TY  - CHAP
AU  - Živković, Valentina
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/15692
AB  - Il tema della comparsa e delle persistenze di tradizione bizantina nell’icono-
grafia e nello stile della pittura cattolica è un vasto campo di ricerca che impli-
ca l’analisi dei diversi contesti storici nei quali si producono e presentano dif-
ferenti manifestazioni visive. I fenomeni più studiati sono perlopiù legati alla
pittura italiana medievale e dalla prima età moderna – la maniera greca, gli af-
freschi nelle chiese rupestri della Basilicata, della Puglia e della Calabria, così
come la scuola cretese-veneziana. Come nella penisola appenninica, la pre-
senza di elementi iconografici e stilistici bizantini è frequente anche nella costa
dalmata meridionale del Adriatico orientale, nell’odierno Montenegro (Crna
Gora). Al centro di quest’indagine c’è Cattaro (Kotor), una città adriatica sulla
frontiera tra due culture, ove si manifesta l’intreccio di confessioni religiose di
committenti di tradizione cattolica e ortodossa. L’arte medievale a Cattaro si
sviluppa infatti sotto il segno delle mescolanze di elementi iconografici e stili-
stici del mondo bizantino e di quello latino. Con l’applicazione dell’Unione tra
le Chiese, tale fenomeno si manifestò con nuove formule
iconografiche, promosse da committenti ortodossi bizantini.
Il tema di questo capitolo sarà dunque l’analisi della presenza di schemi bi-
zantini nella pittura cattolica del Quattrocento a Cattaro, indagata attraverso
un selezionato esempio paradigmatico, ovvero gli affreschi della chiesa di San
Michele, una delle più importanti di Cattaro, città ove c’erano circa trenta
chiese alla fine del Quattrocento, edificate grazie alle donazioni delle famiglie
che avevano il diritto di nominare abbas et rector. Con una datazione alla
metà del Quattrocento gli affreschi di San Michele sono una delle ultime
espressioni artistiche bizantine nella Cattaro cattolica.
PB  - Roma : Campisano Editore
T2  - Les chrétientés orthodoxes post-byzantines face à l’Europe de la Réforme et des Temps Modernes 1450-1700, circulations, similitudes, correspondances
T1  - Persistenze di tradizione bizantina nella pittura della città cattolica di Cattaro
SP  - 95
EP  - 109
UR  - https://hdl.handle.net/21.15107/rcub_dais_15692
ER  - 

@inbook{
author = "Živković, Valentina",
year = "2023",
abstract = "Il tema della comparsa e delle persistenze di tradizione bizantina nell’icono-
grafia e nello stile della pittura cattolica è un vasto campo di ricerca che impli-
ca l’analisi dei diversi contesti storici nei quali si producono e presentano dif-
ferenti manifestazioni visive. I fenomeni più studiati sono perlopiù legati alla
pittura italiana medievale e dalla prima età moderna – la maniera greca, gli af-
freschi nelle chiese rupestri della Basilicata, della Puglia e della Calabria, così
come la scuola cretese-veneziana. Come nella penisola appenninica, la pre-
senza di elementi iconografici e stilistici bizantini è frequente anche nella costa
dalmata meridionale del Adriatico orientale, nell’odierno Montenegro (Crna
Gora). Al centro di quest’indagine c’è Cattaro (Kotor), una città adriatica sulla
frontiera tra due culture, ove si manifesta l’intreccio di confessioni religiose di
committenti di tradizione cattolica e ortodossa. L’arte medievale a Cattaro si
sviluppa infatti sotto il segno delle mescolanze di elementi iconografici e stili-
stici del mondo bizantino e di quello latino. Con l’applicazione dell’Unione tra
le Chiese, tale fenomeno si manifestò con nuove formule
iconografiche, promosse da committenti ortodossi bizantini.
Il tema di questo capitolo sarà dunque l’analisi della presenza di schemi bi-
zantini nella pittura cattolica del Quattrocento a Cattaro, indagata attraverso
un selezionato esempio paradigmatico, ovvero gli affreschi della chiesa di San
Michele, una delle più importanti di Cattaro, città ove c’erano circa trenta
chiese alla fine del Quattrocento, edificate grazie alle donazioni delle famiglie
che avevano il diritto di nominare abbas et rector. Con una datazione alla
metà del Quattrocento gli affreschi di San Michele sono una delle ultime
espressioni artistiche bizantine nella Cattaro cattolica.",
publisher = "Roma : Campisano Editore",
journal = "Les chrétientés orthodoxes post-byzantines face à l’Europe de la Réforme et des Temps Modernes 1450-1700, circulations, similitudes, correspondances",
booktitle = "Persistenze di tradizione bizantina nella pittura della città cattolica di Cattaro",
pages = "95-109",
url = "https://hdl.handle.net/21.15107/rcub_dais_15692"
}

