Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен
The Appearance of Concept Albums in Yugoslav Popular Music: Kamen na kamen - Long Play Records
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Метаподаци
Приказ свих података о документуАпстракт
Албуми групе Камен на камен, LP-60993 (1973) и ООУР / АВНОЈ (1975), аутора Николе Бороте Радована, поседују карактеристике по којима би се могли
сматрати концепт албумима: тематско и идејно усмерење у чијој је служби
редослед нумера, организација музичких средстава на макро- и микроплану,
елементи наратива и музички и звучни симболи. Према тим критеријумима
LP-60993 може се сматрати првим албумом са елементима концепта на простору Југославије. Аспекти настанка поменутих издања обухватају: Боротин
стваралачки однос према фолклору, утицаје угледних светских концепт албума и друштвено-политички контекст Боротиног ауторског рада.
It is commonly understood that a concept album is “a studio album where
all musical or lyrical ideas contribute to a single overall theme or unifed story”
(Shuker 2002: 5). In this paper this term will be used to denote an album containing
extra-musical themes and not simply collections of compositions defned only by
genre or theme. In order for an album to belong to this category, it must have taken
a thematic unity realized by the common content (thematically) of its compositions
and common musical means.
Although the beginnings of such creative trends can be traced from 1940, the
1960s and 1970s brought the most influential releases of this kind, especially The
Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band (1967), which has had a
great impact on many authors.
As far as is known, the topic of concept albums in Yugoslavia has not yet been
elaborated, so this article seems to be the frst dedicated to this subject. It seems
that in Yugoslavia there had been albums wit...h elements of concept released before
the appearance of the Kamen na kamen group album in 1973, entitled LP-60993
(Zagreb: Jugoton). The author of the album was Nikola Borota Radovan. After
that, a double LP by the same ensemble and songwriter appeared in 1975 entitled
OOUR/AVNOJ (RTV Ljubljana), with even more clearly expressed characteristics
of concept.
The aim of this article is to show that the thematic and conceptual elements of
these editions are frmly connected to those of the concept album.
These LPs were formed within the following thematic and contextual frames:
1) Borota`s general inclination towards folklore tradition(s) as a permanent source
of inspiration, 2) models among the greatest popular music works that influenced
his writing projects, primarily The Beatles’ concept albums, and 3) social, economic and political circumstances in Yugoslavia at the time when these albums
appeared. Even if it is not strictly a concept album in the full sense, the album LP-
60993 might be regarded as the frst album with elements of concept published by
a Yugoslav author, according to all the criteria and analyzed results.
The elements that show a clear connection to the concept are as follows: leading subject(s)/idea(s) that demand(s) the order of compositions, organization of musical elements and motives on macro- and micro-levels (to produce formal and
thematic unity), elements of narrative and musical/sound symbols, including elements of musique concrète.
Кључне речи:
Југословенска популарна музика / концепт албум / The Beatles / Никола Борота Радован / Камен на камен / ритам корака / гламочко глухо коло / команде / стројеви корак / песме Титу / World Music / musique concrèteИзвор:
2014, 17, 167-194Издавач:
- Београд : Музиколошки институт Српске академије наука и уметности
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
URI
http://www.doiserbia.nb.rs/img/doi/1450-9814/2014/1450-98141417167J.pdfhttps://dais.sanu.ac.rs/123456789/3872
Колекције
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Јовановић, Јелена PY - 2014 UR - http://www.doiserbia.nb.rs/img/doi/1450-9814/2014/1450-98141417167J.pdf UR - https://dais.sanu.ac.rs/123456789/3872 AB - Албуми групе Камен на камен, LP-60993 (1973) и ООУР / АВНОЈ (1975), аутора Николе Бороте Радована, поседују карактеристике по којима би се могли сматрати концепт албумима: тематско и идејно усмерење у чијој је служби редослед нумера, организација музичких средстава на макро- и микроплану, елементи наратива и музички и звучни симболи. Према тим критеријумима LP-60993 може се сматрати првим албумом са елементима концепта на простору Југославије. Аспекти настанка поменутих издања обухватају: Боротин стваралачки однос према фолклору, утицаје угледних светских концепт албума и друштвено-политички контекст Боротиног ауторског рада. AB - It is commonly understood that a concept album is “a studio album where all musical or lyrical ideas contribute to a single overall theme or unifed story” (Shuker 2002: 5). In this paper this term will be used to denote an album containing extra-musical themes and not simply collections of compositions defned only by genre or theme. In order for an album to belong to this category, it must have taken a thematic unity realized by the common content (thematically) of its compositions and common musical means. Although the beginnings of such creative trends can be traced from 1940, the 1960s and 1970s brought the most influential releases of this kind, especially The Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band (1967), which has had a great impact on many authors. As far as is known, the topic of concept albums in Yugoslavia has not yet been elaborated, so this article seems to be the frst dedicated to this subject. It seems that in Yugoslavia there had been albums with elements of concept released before the appearance of the Kamen na kamen group album in 1973, entitled LP-60993 (Zagreb: