An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo
Ekstrovert i mizantrop: komparativna analiza virtuoznih aspekata i uticaja ličnosti u „Klavirskom knocertu br. 1“ u Es-duru Franca Lista i Alkanovog „Koncerta za solo klavir“
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Franz Liszt’s cosmopolitan spirit, extroverted character and philosophical approach to creation are fully evident in his compositions. In contrast, the opus of his close friend Charles-Valentin Alkan, the relatively neglected „Berlioz of the Piano“, shows the traces of his introverted and seemingly misanthropic temperament. In the 19th century, the solo concerto acquired new characteristics, reflected both in the performer’s technique and in the general creative approach. It is generally known that Liszt’s Piano Concerto No. 1 in E-Flat Major is an important evolutionary step forward in this genre, while Alkan’s Concerto for Solo Piano represents a cross-genre hybrid of a kind.
In this paper we will attempt to answer the question whether it is possible to find common ground between these two extraordinary composers, and if so, determine what it is. In addition, we will try to identify the reciprocal influences between them, the existence of which might be inferred from the historical ...and biographical data.
Kosmopolitski duh Franca Lista, ekstrovertnost i filozofski pristup stvaranju, u potpunosti su vidljivi u njegovim kompozicijama. Suprotno tome, opus njegovog bliskog prijatelja Šarla-Valentina Alkana, relativno zanemarenog „Berlioza klavira“, pokazuje tragove njegovog introvertnog i naizgled mizantropskog temperamenta. U 19. veku, forma koncerta je stekla nove karakteristike koje su se ogledale u tehnici izvođača, kao i u opštem kreativnom pristupu. Opšte je poznato da je Listov „Koncert za klavir br. 1“ u Es-duru važan evolutivni iskorak u ovom žanru, dok Alkanov „Koncert za solo klavir“ predstavlja svojevrsni žanrovski hibrid. Ovaj rad će pokušati da odgovori na pitanje da li je moguće naći dodirne tačke između ova dva izvanredna kompozitora i, ako je tako, utvrditi ih. Pored toga, pokušaće se prepoznati njihovi međusobni uticaji, o kojima se može zaključiti iz istorijskih i biografskih podataka.
Кључне речи:
Piano concerto / Charles-Valentin Alkan / Franz Liszt / Virtuosity / Romanticism / klavirski koncert / Šarl-Valentin Alkan / Franc List / virtuoznost / romantizamИзвор:
Zbornik radova Akademije umetnosti, 2020, 97-111Издавач:
- Novi Sad : Univerzitet u Novom Sadu, Akademija umetnosti
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Golubović, Marija AU - Komatović, Nikola PY - 2020 UR - https://dais.sanu.ac.rs/123456789/10162 AB - Franz Liszt’s cosmopolitan spirit, extroverted character and philosophical approach to creation are fully evident in his compositions. In contrast, the opus of his close friend Charles-Valentin Alkan, the relatively neglected „Berlioz of the Piano“, shows the traces of his introverted and seemingly misanthropic temperament. In the 19th century, the solo concerto acquired new characteristics, reflected both in the performer’s technique and in the general creative approach. It is generally known that Liszt’s Piano Concerto No. 1 in E-Flat Major is an important evolutionary step forward in this genre, while Alkan’s Concerto for Solo Piano represents a cross-genre hybrid of a kind. In this paper we will attempt to answer the question whether it is possible to find common ground between these two extraordinary composers, and if so, determine what it is. In addition, we will try to identify the reciprocal influences between them, the existence of which might be inferred from the historical and biographical data. AB - Kosmopolitski duh Franca Lista, ekstrovertnost i filozofski pristup stvaranju, u potpunosti su vidljivi u njegovim kompozicijama. Suprotno tome, opus njegovog bliskog prijatelja Šarla-Valentina Alkana, relativno zanemarenog „Berlioza klavira“, pokazuje tragove njegovog introvertnog i naizgled mizantropskog temperamenta. U 19. veku, forma koncerta je stekla nove karakteristike koje su se ogledale u tehnici izvođača, kao i u opštem kreativnom