Živković, V.. (2023). Persistenze di tradizione bizantina nella pittura della città cattolica di Cattaro. in Les chrétientés orthodoxes post-byzantines face à l’Europe de la Réforme et des Temps Modernes 1450-1700, circulations, similitudes, correspondances
Roma : Campisano Editore., 95-109.
https://hdl.handle.net/21.15107/rcub_dais_15692

Živković V. Persistenze di tradizione bizantina nella pittura della città cattolica di Cattaro. in Les chrétientés orthodoxes post-byzantines face à l’Europe de la Réforme et des Temps Modernes 1450-1700, circulations, similitudes, correspondances. 2023;:95-109.
https://hdl.handle.net/21.15107/rcub_dais_15692 .

Živković, Valentina, "Persistenze di tradizione bizantina nella pittura della città cattolica di Cattaro" in Les chrétientés orthodoxes post-byzantines face à l’Europe de la Réforme et des Temps Modernes 1450-1700, circulations, similitudes, correspondances (2023):95-109,
https://hdl.handle.net/21.15107/rcub_dais_15692 .

TY  - CHAP
AU  - Marinković, Ana
AU  - Živković, Valentina
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14917
AB  - The research on the historical currents of the Observant reform, its diffu-sion in the earliest stages, as well as its periodical local and global revivals throughout the following two centuries, is inextricably linked to the study of the promotion of cults of saints. Building on the types of sainthood pre-ferred by and partially formed in Mendicant circles (notably living saints, but also local saints), the Observant friars supported veneration of their contemporaries, creating thus an array of local beati whose cults frequent-ly gained wider recognition. This paper is examining the appearance and diffusion of saints’ cults among the reformed Dominican order in the southeastern Adriatic, that is, in the territory of Dubrovnik and Kotor from the first reformist attempts at the end of the fourteenth century to the Observant efforts united with the post-Tridentine ambience in the later sixteenth century. In addition to crucial texts by Serafino Razzi (who also described devotional objects and images), the analysis is mainly conducted.
PB  - Nijmegen : Radboud University Press
T2  - Obesrvant Reforms and Cultural Production in Europe: Learning, Liturgy and Spiritual Practice
T1  - Observant Reform and the Cults of New Dominican Saints in the Southeastern Adriatic
SP  - 247
EP  - 266
DO  - 10.54195/XFRB6134_CH12
UR  - https://hdl.handle.net/21.15107/rcub_dais_14917
ER  - 

@inbook{
author = "Marinković, Ana and Živković, Valentina",
year = "2023",
abstract = "The research on the historical currents of the Observant reform, its diffu-sion in the earliest stages, as well as its periodical local and global revivals throughout the following two centuries, is inextricably linked to the study of the promotion of cults of saints. Building on the types of sainthood pre-ferred by and partially formed in Mendicant circles (notably living saints, but also local saints), the Observant friars supported veneration of their contemporaries, creating thus an array of local beati whose cults frequent-ly gained wider recognition. This paper is examining the appearance and diffusion of saints’ cults among the reformed Dominican order in the southeastern Adriatic, that is, in the territory of Dubrovnik and Kotor from the first reformist attempts at the end of the fourteenth century to the Observant efforts united with the post-Tridentine ambience in the later sixteenth century. In addition to crucial texts by Serafino Razzi (who also described devotional objects and images), the analysis is mainly conducted.",
publisher = "Nijmegen : Radboud University Press",
journal = "Obesrvant Reforms and Cultural Production in Europe: Learning, Liturgy and Spiritual Practice",
booktitle = "Observant Reform and the Cults of New Dominican Saints in the Southeastern Adriatic",
pages = "247-266",
doi = "10.54195/XFRB6134_CH12",
url = "https://hdl.handle.net/21.15107/rcub_dais_14917"
}

