Socialism or Art: Yugoslav Mass Song and Its Institutionalizations
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Приказ свих података о документуАпстракт
The genre of the mass song is one of the fundamental phenomena in aesthetics
and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay
audience, but also to be composed in a way that invites the participation of amateurs. Importantly,
the institutions which have been disseminating the mass song under state socialism, such
as various institutions of education, culture and art, have also served as mechanisms for the
normalization of its ideological content. This article summarizes important aspects of the concept
of the mass song in general and offers a multifaceted exemplification, before proceeding to
discuss the history of mass songs in socialist Yugoslavia (including, by and large, what is usually
referred to as partisan songs), with emphasis on the institutional framework through which they
were practiced and disseminated, and on specificities that the genre had accrued within the Yugoslav framework. This historical framework of practic...ing mass songs in Yugoslavia provides a
platform for opening the question of intrinsic incompatibility between the project of a classless
society and the institution of art. In regards to this, article discusses contemporary practice of
Yugoslav mass songs as practiced by self-organized choirs and their new political potential.
Кључне речи:
mass song / socialist realism / partisan art / canonization / amateurismИзвор:
AM Journal of Art and Media Studies, 2017, 13, 31-42Издавач:
- Belgrade : Faculty of Media and Communications, Singidunum University
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
URI
http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/185https://dais.sanu.ac.rs/123456789/6618
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Atanasovski, Srđan PY - 2017 UR - http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/185 UR - https://dais.sanu.ac.rs/123456789/6618 AB - The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to be composed in a way that invites the participation of amateurs. Importantly, the institutions which have been disseminating the mass song under state socialism, such as various institutions of education, culture and art, have also served as mechanisms for the normalization of its ideological content. This article summarizes important aspects of the concept of the mass song in general and offers a multifaceted exemplification, before proceeding to discuss the history of mass songs in socialist Yugoslavia (including, by and large, what is usually referred to as partisan songs), with emphasis on the institutional framework through which they were practiced and disseminated, and on specificities that the genre had accrued within the Yugoslav framework. This historical framework of practicing mass songs in Yugoslavia provides a platform for opening the question of intrinsic incompatibility between the project of a classless society and the institution of art. In regards to this, article discusses contemporary practice of Yugoslav mass songs as practiced by self-organized choirs and their new political potential. PB - Belgrade : Faculty of Media and Communications, Singidunum University T2 - AM Journal of Art and Media Studies T1 - Socialism or Art: Yugoslav Mass Song and Its Institutionalizations SP - 31 EP - 42 VL - 13 DO - 10.25038/am.v0i13.185 UR - https://hdl.handle.net/21.15107/rcub_dais_6618 ER -
@article{ author = "Atanasovski, Srđan", year = "2017", abstract = "The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to be composed in a way that invites the participation of amateurs. Importantly, the institutions which have been disseminating the mass song under state socialism, such as various institutions of education, culture and art, have also served as mechanisms for the normalization of its ideological content. This article summarizes important aspects of the concept of the mass song in general and offers a multifaceted exemplification, before proceeding to discuss the history of mass songs in socialist Yugoslavia (including, by and large, what is usually referred to as partisan songs), with emphasis on the institutional framework through which they were practiced and disseminated, and on specificities that the genre had accrued within the Yugoslav framework. This historical framework of practicing mass songs in Yugoslavia provides a platform for opening the question of intrinsic incompatibility between the project of a classless society and the institution of art. In regards to this, article discusses contemporary practice of Yugoslav mass songs as practiced by self-organized choirs and their new political potential.", publisher = "Belgrade : Faculty of Media and Communications, Singidunum University", journal = "AM Journal of Art and Media Studies", title = "Socialism or Art: Yugoslav Mass Song and Its Institutionalizations", pages = "31-42", volume = "13", doi = "10.25038/am.v0i13.185", url = "https://hdl.handle.net/21.15107/rcub_dais_6618" }
Atanasovski, S.. (2017). Socialism or Art: Yugoslav Mass Song and Its Institutionalizations. in AM Journal of Art and Media Studies Belgrade : Faculty of Media and Communications, Singidunum University., 13, 31-42. https://doi.org/10.25038/am.v0i13.185 https://hdl.handle.net/21.15107/rcub_dais_6618
Atanasovski S. Socialism or Art: Yugoslav Mass Song and Its Institutionalizations. in AM Journal of Art and Media Studies. 2017;13:31-42. doi:10.25038/am.v0i13.185 https://hdl.handle.net/21.15107/rcub_dais_6618 .
Atanasovski, Srđan, "Socialism or Art: Yugoslav Mass Song and Its Institutionalizations" in AM Journal of Art and Media Studies, 13 (2017):31-42, https://doi.org/10.25038/am.v0i13.185 ., https://hdl.handle.net/21.15107/rcub_dais_6618 .