TY  - JOUR
AU  - Petrović, Danica
PY  - 2010
UR  - https://dais.sanu.ac.rs/123456789/2676
AB  - The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the Institute's work in various fields: research, publishing, building of archival collections, popularisation of research. We also learn about the various organisational changes that have taken place over the last decades and the developed collaboration with other institutions. The article also provides information about well known musicologists, ethnomusicologists, slavists and composers who worked with and visited the Institute.
AB  - Predstavljeni su počeci rada Muzikološkog instituta, zatim razvoj istraživačkih projekata, saradnika i najzad rezultati rada tokom svih proteklih godina, i to na različitim poljima: izdavaštvo, rad na formiranju različitih fondova, kao i na popularizaciji nauke. Izloženi su i osnovni podaci o organizacionim promenama u proteklom periodu, razvijenoj saradnji sa drugim institucijama, kao i podaci o najpoznatijim muzikolozima, etnomuzikolozima, slavistima i kom- pozitorima koji su bili gosti Instituta.
T2  - Музикологија / Musicology
T1  - Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010)
T1  - Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)
SP  - 11
EP  - 58
IS  - 10
DO  - 10.2298/MUZ1010011P
UR  - https://hdl.handle.net/21.15107/rcub_dais_2676
ER  - 

@article{
author = "Petrović, Danica",
year = "2010",
abstract = "The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the Institute's work in various fields: research, publishing, building of archival collections, popularisation of research. We also learn about the various organisational changes that have taken place over the last decades and the developed collaboration with other institutions. The article also provides information about well known musicologists, ethnomusicologists, slavists and composers who worked with and visited the Institute., Predstavljeni su počeci rada Muzikološkog instituta, zatim razvoj istraživačkih projekata, saradnika i najzad rezultati rada tokom svih proteklih godina, i to na različitim poljima: izdavaštvo, rad na formiranju različitih fondova, kao i na popularizaciji nauke. Izloženi su i osnovni podaci o organizacionim promenama u proteklom periodu, razvijenoj saradnji sa drugim institucijama, kao i podaci o najpoznatijim muzikolozima, etnomuzikolozima, slavistima i kom- pozitorima koji su bili gosti Instituta.",
journal = "Музикологија / Musicology",
title = "Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010), Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)",
pages = "11-58",
number = "10",
doi = "10.2298/MUZ1010011P",
url = "https://hdl.handle.net/21.15107/rcub_dais_2676"
}

Petrović, D.. (2010). Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010). in Музикологија / Musicology(10), 11-58.
https://doi.org/10.2298/MUZ1010011P
https://hdl.handle.net/21.15107/rcub_dais_2676

Petrović D. Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010). in Музикологија / Musicology. 2010;(10):11-58.
doi:10.2298/MUZ1010011P
https://hdl.handle.net/21.15107/rcub_dais_2676 .

Petrović, Danica, "Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010)" in Музикологија / Musicology, no. 10 (2010):11-58,
https://doi.org/10.2298/MUZ1010011P .,
https://hdl.handle.net/21.15107/rcub_dais_2676 .

TY  - BOOK
AU  - Petrović, Danica
PY  - 1982
UR  - https://dais.sanu.ac.rs/123456789/3445
AB  - The subject of this study is the Octoechos, one of the most important collections of music and poetry in the Orthodox Byzantino-Slav musical tradition. The stichera from the Octoechos provided poetical and melodic models for other church books in the annual cycle of Orthodox services — the Triodion, the Pentecostarion, the Menaia. Because these songs are sung in a cycle which recurs several times during the church year, church singers knew them best of all. The Byzantine neumatic manuscripts of the Octoechos (which are extant as a part of the Sticherarion from the tenth century on) have been studied and transcribed by Henry J.W. Tillyard and Lorenzo Tardo. The Slavonic manuscripts of the Octoechos with musical notation have not up until now been collected and analysed as a group. Our information about the translation of the Octoechos from Greek into Old Church Slavonic (in the 9th century), and about its development in the manuscript tradition and in early printed books (in the 11th to 16th centuries), comes from historical sources, lives of Saints and manuscripts without musical notation. The central part of this study deals with the neumatic manuscripts written and preserved in the Serbian monastery of Chilandari on Mount Athos (from the second half of the 18th century).
PB  - Beograd : Muzikološki Institut Srpske akademije nauka i umetnosti
T1  - Osmoglasnik u muzičkoj tradiciji Južnih Slovena
T1  - Octoeshos in tne musical tradition of Soutnern Slavs
UR  - https://hdl.handle.net/21.15107/rcub_dais_3445
ER  - 

@book{
author = "Petrović, Danica",
year = "1982",
abstract = "The subject of this study is the Octoechos, one of the most important collections of music and poetry in the Orthodox Byzantino-Slav musical tradition. The stichera from the Octoechos provided poetical and melodic models for other church books in the annual cycle of Orthodox services — the Triodion, the Pentecostarion, the Menaia. Because these songs are sung in a cycle which recurs several times during the church year, church singers knew them best of all. The Byzantine neumatic manuscripts of the Octoechos (which are extant as a part of the Sticherarion from the tenth century on) have been studied and transcribed by Henry J.W. Tillyard and Lorenzo Tardo. The Slavonic manuscripts of the Octoechos with musical notation have not up until now been collected and analysed as a group. Our information about the translation of the Octoechos from Greek into Old Church Slavonic (in the 9th century), and about its development in the manuscript tradition and in early printed books (in the 11th to 16th centuries), comes from historical sources, lives of Saints and manuscripts without musical notation. The central part of this study deals with the neumatic manuscripts written and preserved in the Serbian monastery of Chilandari on Mount Athos (from the second half of the 18th century).",
publisher = "Beograd : Muzikološki Institut Srpske akademije nauka i umetnosti",
title = "Osmoglasnik u muzičkoj tradiciji Južnih Slovena, Octoeshos in tne musical tradition of Soutnern Slavs",
url = "https://hdl.handle.net/21.15107/rcub_dais_3445"
}

Petrović, D.. (1982). Osmoglasnik u muzičkoj tradiciji Južnih Slovena. 
Beograd : Muzikološki Institut Srpske akademije nauka i umetnosti..
https://hdl.handle.net/21.15107/rcub_dais_3445

Petrović D. Osmoglasnik u muzičkoj tradiciji Južnih Slovena. 1982;.
https://hdl.handle.net/21.15107/rcub_dais_3445 .

Petrović, Danica, "Osmoglasnik u muzičkoj tradiciji Južnih Slovena" (1982),
https://hdl.handle.net/21.15107/rcub_dais_3445 .