Marinković, A.,& Živković, V.. (2023). Observant Reform and the Cults of New Dominican Saints in the Southeastern Adriatic. in Obesrvant Reforms and Cultural Production in Europe: Learning, Liturgy and Spiritual Practice
Nijmegen : Radboud University Press., 247-266.
https://doi.org/10.54195/XFRB6134_CH12
https://hdl.handle.net/21.15107/rcub_dais_14917

Marinković A, Živković V. Observant Reform and the Cults of New Dominican Saints in the Southeastern Adriatic. in Obesrvant Reforms and Cultural Production in Europe: Learning, Liturgy and Spiritual Practice. 2023;:247-266.
doi:10.54195/XFRB6134_CH12
https://hdl.handle.net/21.15107/rcub_dais_14917 .

Marinković, Ana, Živković, Valentina, "Observant Reform and the Cults of New Dominican Saints in the Southeastern Adriatic" in Obesrvant Reforms and Cultural Production in Europe: Learning, Liturgy and Spiritual Practice (2023):247-266,
https://doi.org/10.54195/XFRB6134_CH12 .,
https://hdl.handle.net/21.15107/rcub_dais_14917 .

TY  - JOUR
AU  - Živković, Valentina
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/14925
AB  - Lucia Travaini’s book (translated in English in January 2022 as The Thirty Pieces of  Silver: Coin Relics in Medieval and Modern Europe and published by Routledge) offers a fresh inside into a very intriguing topic for the Christian world: the destiny of the thirty pieces of silver as a symbol of the price of the blood of Jesus Christ, the sum of money for which Judas betrayed him.
PB  - New York, NY : Cambridge University Press
T2  - Renaissance Quarterly:  Spring
T1  - I Trenta denari di Giuda: Storia di reliquie impreviste nell’Europa medievale e moderna. Lucia Travaini. Sacro/santo 27. Rome: Viella, 2020. 350 pp.
SP  - 305
EP  - 306
VL  - 76
IS  - 1
DO  - 10.1017/rqx.2023.163
UR  - https://hdl.handle.net/21.15107/rcub_dais_14925
ER  - 

@article{
author = "Živković, Valentina",
year = "2023",
abstract = "Lucia Travaini’s book (translated in English in January 2022 as The Thirty Pieces of  Silver: Coin Relics in Medieval and Modern Europe and published by Routledge) offers a fresh inside into a very intriguing topic for the Christian world: the destiny of the thirty pieces of silver as a symbol of the price of the blood of Jesus Christ, the sum of money for which Judas betrayed him.",
publisher = "New York, NY : Cambridge University Press",
journal = "Renaissance Quarterly:  Spring",
title = "I Trenta denari di Giuda: Storia di reliquie impreviste nell’Europa medievale e moderna. Lucia Travaini. Sacro/santo 27. Rome: Viella, 2020. 350 pp.",
pages = "305-306",
volume = "76",
number = "1",
doi = "10.1017/rqx.2023.163",
url = "https://hdl.handle.net/21.15107/rcub_dais_14925"
}

Živković, V.. (2023). I Trenta denari di Giuda: Storia di reliquie impreviste nell’Europa medievale e moderna. Lucia Travaini. Sacro/santo 27. Rome: Viella, 2020. 350 pp.. in Renaissance Quarterly:  Spring
New York, NY : Cambridge University Press., 76(1), 305-306.
https://doi.org/10.1017/rqx.2023.163
https://hdl.handle.net/21.15107/rcub_dais_14925

Živković V. I Trenta denari di Giuda: Storia di reliquie impreviste nell’Europa medievale e moderna. Lucia Travaini. Sacro/santo 27. Rome: Viella, 2020. 350 pp.. in Renaissance Quarterly:  Spring. 2023;76(1):305-306.
doi:10.1017/rqx.2023.163
https://hdl.handle.net/21.15107/rcub_dais_14925 .

Živković, Valentina, "I Trenta denari di Giuda: Storia di reliquie impreviste nell’Europa medievale e moderna. Lucia Travaini. Sacro/santo 27. Rome: Viella, 2020. 350 pp." in Renaissance Quarterly:  Spring, 76, no. 1 (2023):305-306,
https://doi.org/10.1017/rqx.2023.163 .,
https://hdl.handle.net/21.15107/rcub_dais_14925 .