Jugoton). The author of the album was Nikola Borota Radovan. After that, a double LP by the same ensemble and songwriter appeared in 1975 entitled OOUR/AVNOJ (RTV Ljubljana), with even more clearly expressed characteristics of concept. The aim of this article is to show that the thematic and conceptual elements of these editions are frmly connected to those of the concept album. These LPs were formed within the following thematic and contextual frames: 1) Borota`s general inclination towards folklore tradition(s) as a permanent source of inspiration, 2) models among the greatest popular music works that influenced his writing projects, primarily The Beatles’ concept albums, and 3) social, economic and political circumstances in Yugoslavia at the time when these albums appeared. Even if it is not strictly a concept album in the full sense, the album LP- 60993 might be regarded as the frst album with elements of concept published by a Yugoslav author, according to all the criteria and analyzed results. The elements that show a clear connection to the concept are as follows: leading subject(s)/idea(s) that demand(s) the order of compositions, organization of musical elements and motives on macro- and micro-levels (to produce formal and thematic unity), elements of narrative and musical/sound symbols, including elements of musique concrète. PB - Београд : Музиколошки институт Српске академије наука и уметности T1 - Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен T1 - The Appearance of Concept Albums in Yugoslav Popular Music: Kamen na kamen - Long Play Records SP - 167 EP - 194 IS - 17 DO - 10.2298/MUZ1417167J UR - https://hdl.handle.net/21.15107/rcub_dais_3872 ER -
@article{ author = "Јовановић, Јелена", year = "2014", abstract = "Албуми групе Камен на камен, LP-60993 (1973) и ООУР / АВНОЈ (1975), аутора Николе Бороте Радована, поседују карактеристике по којима би се могли сматрати концепт албумима: тематско и идејно усмерење у чијој је служби редослед нумера, организација музичких средстава на макро- и микроплану, елементи наратива и музички и звучни симболи. Према тим критеријумима LP-60993 може се сматрати првим албумом са елементима концепта на простору Југославије. Аспекти настанка поменутих издања обухватају: Боротин стваралачки однос према фолклору, утицаје угледних светских концепт албума и друштвено-политички контекст Боротиног ауторског рада., It is commonly understood that a concept album is “a studio album where all musical or lyrical ideas contribute to a single overall theme or unifed story” (Shuker 2002: 5). In this paper this term will be used to denote an album containing extra-musical themes and not simply collections of compositions defned only by genre or theme. In order for an album to belong to this category, it must have taken a thematic unity realized by the common content (thematically) of its compositions and common musical means. Although the beginnings of such creative trends can be traced from 1940, the 1960s and 1970s brought the most influential releases of this kind, especially The Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band (1967), which has had a great impact on many authors. As far as is known, the topic of concept albums in Yugoslavia has not yet been elaborated, so this article seems to be the frst dedicated to this subject. It seems that in Yugoslavia there had been albums with elements of concept released before the appearance of the Kamen na kamen group album in 1973, entitled LP-60993 (Zagreb: Jugoton). The author of the album was Nikola Borota Radovan. After that, a double LP by the same ensemble and songwriter appeared in 1975 entitled OOUR/AVNOJ (RTV Ljubljana), with even more clearly expressed characteristics of concept. The aim of this article is to show that the thematic and conceptual elements of these editions are frmly connected to those of the concept album. These LPs were formed within the following thematic and contextual frames: 1) Borota`s general inclination towards folklore tradition(s) as a permanent source of inspiration, 2) models among the greatest popular music works that influenced his writing projects, primarily The Beatles’ concept albums, and 3) social, economic and political circumstances in Yugoslavia at the time when these albums appeared. Even if it is not strictly a concept album in the full sense, the album LP- 60993 might be regarded as the frst album with elements of concept published by a Yugoslav author, according to all the criteria and analyzed results. The elements that show a clear connection to the concept are as follows: leading subject(s)/idea(s) that demand(s) the order of compositions, organization of musical elements and motives on macro- and micro-levels (to produce formal and thematic unity), elements of narrative and musical/sound symbols, including elements of musique concrète.", publisher = "Београд : Музиколошки институт Српске академије наука и уметности", title = "Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен, The Appearance of Concept Albums in Yugoslav Popular Music: Kamen na kamen - Long Play Records", pages = "167-194", number = "17", doi = "10.2298/MUZ1417167J", url = "https://hdl.handle.net/21.15107/rcub_dais_3872" }
Јовановић, Ј.. (2014). Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен. Београд : Музиколошки институт Српске академије наука и уметности.(17), 167-194. https://doi.org/10.2298/MUZ1417167J https://hdl.handle.net/21.15107/rcub_dais_3872
Јовановић Ј. Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен. 2014;(17):167-194. doi:10.2298/MUZ1417167J https://hdl.handle.net/21.15107/rcub_dais_3872 .
Јовановић, Јелена, "Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен", no. 17 (2014):167-194, https://doi.org/10.2298/MUZ1417167J ., https://hdl.handle.net/21.15107/rcub_dais_3872 .