1927 and the end of the 1950s (Institute of Ethnology and Folklore Research, Zagreb).
PB  - Ljubljana : Faculty of Social Sciences, and the International Association for the Study of Popular Music
C3  - Book of Abstracts: How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe
T1  - It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music
SP  - 24
EP  - 25
UR  - https://hdl.handle.net/21.15107/rcub_dais_15414
ER  - 

@conference{
author = "Maglov, Marija and Vukobratović, Jelka",
year = "2023",
abstract = "In this paper we focus on the 1950s popular music in Yugoslavia, which was, same as the country and its cultural politics at the time, finding its own ground. On the one hand, we hear a significant presence of the orchestral dance music (whether instrumental or with lead vocals), such as tango, foxtrot, rumba, waltz etc., similar to the interwar period. On the other hand, we hear the emergence of authors and stylistic preferences typical for zabavna muzika, Yugoslav popular music style whose formation has been dated to the late 1950s and early 1960s in the contemporary literature. Focusing our attention on the only two existing record companies at the time, Jugoton from Zagreb and Jugodisk from Belgrade, we analyse the music’s transitional character. Our main argument is that the insight into the record production of the 1950s is crucial for exploration of key ingredients and context for the formation of domestic Yugoslav popular music. The remaining recordings are witnesses of repertoire, but also performers, arrangement and performance styles. Furthermore, we argue that the exploration of this segment of Yugoslav popular music is almost impossible without taking into account discographic production coming from both Croatia and Serbia. We also recognize potential for the developement of regional popular music studies in complementary approaches to the topic from the two former Yugoslav republics. This research was in one part supported by the Science Fund of the Republic of Serbia, Grant. nr. 7750287 Applied Musicology and Ethnomusicology in Serbia: Making a Difference in Contemporary Society – APPMES (Institute of Musicology SASA, Belgrade) and in part by the Croatian Science Foundation through the project The Recording Industry in Croatia between 1927 and the end of the 1950s (Institute of Ethnology and Folklore Research, Zagreb).",
publisher = "Ljubljana : Faculty of Social Sciences, and the International Association for the Study of Popular Music",
journal = "Book of Abstracts: How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe",
title = "It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music",
pages = "24-25",
url = "https://hdl.handle.net/21.15107/rcub_dais_15414"
}

Maglov, M.,& Vukobratović, J.. (2023). It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music. in Book of Abstracts: How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe
Ljubljana : Faculty of Social Sciences, and the International Association for the Study of Popular Music., 24-25.
https://hdl.handle.net/21.15107/rcub_dais_15414

Maglov M, Vukobratović J. It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music. in Book of Abstracts: How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe. 2023;:24-25.
https://hdl.handle.net/21.15107/rcub_dais_15414 .

Maglov, Marija, Vukobratović, Jelka, "It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music" in Book of Abstracts: How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe (2023):24-25,
https://hdl.handle.net/21.15107/rcub_dais_15414 .

TY  - JOUR
AU  - Vukobratović, Jelka
PY  - 2022
UR  - https://dais.sanu.ac.rs/123456789/13055
AB  - The article investigates the connection between the early record industry and the development of copyright legislation in Croatia and the former Yugoslavia between 1929 and the 1960s. Special attention is given to the topic of the implementation of copyright and the related rights within domestic record production in the selected period. The concept of the author, partly constructed through the implementation of copyright, is then reconsidered in the example of early Yugoslavian popular music.
AB  - Чланак истражује везу између ране дискографске индустрије и развоја законодавства/легислативе о ауторским правима у Хрватској и бившој Југославији између 1929. и 1960-их година. Посебна пажња посвећена је теми имплементације ауторског и сродних права у домаћој грамофонској продукцији у одабраном периоду. Концепт аутора, делом конструисан
кроз имплементацију ауторских права, преиспитује се на примеру ране југословенске популарне музике.
PB  - Београд : Музиколошки институт САНУ
T2  - Музикологија / Musicology 32 (I/2022)
T1  - The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s
T1  - Увођење ауторског права у раној музичкој индустрији и импликације ауторства за популарну музику у Хрватској између 1929. и 1960-их
SP  - 109
EP  - 123
VL  - 1
IS  - 32
DO  - 10.2298/MUZ2232109V
UR  - https://hdl.handle.net/21.15107/rcub_dais_13055
ER  - 

@article{
author = "Vukobratović, Jelka",
year = "2022",
abstract = "The article investigates the connection between the early record industry and the development of copyright legislation in Croatia and the former Yugoslavia between 1929 and the 1960s. Special attention is given to the topic of the implementation of copyright and the related rights within domestic record production in the selected period. The concept of the author, partly constructed through the implementation of copyright, is then reconsidered in the example of early Yugoslavian popular music., Чланак истражује везу између ране дискографске индустрије и развоја законодавства/легислативе о ауторским правима у Хрватској и бившој Југославији између 1929. и 1960-их година. Посебна пажња посвећена је теми имплементације ауторског и сродних права у домаћој грамофонској продукцији у одабраном периоду. Концепт аутора, делом конструисан
кроз имплементацију ауторских права, преиспитује се на примеру ране југословенске популарне музике.",
publisher = "Београд : Музиколошки институт САНУ",
journal = "Музикологија / Musicology 32 (I/2022)",
title = "The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s, Увођење ауторског права у раној музичкој индустрији и импликације ауторства за популарну музику у Хрватској између 1929. и 1960-их",
pages = "109-123",
volume = "1",
number = "32",
doi = "10.2298/MUZ2232109V",
url = "https://hdl.handle.net/21.15107/rcub_dais_13055"
}

Vukobratović, J.. (2022). The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s. in Музикологија / Musicology 32 (I/2022)
Београд : Музиколошки институт САНУ., 1(32), 109-123.
https://doi.org/10.2298/MUZ2232109V
https://hdl.handle.net/21.15107/rcub_dais_13055

Vukobratović J. The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s. in Музикологија / Musicology 32 (I/2022). 2022;1(32):109-123.
doi:10.2298/MUZ2232109V
https://hdl.handle.net/21.15107/rcub_dais_13055 .

Vukobratović, Jelka, "The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s" in Музикологија / Musicology 32 (I/2022), 1, no. 32 (2022):109-123,
https://doi.org/10.2298/MUZ2232109V .,
https://hdl.handle.net/21.15107/rcub_dais_13055 .