TY  - JOUR
AU  - Henderson, John
AU  - Živković, Valentina
PY  - 2022
UR  - https://dais.sanu.ac.rs/123456789/13962
AB  - This article, which examines contemporaries’ personal experience of illness in Renaissance
Italy, is part of a growing literature which concentrates on the patient rather
than the practitioner. The basis of this study is the correspondence of Pietro Bembo, the
well-known humanist, papal secretary and latterly Cardinal, with his cousin Gian Matteo
Bembo and his long-standing secretary and friend, Cola Bruno. These letters are revealing
of how a non-medical man understood and described illness in the sixteenth century, and
his personal experience associated particularly with “mal delle reni”, which he shared with
his friends and recommended treatments. It also reveals his attitude towards medical practitioners,
ranging from scepticism to fully embracing new therapies such as Holy Wood,
which was used to treat the new epidemic disease of the Great Pox. Indeed he shared
his enthusiasm for the efficacy of this drug with his great friend the physician Girolamo
Fracastoro, the author of Syphilis, the poem which he dedicated to Bembo, and also of the
treatise De contagione et contagiosis morbis (1546).
PB  - Belgrade : Institute for Balkan Studies SASA
T2  - Balcanica
T1  - Experiencing Disease and Medical Treatment in Renaissance Italy: Cardinal Pietro Bembo and his Circle
SP  - 45
EP  - 62
VL  - 53
DO  - 10.2298/BALC2253045H
UR  - https://hdl.handle.net/21.15107/rcub_dais_13962
ER  - 

@article{
author = "Henderson, John and Živković, Valentina",
year = "2022",
abstract = "This article, which examines contemporaries’ personal experience of illness in Renaissance
Italy, is part of a growing literature which concentrates on the patient rather
than the practitioner. The basis of this study is the correspondence of Pietro Bembo, the
well-known humanist, papal secretary and latterly Cardinal, with his cousin Gian Matteo
Bembo and his long-standing secretary and friend, Cola Bruno. These letters are revealing
of how a non-medical man understood and described illness in the sixteenth century, and
his personal experience associated particularly with “mal delle reni”, which he shared with
his friends and recommended treatments. It also reveals his attitude towards medical practitioners,
ranging from scepticism to fully embracing new therapies such as Holy Wood,
which was used to treat the new epidemic disease of the Great Pox. Indeed he shared
his enthusiasm for the efficacy of this drug with his great friend the physician Girolamo
Fracastoro, the author of Syphilis, the poem which he dedicated to Bembo, and also of the
treatise De contagione et contagiosis morbis (1546).",
publisher = "Belgrade : Institute for Balkan Studies SASA",
journal = "Balcanica",
title = "Experiencing Disease and Medical Treatment in Renaissance Italy: Cardinal Pietro Bembo and his Circle",
pages = "45-62",
volume = "53",
doi = "10.2298/BALC2253045H",
url = "https://hdl.handle.net/21.15107/rcub_dais_13962"
}

Henderson, J.,& Živković, V.. (2022). Experiencing Disease and Medical Treatment in Renaissance Italy: Cardinal Pietro Bembo and his Circle. in Balcanica
Belgrade : Institute for Balkan Studies SASA., 53, 45-62.
https://doi.org/10.2298/BALC2253045H
https://hdl.handle.net/21.15107/rcub_dais_13962

Henderson J, Živković V. Experiencing Disease and Medical Treatment in Renaissance Italy: Cardinal Pietro Bembo and his Circle. in Balcanica. 2022;53:45-62.
doi:10.2298/BALC2253045H
https://hdl.handle.net/21.15107/rcub_dais_13962 .

Henderson, John, Živković, Valentina, "Experiencing Disease and Medical Treatment in Renaissance Italy: Cardinal Pietro Bembo and his Circle" in Balcanica, 53 (2022):45-62,
https://doi.org/10.2298/BALC2253045H .,
https://hdl.handle.net/21.15107/rcub_dais_13962 .