pristupu. Opšte je poznato da je Listov „Koncert za klavir br. 1“ u Es-duru važan evolutivni iskorak u ovom žanru, dok Alkanov „Koncert za solo klavir“ predstavlja svojevrsni žanrovski hibrid. Ovaj rad će pokušati da odgovori na pitanje da li je moguće naći dodirne tačke između ova dva izvanredna kompozitora i, ako je tako, utvrditi ih. Pored toga, pokušaće se prepoznati njihovi međusobni uticaji, o kojima se može zaključiti iz istorijskih i biografskih podataka. PB - Novi Sad : Univerzitet u Novom Sadu, Akademija umetnosti T2 - Zbornik radova Akademije umetnosti T1 - An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo T1 - Ekstrovert i mizantrop: komparativna analiza virtuoznih aspekata i uticaja ličnosti u „Klavirskom knocertu br. 1“ u Es-duru Franca Lista i Alkanovog „Koncerta za solo klavir“ SP - 97 EP - 111 DO - 10.5937/ZbAkU2008097G UR - https://hdl.handle.net/21.15107/rcub_dais_10162 ER -
@inbook{ author = "Golubović, Marija and Komatović, Nikola", year = "2020", abstract = "Franz Liszt’s cosmopolitan spirit, extroverted character and philosophical approach to creation are fully evident in his compositions. In contrast, the opus of his close friend Charles-Valentin Alkan, the relatively neglected „Berlioz of the Piano“, shows the traces of his introverted and seemingly misanthropic temperament. In the 19th century, the solo concerto acquired new characteristics, reflected both in the performer’s technique and in the general creative approach. It is generally known that Liszt’s Piano Concerto No. 1 in E-Flat Major is an important evolutionary step forward in this genre, while Alkan’s Concerto for Solo Piano represents a cross-genre hybrid of a kind. In this paper we will attempt to answer the question whether it is possible to find common ground between these two extraordinary composers, and if so, determine what it is. In addition, we will try to identify the reciprocal influences between them, the existence of which might be inferred from the historical and biographical data., Kosmopolitski duh Franca Lista, ekstrovertnost i filozofski pristup stvaranju, u potpunosti su vidljivi u njegovim kompozicijama. Suprotno tome, opus njegovog bliskog prijatelja Šarla-Valentina Alkana, relativno zanemarenog „Berlioza klavira“, pokazuje tragove njegovog introvertnog i naizgled mizantropskog temperamenta. U 19. veku, forma koncerta je stekla nove karakteristike koje su se ogledale u tehnici izvođača, kao i u opštem kreativnom pristupu. Opšte je poznato da je Listov „Koncert za klavir br. 1“ u Es-duru važan evolutivni iskorak u ovom žanru, dok Alkanov „Koncert za solo klavir“ predstavlja svojevrsni žanrovski hibrid. Ovaj rad će pokušati da odgovori na pitanje da li je moguće naći dodirne tačke između ova dva izvanredna kompozitora i, ako je tako, utvrditi ih. Pored toga, pokušaće se prepoznati njihovi međusobni uticaji, o kojima se može zaključiti iz istorijskih i biografskih podataka.", publisher = "Novi Sad : Univerzitet u Novom Sadu, Akademija umetnosti", journal = "Zbornik radova Akademije umetnosti", booktitle = "An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo, Ekstrovert i mizantrop: komparativna analiza virtuoznih aspekata i uticaja ličnosti u „Klavirskom knocertu br. 1“ u Es-duru Franca Lista i Alkanovog „Koncerta za solo klavir“", pages = "97-111", doi = "10.5937/ZbAkU2008097G", url = "https://hdl.handle.net/21.15107/rcub_dais_10162" }
Golubović, M.,& Komatović, N.. (2020). An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo. in Zbornik radova Akademije umetnosti Novi Sad : Univerzitet u Novom Sadu, Akademija umetnosti., 97-111. https://doi.org/10.5937/ZbAkU2008097G https://hdl.handle.net/21.15107/rcub_dais_10162
Golubović M, Komatović N. An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo. in Zbornik radova Akademije umetnosti. 2020;:97-111. doi:10.5937/ZbAkU2008097G https://hdl.handle.net/21.15107/rcub_dais_10162 .
Golubović, Marija, Komatović, Nikola, "An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo" in Zbornik radova Akademije umetnosti (2020):97-111, https://doi.org/10.5937/ZbAkU2008097G ., https://hdl.handle.net/21.15107/rcub_dais_10162 .