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Irony, Satire, Parody and Grotesque in Alfred Schnittke’s Opera Historia von D. Johann Fausten
(Hildelsheim : Georg Olms Verlag, 2023)
The title of my article is a paraphrase of the title of the book Irony, Satire, Parody and Grotesque in the Music of Dmitri Shostakovich: A Theory of Musical Incongruities by Israeli-American author Esti Sheinberg. Although ...
Ewa Mazierska and Zsolt Győri (eds.): Eastern European Popular Music in a Transnational Context: Beyond the Borders. London: Palgrave Macmillan, 2019, ISBN: 9783030170332, 243 p.
(Berlin : DiGZ, 2023)
This book is a recent addition to the series Palgrave European Film and Media Studies. Edited by Ewa Mazierska, Professor of Film Studies at the University of Central Lancashire, and Zsolt Győri, Assistant Professor at the ...
Legal Aliens: Serbian Composers in Western Europe Today
(London : Taylor & Francis, 2022)
This article is an extract from my ongoing investigation of the destinies of Serbian
composers who have emigrated since the early 1990s, a period that was marked by the
dissolution of the Socialist Federal Republic of ...
Moderate Modernism and Socially Acceptable Paraphrase: Two Late Works by Serbian Composer Stanojlo Rajičić
(Cham : Springer, 2022)
The complex question of context in music (and vice versa) entails multiple answers which vary from case to case. One must consider various factors such as characteristics of the period, genre, politics, sociological ...
For the ‛Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882–1914)
(Brepols : Turnhout, 2023)
Apart from struggling for state autonomy throughout the 19th century, the Serbian political and intellectual elite strove to reform Serbian society in order to create a strong and respectable state that would represent a ...
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia
(Bristol : Intellect, 2022)
Prompted by the emergence of Serbian black metal supergroup Gavranovi and their two singles released in 2020, this article offers an interdisciplinary and intertextual reading of this project. In this article, collaborative ...
Јединстви црквени пој – „српска” молитвена песма у контексту балканске појачке традиције / The Unique Church Singing – “Serbian” Prayer Song in Context of the Balkan Chanting Tradition
(Београд : Византолошки институт САНУ, 2020)
Утемељена у хришћанској цивилизацији византијског комонвелта српска држава и њена култура су током читавог средњег века, у периоду туркократије, као и у новијој историји, делили судбину осталих балканских народа. Правац ...
The Life and Work of Rudolf Bruči: The Composer in the Rift between Aesthetics and Ideologies
(Newcastle upon Tyne : Cambridge Scholars Publishing, 2021)
In 2017 we marked the centenary of the birth of Rudolf Bruči. Yet this
Yugoslav composer is little known outside professional circles, although his
compositional oeuvre was an artistic and cultural landmark of the
environment ...
Rudolf Bruči's Symphonic Works between Socialist Aestheticism and Moderated Modernism
(Newcastle upon Tyne : Cambridge Scholars Publishing, 2021)
In this chapter I discuss the symphonic output of Rudolf Bruči, a significant
Serbian and Yugoslav composer of the twentieth century, who was until
recently left on the margins of Serbian music history.
Cantatas in Rudolf Bruči's Oeuvre
(Newcastle upon Tyne : Cambridge Scholars Publishing, 2021)
Based on the sheer number and artistic value of his cantatas, Rudolf Bruči
ranks among the most prolific composers of this genre in Serbian music,
indeed, possibly the most prolific.