TY  - CHAP
AU  - Živković, Valentina
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/13936
AB  - This chapter analyses the iconography of the frescoes in the church of St. Roch in
the village of Draguć (central Istria) as a visual source for contemporary accounts
of the origin and impact of the plague epidemic in 1527. It explores the eloquent
plague imagery as an integral part of an intriguing iconographic program dominated by the symbolism of the Eucharist. The appearance of particular motifs, as
well as the significance of the entire pictorial program, are examined as expressions of piety in a specific social and cultural context, using a wider comparative method regarding content and form. By applying this framework, the representation of the healthy and diseased, of divine and human bodies, will be shown to be the key to a better understanding the meaning of the pictorial program.
PB  - Berlin : De Gruyter Oldenbourg
T2  - Körper-Bilder in der Frühen Neuzeit : Kunst-, medizin- und mediengeschichtliche Perspektiven
T1  - Pestbilder und Reaktionen auf die Seuche in Istrien: die Kirche des heiligen Rochus in Draguć
T1  - Pictures of the plague and reactions to the epidemic in Istria: the Church of St. Roch in Draguć
SP  - 37
EP  - 54
DO  - 10.1515/9783110731842-003
UR  - https://hdl.handle.net/21.15107/rcub_dais_13936
ER  - 

@inbook{
author = "Živković, Valentina",
year = "2021",
abstract = "This chapter analyses the iconography of the frescoes in the church of St. Roch in
the village of Draguć (central Istria) as a visual source for contemporary accounts
of the origin and impact of the plague epidemic in 1527. It explores the eloquent
plague imagery as an integral part of an intriguing iconographic program dominated by the symbolism of the Eucharist. The appearance of particular motifs, as
well as the significance of the entire pictorial program, are examined as expressions of piety in a specific social and cultural context, using a wider comparative method regarding content and form. By applying this framework, the representation of the healthy and diseased, of divine and human bodies, will be shown to be the key to a better understanding the meaning of the pictorial program.",
publisher = "Berlin : De Gruyter Oldenbourg",
journal = "Körper-Bilder in der Frühen Neuzeit : Kunst-, medizin- und mediengeschichtliche Perspektiven",
booktitle = "Pestbilder und Reaktionen auf die Seuche in Istrien: die Kirche des heiligen Rochus in Draguć, Pictures of the plague and reactions to the epidemic in Istria: the Church of St. Roch in Draguć",
pages = "37-54",
doi = "10.1515/9783110731842-003",
url = "https://hdl.handle.net/21.15107/rcub_dais_13936"
}

Živković, V.. (2021). Pestbilder und Reaktionen auf die Seuche in Istrien: die Kirche des heiligen Rochus in Draguć. in Körper-Bilder in der Frühen Neuzeit : Kunst-, medizin- und mediengeschichtliche Perspektiven
Berlin : De Gruyter Oldenbourg., 37-54.
https://doi.org/10.1515/9783110731842-003
https://hdl.handle.net/21.15107/rcub_dais_13936

Živković V. Pestbilder und Reaktionen auf die Seuche in Istrien: die Kirche des heiligen Rochus in Draguć. in Körper-Bilder in der Frühen Neuzeit : Kunst-, medizin- und mediengeschichtliche Perspektiven. 2021;:37-54.
doi:10.1515/9783110731842-003
https://hdl.handle.net/21.15107/rcub_dais_13936 .

Živković, Valentina, "Pestbilder und Reaktionen auf die Seuche in Istrien: die Kirche des heiligen Rochus in Draguć" in Körper-Bilder in der Frühen Neuzeit : Kunst-, medizin- und mediengeschichtliche Perspektiven (2021):37-54,
https://doi.org/10.1515/9783110731842-003 .,
https://hdl.handle.net/21.15107/rcub_dais_13936 .

Živković, V.. (2021). Nikola Grk. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 26-27.
https://hdl.handle.net/21.15107/rcub_dais_14946

Živković V. Nikola Grk. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):26-27.
https://hdl.handle.net/21.15107/rcub_dais_14946 .

Živković, Valentina, "Nikola Grk" in Leksikon likovne umjetnosti Crne Gore, 1, no. 1 (2021):26-27,
https://hdl.handle.net/21.15107/rcub_dais_14946 .

