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On Developing a Methodology for Research of Musical Borrowing. Case Studies: Serbian Composers of the 1950s
dc.contributor | Golubović, Marija | |
dc.contributor | Novaković, Monika | |
dc.contributor | Marinković, Miloš | |
dc.creator | Bralović, Miloš | |
dc.date.accessioned | 2020-12-17T10:12:48Z | |
dc.date.available | 2020-12-17T10:12:48Z | |
dc.date.issued | 2020 | |
dc.identifier.isbn | 978-86-80639-55-0 | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/9952 | |
dc.description.abstract | Led by common sense, one may assume that musical borrowing assumes composing by using existing musical material (namely melodic, or motivic). | sr |
dc.language.iso | en | sr |
dc.publisher | Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | Young Musicology Belgrade 2020. Shaping the Present by The Future: Ethno/Musicology and Contemporaneity. International Conference. Book of Abstracts | sr |
dc.subject | Milan Ristić | sr |
dc.subject | Ljubica Marić | sr |
dc.subject | Musical Borrowing | sr |
dc.title | On Developing a Methodology for Research of Musical Borrowing. Case Studies: Serbian Composers of the 1950s | en |
dc.type | conferenceObject | sr |
dc.rights.license | BY-NC-ND | sr |
dcterms.abstract | Браловић, Милош; | |
dc.citation.spage | 44 | |
dc.citation.epage | 45 | |
dc.identifier.cobiss | 21059081 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | https://dais.sanu.ac.rs/bitstream/id/41103/MB_YMB_Abstract.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_9952 |