Živković, V.. (2021). Mržep kod Kotora, Crkva Sv. Bazilija. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 621-621.
https://hdl.handle.net/21.15107/rcub_dais_14944

Živković V. Mržep kod Kotora, Crkva Sv. Bazilija. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):621-621.
https://hdl.handle.net/21.15107/rcub_dais_14944 .

Živković, Valentina, "Mržep kod Kotora, Crkva Sv. Bazilija" in Leksikon likovne umjetnosti Crne Gore, 1, no. 1 (2021):621-621,
https://hdl.handle.net/21.15107/rcub_dais_14944 .

Živković, V.. (2021). Mihailo Kotoranin. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 563-564.
https://hdl.handle.net/21.15107/rcub_dais_14943

Živković V. Mihailo Kotoranin. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):563-564.
https://hdl.handle.net/21.15107/rcub_dais_14943 .

Živković, Valentina, "Mihailo Kotoranin" in Leksikon likovne umjetnosti Crne Gore, 1, no. 1 (2021):563-564,
https://hdl.handle.net/21.15107/rcub_dais_14943 .

Živković, V.. (2021). Junčić, Matko. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 392-392.
https://hdl.handle.net/21.15107/rcub_dais_14942

Živković V. Junčić, Matko. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):392-392.
https://hdl.handle.net/21.15107/rcub_dais_14942 .

Živković, Valentina, "Junčić, Matko" in Leksikon likovne umjetnosti Crne Gore, 1, no. 1 (2021):392-392,
https://hdl.handle.net/21.15107/rcub_dais_14942 .

Živković, V.. (2021). Kotor, crkva Sv. Mihaila. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 445-446.
https://hdl.handle.net/21.15107/rcub_dais_14932

Živković V. Kotor, crkva Sv. Mihaila. in Leksikon likovne umjetnosti Crne Gore. 2021;:445-446.
https://hdl.handle.net/21.15107/rcub_dais_14932 .

Živković, Valentina, "Kotor, crkva Sv. Mihaila" in Leksikon likovne umjetnosti Crne Gore (2021):445-446,
https://hdl.handle.net/21.15107/rcub_dais_14932 .

Živković, V.. (2021). Gambe, Obrad. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 302-302.
https://hdl.handle.net/21.15107/rcub_dais_14938

Živković V. Gambe, Obrad. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):302-302.
https://hdl.handle.net/21.15107/rcub_dais_14938 .

Živković, Valentina, "Gambe, Obrad" in Leksikon likovne umjetnosti Crne Gore, 1, no. 1 (2021):302-302,
https://hdl.handle.net/21.15107/rcub_dais_14938 .

Živković, V.. (2021). Grčki slikari. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 322-323.
https://hdl.handle.net/21.15107/rcub_dais_14940

Živković V. Grčki slikari. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):322-323.
https://hdl.handle.net/21.15107/rcub_dais_14940 .

Živković, Valentina, "Grčki slikari" in Leksikon likovne umjetnosti Crne Gore, 1, no. 1 (2021):322-323,
https://hdl.handle.net/21.15107/rcub_dais_14940 .

Živković, V.. (2021). Manojlo. in Leksikon likovne umjetnosti Crne Gore
Podgorica : CANU., 1(1), 531-531.
https://hdl.handle.net/21.15107/rcub_dais_14941

Živković V. Manojlo. in Leksikon likovne umjetnosti Crne Gore. 2021;1(1):531-531.
https://hdl.handle.net/21.15107/rcub_dais_14941 .

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https://hdl.handle.net/21.15107/rcub_dais_14934 .

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Živković, Valentina, "Kotor, franjevački samostan" in Leksikon likovne umjetnosti Crne Gore (2021):448-449,
https://hdl.handle.net/21.15107/rcub_dais_14935 .

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Živković, V.. (2021). Kotor, ciborijum iz Katedrale Sv. Tripuna. in Leksikon likovne umjetnosti Crne Gore
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TY  - JOUR
AU  - Živković, Valentina
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/13998
AB  - The aim of the paper is to delineate the religious profile of the venerated local living saint Osanna from Kotor (1493-1565) through the typology of the sixteenth-century Dominican female living saints. The analysis of the occurrence and the use of mental and visual images with the theme of the Passion of Christ will be directed to determine how the same motifs were interwoven through the written, visual and sung media (in hagiography, iconography and laude singing) within a wider comparative context.
PB  - Rijeka : Sveučilište u Rijeci, Filozofski fakultet
T2  - IKON
T1  - Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor
SP  - 109
EP  - 120
VL  - 14
DO  - 10.1484/J.IKON.5.128296
UR  - https://hdl.handle.net/21.15107/rcub_dais_13998
ER  - 

@article{
author = "Živković, Valentina",
year = "2021",
abstract = "The aim of the paper is to delineate the religious profile of the venerated local living saint Osanna from Kotor (1493-1565) through the typology of the sixteenth-century Dominican female living saints. The analysis of the occurrence and the use of mental and visual images with the theme of the Passion of Christ will be directed to determine how the same motifs were interwoven through the written, visual and sung media (in hagiography, iconography and laude singing) within a wider comparative context.",
publisher = "Rijeka : Sveučilište u Rijeci, Filozofski fakultet",
journal = "IKON",
title = "Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor",
pages = "109-120",
volume = "14",
doi = "10.1484/J.IKON.5.128296",
url = "https://hdl.handle.net/21.15107/rcub_dais_13998"
}

Živković, V.. (2021). Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor. in IKON
Rijeka : Sveučilište u Rijeci, Filozofski fakultet., 14, 109-120.
https://doi.org/10.1484/J.IKON.5.128296
https://hdl.handle.net/21.15107/rcub_dais_13998

Živković V. Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor. in IKON. 2021;14:109-120.
doi:10.1484/J.IKON.5.128296
https://hdl.handle.net/21.15107/rcub_dais_13998 .

Živković, Valentina, "Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor" in IKON, 14 (2021):109-120,
https://doi.org/10.1484/J.IKON.5.128296 .,
https://hdl.handle.net/21.15107/rcub_dais_13998 .

TY  - CONF
AU  - Živković, Valentina
AU  - Capriotti, Giuseppe
AU  - Akiyama, Akira
PY  - 2021
UR  - https://dais.sanu.ac.rs/123456789/13935
AB  - By thinking in the context of two keywords,
motion and transformation, the mystical mind will
be analyzed not only as a receiver of real works of
art, but more properly as an inspired artist, able to
model and build his own work of art by empathizing
with his visual heritage: just as a painter or a
sculptor, to create his work of art, selects literary
sources and stylistic and iconographic models, so
the mystical mind builds the mental image on the
basis of its visual and intellectual heritage. The
mystical mind is infected with real images that live
empathically in the body of the devotee and can
be recalled and reactivated in the vision.
PB  - Bologna : Bononia University Press
C3  - Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1
T1  - The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy
SP  - 17
EP  - 22
UR  - https://hdl.handle.net/21.15107/rcub_dais_13935
ER  - 

@conference{
author = "Živković, Valentina and Capriotti, Giuseppe and Akiyama, Akira",
year = "2021",
abstract = "By thinking in the context of two keywords,
motion and transformation, the mystical mind will
be analyzed not only as a receiver of real works of
art, but more properly as an inspired artist, able to
model and build his own work of art by empathizing
with his visual heritage: just as a painter or a
sculptor, to create his work of art, selects literary
sources and stylistic and iconographic models, so
the mystical mind builds the mental image on the
basis of its visual and intellectual heritage. The
mystical mind is infected with real images that live
empathically in the body of the devotee and can
be recalled and reactivated in the vision.",
publisher = "Bologna : Bononia University Press",
journal = "Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1",
title = "The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy",
pages = "17-22",
url = "https://hdl.handle.net/21.15107/rcub_dais_13935"
}

Živković, V., Capriotti, G.,& Akiyama, A.. (2021). The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy. in Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1
Bologna : Bononia University Press., 17-22.
https://hdl.handle.net/21.15107/rcub_dais_13935

Živković V, Capriotti G, Akiyama A. The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy. in Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1. 2021;:17-22.
https://hdl.handle.net/21.15107/rcub_dais_13935 .

Živković, Valentina, Capriotti, Giuseppe, Akiyama, Akira, "The Mystical Mind as a Divine Artist: Visions, Artistic Production, Creation of Images through Empathy" in Motion: transformation: 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019: Congress Proceedings 1 (2021):17-22,
https://hdl.handle.net/21.15107/rcub_dais_13935 .